Área de identidad
Código de referencia
Título
Fecha(s)
- c 1840s-2000s (Creación)
Nivel de descripción
Volumen y soporte
28 boxes
Área de contexto
Institución archivística
Historia archivística
Lindsay Cooper (3 March 1951 - 18 September 2013) a bassoon and oboe player, composer and political activist, was born in Hornsey, London. Renowned as a talented improviser and respected composer she played in bands such as Comus, Henry Cow and co-founded the Feminist Improvising Group (FIG).
Cooper began her musical training at the age of 11 with the piano moving onto the bassoon a few years later. Described by a tutor as ‘a true musician, with a vital personality’ she studied classical music and the bassoon at the Dartington College of Arts and the Royal College of Music between 1965 and 1968. Succeeding this, Cooper spent a year in New York during which time she became involved in projects outside the realm of classical music. On her return to England, Cooper realigned herself from classical pursuits to traverse the worlds of popular music, experimental jazz and progressive rock earning a name as an influential improviser and a multifaceted musician. A written statement outlines her views, ‘Women have always had to think on our feet, make things up as we go along, work outside of the established way of doing things and, whenever we’ve decided to take the chance, stick our necks right out’ as a vocal activist for women's rights. Well known for her part in bands such as Comus, Henry Cow and News from Babel, Cooper also co-founded the Feminist Improvising Group (FIG) with Sally Potter, Maggie Nichols, Georgie Born and Irène Schweizer in 1977.
Cooper wrote and performed TV scores including Sally Potter’s feature film The Gold Diggers which she released as a solo album in 1983 followed by Music for Other Occasions in 1986. She regularly played with the Marx Brothers, News from Babel and the Mike Westbrook Big Band and her song cycle Oh Moscow, inspired by the Cold War was performed live around the world from 1987 and recorded live at the 1989 Victoriaville festival in Canada.
The late 1990s saw Cooper’s retirement from performing and composing, having lived with multiple sclerosis since the late 1970s she was no longer able to work or play. Concealing her illness until 1998 from friends, colleagues and the wider community, she went public with her diagnosis with a piece in the Guardian named ‘Don't Cry for Me’ later that year. Lindsay Cooper died from the illness in 2013 at the age of 62.
Origen del ingreso o transferencia
Donated to UAL ASCC by Jessica Palmarozza of Adventure Pictures Ltd.
Área de contenido y estructura
Alcance y contenido
The collection contains Lindsay Cooper’s personal papers, works and associated materials. This includes autobiographical writing, including diaries (1950s - 1994) which detail her daily life, living with multiple sclerosis and her relationships with women. Alongside this are material relating to her early life and family history. It also includes musical scores, notebooks, photographs, correspondence, ephemera directly and indirectly related to her music career and life within the jazz and progressive rock scene. The collection also contains a diverse variety of audio visual material, both commercial studio and live recordings, both written by Cooper or featuring her, which have been digitised.
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
The collection is arranged to series level, ordered into 'personal papers', 'works', 'press', 'photographs' and 'notes and research'.
Área de condiciones de acceso y uso
Condiciones de acceso
Condiciones
Idioma del material
- inglés
Escritura del material
- latín
Notas sobre las lenguas y escrituras
Características físicas y requisitos técnicos
Instrumentos de descripción
View the UAL online archive catalogue here: https://archives.arts.ac.uk/Calmview/Record.aspx?src=CalmView.Catalog&id=LCA&pos=1
View selected items from the collection digitised here: https://digitalcollections.arts.ac.uk/collection/?code=LCA
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
Unidades de descripción relacionadas
Área de notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
Identificador de la institución
Reglas y/o convenciones usadas
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Created 2018
Idioma(s)
- inglés
Escritura(s)
- latín
Fuentes
Nota del archivista
Arrangement has been attempted by Mae Moss on a two week archival placement. Due to the short time period the physical collection is yet to be adjusted to reflect the online catalogue and exists in its original arrangement when donated.