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Papers relating to Peter Kien, 1943-1995, including original and copies of manuscripts and transcriptions of Kien's writings, personal documentation and sketches; publicity material relating to the performance of the Der Kaiser von Atlantis oder der Tod dankt ab, for which Peter Kien wrote a libretto; articles about his life and work and transcript of Petra Kiener's radio programme 'Peter Kien nicht vergessen'.

Goldschmied family papers, 1938-1971, document the fate of a Jewish mixed race family in Vienna during the Nazi era and notably include passport ID cards and correspondence, personal accounts by Maria Goldschmied and photographs.

Papers of Alice Fink, 1942-1949, comprise Red Cross telegram messages between Alice Redlich and her family in Berlin; copy documentation including certificate from the Jewish Committee for Relief Abroad in recognition of Alice's service and copy photographs of pre-war Berlin.

Antisemitic painting, coloured, possibly the page of a book or brochure (Pag. 392 is printed in the top right corner), in the Judensau tradition.

The main picture shows three Jews who are wearing so-called 'Jew-hats'. The headline reads: Au weih [Rabbi Ansehl?] au au Mausch auwei au au; under the Headline is a picture of an injured body of a child with the banner: Diese Abbildung stehet zu Frankfurt am Maijn am Bruecken Thurm abgemahlt.

The statement beneath the painting reads: A I475, am Gruenen Donnerstag ward das Kindlein Simeo 2 half Jahr alt von den Juden umgebracht. Sauff du die Milch friss du den dreck das ist doch euer bestes geschleck.

The Antisemitic Biersteins papers, 1990s, include descriptions of the tankards from experts at museums in Frankfurt and Munich; photographs of the tankards; correspondence between Wiener Library staff and various institutions regarding the tankards.