Notes on an interview with Rachel Whiteread about her proposed design of a concrete bunker to commemorate the Holocaust at the Judenplatz, Vienna by Ernst Eisenmayer.

Papers and correspondence, 1929-1975 and undated, of Julia Frances Strachey, including diaries, notebooks, manuscripts and typescripts, 1929-1975 and undated; letters to Julia, 1924-1956 and undated, the writers including Dora Carrington; letters to Stephen Tomlin and Julia, 1923-1930 and undated, the writers including Lytton Strachey; correspondence between Stephen Tomlin and Julia, 1930-1931; correspondence between Julia and Lawrence Gowing, 1939-1971 and undated, and other letters to Julia, 1952-1967 and undated; personalia, including a copy of a divorce certificate, 1967, a will, 1971, a business diary, 1971, an appointment diary, 1974, passports, and an undated address book; postcards and photographs, largely undated, mainly miscellaneous works of art but also including Lytton and Oliver Strachey, Dora Carrington, and Stephen Tomlin; a scrapbook, 1932-1971, mainly comprising press cuttings including reviews of Strachey's novels, with a few miscellaneous letters inserted.

Guild of Memorial Craftsmen records including minutes and AGMs dating from 1949, a register of members, a short series of accounts and balance sheets and a nice series of photographs showing the work of members.

Papers and photographs, 1975-1983, concerning the placing of a memorial sculpture of victims of war on their way to work camps/concentration camps, called 'Marchers', by Fred I Kormis, at King's College London, in 1975, comprising brochure, 1975, of Fieldborne Galleries, London, containing 'Sculpture, Fred Kormis'; photograph of 'Marchers', [1975]; press cutting, 1975, detailing 'Marchers' acquisition and presentation to the Department of Philosophy, King's College London; correspondence, 1975, between Kormis and Professor Peter Winch, Department of Philosophy, King's College London, and other departments of King's College London, about the unveiling ceremony of the 'Marchers' plaque; correspondence between Professor Winch and Bernard Sternfield of Fieldborne Galleries, London, 1975, concerning photographs taken of 'Marchers'; list of invitees to the ceremony, 1975; article by Professor Winch about 'Marchers', for the College magazine 'Viewpoint', 1975; correspondence, 1979-1983, between Professor Winch and the Decorations and Amenities Committee, King's College London, about the conditions under which 'Marchers' was displayed and its possible relocation.

Papers relating to the estate of John Bacon the younger, sculptor, including title deeds and documents relating to the purchase, ownership and sale of properties in the City of London, Bethnal Green, Paddington, Marylebone, Hoxton, Shoreditch, Stepney, Knightsbridge, Westminster and Kent; correspondence; articles of co-partnership with Charles Manning; and lists of sculptural works underway.

The photographs in this collection cover areas of Peri's work between 1920 and 1966. They include images of his early constructivist work, bronze figurines, cement sculptures and pictures of the artist at work. The drawings and sketches are mainly of people in a variety of simple poses, but are all undated. The correspondence refers to possible commissions for the London County Council, 1958 and an exhibition of his work at St. Pancras Public Library, 1963.

Letters to Lord Leighton on the Wellington memorial in St Paul's Cathedral.

Manuscript items of John Flaxman, comprising his journal, kept by him in Naples in 1788, consisting of manuscript text and drawings; and a commonplace book containing manuscript notes on sculpture and art and some pencil and ink sketches.

Papers of Esmond Burton, c 1955, comprise seven plaster miniatures of working men and women prepared by sculptor Edmond Burton, relating to the bas-reliefs on the three frontages of Bentham House, residence of the Faculty of Laws at University College London. The buidling was originally the headquarters of the General and Municipal Workers' Union (now part of GMB), and was designed by Hubert Lidbetter. Fourteen black and white photographs of the bas-reliefs and construction of the building. Note that the right-hand figure in the 'group of five' photograph is Hubert Lidbetter.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Philip Webb, 1882-1907, comprising correspondence concerning building restorations in Italy and the Society for the Protection of Ancient Buildings (SPAB), 1882; correspondence with Giacomo Boni, 1885-1907, (some of Webb's letters to Boni are photocopies), notably concerning Boni's excavations in Venice, including the Piazza di San Marco, restorations to the Ducal Palace, work on the Forum, Society for the Protection of Ancient Buildings (SPAB), sanitation and drainage in Venice, the abbey of Casamari, Orvieto, Bari, personal details, such as their health, Boni's marriage and travels, particularly around Italy and his visits to England, discussions of contemporaries, notably William Morris, Italian architecture, monuments, pictures, buildings, artists, sculptors, archaeology, Boni's lectures; letters from George Wardle, [1887]-1906, notably concerning architecture and reports on buildings for the Society for the Protection of Ancient Buildings (SPAB) including Ipswich, Orford Church, Dorchester, Oxfordshire, Sandwich, Chichester, Bosham, Sussex, proofs for publication, papers on Pisano, Parengo, work on the 'Holy Graal', personal details, such as health, lodgings and travels; reports on the restoration of Bosham Church, Sussex, 1899, Dorchester Church, Oxfordshire, 1899, Grey Friars Chapel, Chichester.

The collection contains committee minutes from its foundation until 1925, minutes of the annual general meetings from 1902 to 1937, agendas and notes for meetings between 1905 and 1910, press cuttings (mainly reviewing the Society's exhibitions) and printed material relating to exhibitions.

Ledger and financial accounts of F. Meacci, piece moulder and figure maker, 1887-1893, recording work done in casting, painting, bronzing, squeezing in clay, casting in gelatine, and transport of sculptural works.

Letters and cards written by Iris Murdoch to artist Rachel Fenner from 1964 onwards. Murdoch taught Fenner at the Royal College of Art and they remained friends afterwards. Topics covered in their correspondence includes Fenner's studies and later work, Murdoch's work, their travels, arranging meetings, and general family news. There are over 300 letters in total.

Two volumes of drawings by Thorvaldsen and one volume of notes by J M Thiele.

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.