Not known.

Zone d'identification

Type d'entité

Forme autorisée du nom

Not known.

forme(s) parallèle(s) du nom

    Forme(s) du nom normalisée(s) selon d'autres conventions

      Autre(s) forme(s) du nom

        Numéro d'immatriculation des collectivités

        Zone de description

        Dates d’existence

        Historique

        Mattia Vento was born in Naples, 1735; studied at the Conservatorio di S Maria di Loreto, Naples; first operatic successes in Italy; Le deluse accortezze (1756) and La finta semplice (1759) produced at Rome; L'egiziana in Venice and Milan, 1763; went to England, 1763; active there as a composer and harpsichord teacher until his death; for the London opera, first produced the pasticcio Leucippo e Zenocrita, repeated in a command performance for the wedding of Princess Augusta (sister of George III), 1764; in succeeding seasons produced Demofoonte, 1765; Sofonisba, 1766; La conquista del Messico, 1767; also contributions to pasticcios; his aria Caro amor was successfully inserted in London performances of Piccinni's La buona figliuola, 1766; after a lapse of some years, produced Artaserse for the Harmonical Meeting, Soho Square, 1771; listed as a director at the King's Theatre, producing comic and serious operas (Il bacio, La vestale and further pasticcios), 1775-1776; also served as conductor at public concerts including those at the Pantheon; listed among the major composers in London by a visitor from Germany, 1776; criticisms included simplicity and a lack of novelty, but individual songs from the operas and the published sets were widely performed and reprinted in anthologies; other work included 11 collections of keyboard sonatas, most with subordinate violin accompaniments, criticised for their sameness, but which were retained in publishers' catalogues for half a century; the 65 sonatas date from 1764-1776; Vento brought to London from Naples the latest operatic style but changes in the sonatas suggest that he also responded to the contemporary pre-Classical synthesis of German, Italian and English elements; died in London, 1776. His oeuvre included the following instrumental works: 6 Sonatas (London, 1764); 6 Sonatas (London, c1764); 6 Sonatas (London, 1765); A Third (-Tenth) Book (Sett) of 6 Sonatas (London, 1766-76); 6 Overtures in 8 Parts (London, c1774); A Last Sett of 5 Sonatas (London, 1777).

        Lieux

        Statut légal

        Fonctions et activités

        Textes de référence

        Organisation interne/Généalogie

        Contexte général

        Zone des relations

        Zone des points d'accès

        Mots-clés - Sujets

        Mots-clés - Lieux

        Occupations

        Zone du contrôle

        Identifiant de notice d'autorité

        Identifiant du service d'archives

        Règles et/ou conventions utilisées

        Statut

        Niveau de détail

        Dates de production, de révision et de suppression

        Langue(s)

          Écriture(s)

            Sources

            Notes de maintenance