Área de identidad
Código de referencia
Título
Fecha(s)
- c1945-2002 (Creación)
Nivel de descripción
Volumen y soporte
853 linear metres
Área de contexto
Nombre del productor
Historia biográfica
Stanley Kubrick was born in New York City in 1928. At the age of 16 Kubrick took a photograph of a newsvendor the day after President Roosevelt died. Look magazine printed the photo and hired him as a freelance photographer, he worked on over 300 jobs. After creating a boxing photo essay for Look, he used his savings to make his first short film 'Day of the Fight' in 1950, a 16-minute documentary. Two other shorts and thirteen feature films followed. Compared to many directors Kubrick did not produce many films. However, he successfully spanned a plethora of genres from science fiction to costume drama.
Kubrick's influence on film is manifested in numerous ways, from lighting to special effects to film content to music. For example, his pioneering use of long takes, first used in Lolita using a high Average Shot Length, have inspired cinematographers since, as seen in the opening shot of 1997's Boogie Nights. Kubrick had a high level of artistic control and kept many items and papers relating to his film making. At the completion of a project Kubrick would box up items relating to it and store them.
Kubrick's influence goes beyond that of the film world to popular culture. The content of his films have been responsible for sparking public debate and discourse for example, Clockwork Orange (1971) is a dystopia featuring violence and sexual content that provoked debate on the nature of society and the portrayal of violence on screen.
Kubrick had an unprecedented level of control over his films and was interested in every aspect of the film making process. Therefore, his collection can inspire not only film makers but costume designers, advertisers, graphic artists and photographers to name but a few.
Kubrick and his family moved to England in 1969, where he lived until his death in 1999.
Stanley Kubrick: Filmography:
1953 'Fear and Desire' (not on general release)
1955 'Killer's Kiss'
1956 'The Killing'
1957 'Paths of Glory'
1960 'Spartacus'
1962 'Lolita'
1964 'Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb'
1968 '2001: A Space Odyssey'
1971 'A Clockwork Orange'
1975 'Barry Lyndon'
1980 'The Shining'
1987 'Full Metal Jacket'
1999 'Eyes Wide Shut'
Kubrick planned to make two further films, 'Napoleon' and 'The Aryan Papers' (a holocaust film), but these were not made. He also played an important role in the conception of 'AI: Artificial Intelligence', which was made after his death by Steven Spielberg.
Institución archivística
Historia archivística
GB 3184 SK c1945-2002 Fonds 853 linear metres Kubrick , Stanley , 1928-1999 , film director
Stanley Kubrick was born in New York City in 1928. At the age of 16 Kubrick took a photograph of a newsvendor the day after President Roosevelt died. Look magazine printed the photo and hired him as a freelance photographer, he worked on over 300 jobs. After creating a boxing photo essay for Look, he used his savings to make his first short film 'Day of the Fight' in 1950, a 16-minute documentary. Two other shorts and thirteen feature films followed. Compared to many directors Kubrick did not produce many films. However, he successfully spanned a plethora of genres from science fiction to costume drama.
Kubrick's influence on film is manifested in numerous ways, from lighting to special effects to film content to music. For example, his pioneering use of long takes, first used in Lolita using a high Average Shot Length, have inspired cinematographers since, as seen in the opening shot of 1997's Boogie Nights. Kubrick had a high level of artistic control and kept many items and papers relating to his film making. At the completion of a project Kubrick would box up items relating to it and store them.
Kubrick's influence goes beyond that of the film world to popular culture. The content of his films have been responsible for sparking public debate and discourse for example, Clockwork Orange (1971) is a dystopia featuring violence and sexual content that provoked debate on the nature of society and the portrayal of violence on screen.
Kubrick had an unprecedented level of control over his films and was interested in every aspect of the film making process. Therefore, his collection can inspire not only film makers but costume designers, advertisers, graphic artists and photographers to name but a few.
Kubrick and his family moved to England in 1969, where he lived until his death in 1999.
Stanley Kubrick: Filmography:
1953 'Fear and Desire' (not on general release)
1955 'Killer's Kiss'
1956 'The Killing'
1957 'Paths of Glory'
1960 'Spartacus'
1962 'Lolita'
1964 'Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb'
1968 '2001: A Space Odyssey'
1971 'A Clockwork Orange'
1975 'Barry Lyndon'
1980 'The Shining'
1987 'Full Metal Jacket'
1999 'Eyes Wide Shut'
Kubrick planned to make two further films, 'Napoleon' and 'The Aryan Papers' (a holocaust film), but these were not made. He also played an important role in the conception of 'AI: Artificial Intelligence', which was made after his death by Steven Spielberg.
The collection was accumulated by Kubrick and held at his home until its transferral to the University of the Arts London in Mar 2007. It has been open to the public since Oct 2007.
The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.
The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.
Further items will be received, currently much of the Napoleon material is being worked on elsewhere and many items are forming part of a touring exhibition.
The Archive has been arranged chronologically by film with series for personal and business papers, Look magazine work, documentaries about Kubrick and documentaries by Kubrick.
Open. The Archives and Special Collections Centre is open Tue-Fri 1-5. Please contact us if these times do not suit. It is advisable to make an appointment.
Copying of items is at the discretion of staff.
English
The collection is currently being catalogued.
The Stanley Kubrick Archives, ed Alison Castle (Taschen, 2005). This book was put together using items from the Archive and includes essays on Kubrick.
Description compiled by Karyn Stuckey, Archivist, University of the Arts London. Imported onto AIM25 by Sarah Drewery.
General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Feb 2009 Warner Brothers Harlan , Jan , fl 1975-2001 , film producer Kubrick , Stanley , 1928-1999 , film director Visual arts Broadcasting Films Film makers Design (arts) Costume design Literature Literary forms and genres Fiction Science fiction Photography Action photography Artists Performers Actors Hobby Films Metro Goldwyn Meyer United Artists Minotaur Productions Harris-Kubrick Productions Bryna Productions Universal Pictures Columbia Pictures Hawk Films Ltd
Origen del ingreso o transferencia
The collection was accumulated by Kubrick and held at his home until its transferral to the University of the Arts London in Mar 2007. It has been open to the public since Oct 2007.
Área de contenido y estructura
Alcance y contenido
The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.
The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.
Valorización, destrucción y programación
Acumulaciones
Further items will be received, currently much of the Napoleon material is being worked on elsewhere and many items are forming part of a touring exhibition.
Sistema de arreglo
The Archive has been arranged chronologically by film with series for personal and business papers, Look magazine work, documentaries about Kubrick and documentaries by Kubrick.
Área de condiciones de acceso y uso
Condiciones de acceso
Open. The Archives and Special Collections Centre is open Tue-Fri 1-5. Please contact us if these times do not suit. It is advisable to make an appointment.
Condiciones
Copying of items is at the discretion of staff.
Idioma del material
- inglés
Escritura del material
- latín
Notas sobre las lenguas y escrituras
English
Características físicas y requisitos técnicos
Instrumentos de descripción
The collection is currently being catalogued.
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
Unidades de descripción relacionadas
Nota de publicación
Área de notas
Notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
Identificador de la institución
Reglas y/o convenciones usadas
General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Idioma(s)
- inglés