Letters and papers of and concerning Maria Hackett (of 8 Crosby Square, Bishopsgate, 1783-1874), and letters relating to church music. 1782-[1910]. Compiled and collected early 20th century.
Sans titreScrapbook kept by George Marsh, with notes on a wide variety of subjects and many newspaper cuttings inserted, 18th century.
Sans titrePapers of Augusta Bönten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bönten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bönten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind.
Sans titreRecords of the Director of the Royal College of Music RCM), 1884-1990, including minutes of the Board of Professors, 1894-1993; reports of annual examinations, 1884-1908; Certificate of Proficiency examinations minute book (recording exam regulations and marks awarded), 1886-1899; correspondence to Sir George Grove, Director of the RCM, from the Office of the Prince of Wales, 1884-1888, with material relating to the building of the RCM funded by Samson Fox and opened in 1894; correspondence from Sir Ernest Palmer in regard to aim of the Palmer Fund for Opera Study, 1924; RCM Emergency Concerts Society: correspondence, notices and programmes, 1939; curricula of the Graduate of the Royal Schools of Music (GRSM), 1961-1979.
Sans titrePapers of Charles Thornton Lofthouse, 1950s-1970s, comprising correspondence and associated material relating to his role as a music examiner; research papers and related correspondence for lectures and courses, mostly relating to 17th and 18th century music and the harpsichord repertoire; research papers for his Commentaries and Notes on Bach's Two- and Three-Part Inventions (London, 1956); programmes and cuttings of recitals by Lofthouse or in which he participated; music scores annotated by Lofthouse.
Sans titrePapers of Stanley Bate, 1940-1956, comprising letters received and written by Bate, mainly in regard to the publication or performance of his music, particularly his Second Sinfonietta at the festival of the International Society for Contemporary Music in California, 1941-1943, 1947-1948, 1954; programmes of concerts featuring Bate's music, c1948-1958; newspaper cuttings on Bate and his music, 1940-1956, largely consisting of reviews of the first performances of Bate's Third Symphony at the Cheltenham Festival, 1954, and his Fourth Symphony at the Royal Festival Hall, London, 1955.
Sans titreVolume of writings [c1879-1880] by Carl Engel entitled 'Musical Antiquities and Studies', containing manuscript autobiographical preface and list of his works; printed article 'Music of the Gypsies'; printed article 'Some Account of the Clavichord with Historical Notes'; manuscript 'The Music of the Assyrians'; manuscript 'Aeolian Music'; manuscript 'Testimonies to the artistic value of National Music'; manuscript 'English Musical Dictionaries'; manuscript 'The Unknown Great'; manuscript 'The First Attempt'.
Sans titreLetters (193) from Mrs Anne Oldham to her daughter Edith Oldham, 1880-1888 (MS 6863); letters (514) from Sir George Grove to Edith Oldham, 1883-1899 (MS 6864).
Sans titreCorrespondence of Frank Howes, 1925-1951, comprising letter from Charles Sanford Terry (to H C Colles), enclosing Terry's edition of Coffee and Cupid (The Coffee Cantata): an Operetta by Johann Sebastian Bach (London, 1925); correspondence with Ernest Irving regarding Ralph Vaughan Williams' score for the film Scott of the Antarctic, and with Edward Joseph Dent on Gluck's Orfeo, and John Church's A Divine Hymn.
Sans titrePapers of Katharine Goodson, including letters to Goodson, 1918-1929, mainly expressing thanks for her performances in aid of war charities; undated typed transcripts of letters from Goodson to friends and relatives [1890s]; ephemeral papers, including articles by Goodson, programme notes and biographical notes on Goodson, c1914-1947; editions of the The News Bulletin of the Leschetizky Association of America, 1952-1955. Ephemera of Arthur Hinton, including obituary [RAM magazine, 1941]; programmes and reviews of his compositions, 1911-1920; undated letter to Goodson signed by professors of the RAM, expressing thanks on the furnishing of a professors' room there.
Sans titreLetters (6) to Charles Santley, 1882-1894, including invitation to participate in the Duke of Edinburgh's concert in aid of funds for the Royal College of Music (with Santley's draft letter of declining), Apr 1882; invitation from George Grove for Santley to teach male vocalists at the RCM, Aug 1882; from Arthur Sullivan, requesting a score, Nov 1885; from W S Gilbert, advising that Santley's son be appraised by Sullivan rather than himself in regard to a part at the Savoy Theatre, London, Feb 1894. The collection also includes a contract for John Benje at the Theatre Royal, Covent Garden, London, Apr 1842.
Sans titreThree letters of thanks and greetings from Joseph Joachim to Anne Isabella Ritchie (1895, 1902 and undated); programme for concert of the Joachim Quartet, St James's Hall, London, 1 May 1903.
Sans titreCollection of letters of Sir George Grove, comprising two letters from Gaspare Spontini, relating to his possible coming to London to produce Alcidor and Nurmahal, 1826; five letters from Felix Mendelssohn, 1834-1847, including a testimonial for Edmund Chipp, organist, and a letter to John Hullah in regard to an English text of Mendelssohn's Lauda Sion; letter from Gilbert Duprez with thanks for music parts, 1842; two letters to John Hullah from William Ball and Karl Klingemann in regard to works by Beethoven and Mendelssohn, 1858-1859; letter to Grove from George Eliot with thanks for his appreciative letter about her book Daniel Deronda, 1876; letter to Grove from William Gladstone in regard to Homeric studies, 1878; letter [to Grove] from William Morris in regard to a tribute [to Dante Gabriel Rossetti], 1882.
Sans titrePapers of Basil Lam, comprising typescripts and photocopies of BBC radio talks, 1963-1979, mostly relating to the music of Johann Sebastian Bach and George Frideric Handel, and including transcripts of his BBC Radio 3 series 'Plainsong and the rise of European music', 1978-1979; with press cuttings and concert programmes; typescripts, carbon copies and photocopies of concert programme and record sleeve notes by Lam, with concert programmes, mainly relating to performances of early and baroque music (particularly the works of Bach, Handel and Claudio Monteverdi), and including some BBC radio talks, articles for The Listener, and Promenade Concerts series programme notes, 1962-1981; cuttings (mostly Radio Times), relating to programmes featuring or of interest to Lam, and related programmes and handbills, including programmes for concerts by the Basil Lam Sonata Ensemble, 1946-1954; correspondence of Stroma Sutherland, Lam's executor, on publication of an article by Lam from material left unfinished at his death, on the 'Kyrie' from the B Minor Mass by J S Bach, 1985-1989; edition of The Listener containing `The ascendancy of plainsong', article by Lam, 15 Dec 1977; index to radio talks and programme/record sleeve notes.
Sans titrePersonal papers of Adrian Francis Cruft, 1933-1990, including diaries, 1936-1968 (missing 1938,1955, 1961); correspondence during his war service, 1945; notebooks on Associated Board trips to Africa, Prague and Malta, 1969-1986; typescript and manuscript notes by Cruft, giving biographical details, letters to the press, thoughts on composition and thoughts of Eugene Cruft (father) on the double bass; articles by others on Cruft; volume of published and typescript articles and talks by Cruft, 1958-1984, on music and other musicians, including Gordon Jacob, Edmund Rubbra, Bernard Stevens, the Royal Society of Musicians, the double bass, the British Music Information Centre; press and magazine cuttings on Cruft and his work; commission payments and contracts, 1948-1982; replies to Cruft from others on performance of his music, including Evelyn Rothwell, Peter Pears and Janet Baker; music certificates and diplomas, 1948-1981; programmes, 1947-1950s of concerts with Cruft as an orchestral player; obituaries on Cruft; mementos of early education, including school reports, certificates, cuttings, programmes and tickets, 1933-1937; reports on Cruft as student at Royal College of Music; letters from friends and colleagues, including Jacob, Rubbra, Adrian Boult and Malcom Arnold; papers relating to the Adrian Cruft Prize at the RCM, 1980s; files relating to particular institutions or subjects, including the World Association and British Association of Symphonic Bands and Ensembles, the British Broadcasting Corporation, Society for the Promotion of New Music, music in rural schools; correspondence of Cruft and Jocelyn Cruft with international contacts and institutions, 1980s-1990; personal and business correspondence, 1980s; copyright and commission statements, 1960s-1990.
Sans titreRecords of the National Training School for Music, 1873-1882, comprising minutes of the Committee of Management, 1873-1882, including proposed charter of the School, concert programmes, accounts, and correspondence; register of scholars, 1876-1882 (indexed).
Sans titrePapers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.
Sans titrePapers of Harold Watkins Shaw, 1950s-1991, including manuscript notes, notebooks, typescripts and associated research material relating to Shaw's articles, particularly in regard to the music and life of George Frideric Handel and Handel's Messiah; offprints of Shaw's articles from various journals; printed orchestral parts of Shaw's edition of Handel's Messiah (1965) with minor manuscript corrections; Shaw's manuscript edition of Handel's Theodora (1984); research papers for a series of articles by Shaw on John Blow, with offprints; manuscript editions by Shaw of works by John Blow, including Awake, awake my lyre!, the orchestral Te Deum and Jubilate in D, Ode on St Cecilia's Day 1691, Evening service, other odes and Latin pieces; research papers for his The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from c.1538 (Clarendon Press, Oxford, 1991), mostly comprising autobiographical details (name, birthdates and appointments as organist) of organists then living, together with a few biographical memoirs compiled by relatives of organists recently deceased; correspondence with the deans, provosts and chapter clerks of Anglican cathedrals of modern foundation (formerly parish churches) in connection with lists of their organists; files of correspondence and research papers on organists of ancient cathedrals, and related correspondence with Oxford University Press, librarians and cathedral and college authorities for permission to publish.
Sans titrePapers of Valley Lasker, 1917-1981, mainly comprising correspondence and papers relating to the works of Gustav Holst, including note from Holst to Lasker on arrangement of his 'At the Boar's Head' for piano, 1924; letter from Holst, recommending Lasker as teacher of music, 1929; postcard from Adrian Cedric Boult [1922]; undated letter from John Masefield, replying to telegram from Bishop of Chichester; manuscript and typescript of talk by Lasker on Holst's 'The Planets' for the BBC Third Programme, 1951; correspondence relating to the Whitsun festivals established by Holst at Thaxted in 'Gustav Holst' by Revd Jack ,Putterill, Making Music, 1975; Chrissemas Day in the morning, piano solo by Holst (H165), autographed by Holst, 1927; correspondence relating to performance of the Holiday Singers for Lasker's 80th birthday, 1965; programmes of concerts featuring Lasker, including student concerts at Morley College, directed by Holst, 1917-1922, Society of Women Musicians, 1934, and Mrs F G Joseph's Orchestra, conducted by Lasker, 1930-1937, prizegiving at St Paul's Girls' School, 1932, tribute concert to Holst, 1951, with a few related reviews; correspondence on personal and musical matters to Lasker from Grace Hoskyns, 1929-1931;printed choral music, including works by Holst, most with signature of Holst.
Sans titreRecords of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.
Sans titreLetter from V Le Roy of 8g, Boulevard Halesherbes VIII to an unknown recipient, 23 Jun 1945. Concerning documents relating to Georges Bizet's father's family.
Sans titrePapers of Alfred James Hipkins, comprising notebooks and scrapbooks compiled with the help of his daughter Edith, proofs, manuscripts, publications and some letters dealing with Hipkins' interest in musical matters particularly pitch and the history of instruments, [1862-1901].
Sans titreTranslations from Russian literature by S W Pring including translations of short stories by Anton Pavlovich Chekhov; translation of the composer Nikolai Andreevich Rimsky-Korsakov's memoirs; correspondence relating to the possible publication in book form of Pring's translation of correspondence between Rimsky-Korsakov and Mily Alexeyevich Balakirev.
Sans titrePapers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.
Sans titrePapers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.
Sans titreArchives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.
Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.
Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.
Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.
Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.
Records on receptions and launches, 1993-1995, relate to events in various locations.
Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.
Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.
Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).
Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.
Sans titreBrochures and syllabuses relating to various departments, 1968-1972, notably Physics, Chemistry and German. Record Book of the Zoology Department, 1936-1952, giving lists of students and notes on developments in the department. Departmental records of the Faculty of Music, notably Registers, 1915-1969, of members and music played by Royal Holloway College orchestra and choirs, lists of musical events and meetings of music societies, and lists of performers and music performed at music examinations and festivals; Organist's Handbook, [1904-1915], including details of procedure for various musical events; minute books of the Music Club, 1916-1949, and the Music Association, 1934-1954; Concert Programmes and invitations, 1908, 1915-1970.
Sans titrePapers relating to missionary work in Zambia (northern Rhodesia), comprising a printed edition of Bemba hymns (Society for Promoting Christian Knowledge, 1933), including introduction by A R Godfrey, with manuscript scores added; two undated notebooks containing manuscript scores, one belonging to A R Godfrey and containing songs in African languages [1930s]; undated manuscript account of the history of the Tonga tribe, written for educational use [1930s].
Sans titreCollected papers, c1810-c1899 (some undated), of the Rev William Ernest Taylor, including Swahili verses, proverbs, chronicles, stories, songs, hymns, religious texts, and vocabularies, and some of Taylor's own correspondence.
Sans titrePapers of Bernarr Rainbow, [1940-1998], including photographs, personalia, music manuscripts, sound recordings, drafts of published and unpublished works, and a small amount of correspondence.
Sans titrePapers of Iris Murdoch, 1962, comprising a letter to Pam Stringer thanking her for remembering to send her the words of a song 'it fills an important blank in my novel...it is supposed to bring tears to the eyes when sung' and expressing pleasure at having seen Stringer recently in Cheltenham.
Sans titrePapers of Madeline Payne (1879-1962), concert pianist and former student of the Guildhall School of Music and Drama, including correspondence, photographs, programmes, articles and newspaper cuttings, 1893-1957.
Sans titreRecords of the parish of Christ Church, Barnet, including registers of baptisms, marriages, banns of marriage, and confirmations; registers of church services; working papers of the incumbent; Vestry and Parochial Church Council minutes; financial records; papers of the Sunday School; magazines, publications, newspaper cuttings, historical notes and photographs; papers relating to tithes, glebes and terriers; papers relating to the maintenance of church buildings and fittings, including faculties, correspondence, plans, specifications and architect's reports; and plans of the churchyard.
Sans titrePapers of the Pye family relating to bell-ringing, including records of performances; notices of peals rung; notebook of the number and weight of bells in towers; composition books; photographs; journals and publications; memoirs and order of service.
Sans titreProgrammes of Dulwich College plays, drama competitions, Commemoration Concerts, and Christmas Concerts; and issues of The Dulwich Scout magazine.
Sans titreRecords of the parish of Saint John the Evangelist, Hammersmith, including registers of baptisms, marriages, banns of marriages and confirmations; registers of church services; correspondence and papers relating to the church building and the organ; Charity Commission schemes and papers relating to the parish school and Parochial Church Council minutes.
Sans titreMinute book of the Concentores Society, glee club.
Sans titreRecords of the Dorian Singers, comprising concert programmes.
Sans titreFleet Street Choir records comprising programmes, newspaper cuttings, song sheets and related papers.
Sans titreScrapbook relating to the Enfield Amateur Operatic and Dramatic Society, including theatrical programmes, playbills and newspaper cuttings of reviews for performances by both the Society and other operatic and theatrical societies.
Sans titreMinute books, peal books, annual reports and newsletters of the Middlesex County Association; leaflets and minutes of the Middlesex Association of Change Ringers and minutes, attendance books, financial accounts and administrative papers of the South and West District, including some papers of Percy Venn; and minutes and financial accounts of the North and East District.
Sans titreRecords of Leonard Palmer and his family, including account of Leonard Palmer's life; certificates of birth, marriage and death; school records, 1920-21; property records; papers relating to travel in Africa and the Middle East; diary of Florence Palmer, 1945; obituaries; photographs of Leonard Palmer's military service, 1940s; medals awarded to Leonard Palmer, 1939-66; family photographs including Walter Edward Palmer in Metropolitan Police uniform; and family trees.
Sans titreRecords of the Shabbaton Choir consisting of scrapbooks containing souvenirs of concerts and tours. Files include arrangements, publicity, photographs, messages of thanks and congratulation, concert programmes, orders of service.
Sans titreRecords of Southbank Centre comprising:
Administrative records including:
Opening Ceremony book of distinguished visitors, 3 May 1951, containing signatures of guests; Visitors books (signed by performers), 1956-1966; Press releases, 1969-1991 (1 box); Annual Reports, 1992-present
Event diaries, 1951-present; records of attendance and ticket sales, 1957-1970s
Arts Board Recreation and Arts Committee files, 1976-1982; Visual Arts Committee files, 1978-1982; London County Council Committee orders files relating to Royal Festival Hall, 1949-1975; Southbank Board administrative files, 1985-present
Artist agreements, 1974-1976; administrative files 1970s-1980s; files relating to redevelopment
Records relating to exhibitions including administrative files, papers and photographs, 1951-1994; printed catalogues of exhibitions; card catalogue of exhibitions, 1950s-1980s; photographs relating to exhibitions, 1981-1993
Records of performances and events including Meltdown summer music festival publicity material, 1993-2000; music projects subject files, 1970s-1980s; South Bank Summer Music (SBMS) administrative files, 1969-1984
Card index of performances at Southbank Centre venues arranged by artist, instrument, conductor and composer, 1951-1985
Printed publicity material including Preview, South Bank Centre publication, 1991-1995; Scrapbooks containing printed programmes, 1951-1964 (18 vols); copies of printed performance programmes 1951-present; Exhibition programmes, 1976-1980s; publicity posters, 1980-2000; leaflets 1960s-present
Collection of published magazines containing articles or special issues relating to the Festival of Britain of the RFH, 1951-1995
Cuttings collection including newspaper cuttings, 1951-1964; Press Department cuttings, 1984-present; Education Department press cuttings, 1987-1993; cuttings and papers relating to site development, 1996; articles and speeches of Nicholas Snowman, 1992-1999; orchestral residency background, 1990-1995; redevelopment submission, 1991; seasons and launches, 1994-1996; cuttings re Festival ballet, dance, 1952, 1954; cuttings of concert reviews and events; press cuttings, 1984-2002
Scrap books of press cuttings arranged by subject including Royal Festival Hall organ, Royal Philharmonic Orchestra, 1954; National Theatre and South Bank Opera House, 1958-1965; Philharmonia /New Philharmonia Orchestra, 1963-1966; Royal Festival Hall Competition, 1965; Queen Elizabeth Hall opening, and acoustics, 1967; South Bank Summer Music, 1964-1968; Orchestral Resources Report, 1970; Night of Nights-Frank Sinatra, 1970; Kirov Ballet, 1979; Calas/Di Stefano, 1973; Andre Previn and the London Symphony Orchestra, 1975; Royal Festival Hall 25th anniversary, 1976; Horowitz concert, 1982; Metropolitan Mikado, 1985; and The Soul of the Terracotta Army, 1987
Photographic collection comprising:
Files of photographs arranged by subject including aerial views, auditoria, backstage, brewer and South Bank Lion, Embankment, Festival Pier and Jubilee Gardens, Festival of Britain, foundation stone and topping out, furniture and fittings, Hayward Gallery interior and exterior, models and artists' impression, organs, Queen Elizabeth Hall under construction, exterior and interior, Royal Festival Hall construction, exterior and interior, Royal Festival Hall completion, site and views from the site, staff and miscellaneous images, 1920s-1970s
Scrap books of photographs relating to Royal Festival Hall construction, exhibitions, foyer exhibitions and other events, receptions, interior, exterior and models, Stage productions and films
Collection of photographs and negatives of artists, conductors, events and staff
Collection of visual materials including:
Portraits of - Bela Bartok, Artur Schnabel and Sir Thomas Beecham, Sir Arthur Bliss, Walter Crane, Piero De Gamba, George Gissing, Gerald Moore, Paul Tortellier, by artists including Janos Halafy, Adrian Allinson, Wyndham Lewis, Sonia Miller, Bette Flashtig
Collection of drawings by Dr Willy Dreifuss including portraits of Sir Thomas Beecham, Clifford Curzon, Jascha Horenstien, Otto Klemperer, Rafael Kubelik, Artur Ribinstein, Adrex Segovia
Prints of Ludwig van Beethoven, Clara Haskil, Double Basses of the New Philharmonia Orchestra, Arturo Toscanini, by artists including Michael Garady, Doroth Bradford, A Rienzi
Lithograph of Sir Henry Wood, view of Somerset House from Waterloo Bridge, view of Waterloo Bridge from the west; 27 prints of musicians and singers published in Vanity Fair, 1872-1908
Collection of films and videos of programmes and promotional material, relating to the Festival of Britain, Royal Festival Hall anniversaries, architecture and building development, the South Bank development, [1951], [1976] 1983 -2001
Sound recordings including:
Commercial CD (100) and audio cassettes (50) recordings of concert performances held at Royal Festival Hall
Oral history recordings (on audio cassette, DAT, and CD) of interviews with managers, London County Council members, architects, musicians, staff and patrons, including Felix Aprahamian, Hugh Bean, Lord Birkett, Tony Blackwell, Harry Blech, Jack Brymer, Shirly Cooper and Ted Higgins, Nicholas Danby, John Denison, Maura Dooley, Rober Glazebrook, Noel Goodwin, Ian Grant, Reg Fulker, Illtyd Harrington, Victor Hochhauser, R G F Howden, Michael Kaye, Frank Kellond Jones, London Festival/English National Ballet, Ruth Mackenzie, George Mann, Sir Leslie Martin, Lord Menuhin, Peter Moro, Yvonne Pegler, Anthony Phillips, Richard Pulford, David Seigle-Morris, Dennis Spall, Anthony Steele, and Christine Wilde, 1990s
Recordings of miscellaneous interviews and broadcast radio programmes relating to Royal Festival Hall and the Festival of Britain, 1957, 1990-2000
Material relating to the Festival of Britain including:
newspapers, magazines, guides, extract articles, programmes and exhibition catalogues [1951-1993]; Festival plans and posters; Festival ephemera and objects including ash tray, curtain, head scarf, press pass, presentation soap [1951]; chairs and other furniture
Cassette and CD recordings containing extracts from BBC commentaries, relating to the opening of Royal Festival Hall, various events, and interviews with Robert Matthew and William Allen; Festival Times, publication of the Festival of Britain Society, 1989-present.
John Bishop King's personal papers, and diaries: MS. 7157 contains 2 items which reflect King's interest in phrenology and graphology, whilst diaries by him and his wife are held as MSS.7630-7632.
Their diaries combine to cover, with one short break, a period from King's leaving England to their marriage and on for two years until their departure, presumably temporary, to the Andaman Islands. J.B. King's diary, MS.7630, primarily records details of his patients, the personal entries chiefly relate to voyages undertaken. Joanna King's diary, MS.7631, records household and social events in some detail. MS.7632 comprises loose papers previously kept in MSS.7630-7631, mainly newspaper advertisements.
Sans titrePapers of John George Adami on bacteriology and pathology including notes on the development of the embryo of a chick, c 1890; drafts of Principles of Pathology c 1905-1910; 'Myelins, and experiments with Ludwig Aschoff', 1906; record of Inspections of Canadian Hospitals in France, 1915; diary, 1916 and Presidential Address to the Section of Bacteriology, Brussels Congress, 1920. Drawings concerning 1918 influenza pandemic, 1925.
Sans titreThe Women's Library continues to document the development of feminism in the UK, and examples of '3rd wave' activity can be found within our Zine Collection. The Zine Collection began with a donation of 50 zines by Ladyfest London in 2002. This Collection comprises self-published magazines reflecting contemporary feminism and the attitudes and concerns of young women in the UK today. It currently includes over 150 indexed zines on topics ranging from music, feminism, art, fashion, food, politics, sexuality, gender, ethnicity, popular culture, travelling, relationships, parenting and much more. The Women's Library aims to collect and preserve women's zines from the 1970s to the present day.
Sans titrePapers of Betty Matthews, 1907-1997 (predominantly 1960-1997), including correspondence, research notes, printed articles, booklets and pamphlets mainly relating to organs and organists, particularly English church organs, and including papers relating to Matthews' research topics, including 18th century concert life in South West England; the organs of Exeter Cathedral, Norwich Cathedral, Buckingham Palace, Eaton Hall (Cheshire), Lulworth Castle, Bath Assembly Rooms, Barnstaple Parish Church, and St James Church, Poole; organ building families, including the Lefflers, the Corfes, the Loosemores, the Gosses, the Harrises and the Dallams; organs built by John Avery, Bernard 'Father' Smith, and Thomas Swarbrick; John Skelton Bumpus and his library; Thomas Norris (1742-1790), organist; Kirckman harpsichords; the research, publication and distribution of Matthews' articles, including 'Mendelssohn and the organ of Crosby Hall' (Musical Times, 1973); 'Samuel Sebastian Wesley, 1810-1876: a centenary memoir' (Kenneth Mummery, 1976); 'Winslade of Winchester' (Musical Times, 1978); 'William Parke and the Royal Society of Musicians' (Musical Times, 1988); 'The Lincoln family' (The Organ, 1989); 'James Hook and his family' (Musical Times, 1990).
Sans titreRecords of the Bursar of the Royal College of Music, including copy of Order in Council for passing Charter of the RCM with related papers, 1883; licences from Commissioners for the 1851 Exhibition for building at RCM, 1905-1976, including copy of original lease of 1891; accounts of donations, 1882-1896; register of subscribers, 1922-1946; RCM General Regulations and Annual Report, 1883-1884; contracts of Directors of the RCM on appointment, 1918-1984; annexes to Council papers (reports Director from RCM departments), 1888-1994; papers relating to conversion of examination room into Parry Opera Theatre, 1919-1923; papers, plans, photographs and correspondence relating to building extensions, 1962-1963; New Building Appeal (1969) papers, 1968-1970; papers relating to purchase of 6-8 Evelyn Gardens from the Royal Society of Musicians, for conversion into student accommodation (Robert Mayer Hall), 1968-1979; report by Norman and Dawbarn on condition of 1894 RCM building interior, 1972; building consultants' meetings minutes, 1982-1983; papers and reports on Opera Theatre, 1984-1988; papers on completion of Library works, 1984; specification for refurbishment of Concert Hall, 1993; Departmental reports to Council and Patron's and Palmer Fund, 1980-1989; Administrative Staff insurance papers, 1936-1979; RCM pensions trust deeds, 1962-1987; Prince Consort Foundation trust deeds, 1983-1999, and accounts, 1982-1994; George Donaldson Gift of instruments trust deeds, 1894; papers relating to the Museum of Instruments, 1968-1970, 1973-1980; lists of RCM stringed instruments, 1943-1993; Patron's Fund trust deeds, 1903-1912; John Astor Fund trust deeds, 1935; agreements between RCM and Royal Academy of Music in regard to development of the Associated Board, 1896-1920; Department of Education and Science, correspondence and accounts, 1973-1986; graduation ceremony programmes, 1995; miscellaneous papers on investments and pensions, 1962-1975, 1980-1985.
Sans titrePapers of Sir Henry Walford Davies, 1890-1969, including correspondence on his music and career (correspondents include Dean Albert Baillie, Robert Bridges, Henry Colles, Sir George Grove, August Jaeger, Charles Parry, Sir Walter Parratt, Sir Charles Stanford), 1891-1937; engagement diaries, 1890-1941; notebooks, c1917-1931; music note and sketch books, c1891-1927; manuscript music of arrangements compiled as a student at the Royal College of Music, 1890s; lists of published musical works; copyright and royalty correspondence, 1895-1954; correspondence relating to publications and proposed publications, including 'New Fellowship Song Book', 'Music and Worship', First steps in music and A four years' course in music, 1930-1934; manuscript music for a proposed song book for schools, 1938-1939; typescripts, correspondence relating to 'The Psalter newly printed', 1933, the BBC hymn book, 1938-1939, and the Army hymn book, 1940; letters and papers relating to the School of Church Music and the College of St Nicolas, 1933-1936; manuscript notes and printed programmes of lectures by Davies, 1909-1938, including Royal Institution lectures 'Music in relation to other arts' (1910) and 'To untrained listeners' (1915), and Gresham music lectures, 1924-1938; typescripts of Davies' BBC radio broadcasts to schools on music with printed scholars' manuals, 1924-1938; typescripts of Davies' BBC radio broadcasts `Music and the ordinary listener', 1926-1939; associated correspondence and printed material relating to BBC radio broadcasts, 1924-1941; typescripts and notes for 'Keyboard talks', 1933-1935; manuscript music, notes and typescripts of Davies BBC radio broadcasts 'Melodies of Christendom' and Empire Day talks, 1934-1939; private correspondence relating to his work for radio, 1933-1937; letters from BBC listeners, 1936-1937; letters to Lady Davies on Davies death, 1941; biographical material on Davies compiled for Walford Davies: a Biography by H C Colles (London, 1942), including published material on Davies, 1919-1943; papers relating to commemoration of centenary of Davies' birth, 1969.
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