Showing 210 results

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Papers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.

Records of the parish of Saint Michael, Chiswick, including baptism registers (1908-1964); marriage registers (1909-1972); confirmation registers (1940-1976); service registers (1908-2009); temporary building committee, Parochial Church Council and Vestry meeting minutes; a recording of the church choir singing at Truro Cathedral; parish magazines and newsletters.

Collection of autograph letters, 1756-1849, brought together by Lord Odo Russell. The correspondents are mainly European scientists, including Nikolaus Joseph and his son Joseph Franz Freiherr von Jacquin, both Professor of Chemistry and Botany at Vienna University; the zoologist Leopold Joseph Franz Johann Fitzinger; and the botanist István Laszló Endlicher. The letters concern the natural sciences, the medical sciences, the physical sciences, the arts, theology, dealers, diplomats and statesmen, and others. There is also a note from Beethoven (post 1824) and a letter from Goethe (1807).

Five letters of John Ruskin to the Rev Walter Lucas Brown on watercolour painting; letter to Miss Brown.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Archive, 1754 to date, of the Royal Society of Arts (RSA; formerly the Society for the Encouragement of Arts, Manufactures and Commerce, or Society of Arts), created by the Society in the course of its activities, and comprising records of its administration (Ref: AD), and records of its activities and events (Ref: PR), also including some printed material dating back to 1634.

Administrative records of the Society include:

Records of Miscellaneous Committees to discuss the programme and administration of the Society, including the Committee of Correspondence and Papers and the Committee of Miscellaneous Matters, 1754-1848 (Ref: AD.MA/104).
Records of the Society from 1754, later the Council (established 1845) (Ref: AD.MA/100).

Records concerning Chairmen of Council (from 1846) and Council membership (Ref: AD.MA/102).

Records of Secretaries (administrative head of the Society), after 1994 known as the Director (Ref: AD.MA/101).

Records of Presidents (Ref: AD.MA/103).

Records of Membership/Fellowship, relating to subscribers to the Society, originally termed 'members', referred to as 'Fellows' from 1908 (Ref: AD.MA/900). (The archive does not include extensive biographical information on RSA Fellows, although dates of membership of Fellows are usually recorded.)
Records concerning the Society's House in John Adam Street from its design and construction by the Adam Brothers, including correspondence, papers, notes, leases and other legal documents, relating to administration, management, alteration and repair of the building (Ref: AD.MA/300).

Records of various House Committees set up at different times to look at the building, its use, function, administration and management (Ref: AD.MA/305).

Accounting and financial records produced by various committees including the Accounts Committee and Finance and General Purposes Committee (Ref: AD.MA/400).

Annual Reports recording the Society's activities over the year, initially within the Journal (from 1852), but later as a separate publication (Ref: AD.MA/701).

Records relating to general lectures (developed from the 1850s when the Society ceased the award of premiums for inventions), with correspondence mainly concerning administrative arrangements for speakers and publication of their texts (in the RSA Journal) and suggestions for topics for discussion (Ref: AD.MA/800).

Records relating to the RSA Silver Medal awarded annually for the most interesting lecture over the preceding year (Ref: AD.MA/803).

Records relating to production of the Journal and other publicity, promotion and communication (Ref: AD.MA/203).

Donations and collections, comprising objects and artefacts donated to or bought by the Society (Ref: AD.MA/204).

Records of the Society's activities (such as award schemes, exhibitions, conferences, seminars and lectures), including joint initiatives with a range of other organisations, include:

Guard Books (30 volumes), 1754-1770, containing correspondence and papers about all Society activities and committees, on a range of subjects (Ref: PR.GE/110).

Manuscript versions of the Society's Transactions, comprising draft versions of the printed Transactions, including drawings, plans and diagrams in support of claims for premiums and awards. Also general correspondence to the Society on various 19th century campaigns, conferences and committees, covering subjects including lectures (arrangements for dates, speakers, chairmen, participants; suggestions for subjects, submission of lecture texts, corrections to texts, requests for tickets/programmes, acceptances, apologies for non-attendance etc), examinations (requests for syllabus, copies of certificates, programmes, rules; complaints, arrangements, agreements with colleges, details of examiners etc), membership (requests for information, applications, replies to circulars, notes accompanying subscriptions, resignations, complaints), Council/committee chairmen (intention to attend meetings, acceptances, general arrangements for meetings, requests for information, dates, times etc), Journal (receipt/non-receipt of copies, reciprocal arrangements with other libraries, requests for extra copies, corrections to proofs, advertising, arrangements for making blocks, photogravures etc), House (letters from freeholders, solicitors, contractors; booking of rooms), staff (applications for employment, testimonials, sick notes etc - a very small number of items), general (invitations, letters from bankers, auditors, business circulars, requests for funding, suggestions for campaigns, policies, events etc), and including artistic copyright, uniform musical pitch, domestic economy, art workmanship, musical training, food committees, patent law reform, prevention of fires in theatres and education exhibitions (Ref: PR.GE/118-19, 121).

Records relating to Premium and Programme committees (Ref: PR.GE/112); Albert Medal (founded 1863) (Ref: PR.GE/101); Memorial Tablet (blue plaque) scheme (founded 1866) (PR.GE/122); War Memorials Advisory Council (established 1944, disbanded 1948), concerning memorials of the Second World War (Ref: PR.GE/117); Exhibition of Exhibitions (1951), concurrent with the Festival of Britain, to commemorate earlier ground-breaking Society exhibitions on contemporary art (1760), industrial design (1847-1850), photography (1852), industry (1761), and the first international exhibition (1851) (Ref: PR.GE/102); R B Bennett Commonwealth Prize (endowed 1944) for outstanding contribution to the promotion of the arts, agriculture, industries and commerce of the Overseas Empire (Ref: PR.GE/116); Commonwealth Committee (Ref: PR.GE/113); proposals and planning for the Festival of Britain (1951) (Ref: PR.GE/103); events for the RSA Bicentenary (1954) (Ref: PR.GE/107); Benjamin Franklin Medal (instituted 1956) (Ref: PR.GE/100); Trusts, bequests, fundraising and development (Ref: PR.GE/111).

Records relating to manufacture and commerce, including the Paris Exhibitions (1844-1900) (Ref: PR.MC/109); Great Exhibition (1851) (Ref: PR.MC/107); International Exhibition (1862) (Ref: PR.MC/108); Chicago Exhibition (World's Columbian Exposition, 1893), British Section (Ref: PR.MC/112); Industry Year/Industry Matters (1986) (Ref: PR.MC/100); Tomorrow's Company (begun 1994), concerning the role of business in a changing world (Ref: PR.MC/115); Redefining Work (launched 1995) (Ref: PR.MC/116); Forum for Ethics in the Workplace (1997) (Ref: PR.MC/117); Manufacturing, Wealth Creation and the Economy (1998) (Ref: PR.MC/118).

Records of subject-based standing committees set up by the Society from 1754 to judge awards and premiums in particular areas, including minutes and correspondence about awards and attendance at and structure of committees: Agriculture (Ref: PR.MC/103), Chemistry (Ref: PR.MC/105), Colonies and Trade (Ref: PR.MC/104), Manufactures (Ref: PR.MC/102), Mechanics (Ref: PR.MC/101), and Polite Arts - including prints, drawings and other artwork submitted for award (Ref: PR.AR/103).

Records relating to fine and applied arts, including exhibition of works of Ancient and Medieval Art (1847-1850) (Ref: PR.AR/105); exhibition of the works of William Etty and William Mulready (1848-1849), including general correspondence, printed matter, catalogues, press cuttings, tickets and notices about mounting of exhibitions, and attendance (Ref: PR.AR/112); British Art in Industry Exhibition (1935) to publicise good design in articles of everyday use (Ref: PR.AR/101); Humorous Art Exhibition (1949-1950) (Ref: PR.AR/100); Art for Architecture scheme (from 1990), aiming to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects, and associated with the Jerwood Art for Architecture Award (introduced 1994) (Ref: PR.AR/110); Shakespeare in Schools (begun 1992), a pilot project to introduce Shakespeare to children (Ref: PR.AR/108).

Records relating to promotion of design, including the Design Bursaries Board, Design Committee, the Design Board, Design Advisory Group and Design Section (Ref: PR.DE/106-7); Industrial Art Bursaries Competition (started 1924), succeeded by the Design Bursaries Competition, Competition of Industrial Designs and Student Design Awards (Ref: PR.DE/100); Royal Designers for Industry (RDI) scheme (created 1936) to encourage a high standard of industrial design (Ref: PR.DE/101); Bicentenary Medal (instituted 1954) for exceptional influence in promoting art and design in British industry (Ref: PR.DE/102); Presidential Awards for Design Management (instituted 1964) to recognise outstanding design policy (Ref: PR.DE/105).
Records relating to education, including the RSA Examinations Board (PR.ED/100); the Education for Capability programme (initiated 1979) to counteract academic bias in British education and promote practical, organising and co-operative skills (Ref: PR.ED/107); the future of Technological Higher Education in Britain (1982), a study group to consider the problems facing Britain in the development of technological higher education (Ref: PR.ED/118); Home-School links (from 1988) (Ref: PR.ED/108); Parents in a Learning Society, a development project to involve parents in education and assess home-school work (Ref: PR.ED/104); the National Advisory Council for Careers and Educational Guidance (established 1994), to promote and advise on provision of guidance for learning and work (Ref: PR.ED/103); Education Futures (2000) (Ref: PR.ED/116).

Records relating to the environment, including the Campaign for the Preservation of Ancient Cottages (begun 1926) to protect cottage architecture, establishing a fund which purchased or restored cottages near Worthing, at Bibury, Gloucestershire, West Wycombe, Buckinghamshire, Chiddingstone, Kent, and elsewhere (Ref: PR.EN/100); three 'Countryside in 1970' Conferences (1963-1970) (Ref: PR.EN/104); Environment Committee (formed 1971) to identify and anticipate major environmental problems and provide a forum for discussion (Ref: PR.EN/107), which began the Pollution Abatement Technology Award Scheme (PATAS) (1983-1986) (Ref: PR.EN/103), succeeded by the Better Environment for Industry/European Better Environment Awards for Industry (BEAFI/EBEAFI) (1987-1991) (Ref: PR.EN/101); the Environment Committee's sub-committee the RSA-Cubitt Trust Panel (to 1991), devoted to the built environment and working with the Cubitt Trust to convene conferences, seminars and an annual Cubitt Lecture (Ref: PR.EN/106); After the Earth Summit - What Next? (1992) (Ref: PR.EN/128); RSA Environmental Management Awards (begun 1993) (Ref: PR.EN/102).

The Early Library (Ref: SC/EL/1-5), comprising c500 printed works collected by the Society before 1830, including journals and periodicals, and c300 pamphlets and tracts covering broad-ranging topics relating to premiums and awards of the various sectional committees (Agriculture, Polite Arts, Chemistry, Manufactures, Mechanics, and Colonies and Trade), and including extracts from proceedings of other societies and learned institutions.

Archives of the Royal Opera House (ROH), comprising:
some business records of the ROH and associated companies including Board minutes and papers of various opera companies using the ROH, 1919-1939; box office returns and payment slips for artists and theatre staff, 1919-1939; individual artist files, containing biographical information, prints and photographs 18thc to present]; production files 1946-present; minutes of the Board of the Royal Opera House Ltd, sub-committees, and management groups, 1946-present; files of the General Administrator/Chief Executive Office, and Assistants to the General Administrator, 1946-present; files of the Chairman of the Board 1946-1997; files of the Company Secretary's office, 1948-1996; files of the Personnel Office -2002 (closed); Contract files 1946-1980s (closed);
Opera Company files 1970s - 1999; Ballet Company files 1947-1996; Birmingham Royal Ballet files 1970s-1991; some early performing company files are found with the General Administrator's files; Finance Department records, 1946-present;

19th century correspondence, including letters of Frederick Gye (1809-1878), opera manager; Giovanni Matteo Mario (1810-1883) Italian tenor; Giulia Grisi (1811-1869), and Michael Costa (1810-1884) conductor;

Press, Publication, Community Relations, Marketing and Box Office departmental files, 1980-2000; House Management files, 1948-1999; Orchestra Office files, 1948-present; Friends of Covent Garden files, 1964-1999;

Ballet for All - education initiative files, 1964-1970s; London Opera Centre records, 1963-1970s; Production Office files, 1946-1980; Fly Department files, 1947-1977; Technical Department files, 1952-present;

audiovisual collection comprising:
audio recordings of oral history interviews relating to the Royal Opera House Development Project, 1997-2000; Verdi Centenary, 2001-2002; recordings of interviews and events at the Royal Opera House, 1964-2003;

photographic collection comprising:
photographs by Donald Southern, including black and white negatives and colour transparencies of performances, events and personnel at the ROH, 1959-1991; photographs by John Graham, including negatives of ballet and opera performances at the ROH, 1940s-1950s; photographs by Felix Fonteyn, including negatives of ballet productions from 1950s; photographs by Richard Holttum, including black and white negatives and colour transparencies of the ROH interior and exterior prior to development 1988-1991; photographs by Rob Moore including contact prints and colour transparencies of the ROH development, 1997-2001; Schal time-lapse photography of the development of the ROH, 1996-1999; Historic Monuments Commission photographic survey of the ROH interior and exterior prior to site development 1990-1996; two albums of photographs compiled by Edwin Sachs of the redevelopment of the ROH stage, 1899-1900, and the workshops; glass plate negatives used to create ballet post cards, 1950s-1960s;

collection of music and choreographic scores comprising:
printed songs, 18th -early 19th century; operas scores (vocal and orchestral) and stage managers scores, 1840s-1939; annotated opera stage managers scores 1946- present; annotated ballet stage managers scores, 1946-present; Staff Director's annotated scores for opera productions, 1946-present; Ninette de Valois' printed and manuscript music for ballet, 1920s -1930s; printed and manuscript ballet music, 1840s-1950s;
choreographic scores for ballets performed by The Royal Ballet and Birmingham Royal Ballet;

design and costume and collections comprising:
Yolanda Sonnabend design collection including notebooks, reference files, and related material, 1973-1995;
Ian Spurling collection of designs, photographs and press cuttings, 1975-1994; Toby Ward collection of drawings of the ROH prior to and during development 1996-1999;
Glynne Boyd Hart collection of watercolours of the ROH development, 1998-1999;
Ruth Hurle collection of drawings of back state, craft workrooms, opera and ballet rehearsals, 1930s-1940s;

costumes and accessories, such as headdresses, jewellery, shoes and wigs, worn by artist appearing at he ROH, 1920s-2003;
Comelli costume design collection including artwork by Attilio Comelli and others for costumes of operas performed at the ROH 1880s-1920s;
Costume design artwork, 1946-present; design artwork for sets and props, 1946-present; models of sets for productions, 1946-present; Model Room files relating to ground plans, and technical drawing or set and prop construction 1946 to present; stage and ground plans, 1939; Production Wardrobe files relating to costume and accessories design 1946-present;

miscellaneous large prints and drawings of performers and performances 19th and 20th century;

collection of advertising posters, 19th century-present;

programme collection including programmes for Gala and Special performances, and decorative programmes 1750s-present;

press cuttings of announcements, reviews, interviews, 18th century, 1847-1939; Harold Rosenthal collection of press puttings, relating mainly to the ROH performances, 1847-1950s; press cuttings of reviews and articles about performers and performances, 1946-present;
miscellaneous albums and scrap books relating to Anna Pavlova, and Nellie Melba, amongst others 1920s;

library collection comprising books, periodicals and specialist publication relating to ballet, dance, opera, music and theatre; libretti, 1840-present; playtexts 1776-[1850]; reports commissioned by the ROH and general arts reports 1946-present; ROH publications and souvenir year books 1956-2002;

special collections comprising:
Royal Ballet Benevolent Fund collection of material relating to the celebration of the 50th anniversary of The Royal Ballet (RB), including papers, photographs, press cuttings, programmes concerning the RB and its predecessors - Vic Wells and Sadler's Wells Ballet companies 1931- 1950s;

Spellman Song Sheet Covers containing illustrations of operas, and ballets late 19th-early 20th century;

albums of Lady de Grey albums containing photographs of singers, composers, conductors, mostly autographed, dedicated to (Constance) Gladys De Grey, (1859-1917) Marchioness of Ripon, and opera patron, 1870-1920;

collection of Dame Margot Fonteyn De Arias (1918-1991) ballet dancer, including costumes, accessories, photographs, correspondence and books, 1920s-1980s;

collection of Dame Ninette de Valois (1898-2001) founder of The Royal Ballet, including awards, honours and correspondence, 1947-1993;

collection of Leslie Edwards (1916-2001), principal dancer The Royal Ballet, including photographs 1920s-1980s;

collection of Eva Turner (1892-1990) English soprano, relating to her singing career, including costumes, accessories, photographs, press cuttings, music and books 1920s-1940s;

diaries of Frederick Gye (1809-1878), Royal Italian Opera General manager, 1847-1878, his daughter Clara Gye, and son Ernest Gye, ROH Manager, 1847-1877;

collection of Olive Grime, dancer with the Beecham Opera Company, including press cuttings, contracts, correspondence, photographs, books and costumes, 1920s-1930s;

collection of Reginald Goodall (1901-1990) English conductor, including correspondence and personal papers, 1900-1958.

Records of the Royal Choral Society. The archive is divided into seven sections: administrative records, including a series of individual concert files; financial records; membership records, which include attendance registers and audition files; concert records and programmes; publicity records including posters and newspaper cuttings; files of printed musical scores, arranged by piece, and including programmes for concerts featuring the work; miscellaneous records, which comprise information and programmes relating to other choirs, magazines of the society, or which include articles on the society or choral singing in general, and photographs of choir members, soloists and conductors.

Highlights of the collection include a comprehensive, although not complete, series of concert programmes from 1873-1985, including the programme for the last concert to be held in the Queen's Hall before its destruction during World War II. There are also manuscript copies of "Eryri" by Alun Hoddinott. This piece was composed for the investiture of the Prince of Wales in 1969 and the collection has a copy both of the original score, for 16 soloists, chorus and orchestra, and the revised version for baritone solo, chorus and orchestra.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

Papers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.

Papers of Lina Prokofiev, [1920-1987], including personal material such as copies of letters written by Serge Prokofiev; copies of correspondence between Lina's family and Prokofiev, [1931-1938]; copies of financial material, 1929-1935; correspondence and official papers relating to Lina's attempts to leave the Soviet Union and later to remain in Europe, [1973-1978]; personal correspondence of Lina, 1974-1989, with correspondents including her children and grandchildren, authors writing books on Prokofiev and Lina, and musical societies and orchestras requesting permission to perform Prokofiev's works; business correspondence, [1977-1985], regarding the setting up of the Serge Prokofiev Foundation and the collection of archival material, as well as legal matters relating to the Prokofiev estate and Lina's autobiography; papers relating to Lina's visit to the USA in 1976-1977, including schedules, correspondence, press cuttings and programmes; material relating to Lina's performance as the narrator in Peter and the Wolf at the Lincoln Centre for the Performing Arts, 1984-1985; family photographs. The collection also includes transcripts from taped interviews with Lina covering topics such as her family background, the early life and musical training of Serge Prokofiev, Prokofiev's composing methods, health, politics and relationship with his children, the public reception of Prokofiev's music, Lina and Prokofiev's courtship and marriage, and life in Soviet Russia; texts of articles and broadcasts by Lina, [1982-1984], on topics including Prokofiev's relationship with Stravinsky, and the writing of Romeo and Juliet and the Third Piano Concerto; articles by various authors relating to Prokofiev, [1976-1977, 1980-1982]; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1975-1987]; copies of the Moscow News, 1934-1935; and pamphlets, published works and cassettes concerning Christian Science.

Translations from Russian literature by S W Pring including translations of short stories by Anton Pavlovich Chekhov; translation of the composer Nikolai Andreevich Rimsky-Korsakov's memoirs; correspondence relating to the possible publication in book form of Pring's translation of correspondence between Rimsky-Korsakov and Mily Alexeyevich Balakirev.

Papers, 1892-1960, of Sir John Thomas Pratt, largely dating from after 1941, including correspondence concerning his various publications, files on his campaign against British involvement in the Korean War, articles, lecture notes and press cuttings. Also includes correspondence with his brother William (Billy) Pratt (1949-1957), whose stage name was Boris Karloff.

Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

Responses to a questionnaire by Paul Plaut, designed as research for Die Psychologie der produktiven Persönlichkeit, from prominent scientists and artists in Germany and Austria on their views about science and creativity. There are some interesting responses from outside the German speaking countries (Miguel de Unamuno, John Galsworthy), but the bulk of the contributions represent the views of German-speaking academics and artists. Responses to the scientific questionnaire include Albert Einstein, Fritz Haber and Erwin Finlay Freundlich as well as lay figures such as Gustav Radbrüch and Wilhelm Hellpach. Communications from writers range from letters by Heinrich and Franziska Mann to a postcard from Elsa Laska-Schüler. Architects write about their work and new ideas (Erich Mendelsohn) and some of the painters give insights into their creative development, notably Wassily Kandinsky, Otto Dix and Max Pechstein.

The photographs in this collection cover areas of Peri's work between 1920 and 1966. They include images of his early constructivist work, bronze figurines, cement sculptures and pictures of the artist at work. The drawings and sketches are mainly of people in a variety of simple poses, but are all undated. The correspondence refers to possible commissions for the London County Council, 1958 and an exhibition of his work at St. Pancras Public Library, 1963.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Records of the Park Chapel, Hornsey, including declaration of trust and deeds; Deacons' Meeting minutes; Church Meeting minutes; Church registers of attendance; service sheets; financial records; papers relating to buildings and property; correspondence; papers relating to societies including the Sunday School and Dorcas Society; papers relating to the choir; papers relating to Hornsey British School; Church magazines and year books; plans; photographs; printed material; papers relating to the Blenheim Road Mission; papers relating to the Grove Mission and registers of marriages and baptisms at the Mount View Chapel, 1887-1913.

This collection consists of correspondence, notes and writings, artwork, photographs, press cuttings, exhibition material, printed material, personal documentation, financial documentiation, and ephemeral items relating to Cecil and Elisabeth Collins.

Virginia Nimarkoh's Indent project (1999) examined contemporary artists' relationship to collaboration and self-publishing as a mode of critique. The archive is comprised of a collection of printed matter including preview cards, comics, flyers and posters by BANK, Grennan and Sperandio, Inventory, Mute and Emma Rushton and Derek Tyman, compiled by Virginia Nimarkoh.

Letters and cards written by Iris Murdoch to artist Rachel Fenner from 1964 onwards. Murdoch taught Fenner at the Royal College of Art and they remained friends afterwards. Topics covered in their correspondence includes Fenner's studies and later work, Murdoch's work, their travels, arranging meetings, and general family news. There are over 300 letters in total.

Two folders of letters from Iris Murdoch to her friend Stephen Gardiner dating from [1973-1990]. Gardiner was an architect known for his work on public buildings, and some of the letters from Murdoch discuss their shared love for art and architecture.

Papers and books belonging to the theatre critic Sheridan Morley (1941-2007). Includes correspondence, records relating to his various productions, volumes of press coverings covering his reviews, research notes and transcripts of some of his publications, photographs, records relating to his father Robert Morley and Grandmother Gladys Cooper, records relating to Noel Coward, theatre memorabilia and ephemera and objects.

Papers of the Morgan family, 1891-1963, comprising papers, reports, photographs, music and other personal memorabilia of Robert Orlando Morgan, R.G.S.M., Professor of the Guildhall School of Music and Drama 1887-1951, of his second son, Cyril Douglas Morgan, Principal Clerk to the Chamberlain of London 1946-1958 and of his son, M.D. Morgan, the depositor of these documents.

Programmes, press cuttings, articles and transcripts relating to the composer Anthony Milner, used by James Siddons in his Anthony Milner: a Bio-Bibliography (Westport, CT, 1989), comprising scrap books of reviews of Milner's music and articles by or on Milner, 1951-1960; press cuttings relating to Milner's liturgical compositions in regard to the introduction of English in the Roman Catholic liturgy, and Milner's views of the translation of the order of mass into English, 1964-1970; music programmes (with some reviews) of concerts featuring Milner's works, 1958-1985; reviews and press cuttings of Milner's work and performances, c1958-1979; brief biographical notes on Milner, and schedules and itineraries of his lecture tours of Canada and USA, 1964-1985; transcript of 'Anthony Milner on his 50th birthday', a talk on 'Music weekly', BBC Radio 3, by Hugh Wood, 11 May 1975; 'Anthony Milner - a comment on his work' typescript article by Stephen Dodgson (MS 5866). Three published articles by Milner, with covering to Sir Keith Falkner, on the problem of the vernacular in the Roman Catholic liturgy, 'Music in a vernacular Catholic liturgy' paper read to the Royal Musical Association, 4 Jan 1965; 'The instruction on sacred music', Worship vol 41 no 6 Jun-Jul 1967; 'Music and liturgy', The Month, 1965-1966 (MS 6995)

Correspondence and accounts of the Middlesex Guildhall Camera Club, also called the Staff Camera Club.

Proposals prepared by the County Engineer and County Architect, Middlesex County Council, including:

proposed extensions to Willesden Polytechnic, 1902

estimate for a new bridge across the River Colne near the Upper Mill, Stanwell Moor, 1904

alterations to Town Hall, Feltham, 1905

estimate for Magistrates' Court House, Uxbridge, 1906

specification for reconstruction of Colham Bridge over the Grand Junction Canal at Yiewsley, 1906.

Letters (10) and papers of or relating to Giacomo Meyerbeer, including to Giovanni Ricordi, 29 Jun 1824; to Leopold Ganz, 17 May 1847; to Jean-Antoine-Just Géraldy, c1850; to Annette Le Brun, ?before 1854; to James Steuart Bowes, ?1854; to C L Gruneisen, [14 Apr 1860]. With two testimonials for Leopold Ganz, 1845.

Preaching plans and directories for Methodist circuits including the Ealing and Acton Circuit, 1978; Enfield Circuit, 1975-1976; Finchley and Hendon Circuit, 1973; Finsbury Park Circuit, 1969; Finsbury Park and Southgate Circuit, 1977-1978; Harlesden Circuit, 1973; Harrow Circuit, 1978; Highgate Circuit, 1977-1979; Teddington Circuit, 1977-1978 and Wembley and Golders Green Circuit, 1977-1978.

Ledger and financial accounts of F. Meacci, piece moulder and figure maker, 1887-1893, recording work done in casting, painting, bronzing, squeezing in clay, casting in gelatine, and transport of sculptural works.

The archive consists of 77 letters to Bodichon mainly from Helen Taylor, James Joseph Sylvester, Marianne North, the Hill Family and various other correspondents (1827-c 1891); offprints of papers written by the donor related to Helen Taylor (1978), James Joseph Sylvester (1981) and Marianne North (1989).

Papers of Max Lock, 1936-1988, produced and collected by Max Lock and the Max Lock Group, relate to Lock's career as a planner and architect and to wider issues in planning, particularly after World War Two, and comprise working papers (including survey papers) and finished material.

They include correspondence; notes and card indexes; photographs (some aerial), slides, drawings, maps and plans; Bills, Acts, white papers and other official publications; books, articles, reports and other publications (some annotated); typescripts; press cuttings; and conference papers. The bulk of the material dates from the 1940s to the early 1970s. Material relating to Lock's career and projects within the UK includes papers on his time as a Watford councillor and his architectural practice in the 1930s, including a timber house he designed at Stanmore, Middlesex; Hull, 1939-1957, including conflicts between Lock and his superiors; Scalby, 1940-1941; Middlesborough, 1943-1970; Hartlepool, 1946-1970; Portsmouth, 1948-1973; Salisbury, 1949-1969; Sutton Coldfield, 1950-1967; Bedford, 1950-1971; Sevenoaks, 1954-1965; Aberdare, 1957-1959; Stratford (West Ham), 1957-1962; Hackney and Shoreditch, 1960-1971; Woodley, 1962-1969; Oldham, 1962-1971; Covent Garden, 1963-1971; Battle, 1964; Brentford and Chiswick, 1964-1970; Torbay, 1968-1969; Dunstable, 1968-1972; Greater London Development Plan Inquiry, 1969-1971, and other material on GLC planning and transport; Beverley, 1969-1972. Material on projects and visits overseas includes papers on Scandinavia, 1937-1939, 1946-1949; India, Pakistan and Ceylon, 1946-1955; the Netherlands, including the Town Planning Institute Tour (1946), 1946-1957; the Americas, including Brazil, the West Indies and the USA, 1952-1969; Italy, 1952-1970; the Middle East, including Iraq and Jordan, 1954-1958; Australia, 1959-1960; Aden, 1960-1961; Kuwait, 1961; Nigeria, including Kaduna and Maiduguri, 1962-1975.

The collection includes a large volume of accumulated material, 1944-1987, largely printed material by other authors, including other planners, planning bodies and architects, some from architectural and planning journals and from the national and regional press, on planning and related issues both in the UK and overseas, such as planning law and procedures; central and local government and administration; public inquiries; housing; historic buildings; urban development; industry and retail; transport infrastructure, including roads and ports; traffic, noise, and the environment; social and economic issues including employment, labour, and social class; population levels and density; public amenities and utilities; land use and open space; and statistical data. Some papers relate to the affairs, including legal and financial matters, of the Max Lock Group; the architectural work of Max Lock and Partners; premises in Victoria Square, London; and the Max Lock Group Nigeria. Papers of or concerning Lock himself include his notebooks and other papers reflecting the development of his ideas; papers relating to publications and broadcasts; papers relating to professional bodies, including the TPI, RIBA, TCPA and UDAG; personal correspondence; photographs of him and his friends; papers on music and architecture, including lecture notes; articles about Lock, and his obituary in the Independent, 3 May 1988.

The archive consists of two notebooks containing Martineau's diaries, describing her training at art colleges in London and her social and family life (1892-1914). Also includes a typescript of a lecture based on the diaries given by historian Elizabeth Crawford at a Women's History Network Conference, Sep 2005.

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

Autograph letter book of Sir August Manns, containing c200 items of correspondence received 1862-1973 (predominantly 1870-1900), comprising short letters addressed to Manns (and a few to his daughter Augusta) from c100 correspondents, mainly eminent composers and musicians of the late 19th century, on musical or personal matters. Some later items appear to have been added by his daughter Augusta Bönten and grand-daughter Louise Bönten. The correspondents include: Johann Joseph Abert, Luigi Arditi, Waldemar Barziel, William Henry Bell, Sir Julius Benedict, Sir William Sterndale Bennett, Johannes Brahms, Max Bruch, Ignaz Brull, Cecile Chaminade, Sir William Cusins, Antonin Dvorák, Sir Edward Elgar, Robert Franz, Niels Gade, Friedrich Gernsheim, Charles-Francois Gounod, Edvard Grieg, Sir George Grove, Frederick Gye, Sir Charles Hallé, John Liptrot Hatton, Ferdinand Hiller, Sir Henry Irving, Charles Lamoureux, Franz Liszt, Hamish MacCunn, Sir George Alexander Macfarren, Walter Macfarren, Sir Alexander Campbell Mackenzie, Jules Massenet, Giacomo Meyerbeer, Sir Herbert Oakeley, Sir Charles Hubert Hastings Parry, Ebenezer Prout, Joachim Raff, Anton Rubinstein, Camille Saint-Saens, Sir Charles Santley, Pablo de Sarasate, Xaver Scharwenka, Clara Schumann, Giovanni Sgambati, John Stainer, Sir Charles Villiers Stanford, Julius Stockhausen, Richard Strauss, Sir Arthur Sullivan, Ambroise Thomas, Arthur Goring Thomas, Giuseppe Verdi, Henri Vieuxtemps, Thomas Wingham. 'The Four Ps', a memorandum for young people, manuscript of Manns, 1902; 'Wiegenlied' manuscript of tune by Manns, undated; order of memorial service for Manns, 6 Mar 1907 (MS 6925). Letters (17) to Manns, c1882-c1897: correspondents include Luigi Arditi, Eugene D'Albert, John Carrodus, Robert Hausmann, Sir A C Mackenzie, Alfredo Piatti, Giovanni Sgambati, Anstruther Stirling, Paul Viardot, August Wilhelmi, (MS 6927). Two letters (1895 and undated) to Manns from Andrew Black (1859-1920) and Sir George Henschel (1850-1934) (Ref: MS 6928).

The archive consists of printed flyers and a pamphlet, an interview transcript, press cuttings and other papers relating to the photographer Melanie Manchot and exhibitions of her work.

The file comprises:

• Curriculum Vitae of Melanie Manchot, c 1998

• Essay by the exhibition curator Maeve O'Brien, of Nottingham Trent University Bonnington Gallery, on the exhibition 'Lifelines' that featured silver gelatin print photographs of Manchot's naked mother, Jun 1998

• Transcript of interview between Manchot and Penny Martin [then archivist at The Women's Library], c 2000

• Four press cuttings relating to the exhibition 'Lifelines', from 'Time Out', 'Scene' and the 'Independent on Sunday', 1996-1998.

• Publicity flyers for exhibitions featuring Manchot's work: 'Behind the Screen', 'The Ugly Show', 'Light Sensitive', 'Lifelines', 1998.

• Catalogue for 'Lifelines' with reproductions of Manchot's photographs and an essay on her work by Sue Hubbard.

This collection consists of architectural drawings (on paper) of Kneller Hall, Twickenham, by George Mair, 1844-1848. The drawings of both First and Second Series bear the signatures: 'J.P. Kay Shuttleworth' and 'John Kelk'. In addition to the signatures all the drawings bear, in Kay-Shuttleworth's hand and following his signature, a date: 'Feb. 8. 1848' in the case of the First Series, and 'June 17 1848' in the case of Second Series. All the drawings bear, near Mair's inscription, the number 51/1844, which is perhaps his commission number or 'job number'. Moreover, all the drawings bear a circular stencilled stamp reading '1861 R.E. Office London' enclosing a number (either 6, 7, or 12).

Drawings in the First Series are all scaled 1 inch to 10 ft. They are all signed; 'Geo. Mair, architect, 18 Charlotte Street, Bedford Sq, London'. Most have original legends which contain clear indication that they relate to proposed alterations to an existing building. Drawings include: basement plan; ground plan; first floor plan; second floor plan; plan of roofs; entrance elevation; back elevation and side elevation.

Drawings of the Second Series show a very substantially altered building as compared with that depicted in the First Series. They are all signed: 'Geo. Mair, archt., May 1848'. Drawings include: plan of footing and drains; basement plan; ground plan; first floor plan; second floor plan; plan of roofs; north elevation; east elevation; west elevation showing additional buildings over the offices; transverse section C-D on plans and longitudinal section A-B.

The collection contains Lindsay Cooper’s personal papers, works and associated materials. This includes autobiographical writing, including diaries (1950s - 1994) which detail her daily life, living with multiple sclerosis and her relationships with women. Alongside this are material relating to her early life and family history. It also includes musical scores, notebooks, photographs, correspondence, ephemera directly and indirectly related to her music career and life within the jazz and progressive rock scene. The collection also contains a diverse variety of audio visual material, both commercial studio and live recordings, both written by Cooper or featuring her, which have been digitised.

The archive consists of a typescript autobiography, written in 1976, entitled 'Auntie Gertrude's Life', 1889-1976.

Papers of Valley Lasker, 1917-1981, mainly comprising correspondence and papers relating to the works of Gustav Holst, including note from Holst to Lasker on arrangement of his 'At the Boar's Head' for piano, 1924; letter from Holst, recommending Lasker as teacher of music, 1929; postcard from Adrian Cedric Boult [1922]; undated letter from John Masefield, replying to telegram from Bishop of Chichester; manuscript and typescript of talk by Lasker on Holst's 'The Planets' for the BBC Third Programme, 1951; correspondence relating to the Whitsun festivals established by Holst at Thaxted in 'Gustav Holst' by Revd Jack ,Putterill, Making Music, 1975; Chrissemas Day in the morning, piano solo by Holst (H165), autographed by Holst, 1927; correspondence relating to performance of the Holiday Singers for Lasker's 80th birthday, 1965; programmes of concerts featuring Lasker, including student concerts at Morley College, directed by Holst, 1917-1922, Society of Women Musicians, 1934, and Mrs F G Joseph's Orchestra, conducted by Lasker, 1930-1937, prizegiving at St Paul's Girls' School, 1932, tribute concert to Holst, 1951, with a few related reviews; correspondence on personal and musical matters to Lasker from Grace Hoskyns, 1929-1931;printed choral music, including works by Holst, most with signature of Holst.

Correspondence of Constant Lambert (personal and business in relation to music), 1930-1950; papers relating to a proposed biography of Constant Lambert by Angus Morrison, comprising unfinished drafts for the book and related correspondence from Angus Morrison, Dora Foss, Edward Sackville-West, J McKay Martin, Maurice Lambert, Kit Lambert, George G Harrap & Co, 1953-1955; notes on Constant Lambert by Angus Morrison; letters from friends, acquaintances and musical organisations about Constant Lambert, principally to Angus Morrison in response to Morrison's requests in the national press for information on Lambert, 1954-1955; miscellaneous biographical notes, sketches and articles on Constant Lambert (articles etc), 1929-1951; Constant Lambert: various verses and poetry.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Papers and photographs, 1975-1983, concerning the placing of a memorial sculpture of victims of war on their way to work camps/concentration camps, called 'Marchers', by Fred I Kormis, at King's College London, in 1975, comprising brochure, 1975, of Fieldborne Galleries, London, containing 'Sculpture, Fred Kormis'; photograph of 'Marchers', [1975]; press cutting, 1975, detailing 'Marchers' acquisition and presentation to the Department of Philosophy, King's College London; correspondence, 1975, between Kormis and Professor Peter Winch, Department of Philosophy, King's College London, and other departments of King's College London, about the unveiling ceremony of the 'Marchers' plaque; correspondence between Professor Winch and Bernard Sternfield of Fieldborne Galleries, London, 1975, concerning photographs taken of 'Marchers'; list of invitees to the ceremony, 1975; article by Professor Winch about 'Marchers', for the College magazine 'Viewpoint', 1975; correspondence, 1979-1983, between Professor Winch and the Decorations and Amenities Committee, King's College London, about the conditions under which 'Marchers' was displayed and its possible relocation.

Records relating to the School of Music at Kingston University dating 1998-2010. Includes posters, programmes and leaflets for Kingston University Music Concerts; school of music staff and student handbooks from early 2000s; programmes for graduation ceremonies; and other general documents relating to the history of Kingston University.

Documents relating to Kingston School of Art (later Kingston College of Art, which merged with Kingston Technical College to form Kingston Polytechnic in 1970). The Collection includes minute books; scrap books containing press cuttings, exhibition invitations and leaflets; prospectuses; and items relating to exhibitions and fashion shows.

Assorted documents relating to the Department of Architecture at Kingston College of Art/ Kingston Polytechnic collected by Dennis Berry, who was head of the department from 1966-1987. Includes meeting minutes, staff lists, prospectuses, academic plans, course accreditation submissions, town study reports and programmes from degree ceremonies.

Records created or held by Dennis Berry while he was the Head of the Architecture department at Kingston School of Art/ Kingston College of Art/ Kingston Polytechnic (now Kingston University). Includes photographs, scrap books, notes on town plan exhibitions and projects, notes on curriculum and examinations, meeting minutes, diaries, leaflets and publications from the Architecture department, and posters for an Architecture talk 1959.