GB 0096 MS 487 - Banchieri's The Nobleness of the Ass

Área de identidad

Código de referencia

GB 0096 MS 487

Título

Banchieri's The Nobleness of the Ass

Fecha(s)

  • 19th century (Creación)

Nivel de descripción

Volumen y soporte

100 leaves

Área de contexto

Nombre del productor

Historia biográfica

Adriano (Tomaso) Banchieri was an Italian composer, organist, and writer on music. In 1587 he joined the order of the Olivetans, and he subsequently lived and worked at its monasteries in Lucca, Siena, Bosco, Imola, Gubbo, Venice, and Verona. In 1609 he settled at San Michele in Bosco, where he lived for the rest of his life. He was named professor in 1613 and abbot in 1618. In 1615 in Bologna he founded the Accademia dei Floridi. He was an associate of Monteverdi, and his writings are important works in early Baroque music theory. He composed Masses, Psalm settings, motets, music for Offices, madrigals, and theatre works. These last were actually books of madrigals on related texts, using stock comic characters. They were often performed together as madrigal comedies, written to his own texts for the entertainment of Bologna's brilliant social circles. His writings in these fields were often issued under the pseudonym of Camillo Scaliggeri dalla Fratta, or, in the case of his popular La nobilità dell'asino (`The Nobility of the Ass') the improbable Attabalippa dal Peru. John Payne Collier (1789-1883) was an English critic, editor, and forger. The marginal notes and signatures supposedly discovered by him on original documents, especially those concerned with Shakespeare, were later exposed as having been forged by him while in the service of the Duke of Devonshire. His authentic work included A Bibliographical and Critical Account of the Rarest Books in the English Language (1865) and the reprinting of early English tracts.

Institución archivística

Historia archivística

GB 0096 MS 487 19th century Collection (fonds) 100 leaves Unknown
Adriano (Tomaso) Banchieri was an Italian composer, organist, and writer on music. In 1587 he joined the order of the Olivetans, and he subsequently lived and worked at its monasteries in Lucca, Siena, Bosco, Imola, Gubbo, Venice, and Verona. In 1609 he settled at San Michele in Bosco, where he lived for the rest of his life. He was named professor in 1613 and abbot in 1618. In 1615 in Bologna he founded the Accademia dei Floridi. He was an associate of Monteverdi, and his writings are important works in early Baroque music theory. He composed Masses, Psalm settings, motets, music for Offices, madrigals, and theatre works. These last were actually books of madrigals on related texts, using stock comic characters. They were often performed together as madrigal comedies, written to his own texts for the entertainment of Bologna's brilliant social circles. His writings in these fields were often issued under the pseudonym of Camillo Scaliggeri dalla Fratta, or, in the case of his popular La nobilità dell'asino (`The Nobility of the Ass') the improbable Attabalippa dal Peru. John Payne Collier (1789-1883) was an English critic, editor, and forger. The marginal notes and signatures supposedly discovered by him on original documents, especially those concerned with Shakespeare, were later exposed as having been forged by him while in the service of the Duke of Devonshire. His authentic work included A Bibliographical and Critical Account of the Rarest Books in the English Language (1865) and the reprinting of early English tracts.

Bought from the Abbots Bookshop Ltd. in 1958.

Manuscript copy of The Noblenesse of the Asse. A worke rare, learned, and excellent, written by Adriano Banchieri and originally printed in London in 1595 by Thomas Creede and sold by William Barley. Under the signature of 'J[ohn] Payne Collier' on the front page is a note in his hand, 'For an intended reprint which was never made: not yet collated'. The manuscript copy is written in a nineteenth-century copper-plate hand and contains passim instructions for the printers. The title-page carries the picture of a garlanded ass copied from the woodcut of the original edition. This copy was not made by Collier.

Single item.

Access to the items in the collection is unrestricted for the purpose of private study and personal research within the controlled environment and restrictions of the Library's Palaeography Room. Access to archive collections may be restricted under the Freedom of Information Act. Please contact the University Archivist for details.

Copies may be made, subject to the condition of the original. Copying must be undertaken by the Palaeography Room staff, who will need a minimum of 24 hours to process requests.
English
9" x 7½". Written in a nineteenth century copper-plate hand. Illustrated.

Collection level description.

Adriano Banchieri, The Noblenesse of the Asse. A work rare, learned and excellent (Thomas Creede, London, 1595).

Compiled by Sarah Aitchison as part of the RSLP AIM25 Project. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Aug 2001 Banchieri , Adriano Tomaso , 1568-1634 , Italian composer, organist, and writer on music Collier , John Payne , 1789-1883 , critic, editor and forger Literature Musical comedy Music publishing Opera Publishing Publishing industry Theatre Performing arts

Origen del ingreso o transferencia

Bought from the Abbots Bookshop Ltd. in 1958.

Área de contenido y estructura

Alcance y contenido

Manuscript copy of The Noblenesse of the Asse. A worke rare, learned, and excellent, written by Adriano Banchieri and originally printed in London in 1595 by Thomas Creede and sold by William Barley. Under the signature of 'J[ohn] Payne Collier' on the front page is a note in his hand, 'For an intended reprint which was never made: not yet collated'. The manuscript copy is written in a nineteenth-century copper-plate hand and contains passim instructions for the printers. The title-page carries the picture of a garlanded ass copied from the woodcut of the original edition. This copy was not made by Collier.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

Single item.

Área de condiciones de acceso y uso

Condiciones de acceso

Access to the items in the collection is unrestricted for the purpose of private study and personal research within the controlled environment and restrictions of the Library's Palaeography Room. Access to archive collections may be restricted under the Freedom of Information Act. Please contact the University Archivist for details.

Condiciones

Copies may be made, subject to the condition of the original. Copying must be undertaken by the Palaeography Room staff, who will need a minimum of 24 hours to process requests.

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

Instrumentos de descripción

Collection level description.

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Nota de publicación

Área de notas

Notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Senate House Library, University of London

Reglas y/o convenciones usadas

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso