Fonds GB 106 5WCC - Wildcat Cards

Identity area

Reference code

GB 106 5WCC

Title

Wildcat Cards

Date(s)

  • 1988-1994 (Creation)

Level of description

Fonds

Extent and medium

4 A boxes; 1 oversize folder

Context area

Name of creator

Biographical history

Wildcat Cards (1988-1994) was founded in Sep 1988 by the Sheffield-based cartoonist and graphic designer Fi Frances in order to make modern women's art more accessible to the public through the medium of high quality cards produced by women artists to promote images and messages by women for women. It produced greetings cards, postcards and posters designed by women artists and actively sought input from women in a wide range of different life situations (from different classes, ethnic backgrounds, sexualities, abilities, ages and educational and political backgrounds). Some designs were produced as support cards for women's organisations and campaigns. Fi Frances once said 'Paintings depict an aspect of women's experience not normally seen in our world of misleading gloss.' In 1989, the Wildcat Cards Collective was formed, initially in an advisory capacity but with a view to establishing the business collectively in the long term. In 1990, Wildcat Cards was an established collective of four women, namely, Fi Frances, Maya Chowdhry, Mal Finch and Judith Dixon. The Collective increased to seven members by 1991 to include Fi Frances, Maya Chowdhry, Mal Finch, Rose Tanner, Sarah Broughton, Jacquie Burgess and Charlotte [?]. Wildcat Cards remained based in Sheffield and the majority of its business was through mail order. Although the Collective was dissolved in 1992, the business continued to operate until 1994 during which two attempts were made to sell the Collective to women. Fi Frances died in Nov 2001. [Note: a 'Wildcat Card' company was established in 2002 based in Berkshire; this had no link to the feminist card company]

Fi Frances (1940-2001) was born in 1940 to a family of drawing room watercolourists and schoolroom calligraphers. She was a graphic designer and cartoonist living in Sheffield, and worked as a graphic technician at Sheffield City Polytechnic and Sheffield Women's Printing Coop. In 1984 she became self employed. Fi and Caroline Irving formed Hoodwink to promote their skills as women cartoonist, and in 1987 came together as a group with two other women cartoonist, Christine Smith and Debjani Chatterjee to form Graphic Equalizers. In Sep 1988, Fi started the Wildcat Cards project to relate her skills in graphics and cartooning to the politics of feminist and other radical campaigns she was involved in. She operated Wildcat Cards as a Collective until 1992, but the business continued operating until 1994. She became involved with creating an arts policy with the Arts Council and Age Concern on which she wrote an article entitled, Increasing Visibility in the summer of 1999 for the Foundation of Community Dance. Fi Frances died in Nov 2001.

Repository

Archival history

GB 106 5WCC 1988-1994 fonds 4 A boxes; 1 oversize folder Wildcat Cards

Wildcat Cards (1988-1994) was founded in Sep 1988 by the Sheffield-based cartoonist and graphic designer Fi Frances in order to make modern women's art more accessible to the public through the medium of high quality cards produced by women artists to promote images and messages by women for women. It produced greetings cards, postcards and posters designed by women artists and actively sought input from women in a wide range of different life situations (from different classes, ethnic backgrounds, sexualities, abilities, ages and educational and political backgrounds). Some designs were produced as support cards for women's organisations and campaigns. Fi Frances once said 'Paintings depict an aspect of women's experience not normally seen in our world of misleading gloss.' In 1989, the Wildcat Cards Collective was formed, initially in an advisory capacity but with a view to establishing the business collectively in the long term. In 1990, Wildcat Cards was an established collective of four women, namely, Fi Frances, Maya Chowdhry, Mal Finch and Judith Dixon. The Collective increased to seven members by 1991 to include Fi Frances, Maya Chowdhry, Mal Finch, Rose Tanner, Sarah Broughton, Jacquie Burgess and Charlotte [?]. Wildcat Cards remained based in Sheffield and the majority of its business was through mail order. Although the Collective was dissolved in 1992, the business continued to operate until 1994 during which two attempts were made to sell the Collective to women. Fi Frances died in Nov 2001. [Note: a 'Wildcat Card' company was established in 2002 based in Berkshire; this had no link to the feminist card company]

Fi Frances (1940-2001) was born in 1940 to a family of drawing room watercolourists and schoolroom calligraphers. She was a graphic designer and cartoonist living in Sheffield, and worked as a graphic technician at Sheffield City Polytechnic and Sheffield Women's Printing Coop. In 1984 she became self employed. Fi and Caroline Irving formed Hoodwink to promote their skills as women cartoonist, and in 1987 came together as a group with two other women cartoonist, Christine Smith and Debjani Chatterjee to form Graphic Equalizers. In Sep 1988, Fi started the Wildcat Cards project to relate her skills in graphics and cartooning to the politics of feminist and other radical campaigns she was involved in. She operated Wildcat Cards as a Collective until 1992, but the business continued operating until 1994. She became involved with creating an arts policy with the Arts Council and Age Concern on which she wrote an article entitled, Increasing Visibility in the summer of 1999 for the Foundation of Community Dance. Fi Frances died in Nov 2001.

These records were kept by Fi Frances until her death in Nov 2001 and transferred to The Women's Library in Apr 2002 by the executor of her will.

The archive consists of greetings cards, postcards and posters produced by Wildcat Cards; a selection of cards produced by women; slides, negatives, mock ups and proofs, photographs and some original artwork; advertisements and press releases, catalogues, order forms, price lists, artists briefs and press cuttings; correspondence, administrative and financial papers.

The archive has been arranged into five series based on the operational functions of the Collective. Each series is then organised chronologically to maintain the filing structure of the Collective. The series are:

A - Card Designs (1988-1994)

B - Production Material (1988-1994)

C - Promotions (1987-1994)

D - Administration (1988-1994)

E - Financial papers (1990-1992).

This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit.

English

The Women's Library Catalogue

The Women's Library also holds the papers of Angela Martin, one of the women who contributed designs to Wildcat Cards (see 7ANG).

Finding aid created by export from CALM v7.2.14 Archives Hub EAD2002. Edited for AIM25 by Sarah Drewery.

In compliance with ISAD (G): General International Standard Archival Description - 2nd Edition (1999); UNESCO Thesaurus, December 2001; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

02/05/2008 Political movements Liberation movements Womens liberation movement Organizations Associations Womens organizations Communication personnel Publishers Artists Women artists Art styles Commercial art Women Frances , Fi , 1940-2001 , graphic designer, cartoonist Martin , Angela , fl 1988-1994 , cartoonist Wildcat Cards Sex Sex distribution Personnel People by occupation People

Immediate source of acquisition or transfer

These records were kept by Fi Frances until her death in Nov 2001 and transferred to The Women's Library in Apr 2002 by the executor of her will.

Content and structure area

Scope and content

The archive consists of greetings cards, postcards and posters produced by Wildcat Cards; a selection of cards produced by women; slides, negatives, mock ups and proofs, photographs and some original artwork; advertisements and press releases, catalogues, order forms, price lists, artists briefs and press cuttings; correspondence, administrative and financial papers.

Appraisal, destruction and scheduling

Accruals

System of arrangement

The archive has been arranged into five series based on the operational functions of the Collective. Each series is then organised chronologically to maintain the filing structure of the Collective. The series are:

A - Card Designs (1988-1994)

B - Production Material (1988-1994)

C - Promotions (1987-1994)

D - Administration (1988-1994)

E - Financial papers (1990-1992).

Conditions of access and use area

Conditions governing access

This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit.

Conditions governing reproduction

Language of material

  • English

Script of material

  • Latin

Language and script notes

English

Physical characteristics and technical requirements

The Women's Library also holds the papers of Angela Martin, one of the women who contributed designs to Wildcat Cards (see 7ANG).

Finding aids

The Women's Library Catalogue

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Publication note

Notes area

Note

Alternative identifier(s)

Access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

Women's Library

Rules and/or conventions used

In compliance with ISAD (G): General International Standard Archival Description - 2nd Edition (1999); UNESCO Thesaurus, December 2001; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Level of detail

Dates of creation revision deletion

Language(s)

  • English

Script(s)

    Sources

    Accession area