Showing 91 results

Papers of Valley Lasker, 1917-1981, mainly comprising correspondence and papers relating to the works of Gustav Holst, including note from Holst to Lasker on arrangement of his 'At the Boar's Head' for piano, 1924; letter from Holst, recommending Lasker as teacher of music, 1929; postcard from Adrian Cedric Boult [1922]; undated letter from John Masefield, replying to telegram from Bishop of Chichester; manuscript and typescript of talk by Lasker on Holst's 'The Planets' for the BBC Third Programme, 1951; correspondence relating to the Whitsun festivals established by Holst at Thaxted in 'Gustav Holst' by Revd Jack ,Putterill, Making Music, 1975; Chrissemas Day in the morning, piano solo by Holst (H165), autographed by Holst, 1927; correspondence relating to performance of the Holiday Singers for Lasker's 80th birthday, 1965; programmes of concerts featuring Lasker, including student concerts at Morley College, directed by Holst, 1917-1922, Society of Women Musicians, 1934, and Mrs F G Joseph's Orchestra, conducted by Lasker, 1930-1937, prizegiving at St Paul's Girls' School, 1932, tribute concert to Holst, 1951, with a few related reviews; correspondence on personal and musical matters to Lasker from Grace Hoskyns, 1929-1931;printed choral music, including works by Holst, most with signature of Holst.

Autograph letter book of Sir August Manns, containing c200 items of correspondence received 1862-1973 (predominantly 1870-1900), comprising short letters addressed to Manns (and a few to his daughter Augusta) from c100 correspondents, mainly eminent composers and musicians of the late 19th century, on musical or personal matters. Some later items appear to have been added by his daughter Augusta Bönten and grand-daughter Louise Bönten. The correspondents include: Johann Joseph Abert, Luigi Arditi, Waldemar Barziel, William Henry Bell, Sir Julius Benedict, Sir William Sterndale Bennett, Johannes Brahms, Max Bruch, Ignaz Brull, Cecile Chaminade, Sir William Cusins, Antonin Dvorák, Sir Edward Elgar, Robert Franz, Niels Gade, Friedrich Gernsheim, Charles-Francois Gounod, Edvard Grieg, Sir George Grove, Frederick Gye, Sir Charles Hallé, John Liptrot Hatton, Ferdinand Hiller, Sir Henry Irving, Charles Lamoureux, Franz Liszt, Hamish MacCunn, Sir George Alexander Macfarren, Walter Macfarren, Sir Alexander Campbell Mackenzie, Jules Massenet, Giacomo Meyerbeer, Sir Herbert Oakeley, Sir Charles Hubert Hastings Parry, Ebenezer Prout, Joachim Raff, Anton Rubinstein, Camille Saint-Saens, Sir Charles Santley, Pablo de Sarasate, Xaver Scharwenka, Clara Schumann, Giovanni Sgambati, John Stainer, Sir Charles Villiers Stanford, Julius Stockhausen, Richard Strauss, Sir Arthur Sullivan, Ambroise Thomas, Arthur Goring Thomas, Giuseppe Verdi, Henri Vieuxtemps, Thomas Wingham. 'The Four Ps', a memorandum for young people, manuscript of Manns, 1902; 'Wiegenlied' manuscript of tune by Manns, undated; order of memorial service for Manns, 6 Mar 1907 (MS 6925). Letters (17) to Manns, c1882-c1897: correspondents include Luigi Arditi, Eugene D'Albert, John Carrodus, Robert Hausmann, Sir A C Mackenzie, Alfredo Piatti, Giovanni Sgambati, Anstruther Stirling, Paul Viardot, August Wilhelmi, (MS 6927). Two letters (1895 and undated) to Manns from Andrew Black (1859-1920) and Sir George Henschel (1850-1934) (Ref: MS 6928).

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

Preaching plans and directories for Methodist circuits including the Ealing and Acton Circuit, 1978; Enfield Circuit, 1975-1976; Finchley and Hendon Circuit, 1973; Finsbury Park Circuit, 1969; Finsbury Park and Southgate Circuit, 1977-1978; Harlesden Circuit, 1973; Harrow Circuit, 1978; Highgate Circuit, 1977-1979; Teddington Circuit, 1977-1978 and Wembley and Golders Green Circuit, 1977-1978.

Letters (10) and papers of or relating to Giacomo Meyerbeer, including to Giovanni Ricordi, 29 Jun 1824; to Leopold Ganz, 17 May 1847; to Jean-Antoine-Just Géraldy, c1850; to Annette Le Brun, ?before 1854; to James Steuart Bowes, ?1854; to C L Gruneisen, [14 Apr 1860]. With two testimonials for Leopold Ganz, 1845.

Programmes, press cuttings, articles and transcripts relating to the composer Anthony Milner, used by James Siddons in his Anthony Milner: a Bio-Bibliography (Westport, CT, 1989), comprising scrap books of reviews of Milner's music and articles by or on Milner, 1951-1960; press cuttings relating to Milner's liturgical compositions in regard to the introduction of English in the Roman Catholic liturgy, and Milner's views of the translation of the order of mass into English, 1964-1970; music programmes (with some reviews) of concerts featuring Milner's works, 1958-1985; reviews and press cuttings of Milner's work and performances, c1958-1979; brief biographical notes on Milner, and schedules and itineraries of his lecture tours of Canada and USA, 1964-1985; transcript of 'Anthony Milner on his 50th birthday', a talk on 'Music weekly', BBC Radio 3, by Hugh Wood, 11 May 1975; 'Anthony Milner - a comment on his work' typescript article by Stephen Dodgson (MS 5866). Three published articles by Milner, with covering to Sir Keith Falkner, on the problem of the vernacular in the Roman Catholic liturgy, 'Music in a vernacular Catholic liturgy' paper read to the Royal Musical Association, 4 Jan 1965; 'The instruction on sacred music', Worship vol 41 no 6 Jun-Jul 1967; 'Music and liturgy', The Month, 1965-1966 (MS 6995)

Papers of the Morgan family, 1891-1963, comprising papers, reports, photographs, music and other personal memorabilia of Robert Orlando Morgan, R.G.S.M., Professor of the Guildhall School of Music and Drama 1887-1951, of his second son, Cyril Douglas Morgan, Principal Clerk to the Chamberlain of London 1946-1958 and of his son, M.D. Morgan, the depositor of these documents.

Papers and books belonging to the theatre critic Sheridan Morley (1941-2007). Includes correspondence, records relating to his various productions, volumes of press coverings covering his reviews, research notes and transcripts of some of his publications, photographs, records relating to his father Robert Morley and Grandmother Gladys Cooper, records relating to Noel Coward, theatre memorabilia and ephemera and objects.

Records of the Park Chapel, Hornsey, including declaration of trust and deeds; Deacons' Meeting minutes; Church Meeting minutes; Church registers of attendance; service sheets; financial records; papers relating to buildings and property; correspondence; papers relating to societies including the Sunday School and Dorcas Society; papers relating to the choir; papers relating to Hornsey British School; Church magazines and year books; plans; photographs; printed material; papers relating to the Blenheim Road Mission; papers relating to the Grove Mission and registers of marriages and baptisms at the Mount View Chapel, 1887-1913.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

Papers, 1892-1960, of Sir John Thomas Pratt, largely dating from after 1941, including correspondence concerning his various publications, files on his campaign against British involvement in the Korean War, articles, lecture notes and press cuttings. Also includes correspondence with his brother William (Billy) Pratt (1949-1957), whose stage name was Boris Karloff.

Translations from Russian literature by S W Pring including translations of short stories by Anton Pavlovich Chekhov; translation of the composer Nikolai Andreevich Rimsky-Korsakov's memoirs; correspondence relating to the possible publication in book form of Pring's translation of correspondence between Rimsky-Korsakov and Mily Alexeyevich Balakirev.

Papers of Lina Prokofiev, [1920-1987], including personal material such as copies of letters written by Serge Prokofiev; copies of correspondence between Lina's family and Prokofiev, [1931-1938]; copies of financial material, 1929-1935; correspondence and official papers relating to Lina's attempts to leave the Soviet Union and later to remain in Europe, [1973-1978]; personal correspondence of Lina, 1974-1989, with correspondents including her children and grandchildren, authors writing books on Prokofiev and Lina, and musical societies and orchestras requesting permission to perform Prokofiev's works; business correspondence, [1977-1985], regarding the setting up of the Serge Prokofiev Foundation and the collection of archival material, as well as legal matters relating to the Prokofiev estate and Lina's autobiography; papers relating to Lina's visit to the USA in 1976-1977, including schedules, correspondence, press cuttings and programmes; material relating to Lina's performance as the narrator in Peter and the Wolf at the Lincoln Centre for the Performing Arts, 1984-1985; family photographs. The collection also includes transcripts from taped interviews with Lina covering topics such as her family background, the early life and musical training of Serge Prokofiev, Prokofiev's composing methods, health, politics and relationship with his children, the public reception of Prokofiev's music, Lina and Prokofiev's courtship and marriage, and life in Soviet Russia; texts of articles and broadcasts by Lina, [1982-1984], on topics including Prokofiev's relationship with Stravinsky, and the writing of Romeo and Juliet and the Third Piano Concerto; articles by various authors relating to Prokofiev, [1976-1977, 1980-1982]; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1975-1987]; copies of the Moscow News, 1934-1935; and pamphlets, published works and cassettes concerning Christian Science.

Papers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.

Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

Records of the Royal Choral Society. The archive is divided into seven sections: administrative records, including a series of individual concert files; financial records; membership records, which include attendance registers and audition files; concert records and programmes; publicity records including posters and newspaper cuttings; files of printed musical scores, arranged by piece, and including programmes for concerts featuring the work; miscellaneous records, which comprise information and programmes relating to other choirs, magazines of the society, or which include articles on the society or choral singing in general, and photographs of choir members, soloists and conductors.

Highlights of the collection include a comprehensive, although not complete, series of concert programmes from 1873-1985, including the programme for the last concert to be held in the Queen's Hall before its destruction during World War II. There are also manuscript copies of "Eryri" by Alun Hoddinott. This piece was composed for the investiture of the Prince of Wales in 1969 and the collection has a copy both of the original score, for 16 soloists, chorus and orchestra, and the revised version for baritone solo, chorus and orchestra.

Archives of the Royal Opera House (ROH), comprising:
some business records of the ROH and associated companies including Board minutes and papers of various opera companies using the ROH, 1919-1939; box office returns and payment slips for artists and theatre staff, 1919-1939; individual artist files, containing biographical information, prints and photographs 18thc to present]; production files 1946-present; minutes of the Board of the Royal Opera House Ltd, sub-committees, and management groups, 1946-present; files of the General Administrator/Chief Executive Office, and Assistants to the General Administrator, 1946-present; files of the Chairman of the Board 1946-1997; files of the Company Secretary's office, 1948-1996; files of the Personnel Office -2002 (closed); Contract files 1946-1980s (closed);
Opera Company files 1970s - 1999; Ballet Company files 1947-1996; Birmingham Royal Ballet files 1970s-1991; some early performing company files are found with the General Administrator's files; Finance Department records, 1946-present;

19th century correspondence, including letters of Frederick Gye (1809-1878), opera manager; Giovanni Matteo Mario (1810-1883) Italian tenor; Giulia Grisi (1811-1869), and Michael Costa (1810-1884) conductor;

Press, Publication, Community Relations, Marketing and Box Office departmental files, 1980-2000; House Management files, 1948-1999; Orchestra Office files, 1948-present; Friends of Covent Garden files, 1964-1999;

Ballet for All - education initiative files, 1964-1970s; London Opera Centre records, 1963-1970s; Production Office files, 1946-1980; Fly Department files, 1947-1977; Technical Department files, 1952-present;

audiovisual collection comprising:
audio recordings of oral history interviews relating to the Royal Opera House Development Project, 1997-2000; Verdi Centenary, 2001-2002; recordings of interviews and events at the Royal Opera House, 1964-2003;

photographic collection comprising:
photographs by Donald Southern, including black and white negatives and colour transparencies of performances, events and personnel at the ROH, 1959-1991; photographs by John Graham, including negatives of ballet and opera performances at the ROH, 1940s-1950s; photographs by Felix Fonteyn, including negatives of ballet productions from 1950s; photographs by Richard Holttum, including black and white negatives and colour transparencies of the ROH interior and exterior prior to development 1988-1991; photographs by Rob Moore including contact prints and colour transparencies of the ROH development, 1997-2001; Schal time-lapse photography of the development of the ROH, 1996-1999; Historic Monuments Commission photographic survey of the ROH interior and exterior prior to site development 1990-1996; two albums of photographs compiled by Edwin Sachs of the redevelopment of the ROH stage, 1899-1900, and the workshops; glass plate negatives used to create ballet post cards, 1950s-1960s;

collection of music and choreographic scores comprising:
printed songs, 18th -early 19th century; operas scores (vocal and orchestral) and stage managers scores, 1840s-1939; annotated opera stage managers scores 1946- present; annotated ballet stage managers scores, 1946-present; Staff Director's annotated scores for opera productions, 1946-present; Ninette de Valois' printed and manuscript music for ballet, 1920s -1930s; printed and manuscript ballet music, 1840s-1950s;
choreographic scores for ballets performed by The Royal Ballet and Birmingham Royal Ballet;

design and costume and collections comprising:
Yolanda Sonnabend design collection including notebooks, reference files, and related material, 1973-1995;
Ian Spurling collection of designs, photographs and press cuttings, 1975-1994; Toby Ward collection of drawings of the ROH prior to and during development 1996-1999;
Glynne Boyd Hart collection of watercolours of the ROH development, 1998-1999;
Ruth Hurle collection of drawings of back state, craft workrooms, opera and ballet rehearsals, 1930s-1940s;

costumes and accessories, such as headdresses, jewellery, shoes and wigs, worn by artist appearing at he ROH, 1920s-2003;
Comelli costume design collection including artwork by Attilio Comelli and others for costumes of operas performed at the ROH 1880s-1920s;
Costume design artwork, 1946-present; design artwork for sets and props, 1946-present; models of sets for productions, 1946-present; Model Room files relating to ground plans, and technical drawing or set and prop construction 1946 to present; stage and ground plans, 1939; Production Wardrobe files relating to costume and accessories design 1946-present;

miscellaneous large prints and drawings of performers and performances 19th and 20th century;

collection of advertising posters, 19th century-present;

programme collection including programmes for Gala and Special performances, and decorative programmes 1750s-present;

press cuttings of announcements, reviews, interviews, 18th century, 1847-1939; Harold Rosenthal collection of press puttings, relating mainly to the ROH performances, 1847-1950s; press cuttings of reviews and articles about performers and performances, 1946-present;
miscellaneous albums and scrap books relating to Anna Pavlova, and Nellie Melba, amongst others 1920s;

library collection comprising books, periodicals and specialist publication relating to ballet, dance, opera, music and theatre; libretti, 1840-present; playtexts 1776-[1850]; reports commissioned by the ROH and general arts reports 1946-present; ROH publications and souvenir year books 1956-2002;

special collections comprising:
Royal Ballet Benevolent Fund collection of material relating to the celebration of the 50th anniversary of The Royal Ballet (RB), including papers, photographs, press cuttings, programmes concerning the RB and its predecessors - Vic Wells and Sadler's Wells Ballet companies 1931- 1950s;

Spellman Song Sheet Covers containing illustrations of operas, and ballets late 19th-early 20th century;

albums of Lady de Grey albums containing photographs of singers, composers, conductors, mostly autographed, dedicated to (Constance) Gladys De Grey, (1859-1917) Marchioness of Ripon, and opera patron, 1870-1920;

collection of Dame Margot Fonteyn De Arias (1918-1991) ballet dancer, including costumes, accessories, photographs, correspondence and books, 1920s-1980s;

collection of Dame Ninette de Valois (1898-2001) founder of The Royal Ballet, including awards, honours and correspondence, 1947-1993;

collection of Leslie Edwards (1916-2001), principal dancer The Royal Ballet, including photographs 1920s-1980s;

collection of Eva Turner (1892-1990) English soprano, relating to her singing career, including costumes, accessories, photographs, press cuttings, music and books 1920s-1940s;

diaries of Frederick Gye (1809-1878), Royal Italian Opera General manager, 1847-1878, his daughter Clara Gye, and son Ernest Gye, ROH Manager, 1847-1877;

collection of Olive Grime, dancer with the Beecham Opera Company, including press cuttings, contracts, correspondence, photographs, books and costumes, 1920s-1930s;

collection of Reginald Goodall (1901-1990) English conductor, including correspondence and personal papers, 1900-1958.

Collection of autograph letters, 1756-1849, brought together by Lord Odo Russell. The correspondents are mainly European scientists, including Nikolaus Joseph and his son Joseph Franz Freiherr von Jacquin, both Professor of Chemistry and Botany at Vienna University; the zoologist Leopold Joseph Franz Johann Fitzinger; and the botanist István Laszló Endlicher. The letters concern the natural sciences, the medical sciences, the physical sciences, the arts, theology, dealers, diplomats and statesmen, and others. There is also a note from Beethoven (post 1824) and a letter from Goethe (1807).

Records of the parish of Saint Michael, Chiswick, including baptism registers (1908-1964); marriage registers (1909-1972); confirmation registers (1940-1976); service registers (1908-2009); temporary building committee, Parochial Church Council and Vestry meeting minutes; a recording of the church choir singing at Truro Cathedral; parish magazines and newsletters.

Papers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of Harold Watkins Shaw, 1950s-1991, including manuscript notes, notebooks, typescripts and associated research material relating to Shaw's articles, particularly in regard to the music and life of George Frideric Handel and Handel's Messiah; offprints of Shaw's articles from various journals; printed orchestral parts of Shaw's edition of Handel's Messiah (1965) with minor manuscript corrections; Shaw's manuscript edition of Handel's Theodora (1984); research papers for a series of articles by Shaw on John Blow, with offprints; manuscript editions by Shaw of works by John Blow, including Awake, awake my lyre!, the orchestral Te Deum and Jubilate in D, Ode on St Cecilia's Day 1691, Evening service, other odes and Latin pieces; research papers for his The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from c.1538 (Clarendon Press, Oxford, 1991), mostly comprising autobiographical details (name, birthdates and appointments as organist) of organists then living, together with a few biographical memoirs compiled by relatives of organists recently deceased; correspondence with the deans, provosts and chapter clerks of Anglican cathedrals of modern foundation (formerly parish churches) in connection with lists of their organists; files of correspondence and research papers on organists of ancient cathedrals, and related correspondence with Oxford University Press, librarians and cathedral and college authorities for permission to publish.

Papers of Muriel Smith, 1915-1968, comprising letters and postcards from performers and speakers to the Lewes Music Club, including Jelly d'Aranyi (3), Fanny Davies (8), Robina Friskin, Léon Gossens, Marjorie Hayward, Myra Hess, Frank Howes (4), Norman Notley (2), Arnold Trowell, Steuart Wilson.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Records of Southbank Centre comprising:

Administrative records including:
Opening Ceremony book of distinguished visitors, 3 May 1951, containing signatures of guests; Visitors books (signed by performers), 1956-1966; Press releases, 1969-1991 (1 box); Annual Reports, 1992-present

Event diaries, 1951-present; records of attendance and ticket sales, 1957-1970s

Arts Board Recreation and Arts Committee files, 1976-1982; Visual Arts Committee files, 1978-1982; London County Council Committee orders files relating to Royal Festival Hall, 1949-1975; Southbank Board administrative files, 1985-present

Artist agreements, 1974-1976; administrative files 1970s-1980s; files relating to redevelopment

Records relating to exhibitions including administrative files, papers and photographs, 1951-1994; printed catalogues of exhibitions; card catalogue of exhibitions, 1950s-1980s; photographs relating to exhibitions, 1981-1993

Records of performances and events including Meltdown summer music festival publicity material, 1993-2000; music projects subject files, 1970s-1980s; South Bank Summer Music (SBMS) administrative files, 1969-1984

Card index of performances at Southbank Centre venues arranged by artist, instrument, conductor and composer, 1951-1985

Printed publicity material including Preview, South Bank Centre publication, 1991-1995; Scrapbooks containing printed programmes, 1951-1964 (18 vols); copies of printed performance programmes 1951-present; Exhibition programmes, 1976-1980s; publicity posters, 1980-2000; leaflets 1960s-present

Collection of published magazines containing articles or special issues relating to the Festival of Britain of the RFH, 1951-1995

Cuttings collection including newspaper cuttings, 1951-1964; Press Department cuttings, 1984-present; Education Department press cuttings, 1987-1993; cuttings and papers relating to site development, 1996; articles and speeches of Nicholas Snowman, 1992-1999; orchestral residency background, 1990-1995; redevelopment submission, 1991; seasons and launches, 1994-1996; cuttings re Festival ballet, dance, 1952, 1954; cuttings of concert reviews and events; press cuttings, 1984-2002

Scrap books of press cuttings arranged by subject including Royal Festival Hall organ, Royal Philharmonic Orchestra, 1954; National Theatre and South Bank Opera House, 1958-1965; Philharmonia /New Philharmonia Orchestra, 1963-1966; Royal Festival Hall Competition, 1965; Queen Elizabeth Hall opening, and acoustics, 1967; South Bank Summer Music, 1964-1968; Orchestral Resources Report, 1970; Night of Nights-Frank Sinatra, 1970; Kirov Ballet, 1979; Calas/Di Stefano, 1973; Andre Previn and the London Symphony Orchestra, 1975; Royal Festival Hall 25th anniversary, 1976; Horowitz concert, 1982; Metropolitan Mikado, 1985; and The Soul of the Terracotta Army, 1987

Photographic collection comprising:
Files of photographs arranged by subject including aerial views, auditoria, backstage, brewer and South Bank Lion, Embankment, Festival Pier and Jubilee Gardens, Festival of Britain, foundation stone and topping out, furniture and fittings, Hayward Gallery interior and exterior, models and artists' impression, organs, Queen Elizabeth Hall under construction, exterior and interior, Royal Festival Hall construction, exterior and interior, Royal Festival Hall completion, site and views from the site, staff and miscellaneous images, 1920s-1970s
Scrap books of photographs relating to Royal Festival Hall construction, exhibitions, foyer exhibitions and other events, receptions, interior, exterior and models, Stage productions and films
Collection of photographs and negatives of artists, conductors, events and staff

Collection of visual materials including:
Portraits of - Bela Bartok, Artur Schnabel and Sir Thomas Beecham, Sir Arthur Bliss, Walter Crane, Piero De Gamba, George Gissing, Gerald Moore, Paul Tortellier, by artists including Janos Halafy, Adrian Allinson, Wyndham Lewis, Sonia Miller, Bette Flashtig
Collection of drawings by Dr Willy Dreifuss including portraits of Sir Thomas Beecham, Clifford Curzon, Jascha Horenstien, Otto Klemperer, Rafael Kubelik, Artur Ribinstein, Adrex Segovia
Prints of Ludwig van Beethoven, Clara Haskil, Double Basses of the New Philharmonia Orchestra, Arturo Toscanini, by artists including Michael Garady, Doroth Bradford, A Rienzi
Lithograph of Sir Henry Wood, view of Somerset House from Waterloo Bridge, view of Waterloo Bridge from the west; 27 prints of musicians and singers published in Vanity Fair, 1872-1908

Collection of films and videos of programmes and promotional material, relating to the Festival of Britain, Royal Festival Hall anniversaries, architecture and building development, the South Bank development, [1951], [1976] 1983 -2001

Sound recordings including:
Commercial CD (100) and audio cassettes (50) recordings of concert performances held at Royal Festival Hall
Oral history recordings (on audio cassette, DAT, and CD) of interviews with managers, London County Council members, architects, musicians, staff and patrons, including Felix Aprahamian, Hugh Bean, Lord Birkett, Tony Blackwell, Harry Blech, Jack Brymer, Shirly Cooper and Ted Higgins, Nicholas Danby, John Denison, Maura Dooley, Rober Glazebrook, Noel Goodwin, Ian Grant, Reg Fulker, Illtyd Harrington, Victor Hochhauser, R G F Howden, Michael Kaye, Frank Kellond Jones, London Festival/English National Ballet, Ruth Mackenzie, George Mann, Sir Leslie Martin, Lord Menuhin, Peter Moro, Yvonne Pegler, Anthony Phillips, Richard Pulford, David Seigle-Morris, Dennis Spall, Anthony Steele, and Christine Wilde, 1990s
Recordings of miscellaneous interviews and broadcast radio programmes relating to Royal Festival Hall and the Festival of Britain, 1957, 1990-2000

Material relating to the Festival of Britain including:
newspapers, magazines, guides, extract articles, programmes and exhibition catalogues [1951-1993]; Festival plans and posters; Festival ephemera and objects including ash tray, curtain, head scarf, press pass, presentation soap [1951]; chairs and other furniture
Cassette and CD recordings containing extracts from BBC commentaries, relating to the opening of Royal Festival Hall, various events, and interviews with Robert Matthew and William Allen; Festival Times, publication of the Festival of Britain Society, 1989-present.

Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.

The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.

Letters and cards to Joan Stocker, comprising a reference from W H Reed, 8 Feb 1935; 4 letters and Christmas cards from W H Reed, 1938-1941; order of Service, 'In Memoriam Dr. William Henry Reed', 18 Jul 1942; reference from S P Waddington, 5 Feb 1935; letter from Charles Thornton Lofthouse, 18 Jan 1937; typed circular letter with autograph signature from Sir Hugh Allen, Jul 1933; Diploma exam papers 1 and 2: Joint Graduate Course of the Royal Academy of Music and Royal College of Music, Jul 1935.

12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Copies of correspondence and memoranda relating to a dispute between the proprietors of the Theatre Royal at Covent Garden and performers.

Autograph album of H F Thornton and his daughter Mrs Elsie Holliwell, featuring signatures of musicians, 1904-1971, including Hamish MacCunn, August Manns, Walter Parratt, Serge Rachmaninoff, Edna Thornton, Henry J Wood; correspondence of Elsie Holliwell relating to her gift of the book to the Royal College of Music, 1974.

Records of the Uxbridge Choral Society. The collection consists of minutes, general and concert administration, finance, printed material including programmes and posters and some photographs of rehearsals.

Papers of or relating to Giovanni Battista Viotti, 1798-1905, comprising a manuscript autobiography 'since his entry into the world until 6 Mar 1798'; manuscript by Viotti on the origin of the 'Rans des vaches', the Swiss mountain melody sung or played to summon cows, recording his own experience of hearing it in Switzerland, undated; holograph will of Viotti, 13 Dec 1822; 5 manuscript letters from Viotti to Caroline Chinnery, Baron de la Ferté, Monsieur Cailheux, Madame Simon, and Monsieur Choron, 1798-1822; 9 letters from Adolphus Frederick, Duke of Cambridge (1774-1850), on musical matters, c1813-1817; letter from George Canning to Mrs Chinnery, on the death of George Chinnery, 31 Oct 1825; letter from Samuel Rogers, poet, [to the Chinnery family], undated; portraits, sketches and prints of Viotti and the Chinnery family; article by E van der Straeten on Viotti, from the journal Die Music, 1902; various letters, 1885-1901 to Edward Heron-Allen on the provenance and content of his collection of Viotti material.

Records of Keith Waithe, musician, comprising published recordings from Essequibo Music and The Macusi Players with business card and promotional card.

Programmes and ephemera for the Wandsworth Symphony Orchestra which belonged to cellist Mollie Simmonds. Also includes some miscellaneous material for the West Hill Orchestra and the Putney Orchestra.

Papers of or relating to the Wessex Philharmonic Orchestra and its conductor Reginald Goodall, mainly comprising correspondence with composers, singers, musicians, orchestral managers, agents and artists, relating to the foundation of the orchestra, performances of the orchestra during World War Two, the hiring and dismissal of musicians, the arranging of concerts, discussion of programmes (including music by Britten, Elgar, Poulenc, Rubbra, Sibelius, Vaughan Williams, Walton and many others), payments and disbursements made, arrangements for accommodating visiting soloists and conductors etc, mainly addressed to Maisie Aldrich, with a large number of letters from Goodall, and others including Adrian Boult, Harriet Cohen, H C Colles, George Dyson, Anatol Fistoulari (about Anna Mahler), Beatrice Harrison, Arnold Haskell, Julius Isserlis, Gordon Jacob, Eileen Joyce, Kathleen Long, Reginald Morley, Albert Sammons, Malcolm Sargent, Kendall Taylor, Ralph Vaughan Williams.

Manuscript copies of one-act plays written by William Poel, newspaper clippings relating to a production of Samson Agonistes and a copy of "Monthly Letters" on performing Shakespeare, collected and published.

The collection contains letters from women involved in the arts concerning their work, business matters, publicity, articles and general social correspondence. Correspondents include Sarah Siddons, Emily Faithfull, Fanny Kemble, Elizabeth Thompson, Isabella Dallas Glyn, Mary Davis, Fanny Stirling, Mrs Morritt, Lady Bancroft, Genevieve Ward, Lucy Kemp-Welch, Madge Kendall, Mrs Steele, Philippa Strachey, Ethel Coffin, Rutland Boughton, Marion Terry, Eva Moore, Sybil Thorndyke, Alys Russell, Lena Ashwell, Marie Tempest, Agnes Hill, Marie Lohr, Dame Ethel Smyth, Irene Vanbrugh, Ruth Draper, Ethel Warwick, Dame Laura Knight, Cicely Courtney, Lilian Braithwaite and Ninette de Valois.

Records of the Worshipful Company of Musicians, including charter and ordinance books; bye laws; Court minute books; signature book; livery lists; registers of freedom admissions; registers of apprentice bindings; financial accounts including cash books; press cuttings; clerk's correspondence and papers; letters from composers including Richard Strauss, Sir Edward Elgar and Herbert Howells; manuscript music scores including Elgar and Howells; concert and event programmes; photographs; papers relating to scholarships; and papers relating to company property and estates.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.