Mostrar 33 resultados

Records of Welch, Margetson and Company Limited, menswear manufacturers, including memorandum and articles of association; Board minutes; correspondence; annual reports and accounts; photographs of offices in Australia and of staff at work in offices, shops, factories and laundry; file on products, process and other firms; advertising; catalogues and price lists; papers relating to staff clubs; papers relating to property; and notes on the history of the company.

Working papers of the university administrator and scholar Anne Marie Meyer, c 1940-1990, on topics including: Dance; Costume; Opera; Ballet and Aby Warburg, art historian.

Papers of Alex Helm, c1950-1970, comprising manuscript notebooks and working papers for the published works A Geographical Index of the Ceremonial Dance in Great Britain, English Ritual Drama, a Geographical Index, and The Chapbook Mummers' Plays; typescript drafts for lectures and unpublished works; material for proposed publication on English traditional ceremonial costume, includes photographs; correspondence; collected source and published material; and offprints of related published works of co-authors.

Records collected from within Kingston School of Art at Kingston University and from external donors relating to the history of Kingston School of Art / Kingston College of Art (later part of Kingston Polytechnic and Kingston University). Records collected include photographs, events and exhibition programmes and invitations, prospectuses, leaflets, and correspondence. Originally collected as part of the Archive KSA Project.

Records of C & A Ltd, comprising records mainly related to fashion design and promotion, 1920s-1950s, namely photographs of the C & A clothing factory (CANDA MFG Co. Ltd), 1950s; campaign advertising posters for C & A in Germany, 1950s; guardbook of advertisements from the Manchester Evening News which announced the launching of C & A's Menswear department; portfolio of Margrit Seck designs for C & A adverts, 1950s; promotional videotapes, 1980s; corporate brochures and handbooks, History of Hereford House, Oxford Street; slides of advertisements, 1920s-1962.

Records of the Federation of Clothing Designers and Executives, comprising volumes of pattern cutting layouts for a wide range of garments for men and women, including jackets and suits, possibly for tailoring exercises, [1916-1970].

Collection of textile swatches made by Hayes Textiles Limited, 1960s, a British company that designed and manufactured headwear for Nigerian women.

Records of the London Office of the International Wool Secretariat, 1940s-1970s, comprising publicity photographs of womenswear, menswear and some childrenswear, mainly from the UK but including some from Europe and the USA.

Records of the London Alliance of West End Cutters, 1967-1987, comprising minutes of the committee, 1978-1986; minutes of general meetings, 1975-1986; members' attendance book, 1978-1987; papers relating to the Alliance, including rules [post 1949], 1979; correspondence, 1979-1981; programmes of lectures, 1977-1983; menus for annual dinners, 1967-1980; correspondence and papers relating to the winding up of the Alliance, 1986; photos of Stanley Fries at work (Saville Row tailor and Secretary of the London Alliance of West End Cutters), [1960s].

Papers of Lady Kathleen Liddell Hart chiefly relating to Capt Sir Basil Liddell Hart and Adrian Liddell Hart, [1929-1997].

Papers relating to Basil Liddell Hart including typescript transcripts of his appointment diaries, 1940-1953; draft of History of the Second World War by Basil Liddell Hart and Kathleen Liddell Hart's related correspondence with the publisher Cassels; letters from Basil Liddell Hart to Jessie Liddell Hart; Basil Liddell Hart's wallet; drafts of letters, lectures and articles by Basil Liddell Hart, 1929-1969; papers of Basil Liddell Hart on the history of fashion and manners; press cuttings including with quotations from Basil Liddell Hart's writings and book reviews of his work; letters relating to Basil Liddell Hart's death; papers relating an exhibition on the life of Basil Liddell Hart, 1977; papers relating to the centenary of Basil Liddell Hart's birth, 1995; Kathleen Liddell Hart's correspondence with researchers on Basil Liddell Hart, 1971-1980s; correspondence with solicitors about Basil Liddell Hart's estate and papers relating to royalties, 1981-1990.

Papers relating to Adrian Liddell Hart including Basil Liddell Hart's correspondence on Adrian Liddell Hart, 1939-1952; letters from Basil Liddell Hart to Adrian Liddell Hart, 1939-1965; letters from Adrian Liddell Hart to Basil Liddell Hart, 1935-1948; letters from Kathleen Liddell Hart to Adrian Liddell Hart; letters to Adrian Liddell Hart, 1952-1991; typescript drafts of Adrian Liddell Hart's [unpublished] books 'Unconditional Surrender' a novel based on his time serving on control commission, Berlin. (London, Nov 1950) and 'The State of Canada'; sympathy letters on the death of Adrian Liddell Hart; papers relating to winding up the estate of Adrian Liddell Hart and obituaries.

Personal photos of Basil Liddell Hart and Kathleen Liddell Hart; Kathleen Liddell Hart's correspondence, chiefly 1970s-1990s but also including early letters from Basil Liddell Hart and letters to her family, 1940-1946; Kathleen Liddell Hart's appointment diaries; guest books; draft of Kathleen Liddell Hart's memoirs, and correspondence with the editor, Jennifer Schofield; tributes to Kathleen Liddell Hart and drafts of a book on Richard Aldington by Frank Crawford and related correspondence.

The archive consists of literary and general correspondence including press cuttings (1888-1938); correspondence on Ecce Mater (1914-1918); letters and press cuttings on article 'Women Preachers'; papers related to Cambridge; letters and papers found in copy of Past and Future of Ethics (1923-1951); manuscript article 'Clothes and the Women' (undated.); genealogy of family of Tuker (undated.); printed pamphlets and articles by Tucker (1887-1921). Her correspondence includes letters from prominent women including suffragette leaders and includes a letter from Dr Joan Malleson.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

The Charles Hasler collection is comprised of printed ephemera, including greetings cards, cigarette cards, journals, invitations, books, exhibition catalogues, sales catalogues, prints, packaging, articles, books, business records, photographs, photocopies, manuscripts, slides, colour transparencies, newspaper clippings and journals and trade literature. There are also defined groupings of material, including designs and artwork, which usually relate to specific projects including: typography (contemporary and historical; particularly monotype), printing techniques (particularly colour), transport, Greenwich, architecture, wine, fashion, watercolour painting, book binding and photography. In addition, the collection includes material from the Ministry of Information campaigns during World War Two, including "Dig for Victory" and "Careless Talk Costs Lives" and material relating to the Festival of Britain, 1951.

Papers of Mary Edith Durham, 1900-1914, comprise 'My Balkan notebook' which comprises detailed drawings, photographs and notes relating to her experience in the Balkans, these include 'Primitive implements', a notebook depicting boats, hearths, buildings in various Balkan districts, costumes, buildings in Serbia; notebook with Sun and moon designs, tattoos, graves in Bosnia and Albania, buildings, costumes, war mutilations in Montenegro and notebook concerning Albania depicting tribes, costumes, buildings.

Papers of Mary Edith Durham, comprise a collection of tales from the Balkans notably including 'The tale of the lonely Han' and other folk tales. The collection also includes illustrations for the 'True tales of the Balkans', inlcuding those depicting indigenous people in their costume.

Photographs and correspondence relating to the career and life of journalist Jean Soward, including photographs from her time as fashion journalist with the News Chronicle in Paris, studio portraits, photographs of Vernon Bartlett in Spain during the Civil War and miscelleaneous correpondence, including letters from Vernon Bartlett MP (to whom she was secretary), typescript of short story 'Extravaganza' and typescript poetry (1946-1952).

Comprising 120 photographs illustrating French costume during the revolutionary period and relating to the history of cravattes at this time, compiled by Janstein in her research on the subject (n.d.); Typescript draft of an article on Rose Bertin by Janstein (11pp) (in German) (n.d.); Two copies of the periodical, Ciba-Rundschau containing articles on French revolutionary costume (Issues 26 and 35) (June 1938 and March 1939); Copy of the periodical, Ciba Zeirschrift containing articles on French revolutionary costume (Issue 52) (December 1937).

Papers of Ethel E Cox, 1915-1965, comprising papers compiled as Headmistress of Barrett Street Trade School, namely photographs, programmes and invitations relating to the opening of Barrett Street Trade School extension, 1928; photographs of the 'Roamers' student outings, 1930-1939, including to Hampton Court, Kew Gardens, Windsor and Eton, Greenwich, Royal Holloway College, St Albans, Cambridge; photographs of sports days and exhibitions, 1930-1949;

programmes for evening classes and special lectures, 1915-1940; programmes, flyers, correspondence, press cuttings and photographs relating to London County Council 'Lectures for Distributors', on Gloves, Underwear, China, Glass And Earthenware, Salesmanship, Hosiery, Fashion, Colour, Textiles, given at Barrett Street and organised by the School, [1933-1951]; programmes for Christmas services, 1935-1950; photographs and students' essays of their memories of Coronation Day (coronation of George VI), 1937; correspondence and cards commemorating the 'Silver Jubilee' of Barrett Street, 1940; photographs of Barrett Street Dramatic Society plays, [1917]-1936;

diary of Elsie Thompson on the evacuation of the school to Maidenhead during World War Two, [1941-1945]; evacuation projects by students, containing photographs, correspondence, programmes and press cuttings relating to the evacuation of the School to Maidenhead, [1940-1945];

photographs of retirement luncheon given for Miss Cox, 1950; speech to Miss Cox on her retirement, 1950;

photographs and press cuttings of a Royal Visit, 1965; scrapbook of press cuttings relating to the school, 1950-1959; prospectuses, 1915-1963;

photographs, press cuttings and exhibition programmes of students' work, 1936, 1937; photographs of the annual exhibition and dress parade, 1938; photographs of the fashion show, 'Fashion For Beaux & Belles', 1958; black and white photographs of womenswear and some menswear made by students, interior scenes of the school and classes including dressmaking, embroidery, tailoring, hairdressing, beauty culture and keep-fit, 1915-1960s;

register and subject marks book, containing students' names, 1953-1954;

name and address book, 1946-1953; visitors' book for Open Days, 1953-1965.

Papers collected by Mrs Patricia Garrett, comprising embroidery transfers, 1913-1938 and knitting patterns, 1930s, some from magazines such as Woman's Weekly and Woman's Journal.

Records of Barrett Street Technical College, formerly Barrett Street Trade School, [1904]-1966, comprising minutes of the Consultative Committees for Hairdressing, Dressmaking and Ladies' Tailoring, 1915-1950; minutes of the School Consultative Committees on Technical Education for Distributors, 1931-1939; student fees registers, giving names of students, addresses and dates of entry and leaving, 1915-1953, covering the Junior and Senior Technical Schools students; staff register, 1904-1921, giving name, details of previous appointments and starting and leaving dates; prospectuses, [1915-1963];

scrapbooks of press cuttings concerning Barrett Street Technical College, 1915-1966;

note books of a student, Dorothy C M Ludicke, on massage, health and beauty, treatments, [1948].

Records relating to the London College of Fashion, 1967-2002, comprising papers relating to course submissions to the Technical Education Council, 1977-1980; course handbooks, papers relating to courses and course validations, 1985; course leaflets for Cosmetic science, Fashion design & technology, Fashion promotion, Fashion futures, Costume & make-up for the performing arts, Media, BA Hons fashion management and Access to fashion business, [1986]; bulletins and newsletters, 1967-1979; prospectuses, 1980-2002; London Institute annual review, 1997;

photographs of students, students' work, interior scenes of the college, 1967-2002; photographs of the HND FDT students' show, 1995;

videocassettes of students' shows, 1980-[2002]; scrapbooks of press cuttings concerning the London College of Fashion and former students, 1975-1993;

audio tapes and transcripts of interviews, [1996], with Mary Wildman on her time as a student at Barrett Street Trade School, 1936-1938, and Eddie Thornton, student, 1963-1965; paper entitled 'Needle trades to the needs of fashion', 1996.

Records of Shoreditch College for the Garment Trades, formerly Shoreditch Technical Institute Girls Trade School, [1904]-1967, comprising staff register, [1904]-1922, giving name, details of previous appointments and starting and leaving dates; school rolls, giving names of students, 1948-1961; syllabuses, 1967; examination papers, 1967; examination results, 1961-1965; summary detail of classes, 1949-1965; minutes and papers of the Publicity sub-committee, 1958; papers concerning a ministry inspection of Shoreditch College, undated; annual report, 1964-1965; prospectuses, 1929-1967; photographs of students and press cuttings, 1949-1955; papers and press cuttings relating to Shoreditch Technical Institute, 1949-1955; photographs of prizegivings, 1954-1963; programmes for shows and plays, 1950s; Shoreditch Girls Junior Technical School visitors' book, containing visiting cards left by visitors, 1910.

The Constance Howard Resource and Research Centre in Textiles contains archives, Materials Collections and a library related to textiles and to the development of textile art. Collections include the archives of the Goldsmiths Textile course 1948-2009, 13, 000 slides of the work of graduates, alumni and staff of the course, teaching notes of the founding team, Constance Howard MBE, Barbara Dawson and Christine Risley. The Materials Collections include items from Constance Howard's personal collection of embroidery and costume; textile samples, a collection of techno-fabric samples from Nuno in Japan; and over 3,000 textiles donated or commissioned for the Centre. Archives include the records of textile artists and groups influenced by the Goldsmiths Textiles course, including the '62 Group' and the 'Fibre Art Group', [1962-2000], both groups of professional textile artists formed to raise the profile of textile art. These archives include slides, photographs, newsletters, correspondence, accounts, reviews and committee minutes. There are over 5,000 books and pamphlets in the specialised library which includes Constance Howard's book collection, and is strong in materials on textiles published in Eastern Europe in the later 20th century.

Documents relating to Kingston School of Art (later Kingston College of Art, which merged with Kingston Technical College to form Kingston Polytechnic in 1970). The Collection includes minute books; scrap books containing press cuttings, exhibition invitations and leaflets; prospectuses; and items relating to exhibitions and fashion shows.

The Women's Library continues to document the development of feminism in the UK, and examples of '3rd wave' activity can be found within our Zine Collection. The Zine Collection began with a donation of 50 zines by Ladyfest London in 2002. This Collection comprises self-published magazines reflecting contemporary feminism and the attitudes and concerns of young women in the UK today. It currently includes over 150 indexed zines on topics ranging from music, feminism, art, fashion, food, politics, sexuality, gender, ethnicity, popular culture, travelling, relationships, parenting and much more. The Women's Library aims to collect and preserve women's zines from the 1970s to the present day.

Records of Lorna Holder and her fashion business including her final portfolio and photographs of her end of year fashion show for her graduation from Trent Polytechnic, Nottingham (1975); records of Ali Baba Trading Company, Oman (1976-1978) consist of photographs and film of the first televised fashion show in Oman, and correspondence and greeting cards; Davies & Field records include design sketches and portfolios containing sketches, textile samples and cuttings for female clothing during Lorna Holder's time as Head of Young Fashion (1979-1986).

Records of Lapaz, hairdressing and beauty salon (1985-1990) include premises correspondence, account books, photographs of Black hair models and styles and of the two salons, advertising and reference material including fashion magazines.

Records of Lorna Holder Couture from 1989 include design drawings for couture dresses, order book, and photographs of two dresses made by Lorna.

Records of Tuareg Productions Limited are not deposited. For further information on this company and its projects visit http://www.tuaregproductions.com/

Records of Full Spectrum Productions Limited consist of the project archive of Jamaica Hidden Histories (2012-2015) which document training, exhibition and events which had the aim to increase awareness of Jamaican presence in Britain. Included are some interviews with individuals of Jamaican heritage. This was the sixth project led by the company. Other projects and records of Full Spectrum Productions are not deposited.

Papers of Stanley Costin, 1960s-1973, comprising background articles, notes and correspondence for his writing on men's fashion, 1960s-1973; copies and typescripts of his articles, 1960s; fashion photographs of menswear; material samples.

Reels of 16mm Cine Kodachrome and 16mm Cine Colour Kodachrome films, [1932-1954], of models wearing womenswear by Parisian couture houses at French race meetings, made by N Driver (the films are colour from 1937); videocassette comprising transfer of the cine film.

Papers of Miss W K Shunn, [1928]-1992, teacher at Barrett Street Trade School, comprising prospectuses and photographs of students, including opening of the new school building in 1928, student groups and shows, [1928-1964]; letter containing reminiscences of her time at the school, 1992.

Large collection of garments and accessories, dating from the late Victorian period to the 1970s, including dresses, shoes, hats, bags, underwear, jewellery, haberdashery and perfume bottles. The majority of the collection dates from the 1920s and 1930s, and is mainly comprised of women's clothing, though there are items of menswear such as uniforms, overcoats and suits.

Papers of Hilde Kurz, art historian, c 1945-1968, including working papers and draft for The Encyclopaedia of Painting. Topics covered include: Costume; Tapestries; Painting in Northern Europe.

Ephemera, correspondence and other material relating to Kingston School of Art (later Kingston College of Art). Subjects covered include exhibition invitations, the Reginald Brill Exhibition (1998-9); and minutes of Kingston School of Art Governor's Meetings [1950]-1966.

This collection relating to Whitelands College consists of minutes of meetings from 1966-1970, as well a copy of the annual report for 1966-1967, and two students handbooks.