Letter, 1960, from James Baxter to John Pocock, thanking him for the review of his two plays, The Wide Open Cage, and Jack Winter's Dream.

Papers of Henry Clark Barlow, comprising papers relating to his Dante studies, both published and unpublished work, including manuscripts and notes for unfinished essays and lectures, titled manuscript notebooks, titled manuscripts, notes from codices and other sources, printed matter, and papers relating to the festivals of Dante; papers relating to his other studies, including a few items on geology and theology, and many sketches relating to the history of art, to architecture and to topography; personal papers, including Barlow's diaries and journals in which he wrote his observations on the architecture, art, geology, history and people of the places he visited, travel notes, and correspondence devoted almost entirely to Dante matters; acquired papers, including photographs, pictures, books, maps, plans, printed matter and ephemera.

Papers of Ruth Balint, 1938-1944, comprising correspondence from her family, dealing in the main with family matters but also organisational arrangements for emigration from Nazi Germany and a number of poems by Ruth's father.

Incomplete manuscript article on Thomas Lovell Beddoes containing '...a short review of the...works of Beddoes [other than Death's Jest Book] together with a selection from some of their finest passages'. It was written, by an author unknown, as a supplement to Thomas Forbes Kelsall's article on Beddoes in the Fortnightly Review of 1872, Vol 18, pp.51-75. Although intended for the same journal it appears not to have been published either there or elsewhere.

Papers, 1950s-1980s, of Professor David W Arnott on West African languages, comprising papers, including notes and questionnaires, from his study leave (1955-1956) spent travelling from Nigeria through Niger, Dahomey (Benin), Upper Volta (Burkina Faso), French Sudan (Mali), Senegal and Gambia to Guinea and Sierra Leone; copies (photocopied and photographic) of manuscripts; translations and transcriptions; transcriptions of language recordings; seminar and conference papers; teaching material; offprints of articles by Arnott; typescripts or corrected proofs of articles; and reviews of books by other authors. The papers relate largely to Nigeria but also to Benin, Burkina Faso, Cameroon, Gambia, Guinea, Mali, Niger and Senegal, relating mainly to Fulfulde, Fula and Fulani (language of the Fulani people of West Africa), and also to Tiv and to Hausa poetry and songs. The subjects include literature, including poetry (religious and non-religious), oral literature and folklore, proverbial lore, Islamic influences on African literary cultures, grammar, including morphology, verbal and nominal systems, nouns, vocabulary, and the distribution of dialects.

Working papers of John Willoughby Tarleton Allen, 1898-1978 and undated, the bulk dating from 1957-1978, including correspondence, 1963-1977; papers on Swahili culture, poetry and customs, 1903-1978 and undated; papers relating to the Danish Volunteer Training Society, including language instruction, 1969-1973, and Britain Tanzania Society, 1974-1977; published articles by Allen and others, 1898, 1970 and undated; undated photocopies of various Arabic manuscripts; tape recordings of literary performances; microfilms of Swahili material.

A collection of 59 works, 1964-1986, including poetry, drama, and nonfiction, published in the Heinemann African Writers Series, comprising manuscripts, typescripts with authorial corrections, proof and revised copies, chiefly original but including some photocopies, by over 40 authors including Chinua Achebe, Elechi Amadi, Syl Cheyney-Coker, T Obinkaram Echewa, Nadine Gordimer, Nelson Mandela, Ngugi wa Thiong'o, Martin Owusu, Mwangi Ruheni, and Stanlake Samkange.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Papers of Jeremy Adler, 1975-2002 chiefly comprising research notes for publications by Adler and photocopies of concrete and visual poems. Includes papers relating to Franz Baermann Steiner, poet, including correspondence and papers on Steiner and his circle, 1995-1999; photocopies of Steiner's writings, photocopies of letters to Steiner; photocopies of Stiener's appointment diary, 1950-1951; Stiener's thesis entitled 'A Comparitive Study of the Forms of Slavery', 1950 and 'Prologomena to A Comparitive Study of Slavery', a shortened version of the original thesis, edited by Paul Bohannan, 1957. Correspondence and papers on concrete and visual poetry, 1982-1987 including with Piotr Rypson and Dick Higgins. Papers relating to August Stramm, poet, including publications on Stramm, papers from the Stramm working seminar, 1973-1974; notes by Adler on Stramm's poetry; photocopies used by Adler when researching Stramm, chiefly relating to World War One, from German archives and the Imperial War Museum. Research notes on topics including Shelling, 1984; eighteenth century literature and science; Paracelsus; love and war poetry; language and Caballa; and romantic science. Adler's PhD thesis 'A study in the chemistry of Goethe's novel Die Wahlverwandtschaften ', University of London, 1977 and correspondence on and photographs of Die Wahlverwandtschaften by Goethe. Copies of figured poems from Herzog August Bibliothek, Wolfenbüttel. Draft copies of Adler's Changing forms of Visual Poetry with related correspondence. Programmes for art and poetry exhibitions and events; personal files of Adler's PhD students, 1980-2002; slides and negatives used for lectures; negatives of visual poems; card indexes and videos.

Papers of H G Adler 1807-1997, including photocopies of Adler's correspondence, 1947-1987, including with Hermann Broch and Heinrich Böll. Notebooks containing manuscript poems, 1924 and nd; photograph of Adler in old age. File entitled 'Theresienstadt private erinnerungen' containing items from Theresienstadt including drafts of poems, sketches, and notes to his first wife. Unpublished typescript copy of Leo Baeck's Die Entwick lung der Rechtsstekkung der Juden in Europe, vornehmlich in Deutschland, vom Beginn der Neuzeit bis in das XIX. Jahrhundert, (c 1942-1943). Corrected original typescript copy of Adler's Theresienstadt [1948], (beleived to be the second or third carbon copy). Typescript copies of Adler's Schuldig und Unshuldig, 1954-1967, Die Anseidlung dargestellt als Roman,Die Prüfung and England: Eindrück Eines Ahnungslosen. Typescript copy of articles by Adler including 'Gerdenken an Prag', 1981, and 'Die Protokolle der weisen von zion.' Photocopies of typescript books and articles by Adler, notably Der Mechanische Materialismus, Raoul Feuerstein and Die Orthodoxie des Herzens. Typescript poems by Adler, 1927-1988. Manuscript sheet music by Viktor Ullmann 'Der Mensch und sein Tag', based on poems by Adler. Tapes, including of an obituary of Adler broadcast on the BBC Czech Service, 1988. Complete collection of the first editions of the 24 works of Adler, four of which have extended presentation inscriptions by the author; periodical offprints by Adler and contributions by Adler to anthologies and books edited and translated by Adler. Printed photocopies of the statements made in the trial of Adolf Eichmann, bound in 6 volumes, in German, (Israeli Police, 1961), and transcripts for the preliminary investigations for the trial.; catalogue of the literary estate of H G Adler by Jeremy Adler and Franz Hocheneder and PhD dissertation by Franz Hocheneder 'HG Adler: Werk und Nachlass - Eine Bibliographische Studie', 1997.

Papers of John George Adami on bacteriology and pathology including notes on the development of the embryo of a chick, c 1890; drafts of Principles of Pathology c 1905-1910; 'Myelins, and experiments with Ludwig Aschoff', 1906; record of Inspections of Canadian Hospitals in France, 1915; diary, 1916 and Presidential Address to the Section of Bacteriology, Brussels Congress, 1920. Drawings concerning 1918 influenza pandemic, 1925.

The archive consists of manuscript diaries (1912-1914, 1950-1956), manuscript notebooks which include some of her own poetry (1900-1922), publications by Adams and photographs of visits to Paris (1906, 1915).

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.

Typescript copy of poem, "A sedative at daybreak" by Laurie Whistler. With etchings by Joan Hassall. This copy was a gift to Walter de la Mare. Inscribed "And to dearest WJdlM with love, always, from LW".