Identity area
Reference code
Title
Date(s)
- 1920s-1990s (Creation)
Level of description
Extent and medium
11 boxes
Context area
Name of creator
Biographical history
Elizabeth Scott-Moore was born in Dartford, Kent, on 7 Oct 1904, the daughter of Henry Brier, inventor and engineer and his wife Victoria Mary (nee Curuthers) illustrator of childrens' books. Elizabeth began painting under her mothers' instruction, winning several medals from the Royal Drawing Society in her teens. She was educated at Gravesend School of Art, Goldsmiths College of Art where she trained under Edmund Sullivan, and the Southampton Row School of Arts and Craft.
At college, she was friend with Graham Sutherland and Kathleen Barry. She met her future husband John Scott-Moore during her journeys to college, he was 20 years her senior, married in 1937 and in they 1945 moved their home to Wentworth Golf Course, Virginia Water, Surrey. He died in 1947. She followed her mother working as a freelance childrens' book illustrator, working for Blackies, Nelsons and the Oxford University Press amongst others until 1947.
Her work was influenced by her brother Ronald Brier, and artist friend Alfred Hayward. She chiefly worked in the medium of watercolour, oil, gouache, pastel and pencil, and enjoyed depicting cats, cats in landscape, flowers, childrens' and adult portraits. Showing at the Royal Academy Summer Exhibition for the first time in 1948, she became a regular exhibitor. She helds the Queen's Diploma, and a Gold Medal form the Paris Salon 1962, which she won for her portrait in oils of Alfred Hayward.
Initially belonging to the Royal Institute of Painters in Watercolours, she resigned over the question of women's votes in the affairs of the society. Her friendship with Cosmo Clark led to her nomination for the Royal Watercolour Society (RWS) in 1966. She became an associate in 1966, and a full member in 1975. She was appointed the first woman trustee of the Society in 1986. Also past Lady Member and Council member of the Artists of Chelsea, and an honorary member of the New English Art Club.
On her death, 12 August 1993, she became one of the RWS major benefactors, enabling the archive of the society to be catalogued. She is also commemorated by the RWS award - The Elizabeth Scott-Moore prize - which is given to non-members for outstanding contributions to watercolours. Her work may be seen in the Museum of Transport, the Guildhall and the Royal Collection.
Repository
Archival history
GB 1744 SCOTT-MOORE 1920s-1990s Collection (fonds) 11 boxes Elizabeth Scott-Moore , nee Brier , 1904-1993 , artist
Elizabeth Scott-Moore was born in Dartford, Kent, on 7 Oct 1904, the daughter of Henry Brier, inventor and engineer and his wife Victoria Mary (nee Curuthers) illustrator of childrens' books. Elizabeth began painting under her mothers' instruction, winning several medals from the Royal Drawing Society in her teens. She was educated at Gravesend School of Art, Goldsmiths College of Art where she trained under Edmund Sullivan, and the Southampton Row School of Arts and Craft.
At college, she was friend with Graham Sutherland and Kathleen Barry. She met her future husband John Scott-Moore during her journeys to college, he was 20 years her senior, married in 1937 and in they 1945 moved their home to Wentworth Golf Course, Virginia Water, Surrey. He died in 1947. She followed her mother working as a freelance childrens' book illustrator, working for Blackies, Nelsons and the Oxford University Press amongst others until 1947.
Her work was influenced by her brother Ronald Brier, and artist friend Alfred Hayward. She chiefly worked in the medium of watercolour, oil, gouache, pastel and pencil, and enjoyed depicting cats, cats in landscape, flowers, childrens' and adult portraits. Showing at the Royal Academy Summer Exhibition for the first time in 1948, she became a regular exhibitor. She helds the Queen's Diploma, and a Gold Medal form the Paris Salon 1962, which she won for her portrait in oils of Alfred Hayward.
Initially belonging to the Royal Institute of Painters in Watercolours, she resigned over the question of women's votes in the affairs of the society. Her friendship with Cosmo Clark led to her nomination for the Royal Watercolour Society (RWS) in 1966. She became an associate in 1966, and a full member in 1975. She was appointed the first woman trustee of the Society in 1986. Also past Lady Member and Council member of the Artists of Chelsea, and an honorary member of the New English Art Club.
On her death, 12 August 1993, she became one of the RWS major benefactors, enabling the archive of the society to be catalogued. She is also commemorated by the RWS award - The Elizabeth Scott-Moore prize - which is given to non-members for outstanding contributions to watercolours. Her work may be seen in the Museum of Transport, the Guildhall and the Royal Collection.
Bequeathed to the Royal Watercolour Society on her death. Transferred 1993-1994.
Papers of Elizabeth Scott-Moore, comprising correspondence, working papers, scrapbooks and photographs, 1920s-1990s.
By appointment, contact the Archivist of the Royal Watercolour Society, in the first instance, Bankside Gallery, 48 Hopton St, Blackfriars, London SE1 9JH.
At the discretion of the Archivist.
English
The material is uncatalogued
Archives of the Royal Watercolour Society are held at Bankside Gallery.
Sources: Obituaries in The Times, 27 Aug 1993, and The Independent 23 Aug 1993; Artist File in the Bankside collection. Compiled by Alison Field as part of the London Signpost Survey Project. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997. September 2003 Artists Fine arts Painters Painting Paintings Scott-Moore , Elizabeth , nee Brier , 1904-1993 , artist Society of Painters in Water Colours x Royal Watercolour Society Illustrations Visual materials
Immediate source of acquisition or transfer
Bequeathed to the Royal Watercolour Society on her death. Transferred 1993-1994.
Content and structure area
Scope and content
Papers of Elizabeth Scott-Moore, comprising correspondence, working papers, scrapbooks and photographs, 1920s-1990s.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
By appointment, contact the Archivist of the Royal Watercolour Society, in the first instance, Bankside Gallery, 48 Hopton St, Blackfriars, London SE1 9JH.
Conditions governing reproduction
At the discretion of the Archivist.
Language of material
- English
Script of material
- Latin
Language and script notes
English
Physical characteristics and technical requirements
Archives of the Royal Watercolour Society are held at Bankside Gallery.
Finding aids
The material is uncatalogued
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Publication note
Notes area
Note
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Status
Level of detail
Dates of creation revision deletion
Language(s)
- English