Affichage de 102 résultats

Watercolour drawings of the grave monuments of 'celebrated persons' in London, Middlesex, Surrey and Kent, by Thomas Gosden.

Transcript of the manuscript history of the Princes of Wales, from the time of Edward of Caernarvon to the present sovereign of England, by George Perfect Harding, F.S.A., also a description of a series of illustrations to the manuscript history, 1828, with engravings of tombs, portraits, original drawings, and manuscript letters, 1828-51, from royal and distinguished personages.

Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Papers relating to British produced propaganda for the Indian Army, produced to counter Japanese propaganda aimed to entice Indian Army personnel to desert and fight for the Japanese led Indian National Army, India and Burma, 1943-1945, including correspondence, memoranda, personal papers and propaganda material, 1939-1946. Also, scrapbook album of watercolours, sketches, photographs, menus, invitations and autographs, created 1901-1903 by Beryl White (1877-1954) relating to her life in Sikkim, northern India.

Watercolours and sketches of the North West Frontier Province, India, 1909-1913, by an unknown artist. Views of Himalayan landscapes, forts and outposts including the Landi Kotal Camp, Khargali [Kargil] Heights, Michni Kandao Post, Kabul River, Fort Jamrud, Khyber Pass, Suru fort and Matanni; views of towns, streets and bridges including Sumbal, Bihara, Sopor and the Mar Canal in Srinagar; views of ruins including Takht (Takht-i-Bahi) from the Dal Lake and the Sun Temple, Martand; and landscapes including the Swat River from the Landakai Ridge and the Lower Tochi Valley.

Papers relating to Sanders' life and military career, 1911-1966, including five letters of appreciation, 1911-1927, mostly relating to Sanders' work as Superintendent, Army Remount Service, No 3 Depot, Melton Mowbray, Leicestershire, 1914-1920, notably typescript letter from Gen Sir Douglas Haig, Commander in Chief, British Armies in France, 3 Jun 1918; manuscript letter to Sanders from Lt Gen Adrian Carton de Wiart, from Rome, Italy, relating to his capture and imprisonment by Italian forces, 10 Aug 1941; painting of final mounted parade, 4/7 Royal Dragoon Guards, Edinburgh, 15 Aug 1938; edition of Wandsworth Borough News, with photograph and article on the 28 Bn, (Wandsworth), County of London, Home Guard, commanded by Sanders, 26 Sep 1941.

Papers of Arthur Hale Smith-Dorrien, comprising four volumes of watercolours, photographs, newscuttings and documents covering his career from his schooldays in 1865 until the end of his naval service, together with three volumes of caricatures and sketches.

Papers of Helen Faulkner, 1938-1979, 20 water colour sketchbooks, 3 folders of notes relating to the sketchbooks, 3 boxes of index cards and 1 folder of preparatory notes for index and lists of determinations.

Alfred Wolmark was a painter whose range included figurative, landscape and graphic art. The papers and sketches in this collection reflect the various areas and influences in his life and work. The collection includes sketches, transcripts of his lectures, a diary, examples of posters and programmes designed by him, lists of his works, and correspondence with friends, associates and possible sitters.

This collection largely consists of correspondence to and from Stanley Spencer and his writings on himself, his paintings, religion and his relationships. The correspondence dates from the late 1930s, with the majority coming from the 1940s and 1950s. Important correspondents include: the British Broadcasting Corporation, Mary and Louis Behrend (patrons and founders of Sandham Memorial Chapel, Burghclere), Spencer's sister Florence Image, his first wife Hilda, his children Unity and Shirin, John and Elizabeth Rothenstein and the Tate, and Arthur Tooth and Sons (his agents). The collection also contains Spencer's writings, notebooks and diaries. Spencer was a prolific writer who appeared to use his writings as an opportunity to expand or refine his ideas for paintings, and his personal thoughts. Along with his letters, the continuous writings, notebooks and diaries often contain detailed descriptions of his paintings, compositions and schemes; his opinions on art, life, philosophy, religion and sex; and his autobiography and preparation for a proposed book. The collection is completed by a number of sketches and drawings by Spencer, the majority of which relate to larger, painted works; and some printed ephemera including press cuttings, photographs, postcards, private view cards and exhibition catalogues.

Typescript edited and unedited versions of memoirs of Lt Col John Alfred Codrington, [1947] entitled 'Gathering moss', 1898-1944, including account of service with British Mission Allied Armies of the Orient, Smyrna, Turkey, 1920, and as British Liaison Officer to French forces in Syria, 1926-1929. Photographs and papers, including notebook with manuscript notes on Regimental history of the Coldstream Guards, military training and preparations for deployment to France, 1917, eight watercolour paintings of churches in French towns, 1918, and photograph of Gen Sir George Wentworth Alexander Higginson at the unveiling of the Guards Memorial, St James's Park, London, 1926.

66 Ear, Nose and Throat pathology illustrations, in pencil, ink and watercolour, by Dr John Stewart Mackintosh, c 1899-1900.

Two volumes of notes, on medical and chemical books, and on diseases and their treatment, c 1800-1823.

Collection of photographs of public sculptures including statues, reliefs, fountains and murals in locations including schools, housing estates and old people's homes.

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Papers of Dr Edward H Cree, including volumes one to twenty-one, 1937-1961, and comprises Cree's personal journals whilst serving at sea. The text is supplemented by circa seventeen hundred watercolours and sketches. The journals account details of his sea voyages, experience whilst in foreign lands, his impressions of people and places, his recollections amongst family and friends and writings concerning his life at home and with his wife. In addition to the illustrated journals are his 'rough journals' 1841, 1847, 1849, 1851-2 and 1854, his medical journal kept 1841-1847, journal notes (1837), sketchbook (1839), newspaper cuttings, service records and certificates and invitations. An index to the journals provides useful information on the vessels served on, the places visited and the illustrations within.

Papers of Charles Ramsey Drinkwater Bethune comprising letters, written mainly by Bethune to his family, 1815 to 1835, and a number of watercolours.

Papers of Sir Erasmus Gower, consisting of a log, 1792 to 1794, with one watercolour sketch; two volumes of 'Nautical Observations on a Voyage to China', illustrated with views of coasts and harbours; a letterbook, 1794 to 1798, and a signal notebook, 1801.

They consist of eleven log books, the first of which was written by Osborn as a Mate, with the rest by him as Master. Ranging between 1853 to 1875, they span the majority of Osborn's career at sea. As well as containing the standard information one would expect, ( bearings, weather details, journal entries, etc), the logs also contain nearly 100 drawings and sketches in ink, pencil and watercolour of various ships, coastline profiles, sea-birds, etc.

Records of the Worshipful Company of Painter Stainers. Court minutes begin in 1623, freedom admission registers in 1658 and apprentice binding books in 1660. The records were compiled between 1623 and 1973, but they include deeds from 1423. Collection also includes financial records and records of charitable payments.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

The archive consists of biographical publications on Louie Burrell and postcard reproductions of her work:

• 13 postcard reproductions of the following paintings by Louie Burrell: Life Class (1900-1903); Girl at Writing Box (c 1895); A Model (1900-1903); Old Sales - a model (1900-1903); Making Marmalade (1890-1900); Philippa (1917); A Model (1900-1903); The Forge (1890-1900); Julia (1889); A Child Seated (1904); Mrs Stanley Baldwin (1924); Nurse and Philippa (1908); Philip Burrell (1904-1907)

• 1 postcard reproduction of a painting by Ada (Margetts) Luker (mother of Louie Burrell): Still Life (c 1857)

• 'The Saratoga Trunk and The Last Door' (Jul 1997), Philippa Burrell. Booklet memoir relating to her own and her mother's artistic life.

• 'Louie Burrell - A Woman Painter', (The University of Hull Art Collection, c 1990). A short biography compiled from the letters and writings of Philippa Burrell and Jim Murrell.

• 'Louie Burrell Woman and Artist 1873-1971' (c 1990). Leaflet by Philippa Burrell.

Papers of Henry Wilson, comprising correspondence, photographs and presscuttings [1864-1934].

Papers of Hilde Kurz, art historian, c 1945-1968, including working papers and draft for The Encyclopaedia of Painting. Topics covered include: Costume; Tapestries; Painting in Northern Europe.

Papers of Herbert Horne, architect and art historian, c 1883-1886, including correspondence with Grace Parkinson and some correspondence with Aby Warburg. Topics covered include: Italian Renaissance Art: Botticelli, Uccello and Piero di Cosimo.

Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

PLEASE NOTE: THIS COLLECTION IS NOW HELD BY THE EAST SUSSEX RECORD OFFICE

Papers and designs of Peggy Angus, comprising: Business papers and reference material including correspondence, Angus trade cards, Carter tile catalogues, sketch books and photographs of tiles, painted murals and wallpapers in situ. Printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards); booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps); loose papers (handbills, cuttings, calendars, bookplates, posters). Design examples by Angus and others, including oil paintings, prints, collages; wallpapers and wallpaper samples; tiles and floor designs.

Papers of Mary Edith Durham, c 1899-1902, comprise six sketch books including pencil and watercolour drawings of coastal scenes and of local people and rural scenes including farms and cattle; areas depicted include Trieste, Viterbo and Nivica.

Papers of Mary Edith Durham, comprise water-colours, drawings and photographs from the Balkans, [1900-1912], many of the pictures are annotated, the paintings and drawings are signed M.E. Durham, 1900 and 17 water-colours, 4 black and white drawings and 2 photographs are mounted. Images depicted include Monastery churches at Deèani and Ipek, 'Moslem' peasants at Podgorica and market places at Cetinje and Cattaro.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Papers of Elizabeth Scott-Moore, comprising correspondence, working papers, scrapbooks and photographs, 1920s-1990s.

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Thirteen photographs of Iris Murdoch at various points of her life, dating from the 1930s until the 1970s. These photographs were collected by Peter Conradi while researching his biography Iris Murdoch: A Life (2001).

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

Items belonging to Iris Murdoch presented by Audi Bayley. These items were from Iris Murdoch's former home in Charlbury Road and include letters written by Iris Murdoch to Borys and Audi Villers [later Audi Bayley], a planning notebook for Jackson's Dilemma, and a range of objects. Includes:

1) Large bust of Iris Murdoch mounted on marble

2) Iris Murdoch's teddy bear 'Jimbo'

3) Painting by Iris Murdoch 1941

4) Tapestry by Iris Murdoch of fish with the initials IM and JB

5) Gold edged bowl

6) 5 stones and 9 Asian religious figurines / icons from Murdoch's writing desk

7) Letters from Iris Murdoch to Audi Bayley and her first husband Boris Villiers

8) Green box containing brooch- appears to be enamelled George IV shilling from 1820s

9) 4 replica medieval icons mounted on wood

10) Framed photographs from Iris Murdoch's study of Murdoch as a child and Murdoch's parents

11) 3 Canadian stone figurines depicting an owl, a penguin and a seal

12) 2 stone figurines of a cow and a lion, with painted and gilded details

13) 11 dress necklaces worn by Murdoch and kept in her study

14) A notebook with planning notes by Murdoch for the novel 'Jackson's Dilemma'

Photograph of the Murdoch family in Ireland c 1890s. Those pictured include William Murdoch and Louise Murdoch with their children Sara, Ella and Hugh. Hugh Murdoch was Iris Murdoch's father, and William and Louise her grandparents. Photograph taken at the Abernethy Studios in Belfast.

Collection of photographs previously owned by Iris Murdoch. Includes images of Iris Murdoch alone, Iris Murdoch pictured with others and portraits of individuals who Iris Murdoch knew. As well as Murdoch those depicted include John Bayley, Frank Thompson and Elias Cannetti.

Records comprising:

papers of Frances Mary Buss including scrapbook of articles, notes, anecdotes, pamphlets, [1886 1881; Queen's College Teaching Certificate 1848-1849; sketch of family tree; volume containing copies of Girton Songs, [1890]; letters to and from FMB, [1870s], and letters from friends, colleagues and former pupils, including Dorothea Beale, Emily Davies, Jane Storrar, Annie Ridley, Sara Burstall, Elizabeth Garrett Anderson, Maria Gray, Anne J Clough and David Laing;

letters out copybook of Alfred J Buss, 1882-1889, 1897-1906 (2 vols); letters to AJB, [1870s];

illustrated journals of Septimus Buss, 1860-1875 (3 vols), continued in 1935 by Francis Fleetwood Buss; watercolour;

scrap book of Jane Buss, including photographs, illustrations, printed drawings etc, 1878-1894;

papers and art work of Robert William Buss including scrapbook of prints of engravings of titled 'Illustrations of University Life', 1842; volume of sketches, drawings and etchings by RW Buss (owned by Mary Caron Buss, 1914); sketchbook (undated); 'RWB extemporary compositions and sketches' (1845) - related to a sketching club, containing works by various members of the club; 5 portraits by R W Buss, in pen and ink; pastel portrait of FMB as an infant; and two oil paintings; file of papers, 1859-1909; photos, 1850s; designs and prints;

Buss family papers including volume of press cuttings, relating to the death of Frances Mary Buss, 1894; scrapbook compiled by F F Buss, 1854-1922; Frank Fleetwood Buss chronicle of the Buss family, (undated); List of persons named Fleetwood who have served in the naval and military forces, compiled by Robert Woodward Buss, 1920 (privately printed); The family of Fleetwood of Calwich co. Stafford with a pedigree, by RWB, London, 1908; The ancestry of William Fleetwood..., 1926; papers relating to the Fleetwood family history, 1908-1926 (13 printed booklets); letters photos, family memorabilia, notes on family tree, printed papers, 1860s- 1980; photographs of FMB and family members including Mary Caroline Buss, and Mary Caron Buss; and sketches and watercolours, [1870s-1920s].

Records of the Whitechapel Art Gallery (WG) and its predecessor, comprising:

minutes of the Gallery Trustees 1898-1976; Gallery Trustees, Finance and Fundraising committees, 1976-1981; Gallery Trustees, Finance and Building committees, 1981-1986; Gallery Trustees and Finance committees 1987-1988; Trustees, Finance and Joint Trustees committees, 1988-1996; Finance Subcommittee 1950-1951, 1966-1971; Development Trust Planning Group, 1981-1983; and Foundation Trustees, 1984-1995; as well as Development Trust Scheme files, 1978-1982; Gallery Trustees correspondence 1949-1981; Foundation Trustees correspondence, 1981-1989;

annual reports and accounts 1901-present;

early records of the Gallery including files relating to the establishment of the Gallery 1893-1901; correspondence of Gallery Directors and Secretary's 1901-1947; financial records and treasurer's correspondence, 1902-1947; and exhibition files 1901-1947;

Gallery Directors' papers including administrative and correspondence files of Hugh Scrutton, 1947-1953; Bryan Robertson, 1952-1969; Mark Glazebrook, 1964-1973; Jennie Stein (acting Director), 1971-1974; Jasia Reichardt, 1974-1976; Nicholas Serota, 1978-1987;

exhibition files 1947-1990 files, arranged chronologically by year date of exhibition, including correspondence and papers relating to exhibition arrangements such as loan of artworks, sales, valuations, catalogues, private views, and installation;

printed publicity materials including catalogues of Whitechapel Fine Art Exhibitions, 1882-1886; catalogues of Whitechapel Art Gallery exhibitions, 1901-1965-present;

printed posters relating to individual exhibitions, 1956-2002;

press cuttings relating to reviews and listings of WG exhibitions, and some general cuttings about the gallery and the London art scene, 1897-1922, 1952-2002;

guard books containing ephemera - relating to each exhibition, 1949-2002;

records of the Whitechapel Art Gallery Society including correspondence and papers concerning subscriptions 1947-1988; and cash books 1948-1978;

photographs of exhibitions and artists works 1948-1998; photographs and illustrations of the Gallery and its exhibitions, 1901-1939; photographs of the Gallery building, staff and the local area, 1890-1915, 1951, [1972]-1998; contact sheets and negatives of exhibitions and the gallery, 1966-1995;

Gallery visitors books 1949-1965;

Financial records including cashbooks, wages books and exhibition accounts, 1899-1971;

Drawings and watercolour paintings of fossil fish by Joseph Dinkel, J C Weber, Cécilie Agassiz, Jacques Bourkhardt, G A H Köppel and Sixtus Heinrich Jarwart and others, commissioned by Jean Louis Rudolphe Agassiz for his publications 'Recherches sur les Poissons Fossiles' (1833-1844) and the follow up 'Monographie des Poissons Fossiles du Vieux Grès Rouge' (1844-1845). Also includes drawings commissioned by Lord William Willoughby Cole (1807-1886), later the Earl of Enniskillen, and Sir Philip de Malpas Egerton (1806-1881) of their own fossil cabinets.

A sketchbook by Stanley Spencer, c 1919-1924 with one loose sketch of Gilbert Spencer by Stanley Spencer, c 1906-1908.

The Sketchbook contains 37 pages with sketches on front and back of pages, 4 loose sheets and 2 torn pages. Most sketches are made in pencil. However, 12 sketches are finished in pencil and wash, and 1 sketch in pencil and oil.

The sketchbook spans Spencer's time spent with the Slessers in Bourne End from late 1919-1920, with Muirhead Bone and his wife at Petersfield in 1921 and his stay with Henry Lamb in Poole, Dorset in April 1923 where he produced designs for what would later become the Sandham Memorial Chapel at Burghclere. The sketchbook is significant in that it includes initial ideas for a number of post-First World War religious works, including some Tate-owned paintings, notably 'Christ Carrying the Cross', 1920, 'The Robing of Christ and the Disrobing of Christ', 1922, and 'The Resurrection, Cookham', 1924-26. It also includes a number of designs (many in pencil and wash) for Sandham Memorial Chapel at Burghclare which are amongst some of the earliest sketches that Spencer created for this commission.

The loose sketch of Spencer's brother, Gilbert Spencer, is a pre-Slade School sketch of c 1906-1908 of his magnum opus.

Letter from Sir Edward Henry Busk of Heath End, Checkendon, Oxfordshire to R A Rye. Asking for the name and address of a photographer to reproduce his portrait painted by [John Singer] Sargent, 'as many friends are asking me for a reproduction'.

Autograph, with signature.

Letter from William Ewart Gladstone of Hawarden, North Wales to Sir Joshua Walmsley, 29 Oct 1868. Replying to his request for a portrait of Gladstone. 'I am haunted by the belief that I am under a prior engagement'.

Autograph, with signature.

Letter from Sir Stanley Spencer of 3 Vale Hotel Studios, Hampstead, London to Thomas Sturge Moore, 26 Apr 1926. 'Here at last is the monograph of my works ... The much wanted or unwanted explanation of my pictures will be found in the book of words, so there will be no more trouble now, all is clear at last ... I am doing a big picture of the resurrection ... (18ft x 9ft) and it is going to take years to paint and I love painting it so I am enjoying myself ...'.

Autograph, with signature.

2 postcards from George Jacob Holyoake of Eastern Lodge, Brighton to Edwin Ashworth, Todmorden Hall, Yorkshire, West Riding. (1) On the subject of portraits, 1 Feb [1897]. (2) 'Thank you for your pleasant birthday note. I have pleasant memories of Todmorden', 16 Apr 1901.

Both letters are autograph, with signatures.

Letters written by James Smetham, 1853-1877, mainly to William Davies, concerning his work, schemes to raise money and his religious beliefs. Smetham called his letters "ventilators" and they often took the form of handmade notebooks with their contents resembling diaries or commonplace books. Other correspondents include Rev Thomas Akroyd, Quintin Hogg (1845-1903), Charles Mansford, Charles Gabriel Dante Rossetti (1828-1882), John Ruskin (1819-1900) and Frederic James Shields (1833-1911). Also letters to Sarah Smetham, his widow, from William Davies, 1889-1895.