Papers of Gunter Wittenberg, 1940s-1950s, comprises copies of his personal papers, including an extract from his diary covering the early years in this country and correspondence and papers relating to his work history.

Notebook containing hand-written, mostly anti-Nazi jokes in Suetterlin script, c1939, and a modern transcript of the same.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Fritz Goldschmidt's diaries and eyewitness testimony collection comprises diaries, 1933-1939 (617/1) and a typescript personal account entitled 'Mein Leben in Deutschland vor und nach dem 30 Januar 1933', undated (617/2).

Microfilm diaries of Mrs Inge Samson, 1934-1942, the first part covers life in Germany and the second life in Great Britain. They are written in a manuscript gothic script.

Fritz Gross collection of unpublished writings, [1930-1949] comprises original typescript writings notably including numerous short dramas notably including Piter, 1927 (620/26) a drama about Russia in 1917; anthologies of poetry notably including Der Regenbogen 1946 (620/56), a collection of German poems; essays on a wide variety of subjects including Deutsche 1930s-1940s (620/87) and biographical sketches of famous people.

Copies of German neo-Nazi material, [1980-1989] including periodicals; publications of (or about) neo-Nazi organisations in Germany; articles on neo-Nazi activities from the German press.

Transcript of the diaries (originally in six volumes) of Louis Löwenthal, 9 Jan 1874-12 Jan 1881. The first part of the diary is written whilst he resides in the Jewish Hospital, recovering from an unspecified operation. The remainder of the diaries deal with day to day life at his family home in Sophienthal, Berlin, Leipzig, and other locations.

The papers of Siegfried Weiner, early 20th century, comprise a biographical account, written by his daughter; she describes life in Regensburg, Bavaria, the family's the difficulties following their emigration to Palestine, the war of independence and then their return to Regensburg.

Copies of transcriptions of speeches made by Baldur von Schirach, dealing mainly with youth in Nazi Germany, 19 Apr 1940-20 Dec 1944. Each speech was subsequently checked and edited by Mia Thiel Hansen in the employ of the BBC, 19 Nov 1945. An original certificate of authentication signed by Mia Thiel Hansen is enclosed with each speech. Speeches include speech on behalf of the Hitler Youth congratulating Hitler, 19 Apr 1940; speech in which Schirach replies to President Franklin D Roosevelt and attacks him, particularly on youth employment, education and health, 4 Sep 1942; speech in which Schirach replies to Roosevelt, claiming to be partly of American descent, including a strong personal attack on Roosevelt and eulogies on Hitler, 5 Sep 1942; speech attacking Roosevelt for the Visits Foundation of European Youth League in Vienna, hosted by Italy and Germany, 14 Sep 1942; address to volunteers of the Tank Grenade Division in which he exhorts 'the traitors shall fall and the nation shall conquer' (after the July 1944 plot to assassinate Hitler), 7 Aug 1944 and broadcasts on the evacuation of children, 20 Dec 1944.

Letter from Frederic Herbert Trench of Villa Viviani, Settignano, Florence, Italy to T Sturge Moore, 7 May 1923. Offering him the loan of his Italian villa; mentions works of Moore's that he is reading. 'I am trying to write a few more plays and poems'. Autograph, with signature.

2 letters from Dorothy Pound of Albergo Italia and Lido Rapallo, Italy to [J H P] Pafford, Goldsmiths' Librarian of University of London Library. (1) Explaining in a reply to a letter from Pafford to her husband, Ezra Pound, asking him to autograph one of his books for the library, Ezra 'is not here at the moment - I never trouble him for autographs ...', 16 February 1965. (2) Covering note enclosing a photograph of Ezra Pound, endorsed in Dorothy's hand '1958 (in Italy)', 4 Mar 1965.

Both letters are autograph, with signatures.

Letter from William Humphries Budden of Newcastle upon Tyne to Charles Manby, 28 Oct 1859. 'I am glad you are going to write a memoir of our dear Chief'.

Letter from Thomas Longman of 39 Paternoster Row, London to [Augustus De Morgan], 20 Apr 1860. Thanking him for information 'about the poem by Lord Macaulay on the London University'.

Autograph, with signature.

Letter from Karl Heinrich Marx of London to an unspecified recipient, 30 Jan 1875. Relating to the French edition of Das Kapital.

Autograph, with signature.

Manuscript volume containing a metrical chronicle composed by the Chandos Herald in French verse, commemorating the life and feats of arms of Edward the Black Prince, [1385]. The poem is a valuable authority for certain events of the Hundred Years War, and gives a brief description of Edward III's French campaign of 1346, culminating in the Battle of Crecy, and followed by the Battle of Calais, with some details of the plot for the recovery of the latter at the end of 1349. Next comes a very detailed description of the Battle of Poitiers (1356), and an eyewitness account of the Spanish Campaign of the Black Prince on behalf of Don Pedro (Peter) of Castile, culminating in the Battle of Nejera (1367). A brief overview is given of the end of the Black Prince's government in Gascony, and of the war which led to the loss of almost all the possessions gained at Brétigny, followed by a comprehensive account of the last years of the Prince's life. After the poem, the author also gives a list of the chief officers of the Black Prince in Aquitaine, and copy of the epitaph on his tomb in Canterbury Cathedral.

The manuscript contains a full-page miniature illuminated in gold and colours, which is divided into two compartments. The upper compartment contains a representation of the Three Persons of the Holy Trinity; God the Father is here portrayed in a blue robe on a background of gold. He is seated on a throne and holds in His extended arms a crucifix, above which a dove is introduced to symbolise the Holy Ghost. In the lower compartment the Black Prince is depicted kneeling in adoration on a red cushion. His hands are joined in prayer, and his special devotion to the Holy Trinity is indicated by a scroll proceeding from his mouth bearing the words 'Et hec tres unum sunt' (1 John v.7). The Prince is clad in armour, covered by a tight-fitting leather jupon without sleeves, finished along the bottom edge with a border of escallops, and emblazoned with the arms of England and France. He wears a sword and dagger, golden elbow and knee cops, and golden spurs. On each side of the kneeling Prince, standing in a golden socket, is a large ostrich feather in silver, his personal badge assumed after the Battle of Crecy, with the motto 'Ich dene' on a scroll below. The text of the poem commences on the next page with a large illuminated initial O, containing the Royal Arms emblazoned, and this leaf is surrounded by a border of strap work and flowers in gold and colours. There are also a number of small initial letters in gold on a coloured background.

Notes and correspondence between Richard Hamer and various British and international libraries and archival institutions concerning Middle English verse, compiled in preparation of his book, An Manuscript Index to the Index of Middle English Verse, published in 1995 (1990-1992).

Biographical scrapbook, compiled by Cecil Frederick Crofton, including the following: correspondence, cuttings, watercolours and exam papers from Crofton's time at Forest School, near Snaresbrook, including cuttings of poems and articles by Crofton in the school magazine, exam papers, watercolours and illustrations of areas surrounding the school and correspondence with the headmaster regarding fees and attendance, 1874-1876; playbills, cuttings, posters, programmes and illustrations from a majority of Crofton's performances both as an opera singer and actor, both amateur and professional, also including dinner and engagement cards and illustrations and small watercolours by Crofton of theatrical scenes and fellow performers, 1877-1913; Cuttings and illustrations regarding the funeral of the Duke of Devonshire, 1908; correspondence, cuttings and illustrations regarding Sir Nevil Macready, 1919.

Research and lecture notes, drafts, library request slips and three unidentified tins of film used and compiled by Nowottny in her work on Shakespeare's sonnets and other poetry, including a typescript copy of her MA thesis (1947-1959).

Broadside ballad, sold at the time of the coronation of King George VI, printed and published by The Raven Press, Middlesex (1937).

Papers concerning American theatre and opera scrapbooks, 1875-1892, comprise to scrapbooks containing programmes of plays, concerts and operas performed in the USA, with particular reference to New York and the Metropolitan Opera House, from 1875 to 1892. MS1088/2 includes postcards of members of singers performing in the Metropolitan Opera 1890 to 1891 season, posing in some of their operatic roles. The volumes contained two loose inserts, which have now become MS1088/3 and MS1088/4.

Comprising photocopies of seven letters to Warwick Gould from H.P.R.Finberg regarding the latter's translation of W.B.Yeats' 'Axel' (July 1971 - February 1972); Photocopy of H.P.R.Finberg's obituary in The Times with a correction letter by Warwick Gould regarding the obituary (November 1974).

Handwritten research notes, offprints and publications compiled by Constance Mary Pott for her publications and many articles on the Bacon-Shakespeare authorship debate and Francis Bacon in general, including notes on emblems from natural history and other areas in Bacon and Shakespeare's works, along with correspondence with other Baconians, including Sir Edwin Durning-Lawrence and James Cary, and records of the Bacon Society (1679-1949).

Papers and autobiographical memoirs, 1763-1786, apparently compiled for circulation amongst family and friends. Consists of an 'Account of Madeira wine for costs and charges' (ff.2v-3), 'Transactions of three years in trade [1760-63]' (ff.4-12) and 'Letters that were written to me in the progress of my misfortunes' concerning business, bankruptcy as a result of war, and personal matters (ff.13-146).

Manuscript volume containing [a transcript of] a history of the House of Brandenburg, [1760], entitled 'Suite des mémoires de Brandenbourg composés par le Roy [Frederick II, King of Prussia] et imprimés à Potsdam 1751 en peu d'Examplaires', and mainly devoted to the life of Frederick William I, King of Prussia. A manuscript note below the title states that 'the contents of this Manuscript will be found printed in the Mémoires pour servir à l'Histoire de [la] Maison de Brandenburg, par Frederic II, Roi de Prusse (Berlin, 1767, volume II, p 67-176)'.

A journal kept by William Hoskins from 1 December 1655 to 13 November 1667.

Manuscript volume containing a verse chronicle of the history of England from the legendary Brut up to 1272, [1440], most notably focusing on the barons' rebellion led by Simon de Montfort during the reign of King Henry III. The chronicle is written in rhymed couplets in a south-west Midland dialect, and was copied in a good semi-cursive hand by two, or possibly three, scribes. The chronicle is known in two versions, of which this is the shorter; in the longer version there is a reference to the darkness which fell on the surrounding country following the Battle of Evesham (Aug 1265), and this, as well as local knowledge of the area, has led to the author being traditionally named 'Robert of Gloucester'. On the verso of the second fly-leaf there is a 'Precepts in -ly' (moral or religious counsels) entitled 'A spesiall glasse to loke in daily', which is dated at Holy Rode on 14 Sep 1516. It was possibly written by Richard Whitford (1476-1542), who was chaplain to William Blount, 4th Baron Mountjoy, and later to Richard Fox, Bishop of Winchester, afterwards becoming a monk at Syon Monastery, Isleworth, until the Dissolution. It is unclear if Whitford also undertook the copying of the Richard of Gloucester chronicle. Folio 147 contains 25 lines of miscellaneous Latin, including a section relating to the prophecies of Merlin.

Two documents from 1792 containing biographical and critical notes on the poet William Drummond. The first document is the work of Thomas Park, while the second is in a different hand with Park's notes in the margin.

Manuscript of a William Wordsworth sonnet entitled On a portrait of the Duke of Wellington on the Field of Waterloo, by Haydon, suggested by Haydon's 'Picture of the Duke of Wellington upon the field of Waterloo, twenty years after the battle' (painted for St. George's Hall, Liverpool.) It comprises 14 lines of verse, with some alterations in the text.
A note on the page reads 'Composed while ascending Helvellyn. Monday August 31st 1840. Wm Wordsworth. Private at present'. The manuscript appears to be in the hand of Mary Wordsworth.

Manuscript Commonplace Book of English poetry and prose, dating from the 19th century, containing the second half of a long poem on early biblical history 'continued from the book in white forrel', and other items. Inserted is a folded leaf containing two poems, one dated 1834, by W. C. Yonge, who may have been the compiler of the volume.

Two holograph manuscripts, 1859-1860, of addresses made by David Graham Drummond Ogilvy, 5th Earl of Airlie. Also contains two letters from Professor J D A Ogilvy.

Manuscript copy of 'Reuben Manasseh. A tragedy', in five acts (and in verse), by 'Alastor', dated December 1843. A letter concerning the identity of the author has been inserted in the volume, which asserts that he may have been James Orton, who published books under that pseudonym.

A volume, 1933-1934, of poetry, in German, by Rainer Maria Rilke, translated by James Blair Leishman. It includes manuscript recommendations by Leishman and comments by Professor Geoffrey Tillotson.

Two holograph manuscripts, 1830-1. The first is a six verse poem written for The Metropolitan. The second is a draft of an article, 'Notices of the Life of Lord Byron by Mr Moore, and remarks on those notices by Lady Byron', published without significant alteration in The New Monthly Magazine and Literary Journal, Vol. 28 (1830), pp. 33.

A 64-line elegiac poem composed on the occasion of the death of Frederick Cornwallis, Baron Cornwallis of Eye, in January 1661/2. His virtues are recorded:
'... (though there bee
Twixt vulgar Spirits, and Nobilitie
A kind of Antipathie) yet will I
Appeale unto themselves [the Commons] what courtesie
They found in him: what affabilitie,
Humilitie, and sweetness, w[i]th rare parts,
Which (ev'n against their wills) had won their hearts.'
There is a reference to Prester John, and allusion is made to the office Cornwallis had held as Treasurer of the Household to Charles II:
'The King of Kings now meaning to confer
An higher title, made thee Treasurer
In Heaven's great Court, where thou had'st laid up store
Of never fading Treasure [long?] before.'
At the end runs a Latin inscription: 'Ita raptim flevit ex animo R.Wolverton. Eayensis sudor volgorum ex Icenis M.D.'

A volume, 1851-1852, containing autobiographical details, moral observations, criticisms of religious affairs and newspaper cuttings.

Manuscript travel journals, 1784-1790, comprising part of a 'Journal of an 8 month's [sic] tour on the Continent', 25 Apr-10 May 1784, describing the final phase of a tour from Sedan to Calais and London which lasted from October 1783 to May 1784, and including an itinerary of the whole voyage through Picardy, Paris, Burgundy, Switzerland and Belgium, and an anecdote concerning Voltaire; a 'Journal of a tour to the West in the summer 1788', describing a journey from London through Berkshire, Hampshire, Dorset, Devon and Cornwall; and an unfinished 'Journal of a tour into Sussex', Jul 1790.

A book of manuscript poems, composed by John Phillips from 1825 to 1863, lists of honours conferred on him, 1825-1860, lists of lecture engagements 1824-1860 and a manuscript entitled the incidents in the life of John Phillips, 1800-1860.

A manuscript volume, 1708-1760, compiled by John Sheffield and his third wife Katherine, on various aspects of their lives.

A 54 line poem entitled 'The ultimum vale or last farewell of Thomas Earle of Strafford written by him selfe a little before his death', not in fact by Strafford, but copied, probably in or soon after 1641, on the verso of the front fly-leaf of the library's copy of The Historie of Philip de Commines (1601).

Incomplete manuscript article on Thomas Lovell Beddoes containing '...a short review of the...works of Beddoes [other than Death's Jest Book] together with a selection from some of their finest passages'. It was written, by an author unknown, as a supplement to Thomas Forbes Kelsall's article on Beddoes in the Fortnightly Review of 1872, Vol 18, pp.51-75. Although intended for the same journal it appears not to have been published either there or elsewhere.

Manuscript volume, originally used as a stock book for haberdashery, belonging to John Clark [of Bridgewater, Somerset], containing lists of hosiery, thread, pins, ribbons, laces, tapes, bobbins, blankets, flannel and other cloths, furs, tippets, muffs, capes, silk cloaks, cambric handkerchiefs, pasteboard, paper and umbrellas, 1832-1837. Many pages have had pasted on to them newspaper cuttings and illustrations from popular magazines, [1838-1852], including plans for the new parish church of Paddington, 1840. From folio 18, the volume has interspersed on previously blank pages a draft continuation by Clark of Byron's Don Juan (i.e. cantos xvii-xxiv), described by the author as 'rough copy - incorrect' (each leaf being cancelled presumably as the fair copy was made) and signed by himself as 'completed 1842 September 1, at X a.m. clk. struck, & flute playing in the street'.. There are also some notes on Byron's original poem, his life and literary style accompanying the continuation, which date from later in the 1840s. The vellum cover is inscribed 'John Clark's first copy of his poem'.

A forgery of a sixteen-line song composed in March 1791 by Robert Burns. It is written and signed in imitation of Burn's hand, c1888-1892.

Album with leaves of various colours containing poetry, chiefly of a religious nature, hymns and moral aphorisms; a few printed items have been inserted. The volume includes works by Isaac Watts, William Cowper, John Newton, Maria Abdy and James Montgomery, and shares with the last a Sheffield connection. One leaf bears the name 'Reginald Follett Codrington Hedgeland'. Compiled c1841-1846.

Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

Holograph poem writeen by Ebenezer Elliott entitled 'William Cobbett. By the author of Corn Law Rhymes', and dated 23 Jun 1835. In addition there is a letter written from Sheffield by Elliott to Samuel Carter Hall at 4 Piccadilly, London, offering him the poem for publication: 'The poem I now send you is very unworthy of the Amulet, and infinitely so of the subject. But I have done my very best, as I always do...'.
This poem, inspired by the burial of Cobbett (he had died on 18 June 1835), was first published in The New Monthly Magazine, Vol 44 (1835), and reprinted (with the addition of a final verse) as 'Elegy on William Cobbett' in The Poetical Works of Ebenezer Elliott, the Corn-Law Rhymer (1840). A portrait of the poet is enclosed.

Commonplace book, written in the early 19th century, containing copies of poems by various authors, including Mrs. R. Wilmot, the Reverend John Chetwood, and Eward Wilmot. The poems include 'To Miss Wilmot, now Mrs. Bradford, on her arrival from Russia' by F.S.I. (p.135), and 'Prologue written for the opening of the Lyceum at Madras 1782, spoken by Major Maule, by Eyles Irwin, Esq.' (p.245). A few poems are dated, 1782, 1788, 1802-1816.

Extracts of poetry and prose collected by Penelope Baynes, 1793-1808. Occasionally the source of the extracts are mentioned.

Collection of papers relating to the Parker family of London, 1765-1891, especially of Wilmot Parker the elder (born 1762) and of his son of the same name (born 1804), both solicitors, comprising:

1. Printed diary The ladies new and polite pocket memorandum-book, for...1765, completed in manuscript and containing details of expenditure on clothes and social engagements. The diary was kept by an unnamed girl under the age of 21, who appears to have lived near Rugby, Warwickshire. The entries are fairly regular until August, occasional for the rest of the year. A typical entry reads: Monday 11 March 'I sent a letter to dear Mrs.Grimes. I made me [a?] black ribbon ruff & set a row of white beads upon it. 1 pair of fine cotton stockings' 4s. 6d. The names of those who called, or who are visited, are given. The period from 25 Jan to 10 Jun appears to have been spent on a visit to Hircott, near Kidderminster, Worcestershire. She also mentions reading Gil Blas de Santillane by Alain-Rene LeSage (1715-1735) and the Tatler, and playing the harpsichord. Some pages of printed matter, and the diary for 1-6 Jan, are wanting. The accounts for 1-6 Jan. survive.
2. Notebook containing notes on legal subjects made by Wilmot Parker senior, 1786-1808, mostly paraphrases and extracts from legal authorities and cases. On the flyleaf are the signatures of W. Parker, 1786, and 'Mrs.Redman - Reading'. On the spine is written 'H[?]P Miscell[any]'. Inserted at the end of the volume is a draft of the 'Petition of Charles Rogier to the...Lords Commissioners of the Admiralty, delivered 12 January 1808'.
3. Annotated copy of An Analysis of the Practice of the Court of Chancery (London, 1794), by Wilmot Parker senior, with the additions and corrections probably made by the author and by his son. Additions were made up to 1821 at least. Pages 129-32 of the printed text are wanting.

Index of passages in the diaries of Charles Cavendish Fulke Greville which were suppressed in the published memoirs. The compiler of this index is unknown, but it was probably undertaken soon after the publication of the last volumes of the incomplete edition of the Memoirs in 1887.