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Born 1933; student of English at King's College London; Poetry Editor, Transatlantic Review, 1965-1973; director and writer of cinema films including You're human like the rest of them, 1967 (Grand Prix, Tours, 1968; Grand Prix, Melbourne, 1968), Up yours too, Guillaume Apollinaire!, 1968, and Paradigm, 1969; director and writer of nine television documentaries; theatre director, including Backwards and The ramp at the Mermaid Theatre, London, 1970; playwright, including Entry on BBC radio, 1965, BSJ v God at the Basement Theatre, Soho, London, 1971, and Not counting the savages on BBC TV, 1971; Chairman Greater London Arts Association Literature Panel, 1973; died 1973.
Publications: editor of London consequences (Greater London Arts Association for the Festivals of London, London, 1972) with Margaret Drabble; Albert Angelo (Constable, London, 1964); editor of All bull: the National Servicemen (Quartet Books, London, 1973); Aren't you rather young to be writing your memoirs? (Hutchinson, London, 1973); Christie Malry's own double entry (Collins, London, 1973); Everybody knows somebody who's dead (Covent Garden Press, London, 1973); House Mother normal: a geriatric comedy (Collins, London, 1971); Poems (Constable, London, 1964); Poems two (Trigram Press, London, 1972); Statement against corpses (Constable, London, 1964) with Zulfikar Ghose; text of Street children (Hodder and Stoughton, London, 1964) with photographs by Julia Trevelyan Oman; The evacuees (Victor Gollancz, London, 1968); The unfortunates (Panther, London, 1969); Travelling people (Constable, London, 1964); See the old lady decently (Hutchinson, London, 1975); Trawl (Secker and Warburg, London, 1966); Gavin Ewart, Zulfikar Ghose, B. S. Johnson: Penguin Modern Poets No. 25 (Penguin Books, Harmondsworth, 1975).