Papers of Katharine Longley, 1812-1993, comprising research notebooks; correspondence files; material associated with the Wickham and Ternan families; photocopies of manuscript material; photocopies from periodicals; a copy of The Charles Dickens Birthday Book; material on The Mystery of Edwin Drood; typescript of A Singular Light; typescript of A Pardoner's Tale; typescripts of Charles Dickens: Towards the Truth; typescript essays; printed books; and photographs and negatives.

Cavalier Playing Cards collection, 1886, comprises a bound volume containing a pack of cavalier playing cards, designed in the era of Charles II, forming a complete satire of the Commonwealth, published by the Clarendon Historical Society, with accompanying typescript explanation on each card by Edmund Goldschmid (1885-1886).

Letter, 1960, from James Baxter to John Pocock, thanking him for the review of his two plays, The Wide Open Cage, and Jack Winter's Dream.

'Some reflections on the life of William Shakespeare' by James Corton Cowell, 1805, consisting of two essays, the first of 36 p. and incomplete; the second essay occupies p. 55-87. Cowell is the first critic known to have attributed Shakespeare's plays to Bacon.

Two carbon copies of diaries written by John Henry Pyle Pafford during his tour of European libraries undertaken in 1930, dating from 13 Feb to 29 Mar. This tour formed the basis for Pafford's book Library Co-operation in Europe (Library Association, London, 1935). Both diaries contain 100 leaves each.

Holograph manuscripts, c 1840-1870. SL V 1 is Székely or Dósa Gÿorgy. SL V 2 is Introduction to a Scandinavian Ballad. SL V 3 is The Hedebye-Spectre and The Return of the Dead written by George Borrow.

Correspondence, 1891-1901, written by George Meredith to Henry Stephens Salt.

Thirteen letters, 1854-1857, by John Lothrop Motley to his publisher John Chapman concerning the first edition of The Rise of the Dutch Republic.

SL V 28 is a holograph letter written by Robert Southey to John May and SL V 29 is a holograph manuscript of Southey's The Book of The Church Vindicated, 1797-1826.

A holograph manuscript of the novel Bonnet and Shawl, 1928 written by Philip Guedalla.

Holograph manuscripts, 1816-1875. SL V 6 is Byron's Childe Harold's Pilgrimage, Canto III copied by Mary Godwin with correspondence regarding the custodial history of Godwin's manuscript. SL V 7 is Don Juan, third canto. SL V 8 is Don Juan, tenth, eleventh and twelfth cantos. SL V 9 is Don Juan, seventeenth canto.

A holograph manuscript, 1932, of Fugue written by Olive Moore.

A manuscript of Fireflies (Georgian Parodies), 1920 by Siegfried Sassoon.

A holograph manuscript, c1900, of The Gods of Germany written by Israel Zangwill.

Copy in Ralph Waldo Emerson's hand of his poem 'Concord monument', [1847].

Papers of Lord Penney, 1967-1991, comprising Royal Society memoirs, [1967-1968], including for John Douglas Cockcroft, (W Penney joint author) and transactions, 1970; addresses, lectures and some related correspondence, 1967-1973, delivered at various institutions and events, including memorial lectures, openings of buildings, dinners, services; correspondence with Sir Harold Hartley, [1968], retirement arrangements, 1972-1973; obituaries, 1991.

Correspondence and papers relating to William Marsden, founder of the Royal Free and Royal Marsden Hospitals, and members of the Marsden family, 1820-2000, comprising:
Papers of Frieda Sandwith (b 1894), great granddaughter of William Marsden, relating to her book Surgeon Compassionate - The Story of Dr William Marsden MD, MRCS, Founder of the Royal Free and Royal Marsden Hospitals (published by Peter Davies, London 1960), including biographical notes on Marsden, typescripts of early drafts, titled Honour a Physician and Poor Man's Physician and proof copies, correspondence, 1958-1963; legal documents, including copies of marriage and death certificates for William Marsden, 1820-1867; copy of will of Edith Marsden, granddaughter of William Marsden, including bequest to the Royal Free Hospital; certificates of Freedom of the City of London for William and Alexander Edwin Marsden; family photographs and papers including press cuttings on Vera Johnson (later Bateman), great granddaughter of William Marsden, a dancer who took the stage name Vera de Mersden, 1912-1914;

Album of watercolours, sketches and verses, dated 1841-1877, presented by William Marsden to his niece, Catherine Marsden [who was married to his son, Alexander] including paintings and sketches of India by W D Marsden.

Papers and empemera relating to memorials to William Marsden, including memorial tablet in St Andrew's Church, Holborn, 1974 and the annual Marsden Lecture at the Royal Free Hospital.

Papers of Eric Conrad, undated, comprise autobiographical accounts (manuscript and typescript) of Eric Conrad's war-time and post-war activities; letter of congratulations regarding his receipt of the American Bronze star and copies of newspaper articles regarding Conrad's exploits.

Papers concerning Bernhard Baer, 1984, comprise biographical notes regarding his experiences through World War One and its aftermath, his escape from Nazi persecution to England and his career thereafter. Notes are divided into two parts: the first covering the years 1905-1948 and the second 1949-1983.

Correspondence, 1996, on The Buchenwald Poem, chiefly comprising numerous versions of the poem in English with covering letters and a letter from Gary Wollner (formerly Gerhardt Wollner), to whom the poem was dedicated, explaining how and why the poem was written.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

The papers of Siegfried Weiner, early 20th century, comprise a biographical account, written by his daughter; she describes life in Regensburg, Bavaria, the family's the difficulties following their emigration to Palestine, the war of independence and then their return to Regensburg.

A manuscript and printed copy of William Hepworth Dixon's book, The London Prisons, 1850. Also includes newspaper cuttings collected by the author.

Manuscript copy of 'Reuben Manasseh. A tragedy', in five acts (and in verse), by 'Alastor', dated December 1843. A letter concerning the identity of the author has been inserted in the volume, which asserts that he may have been James Orton, who published books under that pseudonym.

A bi-lateral cipher translation and transcription, prepared by Henry Seymour in 1921, from Bacon's The Historie of the raigne of King Henry the Seventh, 1622, using Bacon's own cipher, as given in the De Augmentis scientarum.

Two holograph manuscripts, 1830-1. The first is a six verse poem written for The Metropolitan. The second is a draft of an article, 'Notices of the Life of Lord Byron by Mr Moore, and remarks on those notices by Lady Byron', published without significant alteration in The New Monthly Magazine and Literary Journal, Vol. 28 (1830), pp. 33.

Incomplete manuscript article on Thomas Lovell Beddoes containing '...a short review of the...works of Beddoes [other than Death's Jest Book] together with a selection from some of their finest passages'. It was written, by an author unknown, as a supplement to Thomas Forbes Kelsall's article on Beddoes in the Fortnightly Review of 1872, Vol 18, pp.51-75. Although intended for the same journal it appears not to have been published either there or elsewhere.

Manuscript volume, originally used as a stock book for haberdashery, belonging to John Clark [of Bridgewater, Somerset], containing lists of hosiery, thread, pins, ribbons, laces, tapes, bobbins, blankets, flannel and other cloths, furs, tippets, muffs, capes, silk cloaks, cambric handkerchiefs, pasteboard, paper and umbrellas, 1832-1837. Many pages have had pasted on to them newspaper cuttings and illustrations from popular magazines, [1838-1852], including plans for the new parish church of Paddington, 1840. From folio 18, the volume has interspersed on previously blank pages a draft continuation by Clark of Byron's Don Juan (i.e. cantos xvii-xxiv), described by the author as 'rough copy - incorrect' (each leaf being cancelled presumably as the fair copy was made) and signed by himself as 'completed 1842 September 1, at X a.m. clk. struck, & flute playing in the street'.. There are also some notes on Byron's original poem, his life and literary style accompanying the continuation, which date from later in the 1840s. The vellum cover is inscribed 'John Clark's first copy of his poem'.

A forgery of a sixteen-line song composed in March 1791 by Robert Burns. It is written and signed in imitation of Burn's hand, c1888-1892.

Album with leaves of various colours containing poetry, chiefly of a religious nature, hymns and moral aphorisms; a few printed items have been inserted. The volume includes works by Isaac Watts, William Cowper, John Newton, Maria Abdy and James Montgomery, and shares with the last a Sheffield connection. One leaf bears the name 'Reginald Follett Codrington Hedgeland'. Compiled c1841-1846.

An English manuscript translation, 1890, of Robert Seidel's work Der Achtstundentag.

Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

Two typescript signed letters of 18 and 20 Apr 1957, from Dr Richard Flatter to Dr John Henry Pyle Pafford, then Librarian of the Goldsmith's Library, in reply to a letter of his of 12 Apr 1957 (carbon copy attached), all on the subject of the authorship of Shakespeare's The Winter's Tale. With Flatter's first letter he sent a typescript of 'Some remarks on the text of The Winter's Tale', written by himself in 1941, while in an internment camp in Australia; with his second letter he sent his contemporary 'miscellaneous observations' on the same play.

Papers of William Paton Ker including letters written to and by Ker, 1892-1923, some of Kerr's poems and other miscellany. Also papers relating to John Henry Pyle Pafford's bibliography of Ker, 1939-1955. Letter from W.P. Ker to Dororthy Stoppard, 1915, enclosed in a copy of "Epic and Romance", 1908.

The collection contains correspondence, books and personal papers relating to Emile Cammaerts, geographer, playwright and Professor of Belgian Studies and Institutions in the University of London. The papers fully document Cammaert's activities. They relate to Belgian and British affairs (art, literature, theatre, politics, the Press, religion and the two world wars).

Diary of Sir Charles Stewart Loch. It concerns chiefly his work as Secretary to the Council of the London Charity Organisation Society from September 1876 to November 1887.

An appeal, entitled Déclaration d'indépendance de l'esprit, to intellectuals to forget the divisions made by World War One. Duplicated typescript sheet signed by Romain Rolland.

Letter from Frederic Herbert Trench of Villa Viviani, Settignano, Florence, Italy to T Sturge Moore, 7 May 1923. Offering him the loan of his Italian villa; mentions works of Moore's that he is reading. 'I am trying to write a few more plays and poems'. Autograph, with signature.

Research and lecture notes, drafts, library request slips and three unidentified tins of film used and compiled by Nowottny in her work on Shakespeare's sonnets and other poetry, including a typescript copy of her MA thesis (1947-1959).

Manuscript volume containing [a transcript of] a history of the House of Brandenburg, [1760], entitled 'Suite des mémoires de Brandenbourg composés par le Roy [Frederick II, King of Prussia] et imprimés à Potsdam 1751 en peu d'Examplaires', and mainly devoted to the life of Frederick William I, King of Prussia. A manuscript note below the title states that 'the contents of this Manuscript will be found printed in the Mémoires pour servir à l'Histoire de [la] Maison de Brandenburg, par Frederic II, Roi de Prusse (Berlin, 1767, volume II, p 67-176)'.

A journal kept by William Hoskins from 1 December 1655 to 13 November 1667.

Manuscript of a William Wordsworth sonnet entitled On a portrait of the Duke of Wellington on the Field of Waterloo, by Haydon, suggested by Haydon's 'Picture of the Duke of Wellington upon the field of Waterloo, twenty years after the battle' (painted for St. George's Hall, Liverpool.) It comprises 14 lines of verse, with some alterations in the text.
A note on the page reads 'Composed while ascending Helvellyn. Monday August 31st 1840. Wm Wordsworth. Private at present'. The manuscript appears to be in the hand of Mary Wordsworth.

Manuscript 283 is a holograph manuscript of the short story, The Risks of Life, written by Enoch Arnold Bennett in 1913. SL V 45 is a holograph manuscript of The Lions Share 1916 and SL V 46 is a limited edition of The Old Wives' Tale 1908 by Arnold Bennett.

Papers of Richard Wollheim. Includes correspondence on various personal and professional matters; research notes; drafts of his novels (published and unpublished; drafts of his autobiography (published posthumously as "Germs"); drafts of his published essays and reviews; drafts of lectures and conference papers, including the "Thread of Life" series and the Mellon lectures.

Dering's autobiographical memoranda, covering the years 1550-1739, 1739; copy of his will, 1745; and letter regarding the transfer of the manuscript to the College, 1930

Ent's papers, c.1641-1685, consist of his Apologia pro Circuitione Sanguinis..., in his hand, thought to be a revision prepared for the second edition of the work, c.1641-1685. The volume also includes the texts of some of Ent's speeches, such as his presidential addresses at the College, 1670-1674, and 1676, and contains some accounts entered by Peter Ent, 1671-1674, who was in possession of the volume for a time; Ent's anatomical lectures, delivered at the College 13-15 April 1665, in his hand, 1665.

Recipe book, with account of monies recieved, [1720].

Memoirs of Richard Pulteney by his friend William George Maton, MD, prefixed to a second edition of Dr Pulteney's Life and writings of Linnaens, (1805), illustrated by various original letters, drawings, prints etc. and interleaved with diplomas from various medical societies, and catalogue of the library of Dr Pulteney.

Sir James Paget's index to references for medical biographies, intended for the Biographical Dictionary of the Society for the Diffusion of Useful Knowledge (1842-44), c.1844.

Collection of papers by and about Baldwin Hamey (1600-1676); and a biographical memoir of Hamey, 1733.