GB-70-tga-200317 - British Council Visual Arts Department

Identity area

Reference code

GB-70-tga-200317

Title

British Council Visual Arts Department

Date(s)

  • 1945-2001 (Creation)

Level of description

Extent and medium

308 boxes

Context area

Name of creator

Biographical history

The British Council was founded in 1934 as the 'British Committee for Relations with Other Countries' and in 1936 it was re-named' The British Council'. The aims of the Council were:

"to promote abroad a wider appreciation of British culture and civilization, by encouraging the study and use of the English language, and thereby, to extend a knowledge of British literature and of the British contribution to music and the fine arts, the sciences, philosophic thought and political practice."

Funded by the British Government the Council's work was developed during World War Two and was particularly important during the 'Cold War' period and this is reflected in the papers in this collection. The Fine Arts Department role was to organize exhibitions of the work of British artists and send them overseas. In this work they established international relationships with overseas arts organisations and brought British art to wide and varied audiences.

The first Director of the Fine Arts Department was Major Alfred A. Longden. He was succeeded in 1947 by Lilian Somerville, who had joined the Council during the war; she was appointed as Director of the Fine Arts Section of the Visual Arts Department). In 1949 she was appointed Director of the retitled Fine Arts Department, and remained in this position until her retirement in 1970. She was succeeded by John Hulton (1971-1975) who had been her deputy. Other heads of the Department include Henry Meyric Hughes (1984-1992). The current Director is Andrea Rose.

The papers in this collection run from 1945-2003. Other documents relating to the British Council Fine Arts Department for this period have been deposited at The National Archives.

Repository

Archival history

GB-70-tga-200317 1945-2001 Collection (fonds) 308 boxes The British Council Visual Arts Department

The British Council was founded in 1934 as the 'British Committee for Relations with Other Countries' and in 1936 it was re-named' The British Council'. The aims of the Council were:

"to promote abroad a wider appreciation of British culture and civilization, by encouraging the study and use of the English language, and thereby, to extend a knowledge of British literature and of the British contribution to music and the fine arts, the sciences, philosophic thought and political practice."

Funded by the British Government the Council's work was developed during World War Two and was particularly important during the 'Cold War' period and this is reflected in the papers in this collection. The Fine Arts Department role was to organize exhibitions of the work of British artists and send them overseas. In this work they established international relationships with overseas arts organisations and brought British art to wide and varied audiences.

The first Director of the Fine Arts Department was Major Alfred A. Longden. He was succeeded in 1947 by Lilian Somerville, who had joined the Council during the war; she was appointed as Director of the Fine Arts Section of the Visual Arts Department). In 1949 she was appointed Director of the retitled Fine Arts Department, and remained in this position until her retirement in 1970. She was succeeded by John Hulton (1971-1975) who had been her deputy. Other heads of the Department include Henry Meyric Hughes (1984-1992). The current Director is Andrea Rose.

The papers in this collection run from 1945-2003. Other documents relating to the British Council Fine Arts Department for this period have been deposited at The National Archives.

Presented by Clive Phillpot, on behalf of the British Council, July 2003.

The collection consists of 242 boxes of files relating to the work of the British Council Fine Arts, later Visual Arts, Department. The majority of the files concern the exhibitions created by the department and the touring of exhibitions outside Britain and provide illustrations of the art works included(notably for the Venice and Sao Paulo bienials), press cuttings, correspondence and related papers.

No System of arrangement available.

Open. Access to all registered researchers.

Usual copyright restrictions apply.
English

Paper and on-line catalogue available.

British Council papers TGA 9712, Lilian Somerville papers TGA 867.
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue. Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 2011 Art collections Exhibitions British Council Visual Arts Department Collections Cultural resources

Immediate source of acquisition or transfer

Presented by Clive Phillpot, on behalf of the British Council, July 2003.

Content and structure area

Scope and content

The collection consists of 242 boxes of files relating to the work of the British Council Fine Arts, later Visual Arts, Department. The majority of the files concern the exhibitions created by the department and the touring of exhibitions outside Britain and provide illustrations of the art works included(notably for the Venice and Sao Paulo bienials), press cuttings, correspondence and related papers.

Appraisal, destruction and scheduling

Accruals

System of arrangement

No System of arrangement available.

Conditions of access and use area

Conditions governing access

Open. Access to all registered researchers.

Conditions governing reproduction

Usual copyright restrictions apply.

Language of material

  • English

Script of material

  • Latin

Language and script notes

English

Physical characteristics and technical requirements

British Council papers TGA 9712, Lilian Somerville papers TGA 867.

Finding aids

Paper and on-line catalogue available.

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Notes area

Alternative identifier(s)

Access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

Tate Britain

Rules and/or conventions used

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Level of detail

Dates of creation revision deletion

Language(s)

  • English

Script(s)

    Sources

    Accession area