Zone d'identification
Cote
Titre
Date(s)
- 19th century (Création/Production)
Niveau de description
Étendue matérielle et support
100 leaves
Zone du contexte
Nom du producteur
Notice biographique
Adriano (Tomaso) Banchieri was an Italian composer, organist, and writer on music. In 1587 he joined the order of the Olivetans, and he subsequently lived and worked at its monasteries in Lucca, Siena, Bosco, Imola, Gubbo, Venice, and Verona. In 1609 he settled at San Michele in Bosco, where he lived for the rest of his life. He was named professor in 1613 and abbot in 1618. In 1615 in Bologna he founded the Accademia dei Floridi. He was an associate of Monteverdi, and his writings are important works in early Baroque music theory. He composed Masses, Psalm settings, motets, music for Offices, madrigals, and theatre works. These last were actually books of madrigals on related texts, using stock comic characters. They were often performed together as madrigal comedies, written to his own texts for the entertainment of Bologna's brilliant social circles. His writings in these fields were often issued under the pseudonym of Camillo Scaliggeri dalla Fratta, or, in the case of his popular La nobilità dell'asino (`The Nobility of the Ass') the improbable Attabalippa dal Peru. John Payne Collier (1789-1883) was an English critic, editor, and forger. The marginal notes and signatures supposedly discovered by him on original documents, especially those concerned with Shakespeare, were later exposed as having been forged by him while in the service of the Duke of Devonshire. His authentic work included A Bibliographical and Critical Account of the Rarest Books in the English Language (1865) and the reprinting of early English tracts.
Dépôt
Histoire archivistique
GB 0096 MS 487 19th century Collection (fonds) 100 leaves Unknown
Adriano (Tomaso) Banchieri was an Italian composer, organist, and writer on music. In 1587 he joined the order of the Olivetans, and he subsequently lived and worked at its monasteries in Lucca, Siena, Bosco, Imola, Gubbo, Venice, and Verona. In 1609 he settled at San Michele in Bosco, where he lived for the rest of his life. He was named professor in 1613 and abbot in 1618. In 1615 in Bologna he founded the Accademia dei Floridi. He was an associate of Monteverdi, and his writings are important works in early Baroque music theory. He composed Masses, Psalm settings, motets, music for Offices, madrigals, and theatre works. These last were actually books of madrigals on related texts, using stock comic characters. They were often performed together as madrigal comedies, written to his own texts for the entertainment of Bologna's brilliant social circles. His writings in these fields were often issued under the pseudonym of Camillo Scaliggeri dalla Fratta, or, in the case of his popular La nobilità dell'asino (`The Nobility of the Ass') the improbable Attabalippa dal Peru. John Payne Collier (1789-1883) was an English critic, editor, and forger. The marginal notes and signatures supposedly discovered by him on original documents, especially those concerned with Shakespeare, were later exposed as having been forged by him while in the service of the Duke of Devonshire. His authentic work included A Bibliographical and Critical Account of the Rarest Books in the English Language (1865) and the reprinting of early English tracts.
Bought from the Abbots Bookshop Ltd. in 1958.
Manuscript copy of The Noblenesse of the Asse. A worke rare, learned, and excellent, written by Adriano Banchieri and originally printed in London in 1595 by Thomas Creede and sold by William Barley. Under the signature of 'J[ohn] Payne Collier' on the front page is a note in his hand, 'For an intended reprint which was never made: not yet collated'. The manuscript copy is written in a nineteenth-century copper-plate hand and contains passim instructions for the printers. The title-page carries the picture of a garlanded ass copied from the woodcut of the original edition. This copy was not made by Collier.
Single item.
Access to the items in the collection is unrestricted for the purpose of private study and personal research within the controlled environment and restrictions of the Library's Palaeography Room. Access to archive collections may be restricted under the Freedom of Information Act. Please contact the University Archivist for details.
Copies may be made, subject to the condition of the original. Copying must be undertaken by the Palaeography Room staff, who will need a minimum of 24 hours to process requests.
English
9" x 7½". Written in a nineteenth century copper-plate hand. Illustrated.
Collection level description.
Adriano Banchieri, The Noblenesse of the Asse. A work rare, learned and excellent (Thomas Creede, London, 1595).
Compiled by Sarah Aitchison as part of the RSLP AIM25 Project. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Aug 2001 Banchieri , Adriano Tomaso , 1568-1634 , Italian composer, organist, and writer on music Collier , John Payne , 1789-1883 , critic, editor and forger Literature Musical comedy Music publishing Opera Publishing Publishing industry Theatre Performing arts
Source immédiate d'acquisition ou de transfert
Bought from the Abbots Bookshop Ltd. in 1958.
Zone du contenu et de la structure
Portée et contenu
Manuscript copy of The Noblenesse of the Asse. A worke rare, learned, and excellent, written by Adriano Banchieri and originally printed in London in 1595 by Thomas Creede and sold by William Barley. Under the signature of 'J[ohn] Payne Collier' on the front page is a note in his hand, 'For an intended reprint which was never made: not yet collated'. The manuscript copy is written in a nineteenth-century copper-plate hand and contains passim instructions for the printers. The title-page carries the picture of a garlanded ass copied from the woodcut of the original edition. This copy was not made by Collier.
Évaluation, élimination et calendrier de conservation
Accroissements
Mode de classement
Single item.
Zone des conditions d'accès et d'utilisation
Conditions d'accès
Access to the items in the collection is unrestricted for the purpose of private study and personal research within the controlled environment and restrictions of the Library's Palaeography Room. Access to archive collections may be restricted under the Freedom of Information Act. Please contact the University Archivist for details.
Conditions de reproduction
Copies may be made, subject to the condition of the original. Copying must be undertaken by the Palaeography Room staff, who will need a minimum of 24 hours to process requests.
Langue des documents
- anglais
Écriture des documents
- latin
Notes de langue et graphie
English
Caractéristiques matérielle et contraintes techniques
Instruments de recherche
Collection level description.
Zone des sources complémentaires
Existence et lieu de conservation des originaux
Existence et lieu de conservation des copies
Unités de description associées
Note de publication
Zone des notes
Note
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Règles et/ou conventions utilisées
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Statut
Niveau de détail
Dates de production, de révision, de suppression
Langue(s)
- anglais