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The Library holds a collection of Bank Exhibition Announcements (1991-2000) which is a collection of flyers, cards and press releases produced by the artists' group Bank, to announce their exhibitions.

Records of Goldsmiths' College, University of London, comprising:

Governing Body material such as minutes of the Goldsmiths' College Delegacy, 1904-1988; minutes of the Managing Committee of Goldsmiths' College (later the Governing Body), 1907-1939; Annual Reports, 1936-1992; reports and financial statements, [1990s]; minutes of the Academic Board, [1988-1991]; minutes of College committees, 1979-1994, including the College Services Sub-Committee, the Residential Provision Advisory Group, the Buildings and Maintenance Sub-Committee, the Committee on the Future Status of the College, the Warden's Advisory Group, the General Purposes Committee, and the Refectory Services Advisory Group.

Papers relating to the Training Department, including minutes of the Academic Board, [1935-1947]; statistics of applications for admission, 1929-1946; Student Handbooks, 1910-1916, 1921-1926; prospectuses, 1906-1958; lists and photographs of students, 1918-1956; photographs of groups of students, all named, 1921, 1923-1925; staff registers, 1905-1936; minutes of staff meetings, 1905-1946; estimates of the Department of Education and Science and the Inner London Education Authority estimates, 1969-1975; volume of Training Department Hymns and carols, 1910.

Papers relating to the Evening Department, including announcements of events and courses, 1948-1949, 1954-1966; sessional papers, [1954-1960]; log of the Department, 1954-1970; notebook containing personnel notes on staff and students, 1954-1969; miscellaneous material relating to the Department, especially its future, 1897-1970s; prospectuses, 1931-1932, 1937-1939, 1946-1955; programmes for 'the rally', an annual At Home of the Department, [1951-1961]; statistics, 1960-1965, including student enrolment and exam results; material relating to the Ian Gulland Memorial Lecture, 1978-1987; prospectuses of the Evening Department, the Department of Adult Studies, the Department of Continuing and Community Education, the School of Adult and Community Studies, and the School of Adult and Social Studies, 1962-1988.

Prospectuses for the School of Art, 1963-1974.

Papers relating to the Library, including Annual Reports, [1967-1987]; Library Accession Registers, [1920s]-1968; minutes and papers of the Library Sub-Committee, 1954-1979; and Library Bulletins, 1970-1977.

Goldsmiths' College material, including College Prospectuses, 1975-1998; College Ordnances and Regulations, 1988-1994; prospectuses for the Department of Arts, Science and Education, 1962-1974; prospectuses for part-time courses, 1979-1999; Goldsmiths' Handbook, 1896-1897; College Calendars, 1960-1994, and staff handbooks, 1966-1977; and student pass lists, 1995-1996.

Papers concerning buildings, notably material relating to alterations and adaptations to the Wrotham Building and Margaret McMillan House, [1970s]; as well as files on the staffing of Rachel McMillan House, [1970s].

Papers of Goldsmiths' College staff, notably records of George Cecil Wood, Registrar, 1958-1977, mainly comprising correspondence regarding the administration of the College; records of Shane Guy, Secretary and Registrar, [1978-1991], notably on financial management, the building of the new Library, and strategic issues; and records of Anthony E. Firth, Deputy Warden, 1977-1989, comprising correspondence files on subjects including the National Centre for Orchestral Studies, staff reviews, the Council for National Academic Awards, visitations, PR material, the various Schools of the College, the Scheme of Management, the Students' Union, attempts to gain School status with the University of London, student accommodation, building management, the charter and statutes, the future of the College, the Finance Office, and links with Queen Mary and Westfield.

Lee Centre Archive, 1973-1991, including publications, 1974-1991; minutes of staff meetings, 1973-1991; papers relating to the bar and social club, 1973-1986; minutes of the planning committee, 1973-1986; reports and notes on the reading scheme and basic studies, 1973-1990; papers relating to residential weekends, 1974-1990; conference papers, 1988-1989; details of courses, 1981-1991; reminiscence projects, 1981-1989; library and bookshop records, 1984-1986; files relating to the history of the Centre; newsletters, 1974-1984; and publications, 1985-1988.

Papers relating to student associations, including material concerning the Old Students' Association, 1906-1989, including minutes, membership lists, accounts and yearbooks; papers of the Goldsmiths' College Association, 1981-1989, including minutes and letters from members; records of the Evening Students' Association, 1934-1988, including minutes, accounts, student lists, and a visitors book; correspondence of the ESA, 1984-1989.

Material relating to the history of the College, [1893-1960], notably photographs, articles, press cuttings and reminiscences; press cuttings relating to Goldsmiths' College, 1978-1999; photographs of Goldsmiths' College exteriors and interiors, 1905-1920; and photographs of buildings, [1980s-1990s].

Publications, including copies of The Goldsmithian (also known as Smith), 1892, 1906-1959, 1961; copies of Smiths' News, the student magazine of Goldsmiths' College, 1972-1976, 1985; copies of The Anvil, magazine of the Evening Students' Assocation, 1935-1949; copies of Hallmark, the newsletter of Goldsmiths' College, 1988-[2001]; and the Goldsmiths' College Staff Bulletin, 1978-1990.

The archive includes field recordings, papers, drafts of articles, notebooks and a set of index cards from Kenneth A Gourlay's ethnomusicological research on the musical cultures of the Karamojong of Uganda, in Nigeria and in Papua New Guinea.

Records relate to the organisation and running of LIFT festivals and other events from 1981-2001 and include material about the companies that performed, planning documents, directors' notebooks, technical and artistic documents, and research and marketing material. Records exist here that also show the history of the company since its inception and include board papers and funding documents. The photograph and video series includes promotional material from companies and documentation of festival events, and spans 1981-2001, as does the audio collection which mainly includes recordings of LIFT talks and discussions. There are also some objects in the collection that are related to LIFT events. A large collection of international festival programmes also spans 1981-2001 and print material such as programmes, flyers, and posters exists for this period also.

Records of the National Campaign for the Arts, [1945-1998], comprising material relating to international arts policies in Africa, Asia, Australia, Canada, USA, Europe, Denmark, France, Italy, Germany, Republic of Ireland, Scandinavia, Spain, Portugal, Greece and Turkey, [1980s-1990s]; material concerning government dealings with the arts, including Reports of the Education, Science and Arts Committee, correspondence with MPs from the Conservative, Labour and Liberal Democrat parties, and surveys of Local Authority arts spending; Reports of the Arts Council of Great Britain, 1945-1994, including reports on the national arts and media strategy; papers relating to regional Arts Boards in England, Scotland, Wales and Northern Ireland; papers concerning quangos such as the British Council, the Crafts Council, the Museums and Galleries Commission and the Scottish Museums Council; material relating to arts organisations, including ABSA, the BBC, the British Film Institute, the English National Opera, the Independent Television Commission, the London Arts Lobby, the National Lottery and the Royal Opera House; subject files relating to types of art form, notably architecture, broadcasting, dance, education, film, literature, museums, libraries, music, opera, orchestras, radio, theatre and visual arts; publications relating to the arts in Great Britain; and correspondence files of officers of the NCA, [1985-1990].

Virginia Nimarkoh's Indent project (1999) examined contemporary artists' relationship to collaboration and self-publishing as a mode of critique. The archive is comprised of a collection of printed matter including preview cards, comics, flyers and posters by BANK, Grennan and Sperandio, Inventory, Mute and Emma Rushton and Derek Tyman, compiled by Virginia Nimarkoh.

The collection includes all aspects of the Library development and activities: Early Women's Art Library Papers from 1979 onwards, constitution, correspondence with Charity Commission and certificate of charitable status, correspondence relating to funding, information about projects including Greetings Cards, 1988; Picnic at the Palace Shape Event, 1988; Diary Exhibition 1986-1987; Women and Humour, 1987 and Four Women Artists from Eastern Europe, 1985. National Society for Education in Art and Design Conference, 1998; Feminist Art Criticism papers and 10th year conference, 1990; Education Packs 1995-1999; Self-Portrait exhibition 1996.

The collection covers the work of the NNAH from its founding c 2000 up to its closure in 2007. It includes the institutional archives of the National Network for Arts in Health (NNAH) and the Baron Archive of Health Care Arts (c 1980-2000). The resources collected by both organisations include files on art, drama and music projects in the health service supported by Art in Hospitals and the NNAH, together with a library of 150 books, 4,500 reports and pamphlets and other research materials assembled as a resource for education and research.

Papers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.

The archive consists of a folder containing press releases, correspondence and documents relating to the activities and events organised by Curtain Road Arts between 1993 and 1997.

The Engaged magazine archive contains: documentation of Issue One -published on a t-shirt; 2 copies of Issue Two -published on a poster; Issue Three -a CD-ROM digital issue; Issue Four - a tinned pop and found art issue; Issue Five - a video featuring short film; Issue Six - a series of radio braodcasts featuring sound art and poetry; and press material and other documentation.

Papers of Richard Hoggart, 1976-1988, mainly comprising correspondence files relating to his work with organisations including the British Association of Former UN Civil Servants, 1978-1982; the Broadcasting Research Unit, 1981-1983; the proposed Broadcast Resource Centre, 1979; the Campaign for Press Freedom, 1979-1984; the Channel 4 Group, 1978-1984; a proposed Research and Study Centre on Communications and Society, 1976-1983; the Education, Science and Arts Select Committee, 1984; the European Economic Community (EEC), 1976-1982, regarding its cultural and educational policy; the European Museum of the Year Award, 1978-1984; the Calouste Gulbenkian Foundation's Enquiry into the Economic Situation of the Visual Artist, [1976-1985]; the National Centre for Orchestral Studies, [1978-1988]; the National Theatre Inquiry, 1978; the New Statesman, 1977-1981; UNESCO Communication Advisory Committee, [1976-1980]; the Royal Society of Arts, 1977-1980; the Advisory Council for Adult and Continuing Education, 1977-1983; and the Arts Council of Great Britain, 1977-1984, including the Drama Panel, the Opera and Dance Working Group, and the Working Party on Photography.

The Constance Howard Resource and Research Centre in Textiles contains archives, Materials Collections and a library related to textiles and to the development of textile art. Collections include the archives of the Goldsmiths Textile course 1948-2009, 13, 000 slides of the work of graduates, alumni and staff of the course, teaching notes of the founding team, Constance Howard MBE, Barbara Dawson and Christine Risley. The Materials Collections include items from Constance Howard's personal collection of embroidery and costume; textile samples, a collection of techno-fabric samples from Nuno in Japan; and over 3,000 textiles donated or commissioned for the Centre. Archives include the records of textile artists and groups influenced by the Goldsmiths Textiles course, including the '62 Group' and the 'Fibre Art Group', [1962-2000], both groups of professional textile artists formed to raise the profile of textile art. These archives include slides, photographs, newsletters, correspondence, accounts, reviews and committee minutes. There are over 5,000 books and pamphlets in the specialised library which includes Constance Howard's book collection, and is strong in materials on textiles published in Eastern Europe in the later 20th century.

Papers collated by Terence Kelly relating mainly to radio broadcasting, [1970s-2001], comprising press cuttings and press releases relating to individual radio stations across Great Britain; cuttings and press releases relating to BBC radio; cuttings and releases concerning independent radio stations, on subjects including advertising, case studies, clearance, rules and regulations and sponsorship, as well as reports of the Radio Advertising Bureau; material relating to radio listenership, including BBC research and surveys, research methodology, details of figures for news listenership, and research reports and statistics of the Radio Joint Audience Research (RAJAR); material concerning related topics such as Australians in independent radio, complaints and standards, copyright, government policy, commercial radio and news and current affairs. The collection also contains Radio Authority and Independent Broadcasting Association (IBA) reports, Radio Academy and Festival reports on the future of radio, copies of applications for independent radio contracts or licences, and published books on broadcasting. There is also a box containing material relating to independent television and TV franchises.

Papers of Albert Lancaster Lloyd, 1953-[1982], comprising materials relating to traditional folk music from around the world, especially Eastern Europe, notably newspaper cuttings, photographs, typescript notes, drafts of articles, diaries, notebooks, broadcast scripts and texts of lectures on subjects including:
English folk music, including erotic songs, ballads, carols, London songs, Morris dancers, North-East songs and poetry.
Romanian folk music, [1955-1973], including notes on subjects including costume, customs, instruments, proverbs, social life and topography, as well as a large number of photographs depicting native song and dance.
Hungarian folk music, [1946-1970s], including notes on subjects such as art, custom, dance, history and instruments.
Bulgarian folk music, [1954-1960s], including papers, correspondence and photographs on costume, dance, recorded music, and topography.
American folk music, [1949-1967], including materials on cowboys, blues and jazz, spirituals, work songs and vagrants.
Industrial song, [1950s-1970s], including miners, textile workers, political songs, and American work songs.
The collection also includes material on Chinese and Australian traditional music.

A substantial collection on cinema compiled by Deac Rossell, consisting of a collection of published books, pamphlets and ephemera and a collection of manuscripts. The print collection is wholly international in scope, containing predominantly post-1950 material, including many reference works, on the history of motion pictures. The collection has both diversity and depth. There are significant holdings on several topics, including animated films, documentary, studio histories, British cinema, Asian cinemas, Indian cinema, Arab cinema and black films and filmmaking of all types including African-American cinema and African national cinemas. Within these thematic groups, the few English-language histories or director studies are mostly present, sometimes backed up with substantial works in other languages; a feature of most of these themes are monographs on individual filmmakers from small publishers and/or unusual sources. There is also a group of film festival catalogues from the 1980s and 1990s, where there are often significant essays on national cinemas or current productions which have never been published in book form - such as the excellent writing on Hong Kong films and filmmakers from the elaborate catalogues published by the film festival in that city. Extensive filmographies can be found in the collection of directories and festival programmes from around the world. There are more than 850 books in total and around 1,000 pamphlets and programmes. There is a collection of posters included and also 10 manuscripts, including that of Deac Rossell’s work 'Living pictures: origins of the movies', 1996.