Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

A collection of 59 works, 1964-1986, including poetry, drama, and nonfiction, published in the Heinemann African Writers Series, comprising manuscripts, typescripts with authorial corrections, proof and revised copies, chiefly original but including some photocopies, by over 40 authors including Chinua Achebe, Elechi Amadi, Syl Cheyney-Coker, T Obinkaram Echewa, Nadine Gordimer, Nelson Mandela, Ngugi wa Thiong'o, Martin Owusu, Mwangi Ruheni, and Stanlake Samkange.

Working papers of John Willoughby Tarleton Allen, 1898-1978 and undated, the bulk dating from 1957-1978, including correspondence, 1963-1977; papers on Swahili culture, poetry and customs, 1903-1978 and undated; papers relating to the Danish Volunteer Training Society, including language instruction, 1969-1973, and Britain Tanzania Society, 1974-1977; published articles by Allen and others, 1898, 1970 and undated; undated photocopies of various Arabic manuscripts; tape recordings of literary performances; microfilms of Swahili material.

Records of The Ananse Society, including minutes, correspondence, programmes, press cuttings and stationery. For detailed introductions to these series please see the individual series descriptions in the detailed catalogue.

Papers, 1950s-1980s, of Professor David W Arnott on West African languages, comprising papers, including notes and questionnaires, from his study leave (1955-1956) spent travelling from Nigeria through Niger, Dahomey (Benin), Upper Volta (Burkina Faso), French Sudan (Mali), Senegal and Gambia to Guinea and Sierra Leone; copies (photocopied and photographic) of manuscripts; translations and transcriptions; transcriptions of language recordings; seminar and conference papers; teaching material; offprints of articles by Arnott; typescripts or corrected proofs of articles; and reviews of books by other authors. The papers relate largely to Nigeria but also to Benin, Burkina Faso, Cameroon, Gambia, Guinea, Mali, Niger and Senegal, relating mainly to Fulfulde, Fula and Fulani (language of the Fulani people of West Africa), and also to Tiv and to Hausa poetry and songs. The subjects include literature, including poetry (religious and non-religious), oral literature and folklore, proverbial lore, Islamic influences on African literary cultures, grammar, including morphology, verbal and nominal systems, nouns, vocabulary, and the distribution of dialects.

Papers, c1900-1992, collected by Jean Boyd, relating to northern Nigeria from the late 18th century to the 1990s.

Papers on Nana Asma'u include copies of her manuscript poems (1820-1865) and later papers relating to her work, including translations, 1976-1984. Papers on works by Shehu dan Fodio include copies of his poems on male-female relationships (1789 and undated) and later papers relating to his work, 1975-1981. Papers on works by Asma'u's female relatives and descendants include copies of poems and writings by various authors (c1860-1934 and undated) and later papers relating to the subject, c1950-1990. Other material comprises field notes on the remnants of Asma'u's disciples, the Yan Taru, 1973-1990; papers on the milieu in which Asma'u lived in Gobir, c1900-1984, including Gobir chiefs; papers, including press cuttings, on the situation of women in northern Nigeria in the 1980s, the subjects including Muslims, prostitution, women's organizations, medical matters, and women's education.

Papers, 1903-1992, including articles, reports and press cuttings, on Sokoto relate to geological history, prehistory, palaeontology, archaeology, pre-colonial, colonial and post-colonial history, the subjects including the social and economic history of the city of Sokoto, colonial administration, British fears over Mahdism, and local government and economic issues in Sokoto state in modern Nigeria.

Three volumes contain over 500 postcards, many in colour, relating to Nigeria, including images of people, cultural events, various places, and other aspects of Nigerian life [late 20th century].

Papers, 1937-1987, of and relating to Margaret Mackeson Green, comprising personal correspondence (1946-1973); Igbo material, including her original field notes and work on the Igbo language, preparatory drafts of the Igbo Language Course, notes on Igbo texts, vocabulary lists intended for inclusion in an Igbo/English dictionary, and a few miscellaneous items of anthropological significance; material relating to the Division of Inter-Church Aid Refugee World Service (DICARWS) (1968-1969); and miscellaneous material on other African languages.

Collected papers, 1792-1943 (some undated), manuscript and typescript, of William Hichens, largely dating from the 1930s, comprising Swahili stories, verses, histories, and vocabularies, including transcriptions and translations of sources, and some correspondence of Hichens relating to Swahili literature.

Records relating to the International Bookfair of Radical Black and Third World Books, including original programmes, stationery, correspondence and notes from members of The Alliance and from artists and those who attended the conferences. Also listings of families and individuals who provided accommodation for artists and rotas for the staffing of the Fairs.

The programmes are an excellent resource for information about the social and political issues that were of concern to Black people living in London in the 1980s and 1990s. They show the international links and connections between individuals of different artistic disciplines.

The development of the organisation and it's influence on diverse groups in the community are well documented in the correspondence and minutes; LMA/4462/M/01 and 02.

The photographs are both formal and informal. They show the Fair in action and special guests and artists performing or speaking at the different events. One album was put together by a participant as a gift to the Huntleys.

The press cuttings give valuable information on how the Fairs were being received by the Black community and others in London and internationally. There is an exclusive interview with Sonia Sanchez and an article by Margaret Busby which gives an historical overview of the Fair.

The copyright to these records rests with the depositors, Race Today Publications and New Beacon Books. Permission for the use of images for publication must be sought from all three organisations.

Papers, 1935-1995, of Charles Granston Richards, comprising articles, reports, books, pamphlets and correspondence reflecting his work and interests. The papers cover his work with the Church Missionary Society in Kenya, East African Literary Bureau, Oxford University Press, Christian Literature Fund and Agency for Christian Literature Development in addition to his retirement years.

Collected papers, c1810-c1899 (some undated), of the Rev William Ernest Taylor, including Swahili verses, proverbs, chronicles, stories, songs, hymns, religious texts, and vocabularies, and some of Taylor's own correspondence.