Two holograph manuscripts, 1830-1. The first is a six verse poem written for The Metropolitan. The second is a draft of an article, 'Notices of the Life of Lord Byron by Mr Moore, and remarks on those notices by Lady Byron', published without significant alteration in The New Monthly Magazine and Literary Journal, Vol. 28 (1830), pp. 33.

Incomplete manuscript article on Thomas Lovell Beddoes containing '...a short review of the...works of Beddoes [other than Death's Jest Book] together with a selection from some of their finest passages'. It was written, by an author unknown, as a supplement to Thomas Forbes Kelsall's article on Beddoes in the Fortnightly Review of 1872, Vol 18, pp.51-75. Although intended for the same journal it appears not to have been published either there or elsewhere.

Manuscript volume, originally used as a stock book for haberdashery, belonging to John Clark [of Bridgewater, Somerset], containing lists of hosiery, thread, pins, ribbons, laces, tapes, bobbins, blankets, flannel and other cloths, furs, tippets, muffs, capes, silk cloaks, cambric handkerchiefs, pasteboard, paper and umbrellas, 1832-1837. Many pages have had pasted on to them newspaper cuttings and illustrations from popular magazines, [1838-1852], including plans for the new parish church of Paddington, 1840. From folio 18, the volume has interspersed on previously blank pages a draft continuation by Clark of Byron's Don Juan (i.e. cantos xvii-xxiv), described by the author as 'rough copy - incorrect' (each leaf being cancelled presumably as the fair copy was made) and signed by himself as 'completed 1842 September 1, at X a.m. clk. struck, & flute playing in the street'.. There are also some notes on Byron's original poem, his life and literary style accompanying the continuation, which date from later in the 1840s. The vellum cover is inscribed 'John Clark's first copy of his poem'.

A forgery of a sixteen-line song composed in March 1791 by Robert Burns. It is written and signed in imitation of Burn's hand, c1888-1892.

Album with leaves of various colours containing poetry, chiefly of a religious nature, hymns and moral aphorisms; a few printed items have been inserted. The volume includes works by Isaac Watts, William Cowper, John Newton, Maria Abdy and James Montgomery, and shares with the last a Sheffield connection. One leaf bears the name 'Reginald Follett Codrington Hedgeland'. Compiled c1841-1846.

Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

Papers of William Paton Ker including letters written to and by Ker, 1892-1923, some of Kerr's poems and other miscellany. Also papers relating to John Henry Pyle Pafford's bibliography of Ker, 1939-1955. Letter from W.P. Ker to Dororthy Stoppard, 1915, enclosed in a copy of "Epic and Romance", 1908.

Letter from Frederic Herbert Trench of Villa Viviani, Settignano, Florence, Italy to T Sturge Moore, 7 May 1923. Offering him the loan of his Italian villa; mentions works of Moore's that he is reading. 'I am trying to write a few more plays and poems'. Autograph, with signature.

Research and lecture notes, drafts, library request slips and three unidentified tins of film used and compiled by Nowottny in her work on Shakespeare's sonnets and other poetry, including a typescript copy of her MA thesis (1947-1959).

Manuscript of a William Wordsworth sonnet entitled On a portrait of the Duke of Wellington on the Field of Waterloo, by Haydon, suggested by Haydon's 'Picture of the Duke of Wellington upon the field of Waterloo, twenty years after the battle' (painted for St. George's Hall, Liverpool.) It comprises 14 lines of verse, with some alterations in the text.
A note on the page reads 'Composed while ascending Helvellyn. Monday August 31st 1840. Wm Wordsworth. Private at present'. The manuscript appears to be in the hand of Mary Wordsworth.

Papers of Richard Wollheim. Includes correspondence on various personal and professional matters; research notes; drafts of his novels (published and unpublished; drafts of his autobiography (published posthumously as "Germs"); drafts of his published essays and reviews; drafts of lectures and conference papers, including the "Thread of Life" series and the Mellon lectures.

Papers of William Clift, 1802-1817, comprising a volume titled Scrappiana or Extracts various, containing notes, poetry, thoughts and maxims, and extracts from publications including Erasmus Darwin's Zoonomia.

Papers, mainly relating to the publication of Corn and Poppies (E. Matthews, London, 1890), comprising letters, 1890-1901, to Cosmo Monkhouse from various discussing his poetry, notably William Blackwood, publisher and editor of Blackwood's Magazine, Edward Onslow Ford, Edmund Gosse, Hugh Stewart, Alfred Monkhouse, John Trivett Nettleship, L Solon, Richard Garnett, Alice Boyd, J M Davies, James Brander Matthews, E J Smilie, James Rustin, George Chester, M Eliot Hodgkin, S H Boughton, Walter Ashley, B Jowett, M J Linton, Edmund C Steadman, H D Cobban, J Foxhunter, George H Ellwanger, Rt Hon Anthony John Mundella, President of the Board of Trade, Alsager Hay Hill, Gertrude Vores, Agnes Elton, Violet (Vernon Lee) Paget, Euterpe Fraies, Alfred Earl, and William Sharp (pseudonym of Fiona Macleod); two signed illustrations for Corn and Poppies by William Strang, [1890]; a manuscript poem by Monkhouse about the Swan Inn at Littleworth, 22 May 1893. Biographical material for Monkhouse, including a typed copy of Sydney Lee's memoir, first published in the Athenaeum, 27 Jul 1901; a photocopy of an article by Edmund Gosse entitled 'Cosmo Monkhouse as an art critic', Art Journal, 1902; notes concerning the donation of the collection to Bedford College Library, [1964-1965].

Papers, 1846-1950s, of Elizabeth Lomas, comprising certificates and testimonials for her education and teaching posts in England, 1888-1918; postcards of England; typescript and manuscript notes, addresses, stories, poems, etc, from her life in Madagascar [1919-1939]; diaries and notebooks including notes on personal and domestic matters, poetry, and press cuttings, 1920s-1930s; photographs of individuals, groups and places in Madagascar [1919-1939]; typescript circulars relating to missionary work in Madagascar, 1947-1950; various letters received, 1890s-1950s; various personal papers, 1900s-1950s; papers relating to Lomas family affairs, 1846-1916, including documents relating to probate and property and various certificates; photographs of her family and ancestors [19th-20th century].