GB 1249 Érard - Érard, harp manufacturers

Zona de identificação

Código de referência

GB 1249 Érard

Título

Érard, harp manufacturers

Data(s)

  • c1798-1917 (Produção)

Nível de descrição

Dimensão e suporte

3 volumes (372pp, 372pp, 302pp)

Zona do contexto

Nome do produtor

História biográfica

Sébastian Érard (1752-1831) enjoyed a successful career as a piano manufacturer in Paris between 1768-1790, enjoying royal and aristocratic patronage, and pioneering important improvements in the design and manufacture of keyboard instruments. A known royalist, he left Paris in around 1790-1791 for London, and in 1792 founded a business at 18 Great Malborough Street, concentrating on the manufacture of harps, which previously had almost always been imported from France. He patented his single action harp in 1794, the double action in 1810, and his nephew Pierre Orphée Érard (1794-1855) patented the larger 'Gothic' harp in 1835. The London business enjoyed great success, reflecting the rising popularity of the harp among both professional and amateur musicians in the early 19th century. The Érard ledgers show that a large proportion of the 6862 harps listed were purchased by royalty and the aristocracy in Great Britain and abroad, and they provide documentation of the musical activities of the families of George IV, the Duke of Wellington, Louis Philippe, Sir Walter Scott, Jane Austern and Sir Joseph Paxton, beside many other references that illuminate more obscure figures. They reveal details of stringing, materials, repairs, costs and models, the preferences of professional harpists such as Anne-Marie Krumpholtz, Sophia Dussek, the Vicomte de Marin, and Francois Joseph Dizi, and also show details of packing, agents, and transport of harps exported, including harps despatched to the continent, Russia and America. The London business proved so successful that it was able to reimburse all debts incurred by the Érard's Parisian business which had been declared bankrupt in 1813. Sébastian returned to Paris to resume piano manufacture and invention and the London concern was controlled by Pierre from May 1814. On the death of Pierre in 1855, the business passed into the hands of his widow Camille (1813-1889), and a M Bruzaud was nominated as controller of the London business. In the face of declining business, the London factory was sold at auction on 9 Sep 1890, though a few harps continued to be made at the rear of the Great Malborough Street premises until the late 1930s.

Entidade detentora

História do arquivo

When the Érard factory in South Kensington was sold in 1890, the ledgers passed with business and surviving stock to J George Morley and his descendants, and were for a time lent to the Victoria and Albert Museum.
GB 1249 Érard c1798-1917 Collection (fonds) 3 volumes (372pp, 372pp, 302pp) Érard , harp manufacturers
Sébastian Érard (1752-1831) enjoyed a successful career as a piano manufacturer in Paris between 1768-1790, enjoying royal and aristocratic patronage, and pioneering important improvements in the design and manufacture of keyboard instruments. A known royalist, he left Paris in around 1790-1791 for London, and in 1792 founded a business at 18 Great Malborough Street, concentrating on the manufacture of harps, which previously had almost always been imported from France. He patented his single action harp in 1794, the double action in 1810, and his nephew Pierre Orphée Érard (1794-1855) patented the larger 'Gothic' harp in 1835. The London business enjoyed great success, reflecting the rising popularity of the harp among both professional and amateur musicians in the early 19th century. The Érard ledgers show that a large proportion of the 6862 harps listed were purchased by royalty and the aristocracy in Great Britain and abroad, and they provide documentation of the musical activities of the families of George IV, the Duke of Wellington, Louis Philippe, Sir Walter Scott, Jane Austern and Sir Joseph Paxton, beside many other references that illuminate more obscure figures. They reveal details of stringing, materials, repairs, costs and models, the preferences of professional harpists such as Anne-Marie Krumpholtz, Sophia Dussek, the Vicomte de Marin, and Francois Joseph Dizi, and also show details of packing, agents, and transport of harps exported, including harps despatched to the continent, Russia and America. The London business proved so successful that it was able to reimburse all debts incurred by the Érard's Parisian business which had been declared bankrupt in 1813. Sébastian returned to Paris to resume piano manufacture and invention and the London concern was controlled by Pierre from May 1814. On the death of Pierre in 1855, the business passed into the hands of his widow Camille (1813-1889), and a M Bruzaud was nominated as controller of the London business. In the face of declining business, the London factory was sold at auction on 9 Sep 1890, though a few harps continued to be made at the rear of the Great Malborough Street premises until the late 1930s.

When the Érard factory in South Kensington was sold in 1890, the ledgers passed with business and surviving stock to J George Morley and his descendants, and were for a time lent to the Victoria and Albert Museum.

Bought at Sotheby's sale, 1 Dec 1994, lot 142.

Ledgers of Erard, harp manufacturers of London, c1798-1917, giving details of purchasers, prices, packing, transport, repairs and exchanges

Ledger, vol 1, harps nos 1-1374, c1798-Sep 1810; vol 2, nos 1375-4214, Mar 1811-Feb 1829; vol 3, nos 4215-6862, Feb 1829-Dec 1917.

The ledgers are held by the Instrument Museum, Royal College of Music. Readers wishing to consult the original ledgers or the microfilm must arrange access via the Curator of the Museum.

Extensive reproduction of the ledgers is not permitted, pending their publication.
English, with some annotations in French in volume 1.

Not known

The RCM Library holds a microfilm copy of the ledgers.

Publication of the ledgers by the Instrument Museum is currently in preparation.

Compiled by Robert Baxter as part of the RSLP AIM25 Project. Sources: Article by Elizabeth Wells in the Annual Report of the Friends of the National Libraries, 1994, pp17-19; Grove Dictionary of Music. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Nov 2001 England Europe London Music Musical instruments Érard , family , piano and harp manufacturersm x Erard , family Érard , harp manufacturers UK Western Europe Performing arts

Fonte imediata de aquisição ou transferência

Bought at Sotheby's sale, 1 Dec 1994, lot 142.

Zona do conteúdo e estrutura

Âmbito e conteúdo

Ledgers of Erard, harp manufacturers of London, c1798-1917, giving details of purchasers, prices, packing, transport, repairs and exchanges

Avaliação, seleção e eliminação

Incorporações

Sistema de arranjo

Ledger, vol 1, harps nos 1-1374, c1798-Sep 1810; vol 2, nos 1375-4214, Mar 1811-Feb 1829; vol 3, nos 4215-6862, Feb 1829-Dec 1917.

Zona de condições de acesso e utilização

Condições de acesso

The ledgers are held by the Instrument Museum, Royal College of Music. Readers wishing to consult the original ledgers or the microfilm must arrange access via the Curator of the Museum.

Condiçoes de reprodução

Extensive reproduction of the ledgers is not permitted, pending their publication.

Idioma do material

  • inglês

Sistema de escrita do material

  • latim

Notas ao idioma e script

English, with some annotations in French in volume 1.

Características físicas e requisitos técnicos

Instrumentos de descrição

Not known

Zona de documentação associada

Existência e localização de originais

Existência e localização de cópias

The RCM Library holds a microfilm copy of the ledgers.

Unidades de descrição relacionadas

Descrições relacionadas

Nota de publicação

Zona das notas

Nota

Identificador(es) alternativo(s)

Pontos de acesso

Pontos de acesso - Assuntos

Pontos de acesso - Locais

Pontos de acesso - Nomes

Pontos de acesso de género

Zona do controlo da descrição

Identificador da descrição

Identificador da instituição

Royal College of Music

Regras ou convenções utilizadas

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estatuto

Nível de detalhe

Datas de criação, revisão, eliminação

Línguas e escritas

  • inglês

Script(s)

    Fontes

    Área de ingresso