GB-70-tga-200317 - British Council Visual Arts Department

Área de identidad

Código de referencia

GB-70-tga-200317

Título

British Council Visual Arts Department

Fecha(s)

  • 1945-2001 (Creación)

Nivel de descripción

Volumen y soporte

308 boxes

Área de contexto

Nombre del productor

Historia biográfica

The British Council was founded in 1934 as the 'British Committee for Relations with Other Countries' and in 1936 it was re-named' The British Council'. The aims of the Council were:

"to promote abroad a wider appreciation of British culture and civilization, by encouraging the study and use of the English language, and thereby, to extend a knowledge of British literature and of the British contribution to music and the fine arts, the sciences, philosophic thought and political practice."

Funded by the British Government the Council's work was developed during World War Two and was particularly important during the 'Cold War' period and this is reflected in the papers in this collection. The Fine Arts Department role was to organize exhibitions of the work of British artists and send them overseas. In this work they established international relationships with overseas arts organisations and brought British art to wide and varied audiences.

The first Director of the Fine Arts Department was Major Alfred A. Longden. He was succeeded in 1947 by Lilian Somerville, who had joined the Council during the war; she was appointed as Director of the Fine Arts Section of the Visual Arts Department). In 1949 she was appointed Director of the retitled Fine Arts Department, and remained in this position until her retirement in 1970. She was succeeded by John Hulton (1971-1975) who had been her deputy. Other heads of the Department include Henry Meyric Hughes (1984-1992). The current Director is Andrea Rose.

The papers in this collection run from 1945-2003. Other documents relating to the British Council Fine Arts Department for this period have been deposited at The National Archives.

Institución archivística

Historia archivística

GB-70-tga-200317 1945-2001 Collection (fonds) 308 boxes The British Council Visual Arts Department

The British Council was founded in 1934 as the 'British Committee for Relations with Other Countries' and in 1936 it was re-named' The British Council'. The aims of the Council were:

"to promote abroad a wider appreciation of British culture and civilization, by encouraging the study and use of the English language, and thereby, to extend a knowledge of British literature and of the British contribution to music and the fine arts, the sciences, philosophic thought and political practice."

Funded by the British Government the Council's work was developed during World War Two and was particularly important during the 'Cold War' period and this is reflected in the papers in this collection. The Fine Arts Department role was to organize exhibitions of the work of British artists and send them overseas. In this work they established international relationships with overseas arts organisations and brought British art to wide and varied audiences.

The first Director of the Fine Arts Department was Major Alfred A. Longden. He was succeeded in 1947 by Lilian Somerville, who had joined the Council during the war; she was appointed as Director of the Fine Arts Section of the Visual Arts Department). In 1949 she was appointed Director of the retitled Fine Arts Department, and remained in this position until her retirement in 1970. She was succeeded by John Hulton (1971-1975) who had been her deputy. Other heads of the Department include Henry Meyric Hughes (1984-1992). The current Director is Andrea Rose.

The papers in this collection run from 1945-2003. Other documents relating to the British Council Fine Arts Department for this period have been deposited at The National Archives.

Presented by Clive Phillpot, on behalf of the British Council, July 2003.

The collection consists of 242 boxes of files relating to the work of the British Council Fine Arts, later Visual Arts, Department. The majority of the files concern the exhibitions created by the department and the touring of exhibitions outside Britain and provide illustrations of the art works included(notably for the Venice and Sao Paulo bienials), press cuttings, correspondence and related papers.

No System of arrangement available.

Open. Access to all registered researchers.

Usual copyright restrictions apply.
English

Paper and on-line catalogue available.

British Council papers TGA 9712, Lilian Somerville papers TGA 867.
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue. Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 2011 Art collections Exhibitions British Council Visual Arts Department Collections Cultural resources

Origen del ingreso o transferencia

Presented by Clive Phillpot, on behalf of the British Council, July 2003.

Área de contenido y estructura

Alcance y contenido

The collection consists of 242 boxes of files relating to the work of the British Council Fine Arts, later Visual Arts, Department. The majority of the files concern the exhibitions created by the department and the touring of exhibitions outside Britain and provide illustrations of the art works included(notably for the Venice and Sao Paulo bienials), press cuttings, correspondence and related papers.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

No System of arrangement available.

Área de condiciones de acceso y uso

Condiciones de acceso

Open. Access to all registered researchers.

Condiciones

Usual copyright restrictions apply.

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

British Council papers TGA 9712, Lilian Somerville papers TGA 867.

Instrumentos de descripción

Paper and on-line catalogue available.

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Tate Britain

Reglas y/o convenciones usadas

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso