Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Papers, 1881-1945, of Sir Charles Stewart Addis, comprising diaries kept by Addis, 1881-1945; correspondence with his family, colleagues and friends including Alexander Michie, 1886-1902, and Montagu Norman, 1921-1943; business papers, 1886-1945; speeches and articles, 1880-1941; newspaper cuttings, c1860-1949; and photographs. In addition to documenting Charles Stewart Addis's role as a leading financial adviser and negotiator, the collection gives an important insight into the development of international finance and monetary policy.

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.

The personal papers of Vicky Abrams, 1900-1989, notably comprise her personal papers and correspondence, 1031/1/1-206; personal papers and correspondence of other family members, 1031/2/1-108 and material regarding Neu Beginnen, 1031/3/1-12.

Vicky Abrams's personal collection comprises the bulk of the total papers and notably contains a Vienna University report book, 1925 (1031/1/1); references from Abrams employer Das Magazin, 1933 (1031/1/2-3); Gestapo protective custody order, 8 August 1938 (1031/1/7); release permit from KZ Lichtenburg, Pretin, Saxony,13 March 1939 (1031/1/8). The collection also includes photographs including portraits of Abrams taken in KZ Lichtenburg (1031/1/15); correspondence from Abrams to her family in Vienna, written from prison [mostly KZ Lichtenburg]; correspondence between Vicky Abrams and the following former comrades and authors of articles about Neu Beginnen: Georg Müller, Helga Lichtenecker, Henry Hellmann, Ernst Lowe, Rainer Sandvoss, Otto Sperling and Richard Loewenthal (Rix). The collection also comprises writings of Vicky Abrams including poetry written in Jauer prison camp, Saxony, 1937-1938 (1031/1/202); draft accounts of life for women in Nazi prison camps, (1031/1/205).

The second section of this collection contains papers and correspondence of Abrams family members (1031/2/1-108) most notably from Hans Julius to the family ; the third section, concerning Neu Beginnen, notably contains copy documentation and articles about Neu Beginnen including a copy indictment against members of the organisation, dated 27 August 1936; articles about Neu Beginnen (1031/3/2 and 1031/3/4) and obituaries of Walter and Ernst Lowe (Löwenheim) (1031/3/6-9).

Records of the Royal College of Obstetricians and Gynaecologists relating to the Abortion Act 1967 and subsequent amendments, 1964-1982, comprising the principal files of College presidents on the Abortion Act 1967 and the College's involvement in the issue of abortion, from the presidency of Sir Hector MacLennan to the first year of that of Sir Rustan Feroze, plus papers relating to a College enquiry into the first year of the 1967 Act and the College's joint study with the Royal College of General Practitioners of attitudes to pregnancy. The files contain correspondence, reports, copies of the abortion bill, legal opinions, evidence and responses of the Royal College of Obstetricians and Gynaecologists to the Lane Committee of Inquiry, copies of Hansard, memoranda and pamphlets on abortion, press cuttings.