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Records of the Ancient Society of College Youths, including membership books, peal books, minutes, and notes on the history of the Society.

The records were microfilmed in 1985 and 2003. Mss 21656-7A and 33992 are positive copy microfilms and microfiche presented to the Archive by the Society, which has retained the master negatives and the original manuscripts. Permission to take reproductions from the films or to publish extracts from the records should be sought from the Society's Hon. Secretary (please ask staff for further information).

Records of the Society of Royal Cumberland Youths, bell-ringing society, comprising: name books, 1747-1999 (Ms 21658, 33995); peal books, 1748-1989 (Ms 21659, 34393); minutes, 1887-1989 (Ms 33996), rules, 1931 (Ms 33997); and notebook of ringing methods, [1924-35?] (Ms 33998). They were catalogued by members of Guildhall Library staff between 1986 and 2006.

Some of the records were microfilmed in 1985 and Mss 21658-9 are positive copy microfilms deposited in the Library on indefinite loan by the Society which has retained the master negatives. The originals of Ms 21658 and Ms 21569/1 were deposited on 21 July 2003 (USE OF MICROFILM COMPULSORY), but the Society retains the original manuscript of Ms 21659/2. Permission to take reproductions from the films or to publish extracts from the records should be sought from the Society (enquire at the information desk for contact details).

Fleet Street Choir records comprising programmes, newspaper cuttings, song sheets and related papers.

Scrapbook relating to the Enfield Amateur Operatic and Dramatic Society, including theatrical programmes, playbills and newspaper cuttings of reviews for performances by both the Society and other operatic and theatrical societies.

Records of The Guildhall School of Music and Drama, 1880-1986, including financial accounts; prospectuses; concert programmes, including concerts given by the Guildhall Orchestral Society; scrapbooks including newspaper cuttings and photographs concerning the school's activities, recitals, prize-givings, new staff, successes of pupils past and present and so on; and publications relating to the history of the school.

Correspondence, 1905-1984, of Maurice Cole, pianist and former student of the Guildhall School of Music and Drama, relating to musical matters, particularly concert performances.

Minute books, peal books, annual reports and newsletters of the Middlesex County Association; leaflets and minutes of the Middlesex Association of Change Ringers and minutes, attendance books, financial accounts and administrative papers of the South and West District, including some papers of Percy Venn; and minutes and financial accounts of the North and East District.

Papers of the City Music Society (1939-2005), including: typescript minutes of the City Music Society, 1944-1994; administrative correspondence between the City Music Society and various organisations and individuals concerning various matters including membership, concert arrangements, musicians, concert pieces and other general matters, 1945-1999; programmes for City Music Society concerts, predominantly at the Bishopsgate Institute and Goldsmith's Hall, 1943-2002; annual reports of the City Music Society, 1943-2002; promotional leaflets and lists of City Music Society concerts, c1949-2005; two scrapbooks of press cuttings and typescript transcriptions of reviews of City Music Society concerts and advertisements, 1949-1981; cash account book of the City Music Society, 1943-1948; duplicate loose copies of `Westerham Press' City Music Society programmes, c1950-1969; invitations for City Music Society concerts, 1948-1999; early Society invoices and accounts, 1947-1962; rules and accompanying correspondence between and regarding founder members, 1949-1988; papers and correspondence regarding the 21st and 50th anniversaries of the City Music Society, 1964-1993; photographs of the City Music Society 50th anniversary concert at Goldsmith's Hall, 1993; papers, press cuttings and other material regarding Ivan Sutton's death and memorial service, 1996; non-City Music Society concert programmes, 1939-1963; members circulars, newsletters and publicity material, 1944-2005; handwritten alphabetical list of musicians who appeared at City Music Society concerts, n.d; annual general meeting, membership and subscription papers, 1949-2000; correspondence regarding works commissioned by the City Music Society with various composers, including correspondence files with Peter-Paul Nash, John McCabe and Geoffrey Burgon, 1970-1988; musical scores commissioned by and performed at City Music Society concerts, c1950-c1999; miscellaneous papers, including artist photographs, invitations and programmes, 1948-2001.

Records of Keith Waithe, musician, comprising published recordings from Essequibo Music and The Macusi Players with business card and promotional card.

Records of The Greene Sisters mainly relating to their professional life: correspondence concerning their working life, organising concerts and issues with their agents Foster's, copies of their wartime contracts as well as examples of publicity material particularly play bills for variety performance they appeared and a few programmes.

There are copies of radio broadcasts including some from the series 'Hi Gang' recorded between 1951-1952.

Included are both professional photographs and family photographs of The Greene Sisters, Jeanette, Gertie and Judy as well as their brother Marcus and youngest sister Sylvia; their parents Jack and Rebecca.

There is a series of papers of Sylvia Greene the youngest sister which include the book, lyrics and music for a musical play 'A Great Guy' written by Sylvia.

Programmes of Dulwich College plays, drama competitions, Commemoration Concerts, and Christmas Concerts; and issues of The Dulwich Scout magazine.

Papers of Betty Matthews, 1907-1997 (predominantly 1960-1997), including correspondence, research notes, printed articles, booklets and pamphlets mainly relating to organs and organists, particularly English church organs, and including papers relating to Matthews' research topics, including 18th century concert life in South West England; the organs of Exeter Cathedral, Norwich Cathedral, Buckingham Palace, Eaton Hall (Cheshire), Lulworth Castle, Bath Assembly Rooms, Barnstaple Parish Church, and St James Church, Poole; organ building families, including the Lefflers, the Corfes, the Loosemores, the Gosses, the Harrises and the Dallams; organs built by John Avery, Bernard 'Father' Smith, and Thomas Swarbrick; John Skelton Bumpus and his library; Thomas Norris (1742-1790), organist; Kirckman harpsichords; the research, publication and distribution of Matthews' articles, including 'Mendelssohn and the organ of Crosby Hall' (Musical Times, 1973); 'Samuel Sebastian Wesley, 1810-1876: a centenary memoir' (Kenneth Mummery, 1976); 'Winslade of Winchester' (Musical Times, 1978); 'William Parke and the Royal Society of Musicians' (Musical Times, 1988); 'The Lincoln family' (The Organ, 1989); 'James Hook and his family' (Musical Times, 1990).

Papers of or relating to Fanny Davies, 1883-1914, comprising:
Draft of her article 'Some Personal Recollections of Brahms as Pianist and Interpreter' on Brahms for Cobbett's Cyclopedic Survey of Chamber Music London, 1929-1930 (MS 7499a).
Typescript drafts of articles on Schumann's Piano Trios and Chamber music (MS 7499b).
Manuscript of 'Joachim's Jubilee in Berlin' (MS 7500a).
Notes on St Elizabeth of Hungary (MS 7500b).
Letters (16) and postcards, cards and notes (16) from Clara Schumann, 1883-1892, also includes announcement of Clara Schumann's death, 1896 (MS 7501).
Letters (3) from Clara Schumann to Dr Richard Wilkinson and George Henschel (MS 7502).
Letters and other papers relating to the controversy with Eugenie Schumann, 1892-1893 (MS 7503).
Letters (4) from Alfredo Piatti to Davies, 1887-1894 (MS 7504).
Letters (15) and postcards (2) from Joseph Joachim, 1886-1904, includes projected programmes in Davies' hand and annotations by Joachim, and programme of recital by Davies and Joachim in the Singakademie, Berlin, 15 Nov 1887 (MS 7505).
Letters (5) from Mary Cowden-Clarke, George Henschel and Richard Mühlfeld, 1891-1914 (MS 7506).
Papers 'letters etc which may be interesting for writing memoirs', includes letter from Davies to Mrs Joachim and letters to Davies from Ethel Smyth, A J Hipkins, Frederick Corder and 4 letters from F C Burnand to Miss Grist (MS 7507).
Concert bills and German concert reviews (MS 7508).
Agreements between Davies and a) The New Queen's Hall Orchestra and b) Messrs Welte Soehne (MS 7509).
Correspondence relating to the Woodhill family (maternal branch of her family) (MS 7510).
Notes and correspondence relating to a proposed music college, 1901 (MS 7511).

Papers of Thomas Frederick Dunhill, comprising personal and business correspondence, 1912-1944 (mainly 1931-1940), including correspondence relating to performances of the comic opera Tantivy Towers by Dunhill and Alan P Herbert; notebooks of lectures by Dunhill, including 'British music of today', lecture for the Royal Albert Institute 11 Mar 1913, 'Sir Hubert Parry' to the British Music Society 8 Mar 1922, and 'The importance of the British composers of the later 19th century' to the Society of Women Musicians, 7 Jul 1922; musical notebooks; lists of Dunhill's compositions; manuscripts of articles and talks by Dunhill, including 'The chamber music of Anton Dvorak', and `English comic opera'; correspondence with the BBC regarding talks by Dunhill, including a version of Dunhill's Tantivy Towers for broadcast, 1937, 1941, 1945; correspondence regarding finances of the Musicians' Benevolent Fund, 1937-1938; correspondence with B W Smith and F J Whitmarsh on their proposed operetta 'Something in the city', 1937-1939s; cuttings of articles by or on Dunhill, 1915-1938; programmes featuring Dunhill's music; obituaries, 1946.

Papers of Sir Henry Walford Davies, 1890-1969, including correspondence on his music and career (correspondents include Dean Albert Baillie, Robert Bridges, Henry Colles, Sir George Grove, August Jaeger, Charles Parry, Sir Walter Parratt, Sir Charles Stanford), 1891-1937; engagement diaries, 1890-1941; notebooks, c1917-1931; music note and sketch books, c1891-1927; manuscript music of arrangements compiled as a student at the Royal College of Music, 1890s; lists of published musical works; copyright and royalty correspondence, 1895-1954; correspondence relating to publications and proposed publications, including 'New Fellowship Song Book', 'Music and Worship', First steps in music and A four years' course in music, 1930-1934; manuscript music for a proposed song book for schools, 1938-1939; typescripts, correspondence relating to 'The Psalter newly printed', 1933, the BBC hymn book, 1938-1939, and the Army hymn book, 1940; letters and papers relating to the School of Church Music and the College of St Nicolas, 1933-1936; manuscript notes and printed programmes of lectures by Davies, 1909-1938, including Royal Institution lectures 'Music in relation to other arts' (1910) and 'To untrained listeners' (1915), and Gresham music lectures, 1924-1938; typescripts of Davies' BBC radio broadcasts to schools on music with printed scholars' manuals, 1924-1938; typescripts of Davies' BBC radio broadcasts `Music and the ordinary listener', 1926-1939; associated correspondence and printed material relating to BBC radio broadcasts, 1924-1941; typescripts and notes for 'Keyboard talks', 1933-1935; manuscript music, notes and typescripts of Davies BBC radio broadcasts 'Melodies of Christendom' and Empire Day talks, 1934-1939; private correspondence relating to his work for radio, 1933-1937; letters from BBC listeners, 1936-1937; letters to Lady Davies on Davies death, 1941; biographical material on Davies compiled for Walford Davies: a Biography by H C Colles (London, 1942), including published material on Davies, 1919-1943; papers relating to commemoration of centenary of Davies' birth, 1969.

Manuscript notes by James Robert Sterndale Bennett on the history of the Bach Society (1849-1870) for his biography of his father Sir William Sterndale Bennett (1816-1875) The Life of William Sterndale Bennett (Cambridge University Press, 1907), comprising 'Short history of the Bach Society' by Charles Steggall; 'Diary of the Bach Society' made with the assistance of Steggall, 1900; various biographical notes on members of the Society.

Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

Programmes, press cuttings, articles and transcripts relating to the composer Anthony Milner, used by James Siddons in his Anthony Milner: a Bio-Bibliography (Westport, CT, 1989), comprising scrap books of reviews of Milner's music and articles by or on Milner, 1951-1960; press cuttings relating to Milner's liturgical compositions in regard to the introduction of English in the Roman Catholic liturgy, and Milner's views of the translation of the order of mass into English, 1964-1970; music programmes (with some reviews) of concerts featuring Milner's works, 1958-1985; reviews and press cuttings of Milner's work and performances, c1958-1979; brief biographical notes on Milner, and schedules and itineraries of his lecture tours of Canada and USA, 1964-1985; transcript of 'Anthony Milner on his 50th birthday', a talk on 'Music weekly', BBC Radio 3, by Hugh Wood, 11 May 1975; 'Anthony Milner - a comment on his work' typescript article by Stephen Dodgson (MS 5866). Three published articles by Milner, with covering to Sir Keith Falkner, on the problem of the vernacular in the Roman Catholic liturgy, 'Music in a vernacular Catholic liturgy' paper read to the Royal Musical Association, 4 Jan 1965; 'The instruction on sacred music', Worship vol 41 no 6 Jun-Jul 1967; 'Music and liturgy', The Month, 1965-1966 (MS 6995)

Papers of Stanley Bate, 1940-1956, comprising letters received and written by Bate, mainly in regard to the publication or performance of his music, particularly his Second Sinfonietta at the festival of the International Society for Contemporary Music in California, 1941-1943, 1947-1948, 1954; programmes of concerts featuring Bate's music, c1948-1958; newspaper cuttings on Bate and his music, 1940-1956, largely consisting of reviews of the first performances of Bate's Third Symphony at the Cheltenham Festival, 1954, and his Fourth Symphony at the Royal Festival Hall, London, 1955.

Papers of Basil Lam, comprising typescripts and photocopies of BBC radio talks, 1963-1979, mostly relating to the music of Johann Sebastian Bach and George Frideric Handel, and including transcripts of his BBC Radio 3 series 'Plainsong and the rise of European music', 1978-1979; with press cuttings and concert programmes; typescripts, carbon copies and photocopies of concert programme and record sleeve notes by Lam, with concert programmes, mainly relating to performances of early and baroque music (particularly the works of Bach, Handel and Claudio Monteverdi), and including some BBC radio talks, articles for The Listener, and Promenade Concerts series programme notes, 1962-1981; cuttings (mostly Radio Times), relating to programmes featuring or of interest to Lam, and related programmes and handbills, including programmes for concerts by the Basil Lam Sonata Ensemble, 1946-1954; correspondence of Stroma Sutherland, Lam's executor, on publication of an article by Lam from material left unfinished at his death, on the 'Kyrie' from the B Minor Mass by J S Bach, 1985-1989; edition of The Listener containing `The ascendancy of plainsong', article by Lam, 15 Dec 1977; index to radio talks and programme/record sleeve notes.

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

The records of Musica Reservata comprise original notes, company minutes, correspondence, lyrics and programmes, 1960-1992, notably including manuscript and typescript notes and proofs compiled by Michael Morrow describing the development of Renaissance music for talks, lectures and his published works, [1960-1985]; minutes of the company Council, 1972-1978; company reports, 1972-1974; rehearsal notes, itineraries and tour plans, 1972-1974; correspondence with Michael Morrow and others, mainly concerning the organisation of concerts including fees, 1960-1981; assorted manuscript and typescript lyrics of early modern music, [1960-1980]; programmes and leaflets advertising Musica Reservata performances, 1960-1989; press cuttings on early music, including reviews, 1971-1989.

Papers relating to the Athletics Union, comprising correspondence concerning the purchase and equipping of College sports grounds, 1919-1934, and an accounts book, 1937-1944; correspondence of the Sports Club, 1912 and 1942; minutes of the Architectural Society, 1894-1919; programmes and posters relating to the Bedford Light Opera Group, [1960-1970]; copies of Bots Up, the magazine of the Botany Department, 1972-1974; copy of Bio-Log, the magazine of the Biological Society (and successor to Bots Up), 1977; copies of Ho, the magazine of the Psychology Department, 1972-1974; minutes and member lists of the Geological Society, 1910-1944.

Records of the City Glee Club comprise: minutes, accounts, registers of members and performances, and records relating to the centenary.

Records of the Dorian Singers, comprising concert programmes.

Papers of the Pye family relating to bell-ringing, including records of performances; notices of peals rung; notebook of the number and weight of bells in towers; composition books; photographs; journals and publications; memoirs and order of service.

Papers of Dorothea (or Dorothy) Crompton, pupil at the Guildhall School of Music and Drama, 1913-1924. The collection, consisting of concert programmes, advertising posters, professors' reports and correspondence, had been found at the School and had been used in an exhibition there. The exhibition, entitled "Who was Dorothea Crompton?", had been mounted to try to establish some details about Crompton as nothing was known about her. As far as can be gathered, no information about Dorothea Crompton was produced as a result of the exhibition.

Papers of Madeline Payne (1879-1962), concert pianist and former student of the Guildhall School of Music and Drama, including correspondence, photographs, programmes, articles and newspaper cuttings, 1893-1957.

Items related to musical theatre collected by scholar and musician Alan Poulton. Includes programmes, books, research and other items relating to the work of Stephen Sondheim, and other items relating more widely to the world of musical theatre including journals, books and recordings.

Papers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.

12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Papers of Augusta Bönten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bönten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bönten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind.

Records of the Director of the Royal College of Music RCM), 1884-1990, including minutes of the Board of Professors, 1894-1993; reports of annual examinations, 1884-1908; Certificate of Proficiency examinations minute book (recording exam regulations and marks awarded), 1886-1899; correspondence to Sir George Grove, Director of the RCM, from the Office of the Prince of Wales, 1884-1888, with material relating to the building of the RCM funded by Samson Fox and opened in 1894; correspondence from Sir Ernest Palmer in regard to aim of the Palmer Fund for Opera Study, 1924; RCM Emergency Concerts Society: correspondence, notices and programmes, 1939; curricula of the Graduate of the Royal Schools of Music (GRSM), 1961-1979.

Papers of Charles Thornton Lofthouse, 1950s-1970s, comprising correspondence and associated material relating to his role as a music examiner; research papers and related correspondence for lectures and courses, mostly relating to 17th and 18th century music and the harpsichord repertoire; research papers for his Commentaries and Notes on Bach's Two- and Three-Part Inventions (London, 1956); programmes and cuttings of recitals by Lofthouse or in which he participated; music scores annotated by Lofthouse.

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

Letters to Adelaide Parker, Bruno d'Arba and Joan McLeod, 1910-1959, including letters and postcards to Adelaide Parker regarding her performances from, Joseph Bonnet, Basil Harwood, Wanda Landowska, C Hubert H Parry, Ethel Smyth, Ralph Vaughan Williams, Charles-Marie Widor; letters to Bruno d'Arba from Francis Jackson; letters to Joan d'Arba from George W Russell (`AE'); letters to Joan Mcleod in relation to submission of her poetry for publication, including 8 from Walter de la Mare; letter from W B Yeats on setting of his poetry to music, undated.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Records of the organisation known variously as the Polytechnic Sports Club, the The Institute of the Polytechnic Sports and Social Clubs, and The Polytechnic Sports Club Committee, as well as records of the Polytechnic's Men's and Women's Council, and Joint Council.

This collection includes all records relating to the organisation of sports and social activities by members of the Polytechnic except for records of the individual clubs themselves, which are catalogued as separate collections. However it does include correspondence with the clubs by the Secretary and Committees. This collection also includes papers relating to the award of Polytechnic-wide medals and trophies, including the Elsie Hoare Trophy, Studd Trophy and Ditchman Trophy.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Records of the Uxbridge Choral Society. The collection consists of minutes, general and concert administration, finance, printed material including programmes and posters and some photographs of rehearsals.

Papers of the Morgan family, 1891-1963, comprising papers, reports, photographs, music and other personal memorabilia of Robert Orlando Morgan, R.G.S.M., Professor of the Guildhall School of Music and Drama 1887-1951, of his second son, Cyril Douglas Morgan, Principal Clerk to the Chamberlain of London 1946-1958 and of his son, M.D. Morgan, the depositor of these documents.

Minute book of the Concentores Society, glee club.

The Palace of Delights, by Alan Wilson, November 1985. Audio recording on tape and CD.

Where the clocktower stands in the Mile End Road c 2001. Audio recording on CD.

Programme and papers relating to the Christmas concert 2007.

Scores of pieces written by Alan Wilson including 'Ode to Music' for Robert Tong's retirement; Christmas carol arrangement for 'Wish you a Merry Christmas'; QMUL and Westfield College songs; Palace of Delights vocal and orchestral score.

The Palace of Delights correspondence, posters, notes connected to the play; programmes 1979-1999; flyers for events 2013.

Records of Bechstein of Berlin and London, piano-makers, 1880-1946, and of the Bechstein Hall and Wigmore Hall, 1901-1951, comprising sales books of Bechstein, giving names of purchaser and details of instruments purchased, 1880-1927; wages book of Bechstein staff, 1890-1912 and stock book, 1946; sales ledger, 1916-1921; instrument hire account book, 1912-1917. Bechstein Hall, day book, 1901-1916 (also includes day book of Arts Council of Great Britain, 1916-1951); hire day book, 1911-1916; cash book, 1912-1916 (and Wigmore Hall, 1934-1916). Wigmore Hall cash book, 1917-1924; daybook, 1930-1946; ledger, 1938-1946.

Personal notebook of member of the Palmer family, listing details (artists, conductors and composers) of musical works performed under the auspices of the Royal College of Music Patron's Fund, 1919-1939.

Musical scrapbook of Jenny Lind, 1847, containing manuscript transcriptions of six songs in German, with signatures and dedications of Luigi Lablache, Sigismond Thalberg, Arthur Saint-Léon and Fanny Cerito, London, Aug 1847; three account sheets relating to Lind's financial affairs, 1870-1871, including accounts, 1847-1848; statement of condolence from Royal College of Music on the death of Otto Goldschmidt, 16 Mar 1907; letter from Gill Bevan, Jenny Lind's grand-daughter, to Sir Ernest Bullock on provenance of the volume, 13 Jul 1959.

Papers of Dolmetsch, including press cuttings of reviews and programmes of concerts by Dolmetsch and the Dolmetsch family, the death of Dolmetsch in 1942, and later performances of his works with related correspondence, 1929-1980; draft of a talk on conducting; his The art of orchestral conducting (Bosworth and Co, London, 1942), with newspaper cuttings of reviews; notebooks containing catalogue of his music library, lists of works and performances of his works, compiled by Dolmetsch and his wife Millicent Dolmetsch, 1930s-1960s.

Letters (193) from Mrs Anne Oldham to her daughter Edith Oldham, 1880-1888 (MS 6863); letters (514) from Sir George Grove to Edith Oldham, 1883-1899 (MS 6864).

Papers of Mary Garden, comprising three undated letters (c1900-1910) and a thankyou card, one letter including her programme for a proposed concert; contract for her performance as Mélisande in Pelléas et Mélisande at the Theatre Royal de la Monnaie, Brussels, Belgium, Jan 1907.