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The archive consists of a folder containing press releases, correspondence and documents relating to the activities and events organised by Curtain Road Arts between 1993 and 1997.

Correspondence and papers, 1882-1939, relating to the pictures in the Royal Holloway College Picture Collection, notably copyright and reproduction, conservation, loans to exhibitions, provenance, and valuations. Picture Gallery Visitors Books, 1936-1977. Sale and Exhibition catalogues, 1881-1968, namely those including pictures from the Royal Holloway College collection. Articles relating to pictures in the Royal Holloway College Collection, 1864-1971.

Records of the Crystal Palace Trust, 1853-1952, including Trustees minutes, 1914-1950; Finance Committee minutes and notes, 1914-1948; General Purposes Committee minutes, 1914-1949; Special Subcommittee minutes, 1914-1949; speeches of the General Manager, Sir Henry Buckland, to the Trustees, 1935-1948; reports, 1936-1946, including report of the Special Committee after the 1936 fire; trustees attendance book, 1914-1949; inventory of statuary, 1853; inventory of refreshment department, 1898; inventory of contents of Crystal Palace, 1909; printed programme of Opening Day, 1920; financial records and accounts, 1890-1952; agreements and contracts, 1880-1922, including contracts for the aupply of gas and electricity and the sale of refreshments, contract for management of the Cricket Club, agreement for the Football Association (FA) Cup Finals to be held at the Palace and contracts for the running of escalators and lifts.

Volume of correspondence between Thomas Crofton Croker and Frederick William Fairholt, engraver and antiquary, and others, on antiquarian and private matters, also containing letters from Croker's wife Marianne, and his son Thomas Francis Dillon Croker (1831-1912), Recollections of Dillon Croker and other bound in printed items. Also scrapbook containing notes relating to Roman and other antiquities in London.

Manuscript volume containing an Order in Council, 2 May 1654, signed by William Jessop, Clerk of the Council of State, concerning the discharge of some merchant ships from service with the Royal Navy, and ordering that the new coined money on the Tower of London, along with cash from the sale of prize goods, should be used by the Admiralty Commissioners to defray the charge of freight and wages of those ships. The Order was approved on 4 May 1654.

35mm slides of contemporary art images collected by Chelsea College of Art & Design, 1992-2002, photographed by Donald Smith or sourced from previously inaccessible private gallery and artist archives, comprising work by artists including Anish Kapoor, Richard Deacon, Jeff Koons, Damien Hurst, Gillian Wearing and Cindy Sherman.

Manuscript memoranda book, 1817-1824, relating to the issue of the new silver coinage in February 1817 when the Hon William Wellesley-Pole (later 1st Baron Maryborough and 3rd Earl of Mornington) was Master of the Mint. Full details are given of the administrative measures taken to collect the old silver coin of the realm and to replace it by the new issue. The operation began on 13 February and was completed in fourteen days. Enclosed is a draft of a letter dated 10 February 1824 to Mr. B. Barnard, banker, of 50 Cornhill, London, announcing the presentation to him, by officers of the Mint, on the occasion of the Master's retirement (1824), of a bronze medal 'for assisting in the arrangement for the exchange of the silver coin in 1817'.

Scientific and other papers sent to the Royal Society, presented at meetings of Fellows, or commissioned by the Society. They form a complementary series to the Early Letters, both of which were superseded by the Letters and Papers. Many of these items, referred to as the 'Guard Books', are duplicated in the Register Book of the Society. The classification is a simplified form of the 'Philosophical Transactions' abridgment by John Lowthorp. This arrangement was completed in 1741 by Thomas Birch. The majority of the papers in these volumes are manuscript, but a few printed documents occur throughout the series. Some of the papers are earlier in date than the grant on 15 July 1662 of the First Charter to the Society. The Committee of Trades seems to have been associated with the earlier meetings of those philosophers who subsequently became Fellows, and produced a number of practical papers, some of which were written in 1639 and which are mostly found in Volume 3(i). There are still earlier documents, mostly in Volume 25, which may have been included in the gift, in 1667, of the Arundel Library.

Kenneth Clark was Keeper of the Ashmolean and Director of the National Gallery, a writer, lecturer and broadcaster, and a collector and patron. This collection consists mainly of the professional papers relating to his work as an art historian and writer, but includes material relating to his work as a public servant, an administrator and in other roles during the Second World War. It contains correspondence, subject files, writings, source material, photographs, press cuttings and printed ephemera.

Records of the City of London Polytechnic and London Guildhall University, London, comprising (but not limited to):

Governance papers; Annual/statutory reports and accounts; Strategic plans; Ceremonial Prospectuses; Course handbooks; Students' Union magazines and handbooks; Student records*; Staff magazines

• Requests involving personal data will be handled in accordance with the Data Protection Act 1998 and on a case-by-case basis.

Papers of Robert Walston Chubb, [1960-1984], mainly comprising working papers for his biography of his father, Percival Chubb, including several manuscript drafts, research papers, family correspondence, and correspondence with Professor Norman Mackenzie.
Papers of Percival Ashley Chubb, 1860-1950, comprising general personal material, 1860-1950, notably diaries for 1879-1880 and 1905-1906, notebooks containing jottings on history and religion, [1889], material relating to his marriage to Louise Walston, 1891, autobiographical notes and press cuttings; family correspondence, 1876-1927, including his parents, wives and children; correspondence with friends and colleagues, 1877-1924, notably Ernest Percival Rhys, William Dircks, George Dyke Smith, Henry Havelock Ellis, Thomas Davidson, Sidney James Webb, Professor Felix Adler, Edward Carpenter, Olive Emilie Albertina Schreiner and Robert Moore; texts, syllabuses, and programmes of lectures given by Chubb, 1881-1934, mainly on literary topics; papers relating to various societies of which Chubb was a founder or member, including the MS Club, 1881, the Pioneer Club, [1882]-1888, the Fellowship of the New Life, 1883-[1890], the Progressive Association, 1884-1889, the Ethical Society, 1887, the Ethical Culture School, New York, 1909-1910, the Ethical Society of St Louis, 1911-1943, the American Ethical Union, [1934] and 1946, the Brooklyn Society of Ethical Culture, 1924-1925; material relating to Chubb's involvement in music and drama, 1916-1940; publications written by Chubb, 1888-1942, mainly relating to socialism, ethics and religion; miscellaneous pamphlets, articles, press cuttings and papers collected by Chubb, 1879-1930s, including pamphlets written by Thomas Davidson.

South-Western Polytechnic, Chelsea Polytechnic, Chelsea College of Science and Technology, and Chelsea College Serial Publications, 1904-1983. This class of material comprises College magazine and journal periodicals, and provides a snapshot of the academic and social life of students and staff from the early phase of the Polytechnic until shortly before the merger with King's in 1985, and includes the South Western Polytechnic Journal, 1904-1906; The Magazine of the Chelsea Polytechnic, 1929-1939; Chelsea College of Science and Technology Gazette, 1962-1969; The Bell, the magazine of the Chelsea Pharmacy Association, 1953-1968; and New Leaf, the Humanities Society journal, 1973-1982.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Chelsea College of Science and Technology and Chelsea College Department of the Humanities student and other records, 1958-1983. This class of material contains some student information on BSc and visiting BA undergraduate and DCC (Diploma of Chelsea College) students, 1967-1983. BSc and DCC information typically includes name, course work including aggregate marks, percentage marks, letter grading, honour points, degree, class and comments. The remainder of the collection comprises correspondence, accounts and financial data, timetables and printed programmes and handouts. This includes general correspondence on the administration of the College, with the Registry and notably concerning resource allocation, 1958-1983; correspondence with other College departments, 1958-1978; staff correspondence, 1968-1983; selective summary of Senate minutes, 1967-1981; accounts books, 1961-1982; finance yearly estimates, 1959-1983; administrative proposals and submissions relating to the strategic development of the College, 1959-1982; Humanities' Annual Reports, 1958-1982; examination question papers and related correspondence, 1969-1983; handouts describing the course content of the Diploma in Modern Social and Cultural Studies, 1969-1982, and visiting undergraduate BA programmes, 1975-1982; syllabuses and notices of liberal and arts events, 1958-1981.

Letter from George Chalmers of the Office for Trade, Whitehall to T Cadell, Esq, publisher, 17 Feb 1821. Referring to Chalmers's work Caledonia.

Autograph, with signature.

Papers of Gertrude Caton-Thompson, 1935-1985, comprise artwork including preliminary drawings of maps, an offprint of an article 'Lake Moeris, re-investigations and some comments' by G Caton Thompson, E W Gardner and S A Huzayyin from Bulletin de l'Institut d'Egypte, T. XIX, 1936-1937 and photocopy of article 'Recent geological work in the Faiyun...' by O H Little from Bulletin de l'Institut d'Egypte, T. XVIII 1935-1936; aerial photo taken autumn 1938 by US pilot prospecting for oil, showing drainage pattern on edge of high plateau between Mukalla and Wadi Hadhramaut; Watercolour by Edith Hughes of the Fayum depression and preliminary drawing of map/sections of Wadi 'Amd at Hureidha, prepared for plate LXXII in the book Tombs and Moon Temple of Hureidha published in 1944.

The collection comprises manuscript notebooks on architecture and antiquarianism, correspondence and printed obituaries of Carter, 1700-1818, notably including a folder of loose manuscript notes relating to merchant ships on the Baltic route, papers on Latin verbs and translation, bill of expenses and proposals for improvements to the catalogue of the Harleian Collection, now housed in the British Library, 1700-1818; manuscript notes compiled during Carter's childhood on the importance of virtue, and commonplaces derived from the writings of King Charles I and King Charles II of England, among others, [1762]; folio day book by Carter describing chapel ornamentation, the role of the antiquarian and the architectural content of scenes from plays by William Shakespeare, including Richard III, 1771; autobiographical notebooks by Carter describing his architectural tours, with sketches and drawings, 1774-1778; sketch book with observations of landmarks such as Durham Cathedral, 1791-1803; correspondence with Leathes on Carter's health problems, his estate and collection of drawings and papers, [1799-1818]; printed obituaries and memorials of Carter published in Gentleman's magazine, 1817-1818; Sotheby's sale catalogue of the Carter collection, [1817-1818].

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Correspondence between Dr J.H. Baron and others involved in the British Health Care Arts Centre, and other related papers, 1984-1993.

Papers of activist and historian Noreen Branson (1910-2003), including: wartime correspondence between Noreen and husband Clive Branson regarding miscellaneous and personal topics, 1941-1943; photographs of artwork and paintings by Clive Branson, n.d.; miscellaneous papers, press cuttings and correspondence regarding Clive Branson's death in 1944 and papers concerning Branson's art career, 1941-1944; typescript Communist Party of Great Britain papers of various classes and publications, possibly compiled by Noreen Branson, c1945; handwritten notes on books, pamphlets and conferences, possibly by Branson or Emile Burns, c1945 -1950; press cuttings regarding the stock exchange and the economy, 1967.

Lecture notes by Borenius when he was Professor of History of Art at University College London.

Papers of Thomas Sherrer Ross Boase, [1930]-1972, comprising notes and drafts for lectures and essays by Boase, 1963-1972 and undated, including maps and photographs, sketches of buildings, notes on people and places; typescript articles and lectures etc, undated; correspondence, 1938-1939, largely with David Wallace, but also including a letter from Dame Freya Stark; photographs and negatives, mostly taken by David John Wallace, of sites of archaelogical interest of the Crusader period, largely located in Greece and Turkey, but also in Cyprus, Albania, Italy and Yugoslavia, undated [1930s]; photographs and postcards of sculptures, general views, architecture and illuminations, mainly located in Great Britain, Greece and the Middle East (many used as the illustrations to Boase's various books on the Crusader kingdoms and the art and architecture of the period), undated; printed maps and leaflets of the Middle East, Italy and Serbia, 1942-1970, both historical and contemporary; miscellaneous publications and printed matter, 1954-1972.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

The correspondence, papers and diaries of Sir Charles Blagden. Blagden's papers are interesting on several levels, generally for his close contact with European men of learning, and his relationship with Sir Joseph Banks. Blagden's professional researches are represented by medical notes in the boxed sequence. These are grouped with papers on other subject interests, including linguistics, e.g. a draft Tahitian-English dictionary, compiled from conversations with Omai, whom Blagden inoculated after Omai's voyage to England with James Cook. Blagden's interest in antiquities and travel is documented by diary entries, as is his intercourse with fellow scientists, particularly those associated with the founding of the Royal Institution.

Diaries and notebooks of James Theodore and Mabel Virginia Anna Bent, 1883-1898, comprising:
Mabel Bent's diaries of visits to the Greek Islands, 1883-1884; Greece and Egypt, 1885; Constantinople [Istanbul] and the Greek Islands, 1886; Greece, 1887; Turkey and Russia, 1888; India and Persia [Iran], 1889 (3 volumes); Cilicia, Turkey, 1890; Central Africa (Mashonaland), 1891 (2 volumes); Hadramout, 1893-1895 (3 volumes); Suez, Kourbat and Athens, 1895-1896; Socotra, Yemen, 1896-1897; Greece and Egypt, 1898;
Theodore Bent's diary of visits to Hadramout, Yemen, 1893-94; Muscat, Dec 1894; Socotra, Yemen, Dec 1896-Mar 1897; notebook, containing Greek inscriptions, 1888; notebook on language in Socotra [1896-1897].

Papers of Gertrude Margaret Lowthian Bell, 1905-1924, comprises twelve notebooks containing archaeological notes, plans of churches and other sites; records of inscriptions including those from Turkey, Iraq, and Syria; one notebook and folders containing astronomical observations from Arabia, 1913-1914 and a notebook by Lesley Gordon for an exhibition at the University of Newcastle, 1994.

Papers of Henry Clark Barlow, comprising papers relating to his Dante studies, both published and unpublished work, including manuscripts and notes for unfinished essays and lectures, titled manuscript notebooks, titled manuscripts, notes from codices and other sources, printed matter, and papers relating to the festivals of Dante; papers relating to his other studies, including a few items on geology and theology, and many sketches relating to the history of art, to architecture and to topography; personal papers, including Barlow's diaries and journals in which he wrote his observations on the architecture, art, geology, history and people of the places he visited, travel notes, and correspondence devoted almost entirely to Dante matters; acquired papers, including photographs, pictures, books, maps, plans, printed matter and ephemera.

The Library holds a collection of Bank Exhibition Announcements (1991-2000) which is a collection of flyers, cards and press releases produced by the artists' group Bank, to announce their exhibitions.

Papers of Jeremy John Durham (Paddy) Ashdown, [1970]-1999, including material relating to the working of the Liberal Democrat Party (including files on the merger of the Liberal and Social Democratic Parties in 1988), campaigns, and relations with related Liberal groups, such as campaigning within ethnic minorities, the Liberal Youth and Student Office, the Liberal Movement, the European Liberal Democratic and Reform Parties, and Liberal International; material relating to Social and Liberal Democrat and Liberal Democrat conferences, 1989-1993, comprising programmes, agenda and correspondence; files relating to the administration of party political broadcasts and press releases, 1988-1992; papers relating to general, by, local and European elections, 1988-1993, including the 1991 report on general elections, and the European Election Task Group and ASLDC reports on local government elections; files on parliamentary procedure, 1989-1992; financial and administrative papers of the Liberal Democrat Party, 1986-1992, notably relating to fund raising; material concerning the organisation of local parties, 1988-1993, including those in Scotland and Wales; Liberal Democrat correspondence, 1982-1993, mainly with party members; constituency correspondence, 1985-1994, relating to Yeovil; general correspondence, 1983-1994, with members of the public, on subjects including animal rights, the arts, blood sports, capital punishment, constitutional and electoral reform, defence, education, energy, the environment, Europe, foreign affairs/policy, health, housing, human rights, legal aid, minority rights, the Poll Tax, taxation, trade and industry, and transport; correspondence relating to issues in individual constituencies, 1988-1994; files of information and correspondence on particular subjects, 1984-1993; personal material relating to work by Paddy Ashdown, 1983-1994, including books, articles, speeches and details of programmes; files on the employment of staff in Paddy Ashdown's office, 1984-1992. Also: files created by Ashdown as leader of the Liberal Democrats, c1991-1999 (AccNo: M1981); Paddy Ashdown's diaries, July 1988-April 1997 (AccNo: M3059); personal and party correspondence, 1987-1998 (AccNo: M3322); diaries and emails, 1999-2006 (AccNo: M3348).

The archive spans the years 1982-2007 and comprises: administrative papers, including correspondence, 1982-2004; documentation of A and A-organised events and conferences, 1982-2007; minutes of meetings, 1982-2000; accounts, 1994-2003; membership lists, 1980s-1990s; and documentation of A and A funding bids, 1983-2004. Printed matter includes a complete run (to issue 60) of the Art and Architecture Journal (1984-2006), and a range of other A and A publications and ephemera (postcards, fliers), many of which were designed by Pentagram Design. There is also a set of posters used to advertise the lecture series. The collection is augmented by a range of peripheral material published by other sympathetic bodies, including the Public Art Forum and the Landscape and Arts Network.

Records documenting the work of contemporary artists practising in Britain of African-Caribbean, Asian and African descent, 1970-2002, largely comprising exhibition posters, exhibition cards, press releases, press cuttings, videos, audio tapes and slides; records of The Peoples' Gallery, Camden, 1984-1987, comprising publicity flyers, press cuttings.

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.

Manuscript volume containing an account of the discovery, trial and conviction of Antonio Calvocorressi and Thomas Moss for causing Turkish coin to be illegally made in Birmingham, 1858. Includes a prefaratory letter from the Turkish Consulate in Birmingham to the 'Monsieur Mussurus, Ambassador to the Sublime Porte, London', dated 15 Jun 1859.