Mostrar 91 resultados

Fleet Street Choir records comprising programmes, newspaper cuttings, song sheets and related papers.

Records of the parish of Saint Michael, Chiswick, including baptism registers (1908-1964); marriage registers (1909-1972); confirmation registers (1940-1976); service registers (1908-2009); temporary building committee, Parochial Church Council and Vestry meeting minutes; a recording of the church choir singing at Truro Cathedral; parish magazines and newsletters.

Records of the Park Chapel, Hornsey, including declaration of trust and deeds; Deacons' Meeting minutes; Church Meeting minutes; Church registers of attendance; service sheets; financial records; papers relating to buildings and property; correspondence; papers relating to societies including the Sunday School and Dorcas Society; papers relating to the choir; papers relating to Hornsey British School; Church magazines and year books; plans; photographs; printed material; papers relating to the Blenheim Road Mission; papers relating to the Grove Mission and registers of marriages and baptisms at the Mount View Chapel, 1887-1913.

Records of Keith Waithe, musician, comprising published recordings from Essequibo Music and The Macusi Players with business card and promotional card.

Records of The Greene Sisters mainly relating to their professional life: correspondence concerning their working life, organising concerts and issues with their agents Foster's, copies of their wartime contracts as well as examples of publicity material particularly play bills for variety performance they appeared and a few programmes.

There are copies of radio broadcasts including some from the series 'Hi Gang' recorded between 1951-1952.

Included are both professional photographs and family photographs of The Greene Sisters, Jeanette, Gertie and Judy as well as their brother Marcus and youngest sister Sylvia; their parents Jack and Rebecca.

There is a series of papers of Sylvia Greene the youngest sister which include the book, lyrics and music for a musical play 'A Great Guy' written by Sylvia.

Records of Cy Grant reflecting his career containing rich material for research themes around multi-ethnic minority arts on a national basis, an iconic career which saw stardom and fame across the world and across ethnic divides, wartime narratives, discourse on Black African Caribbean roots, culture and race relations.

Records consist of correspondence, notes, photographs and audio-visual material. Includes Cy Grant's records relating to his service as navigator in the Second World War, records of Drum Arts Centre Limited, records of Concord Festival Trust; his acting career including theatre and film posters and programmes, correspondence with agents and producers and fan mail; writing career including published books and draft manuscripts, campaigning, spirituality and health and personal papers including copy items from 1910.

Highlights in the collection include Cy Grant's Royal Air Force log book; fan-mail, studio and film stills photographs, and audio-visual material documenting Cy Grant's fame from his acting and singing, 1950s-1970s; minutes and papers of the Drum Arts Centre Limited London, 1970s documenting the establishment of a national centre for the arts of Black people and related Black Theatre Workshop; minutes and printed material documenting the Concord Festival Trust for which Cy Grant was Director overseeing 22 multicultural ethic arts festivals across Britain over four years between 1981-1985. Cy Grant's life is documented in his memoir 'Blackness and the Dreaming Soul' published in 2007 and his original drafts are contained in the collection alongside other writings.

ACKNOWLEDGEMENTS: The collection was catalogued as part of a project funded by Heritage Lottery Fund titled 'Navigating the Dreams of an Icon: Remembering Cy Grant Through His Archive'. £79,800 was awarded by the Heritage Lottery Fund to the Cy Grant Trust. The Trust, London Metropolitan Archives and Windrush Foundation formed a partnership in 2015 to oversee the archive project which ran from April 2016-May 2017 including an exhibition, website and education pack as well as a series of events including a Finale on 18 February 2017 at London Metropolitan Archives.

Manuscript copies of one-act plays written by William Poel, newspaper clippings relating to a production of Samson Agonistes and a copy of "Monthly Letters" on performing Shakespeare, collected and published.

Programmes and ephemera, including newspaper cuttings, of the Florian Lady Singers, including details of competitions that they took part in. The material belonged to Mollie Simmonds, a member of the choir.

Programmes and ephemera for the Wandsworth Symphony Orchestra which belonged to cellist Mollie Simmonds. Also includes some miscellaneous material for the West Hill Orchestra and the Putney Orchestra.

The archive consists of working, personal and family papers including correspondence, printed material, photographs and other material; textile and other objects; audio-visual material.

Papers of or relating to Fanny Davies, 1883-1914, comprising:
Draft of her article 'Some Personal Recollections of Brahms as Pianist and Interpreter' on Brahms for Cobbett's Cyclopedic Survey of Chamber Music London, 1929-1930 (MS 7499a).
Typescript drafts of articles on Schumann's Piano Trios and Chamber music (MS 7499b).
Manuscript of 'Joachim's Jubilee in Berlin' (MS 7500a).
Notes on St Elizabeth of Hungary (MS 7500b).
Letters (16) and postcards, cards and notes (16) from Clara Schumann, 1883-1892, also includes announcement of Clara Schumann's death, 1896 (MS 7501).
Letters (3) from Clara Schumann to Dr Richard Wilkinson and George Henschel (MS 7502).
Letters and other papers relating to the controversy with Eugenie Schumann, 1892-1893 (MS 7503).
Letters (4) from Alfredo Piatti to Davies, 1887-1894 (MS 7504).
Letters (15) and postcards (2) from Joseph Joachim, 1886-1904, includes projected programmes in Davies' hand and annotations by Joachim, and programme of recital by Davies and Joachim in the Singakademie, Berlin, 15 Nov 1887 (MS 7505).
Letters (5) from Mary Cowden-Clarke, George Henschel and Richard Mühlfeld, 1891-1914 (MS 7506).
Papers 'letters etc which may be interesting for writing memoirs', includes letter from Davies to Mrs Joachim and letters to Davies from Ethel Smyth, A J Hipkins, Frederick Corder and 4 letters from F C Burnand to Miss Grist (MS 7507).
Concert bills and German concert reviews (MS 7508).
Agreements between Davies and a) The New Queen's Hall Orchestra and b) Messrs Welte Soehne (MS 7509).
Correspondence relating to the Woodhill family (maternal branch of her family) (MS 7510).
Notes and correspondence relating to a proposed music college, 1901 (MS 7511).

Papers of Thomas Frederick Dunhill, comprising personal and business correspondence, 1912-1944 (mainly 1931-1940), including correspondence relating to performances of the comic opera Tantivy Towers by Dunhill and Alan P Herbert; notebooks of lectures by Dunhill, including 'British music of today', lecture for the Royal Albert Institute 11 Mar 1913, 'Sir Hubert Parry' to the British Music Society 8 Mar 1922, and 'The importance of the British composers of the later 19th century' to the Society of Women Musicians, 7 Jul 1922; musical notebooks; lists of Dunhill's compositions; manuscripts of articles and talks by Dunhill, including 'The chamber music of Anton Dvorak', and `English comic opera'; correspondence with the BBC regarding talks by Dunhill, including a version of Dunhill's Tantivy Towers for broadcast, 1937, 1941, 1945; correspondence regarding finances of the Musicians' Benevolent Fund, 1937-1938; correspondence with B W Smith and F J Whitmarsh on their proposed operetta 'Something in the city', 1937-1939s; cuttings of articles by or on Dunhill, 1915-1938; programmes featuring Dunhill's music; obituaries, 1946.

Papers of Sir Henry Walford Davies, 1890-1969, including correspondence on his music and career (correspondents include Dean Albert Baillie, Robert Bridges, Henry Colles, Sir George Grove, August Jaeger, Charles Parry, Sir Walter Parratt, Sir Charles Stanford), 1891-1937; engagement diaries, 1890-1941; notebooks, c1917-1931; music note and sketch books, c1891-1927; manuscript music of arrangements compiled as a student at the Royal College of Music, 1890s; lists of published musical works; copyright and royalty correspondence, 1895-1954; correspondence relating to publications and proposed publications, including 'New Fellowship Song Book', 'Music and Worship', First steps in music and A four years' course in music, 1930-1934; manuscript music for a proposed song book for schools, 1938-1939; typescripts, correspondence relating to 'The Psalter newly printed', 1933, the BBC hymn book, 1938-1939, and the Army hymn book, 1940; letters and papers relating to the School of Church Music and the College of St Nicolas, 1933-1936; manuscript notes and printed programmes of lectures by Davies, 1909-1938, including Royal Institution lectures 'Music in relation to other arts' (1910) and 'To untrained listeners' (1915), and Gresham music lectures, 1924-1938; typescripts of Davies' BBC radio broadcasts to schools on music with printed scholars' manuals, 1924-1938; typescripts of Davies' BBC radio broadcasts `Music and the ordinary listener', 1926-1939; associated correspondence and printed material relating to BBC radio broadcasts, 1924-1941; typescripts and notes for 'Keyboard talks', 1933-1935; manuscript music, notes and typescripts of Davies BBC radio broadcasts 'Melodies of Christendom' and Empire Day talks, 1934-1939; private correspondence relating to his work for radio, 1933-1937; letters from BBC listeners, 1936-1937; letters to Lady Davies on Davies death, 1941; biographical material on Davies compiled for Walford Davies: a Biography by H C Colles (London, 1942), including published material on Davies, 1919-1943; papers relating to commemoration of centenary of Davies' birth, 1969.

Volume containing documents relating to a clavichord made by Johann Bohak, Vienna, 1794, belonging to the composer Joseph Haydn, including incomplete keyboard partite in manuscript of Haydn [1766]; letter from Anton Prinster on provenance of the partite, 1835; statement by Anton Richter on the provenance and ownership of the clavichord [1852]; letter from Prinster on same subject, 1852; statement from Prinster's niece, Fanny Elssler, on same; letter to Anton Richter from members of his orchestra in Eisenstadt, Austria, on a performance of his Requiem, undated; English translations of the original German documents; two letters from Hans Richter, on sale of the manuscripts, 1911; article `Haydn's clavichord and a sonata manuscript' from The Musical Times, 1 Apr 1930.

Letters (16) from Ludwig Van Beethoven to Kajetan Giannatasio del Rio, in regard to the education and maintenance of Beethoven's nephew Karl at the school run by Giannatasio del Rio, 1816-1817 (Ref: MS 4221). 'Hochzeitlied für Anna' (known as woo 105 'Auf Freunde, singt dem Gott der Ehen') a piece for four male voices in the manuscript of Beethoven, written for the wedding of Anna Giannatasio del Rio to Leopold Schemerling, 6 Feb 1819 (Ref: MS 4222). Two letters to Beethoven, comprising draft letter from Fanny Giannatasio del Rio, 9 Aug 1817 and letter from Friedrich Matthisson (facsmile only), 4 Aug 1800 (Ref: MS 4223). Letter from Beethoven to his brother Johann Von Beethoven, requesting the return of a book, 13 Jul 1825 (MS 4243). Letters from Beethoven to Sigmund Anton Steiner, Dec 1815, requesting the score of the opera Fidelio to produce a version for a quartet, and to Antonio Diabelli, Apr 1823, regarding the copying of Beethoven's 33 pianoforte variations on waltz by Diabelli for publication (Ref MS 4249).

Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

Programmes, press cuttings, articles and transcripts relating to the composer Anthony Milner, used by James Siddons in his Anthony Milner: a Bio-Bibliography (Westport, CT, 1989), comprising scrap books of reviews of Milner's music and articles by or on Milner, 1951-1960; press cuttings relating to Milner's liturgical compositions in regard to the introduction of English in the Roman Catholic liturgy, and Milner's views of the translation of the order of mass into English, 1964-1970; music programmes (with some reviews) of concerts featuring Milner's works, 1958-1985; reviews and press cuttings of Milner's work and performances, c1958-1979; brief biographical notes on Milner, and schedules and itineraries of his lecture tours of Canada and USA, 1964-1985; transcript of 'Anthony Milner on his 50th birthday', a talk on 'Music weekly', BBC Radio 3, by Hugh Wood, 11 May 1975; 'Anthony Milner - a comment on his work' typescript article by Stephen Dodgson (MS 5866). Three published articles by Milner, with covering to Sir Keith Falkner, on the problem of the vernacular in the Roman Catholic liturgy, 'Music in a vernacular Catholic liturgy' paper read to the Royal Musical Association, 4 Jan 1965; 'The instruction on sacred music', Worship vol 41 no 6 Jun-Jul 1967; 'Music and liturgy', The Month, 1965-1966 (MS 6995)

Papers of Stanley Bate, 1940-1956, comprising letters received and written by Bate, mainly in regard to the publication or performance of his music, particularly his Second Sinfonietta at the festival of the International Society for Contemporary Music in California, 1941-1943, 1947-1948, 1954; programmes of concerts featuring Bate's music, c1948-1958; newspaper cuttings on Bate and his music, 1940-1956, largely consisting of reviews of the first performances of Bate's Third Symphony at the Cheltenham Festival, 1954, and his Fourth Symphony at the Royal Festival Hall, London, 1955.

Papers of Lucy Jane Gibbons comprising notebook containing manuscript copies of her letters, giving details of her student life at the Royal College of Music, 1908-1909; letters testimonial (5) from her teachers at the RCM, 1909-1910; letter from Yehudi Menuhin to Miss M H Gibbons [sister of Lucy Gibbons], with thanks for her gift to his school, 1963.

Papers of Doris M Armitage, 1911-1974, comprising 2 letters from Fanny Davies, 1911 and 1930, mainly in regard to lessons; 4 letters, 1960, 1961 an undated, from Helen Henschel with thanks for appreciation of Henschel's talks and her book When Soft Voices Die (London, 1944); postcard from Ethel Smyth, 1925, with thanks for appreciation of Smyth's books; letters regarding bequeathal of Armitage's papers to the RCM.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.

Papers, 1892-1960, of Sir John Thomas Pratt, largely dating from after 1941, including correspondence concerning his various publications, files on his campaign against British involvement in the Korean War, articles, lecture notes and press cuttings. Also includes correspondence with his brother William (Billy) Pratt (1949-1957), whose stage name was Boris Karloff.

Records of the Worshipful Company of Musicians, including charter and ordinance books; bye laws; Court minute books; signature book; livery lists; registers of freedom admissions; registers of apprentice bindings; financial accounts including cash books; press cuttings; clerk's correspondence and papers; letters from composers including Richard Strauss, Sir Edward Elgar and Herbert Howells; manuscript music scores including Elgar and Howells; concert and event programmes; photographs; papers relating to scholarships; and papers relating to company property and estates.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

Diary of actor John Pritt Harley, 1858.

Records of the City Glee Club comprise: minutes, accounts, registers of members and performances, and records relating to the centenary.

Records of the Dorian Singers, comprising concert programmes.

Letters and papers of and concerning Maria Hackett (of 8 Crosby Square, Bishopsgate, 1783-1874), and letters relating to church music. 1782-[1910]. Compiled and collected early 20th century.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

Items from the Crystal Palace Handel-Mendelssohn Festival including admission ticket, to Orchestra, for Miss M. Bruin, 1909; admission ticket to South Area Stall, 1909; photograph of orchestra and choir, 1909 and label for instrument case, 1912.

Papers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.

Papers of the Hackney Empire collection, 1962-2009, comprising:

Material relating to the CAST theatre troupe, 1962-1985, including: papers concerning Roland Muldoon's theatre training, membership of the Unity Theatre, drama classes at the Working Men's College, London, and the foundation of CAST, 1962-1969; correspondence, financial records, publicity material, scripts, press cuttings, tour schedules, photographs and audio recordings regarding CAST productions, 1966-1985, film reels of CAST film 'Planet of the Mugs', [1972];

Material relating to CAST Presentations Ltd, CAST New Variety Ltd and New Variety Performers Agency, 1982-[mid 1990s], including: minutes of management meetings, 1982-1990; correspondence and other administrative material relating to the running of CAST New Variety, [1983]-1986; proposals seeking home venues for the CAST New Variety, 1980-1985; minutes, correspondence, reports and other material relating to Diorama Arts Ltd, 1984-1989; publicity material for comedians, musicians and other cabaret acts either for spots in CAST New Variety shows or representation by New Variety Performers Agency, 1983-[mid 1990s]; posters and flyers advertising CAST New Variety shows, [1983]-1986; financial records, 1980-1991;

Material relating to Hackney Empire Theatre and Hackney New Variety Ltd, 1986-2009, including: minutes of management meetings, 1988-2005 (very incomplete); correspondence, 1988-2004 (very incomplete); press cuttings, 1986-2007; posters and programmes for Hackney Empire productions, 1986-2009; photographs, video recordings and other material relating to New Act of the Year, 1991-[2000] (very incomplete).

Papers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.

Papers of the Actresses' Franchise League including annual reports 1909-1914; annual statements of accounts; leaflets including lists of officers and league's objects and list of members and programme.

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Papers of Herbert Kennedy (H K) Andrews, 1950-1965, comprising typescript and proofs of his The Technique of Byrd's Vocal Polyphony (Oxford University Press, London, 1966); papers, 1957, relating to 'Fourteenth-Century Polyphony in a Fountains Abbey MS Book', Music and Letters, 39 (1958) by Andrews and Robert Thurston Dart, with offprints of article, correspondence between Andrews, Dart and Eric Blom, editor of Music and Letters, and including photographs of Fountains Abbey Ms 23; typescript notes and correspondence, 1963-1965, regarding the music publications of William Byrd and library sources of the same, with offprints and notes relating to Andrews' article, 'Printed Sources of William Byrd's ''Psalmes, Sonets and Songs''', Music and Letters, 44 (1963), and including a photocopy of the superius part book of Cantiones sacrae by Thomas Tallis and William Byrd (1575); notes and correspondence with Dart, 1960, regarding A ballet on the death of the cardynall', manuscript in Ripon Cathedral Library, with transcriptions and photographs of the manuscript; typescript of his articleCounterpoint, harmony and tonality' for the Oxford Junior Encyclopaedia, with related correspondence on the withdrawal by Andrews on its publication, 1953; typescript of his The formation, fulfilment and decline of the classical language of music', Cramb lectures, University of Glasgow, 1954; manuscript of hisThe interpretation of 16th century polyphony', Crees lectures, 1963; manuscript and typescript of `The editing and perfomrance of English vocal polyphony of the late 16th century and early 17th century, first chapter only of an unpublished book.

Papers of Augusta Bönten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bönten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bönten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind.

Papers of Henry Cope Colles, 1938-1939, as editor of the Fourth edition of Grove's Dictionary of Music and Musicians (Macmillans, London, 1940), comprising correspondence with contributors of articles and subjects of articles, including particular accumulations of correspondence with Eric Blom: Alfredo Casella: Sir Henry Walford Davies; Richard Capell; Alfred Einstein; Edwin Evans; Arthur Henry Fox Strangways; Francis William Galpin; Anselm Hughes; Macario Santiago Kastner; Alfred Loewenberg; Gustave Reese; Percy Alfred Scholes; Marion Margaret Scott; John Brande Trend.

Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

Autograph album of H F Thornton and his daughter Mrs Elsie Holliwell, featuring signatures of musicians, 1904-1971, including Hamish MacCunn, August Manns, Walter Parratt, Serge Rachmaninoff, Edna Thornton, Henry J Wood; correspondence of Elsie Holliwell relating to her gift of the book to the Royal College of Music, 1974.

Papers of Muriel Smith, 1915-1968, comprising letters and postcards from performers and speakers to the Lewes Music Club, including Jelly d'Aranyi (3), Fanny Davies (8), Robina Friskin, Léon Gossens, Marjorie Hayward, Myra Hess, Frank Howes (4), Norman Notley (2), Arnold Trowell, Steuart Wilson.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.

The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.

Compositions by Stephen and George Elvey as well as Highmore Skeats, the younger and the elder, c1815-1840?

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

The collection represents the contacts through two centuries of a group of men and women of high distinction ramifying through the medical, legal and literary worlds. It forms a not unimportant fund of minor historical material, comprising more than a thousand letters from nearly five hundred writers.

The autograph letters are mounted in 10 large volumes: -

1. Letterbook of John Arbuthnot (1667-1735). The most interesting letters are those of Pope and Swift and their circle written in 1714 when the Queen's death involved the destruction of their political hopes. Letterbook of William Hunter (1719-1783). It includes letters from Tobias Smollett the novelist, from Dr. Johnson thanking Hunter for presenting his book to the King, and from Edward Gibbon 'proposing himself the pleasure of attending some of Dr. Hunter's Anatomical lectures.'

2. Hunter and Baillie family letters and reminiscences, including the letters written by John to William Hunter from active service in 1761-62; poems by Sophia Baillie, Jenner family letters.

   3. Letters to Matthew Baillie from the Royal Princesses. Letters of the Bentham family, including three from Jeremy Bentham. Autograph letter collection includes letters from Thomas Carlyle and Charles Dickens. 1735 - 1845

3. Denman family collection; autographs collections of Lady Bell and Dr. William Whewell; letters of John Baron, Edward Jenner's biographer; fragment of unpublished music by Mozart; letters from Joanna Baillie's friends including c.1782-1877

4. Letters to Joanna Baillie includes letters from Sir Walter Scott and Maria Edgeworth. Various dates

5. William Hunter's diplomas, and letters to him, Hunter family documents, and notes on family history compiled by Joanna and Matthew Baillie. Locks of hair and christening caps worn by Hunter family. Various dates

6. Matthew Baillie's letters to William Hunter includes material relating to treatment of George III and to his wife Sophia (Denman) and his diplomas. C. 1783-1823

7. Matthew Baillie's professional correspondence including notes on illness of George III and on labour of Princess Charlotte. Letter to Helen Hunter Baillie from George Peachy re Matthew Baillie's notebooks (1923). 1783-1923

8. Joanna Baillie's letters and papers relating to her plays, sale of her works, mss. of two stories and a comedy, letters from Mrs Sigourney, Henry Siddons, Anne Hunter, Mary Somerville; Agnes Baillie's reminiscences, prescriptions by Matthew Baillie

9. Princess Mary's letters to Baillie concerning the illness of Princess Amelia, Anne Hunter's autograph poems, libretto of Haydn's Creation; account of death of Princess Charlotte.

   The Hunter Baillie collection comprises also a number of manuscript books, the oldest of which is a commonplace book of the early eighteenth century, giving details of family history of the Hunters. Matthew Baillie's notebooks include: -

Journal of a tour in Europe in 1788 and A short memoir of my life, 1818. 'Some brief observations from my own experience upon a considerable number of diseases', in two volumes. n.d. With these are his casebooks, fee-books and other professional notes, including details of his attendance on King George III. Baillie records that his total annual fees mounted from £121 in 1792 to £9,995 in 1815.

Records relating to the International Bookfair of Radical Black and Third World Books, including original programmes, stationery, correspondence and notes from members of The Alliance and from artists and those who attended the conferences. Also listings of families and individuals who provided accommodation for artists and rotas for the staffing of the Fairs.

The programmes are an excellent resource for information about the social and political issues that were of concern to Black people living in London in the 1980s and 1990s. They show the international links and connections between individuals of different artistic disciplines.

The development of the organisation and it's influence on diverse groups in the community are well documented in the correspondence and minutes; LMA/4462/M/01 and 02.

The photographs are both formal and informal. They show the Fair in action and special guests and artists performing or speaking at the different events. One album was put together by a participant as a gift to the Huntleys.

The press cuttings give valuable information on how the Fairs were being received by the Black community and others in London and internationally. There is an exclusive interview with Sonia Sanchez and an article by Margaret Busby which gives an historical overview of the Fair.

The copyright to these records rests with the depositors, Race Today Publications and New Beacon Books. Permission for the use of images for publication must be sought from all three organisations.