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Papers created and collected privately by Aby Moritz Warburg and members of his family, and administrative records of the Kulturwissenschaftliche Bibliothek Warburg and its successor institution, the Warburg Institute, 1866-2000. Including records of the history of the Warburg Institute from the beginnings of Aby Warburg's private library to the present day in sections under the following headings: Buildings; Administration; Organization and Activities of the Library / Institute; Annual Reports; Visitors' and Address Books; Accession Books; Account Books and 'Scrap' Book. Personal documents and working papers of Aby Warburg, including his bibliographical notes, notebooks, diaries and journals, drafts of lectures and articles; poems and dramatic sketches. Topics covered include: Contemporary Art; Hamburg University; Early Renaissance and Florentine Art and Patronage: Botticelli, Leonardo, Ghirlandaio, Sassetti; Flemish Art; Transformation of Style; Festivals; Psychology of Art; Pueblo Indians; Art and Astrology in Italy and the North: Palazzo Schifanoia, Luther and the Art of the Reformation, Dürer; Rembrandt; Cosmology; Postage Stamps; 'Mnemosyne-Atlas'. Papers collected by Aby Warburg on the following topics: Hamburg University; Hamburg City Affairs; Hamburg Institutions; Art Historical and other Congresses; Kunsthistorisches Institut (Florenz); First World War and Aftermath and Universities. Photographic Material including negatives and prints.

Personal and working papers of Dame Frances Amelia Yates, historian, 1899-1981, including diaries, family documents, notes, working papers, lectures, articles, books, reviews, correspondence and photographs. Topics covered include: Influence of Italy and Italian on English Life, Humanism; Academies; Hermetic Tradition; Occult Philosophy; Neoplatonism; Enlightenment; Shakespeare, Ramon Llull; Giordano Bruno and Art of Memory.

Personal Documents and Working Papers of Fritz Saxl, 1896-1948, including bibliographical notes, notebooks, drafts of lectures and articles. Topics covered include: Mithras; Pagan and Jewish Influences on Christian Art; Astrology; Cosmology; Illuminated Astrological and Mythological Manuscripts; Medieval Encyclopaedias; Science and Art; Venetian Art; Spanish Art; Art of the Reformation: Dürer; Holbein, Elsheimer, Rembrandt; Historiography and Aby Warburg.

Working papers and correspondence of astrologer Karl Ernst Krafft, c 1929-1938, on topics including Cosmology; Astrology and Political-Cultural Affairs; and correspondence of Ellic Howe dealing with the Krafft Papers, 1957-1964.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

Papers of Siegfried Seligmann c 1910-1926, including notes, working papers and photographs. Topics covered include magic and mysticism and include: 'Der Fischschwanz als Amulett und Talisman'; 'Wie sollen wir uns zu der Homöopathie stellen'; 'The Evil Eye' and 'Die Magischen Heil- und Schutzmittel'.

Manuscript volume, dated 1488: Mystische Traktate (mystical treatises). Possibly two originally independent manuscripts bound together. Book-guards consist of strips of parchment bearing text in a 14th century script.

Arithmeticae et Astronomicae Auctores Varii: 15th century (possibly 1468) mathematical and astronomical treatises by various authors. Earlier texts written in Italy by one hand; others written by Heinrich Langenstein and Paul of Olmütz (?). Full page diagram of the zodiac on folio 47r.

Manuscript volume, probably 15th or 16th century, 'Chyromantia et Natura Planetarum', a treatise on palmistry (chiromancy), including 21 colour diagrams of hands and symbols. Bound with a number of later printed works, including Thomas Hill's The Schoole of Skil (T Iudson for W Iaggard, London, 1599).

Manuscript volume, 15th century: De raptu anime Tundali et visione. Pasted to the inside front cover is a full-page colour illustration of Tundal presenting his manuscript to Pope Eugenius, inscribed: Tondali Visione Eugenio Papae Oblata. Folio 1r bears a fragment of another text, in the same hand, as this manuscript was formerly part of a larger manuscript.

Papers of Matthew Manning, [1974-1990], comprising automatic drawings; drafts including of The Link, The Strangers; correspondence of Peter Bander; magazine articles about Manning and psychic phenomena.