Records of the Artists League of Great Britain, formerly the Imperial Arts League. The records relate mainly to the administration of the league. The earliest material are the council minutes from 1909. There are also files of individual members; especially interesting is the file of Sydney Cockerell, bookbinder, which includes samples of hand made end-papers. Also of interest are the subject files on sketching and painting in war time (1915-1942) and a file of newspaper cuttings (1939-1940) concerning exhibitions and bequests during the war.

Records of the Exploring Living Memory project, organised by the London History Workshop Centre. This collection contains files relating to the administration and organisation of the Exploring Living Memory workshops, conferences and exhibitions together with copies of images and sample sections of text used in the displays of participating groups and individuals. There are a variety of images depicting individuals, family groups and war time experiences together with images of London both past and present.

The collection contains the administrative papers of the Barbican Arts Group Trust including policy documents; minutes of meetings; financial records; property records; and artists' details. In addition, the collection includes a range of visual material showing artists and their work as well as printed publicity material for exhibitions. The Trust's outreach work is represented through a number of school packs and booklets.

Records of Olympia Exhibitions Limited including memorandum and articles of association, directors' reports and accounts, and a minute book.

Records of Showprops Limited including directors' reports and accounts, minute books and an attendance book.

Vote of thanks from the Dickens Fellowship to the Corporation of the City of London for the loan of a medal to the first Dickens exhibition, Memorial Hall, London, 25 to 28 March 1903.

Papers of Guildhall Art Gallery, comprising account of several pictures presented to the Corporation by John Boydell, alderman, 1793 and register of works of art, listing paintings, drawings and sculptures, presented donated or deposited at Guildhall, begun 1906, retrospective to 1660, and continued to 1953.

Records of Earls Court Grounds Limited, comprising minutes of Board and General Meetings.

Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Records of the London History Workshop, 1984, consisting of slide carousels relating to the 95th birthday cake exhibition and files of research relating to the history of London government.

This collection consists of letters to and from officials of the Crystal Palace relating to exhibitions, visits and events.

Records of the Libraries, Guildhall Art Gallery and Archives Committee, Court of Common Council, comprising journals, 1824-1856; minutes, 1828-1998 (minutes from 1975 onwards are closed); committee papers, 1828-1957 (papers 1939-1940 were destroyed by enemy action) and list of committee, summary of persons and duties, standing orders, rules and regulations and so on, 1930-1931.

Records of the Library and Museum Committee, Court of Common Council, including minutes, 1869-1874 and committee papers, 1869-1875.

Records of the Guildhall Art Gallery, comprising memorandum on the establishment of the Guildhall Art Gallery and the appointment of a Director, 1944; article The Corporation's Picture Collection and the Guildhall Art Gallery, 1965; extracts relating to the portraits of the Fire Judges, 1670-1705, and reports on the restoration of the portraits, 1945; Chamber vouchers, orders for payment and receipts for drawing, framing, setting up, inscribing and decorating the Fire Judges portraits, 1671 and order for payment for painting the pictures of the King and the Duke of York, 1672.

The City of London's first commissions were portraits of the judges appointed to assess property claims in the wake of the Great Fire of London - the so-called 'Fire Judges'. These were followed by portraits of kings and queens and of other individuals who had rendered a service which the City of London wished to recognise.

Collection of ephemera, 1857-1869 and undated {1850s-1860s}, largely printed, including playbills, programmes, song sheets, catalogues and guides, relating to events, including sport, music, fireworks, fountains and illuminations, at the Crystal Palace (Sydenham, Kent); to operas at the Royal English Opera and the Royal Italian Opera, Covent Garden (Westminster); and to theatrical, musical and other recreational events, including comedies, ballets, tableaux, dioramas, exhibitions, and popular scientific events, at various premises including in Westminster, St Marylebone, Paddington, St Pancras, St Giles in the Fields, South Kensington, Kew, and Greenwich.

Manuscript exhibition labels listing Spanish and Persian medicines.

Records of the Royal Commission for the Exhibition of 1851, 1849-2002, comprising minutes of the Commission, 1850-1993; minutes of the Board of Management, 1872-2002; minutes of Science Scholarships Committee, 1890-2002; reports of the Commissioners to Parliament, 1850s-1960; annual reports of the Board of Management and committees, 1880s-2002;

correspondence, 1850-1855, relating to the Exhibition, including transport and reception of exhibits, site for the building, organisation of activities and visits for overseas visitors, medal design, music for the opening ceremony, appointment of jurors, negotiations with the contractors Fox & Henderson, award of gratuities, removal of the Crystal Palace to Sydenham, use and disposal of the surplus funds, purchase of the South Kensington Estate;

correspondence concerning the South Kensington estate, 1851-2002, including the establishment, building and subsequent development of institutions such as the Royal Albert Hall, Royal College of Music, Royal College of Art, Science Museum, Natural History Museum, Victoria and Albert Museum, Royal College of Organists, Imperial Institute (later Commonwealth Institute), Queen Alexandra's House, Royal Horticultural Society and Imperial College; correspondence concerning private properties on the estate, such as Queen's Gate; correspondence with the Royal Geographical Society, 1913-2001;

files relating to science research scholars, research fellows, overseas scholars, industrial fellows, industrial bursars, industrial design students and naval architecture scholars, including some research papers, 1891-2002;

maps, plans, drawings, photographs, including ground plans of the Exhibition, 1851; architectural drawings of the proposed estate, 1850s;

Windsor Archive concerning the 1851 exhibition, 1849-1886.

Records documenting the work of contemporary artists practising in Britain of African-Caribbean, Asian and African descent, 1970-2002, largely comprising exhibition posters, exhibition cards, press releases, press cuttings, videos, audio tapes and slides; records of The Peoples' Gallery, Camden, 1984-1987, comprising publicity flyers, press cuttings.

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Papers compiled by Chelsea College of Art & Design relating to Mariko Mori, a former student, 1992-2000, comprising her BA thesis, exhibition guides, private view cards, press cuttings and photographs.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

Papers of Stephen Willats, 1960s-1998, comprising documentation relating mainly to his West London Social Resource Project in the Greenford, Hanwell and Osterley area, [1972], including questionnaires, re-modeling books and manuals for Greenford, Hanwell and Osterley, black and white photographs of the areas, audio tape of statement and interviews with project operators, examples of returns from re-modeling books and manuals, participants' sheets, public decision sheets, map of project area, exhibition display mounts; papers relating to his Edinburgh Social Model Construction Project, 1973, including project operators' manuals, problem sheets for project areas, participant project file; advertising posters, photographs; exhibition catalogues, 1968-1998, for exhibitions of Willats' work in the UK, Europe and Toronto.

Papers of the Exhibition Section and the Education Section of the Natural History Museum, 1939-1983, comprising: DF700 Exhibition Section Project Files; DF701 Exhibition Section Internal Administration; and DF702 Education Section Files.

The Photograph Collection contains images of the galleries, exhibits, staff and visitors from the time of the opening of the Museum onwards.

Papers of the Wellcome Historical Medical Museum, 1874-[1984], comprising reports, correspondence, administration records, staff files, inventories, diaries, registers, notebooks, financial records, details of exhibitions and events, visitors books, photographs, publications, presscuttings, and papers relating to Henry Solomon Wellcome's personal life including arrangements for his funeral.

Photographs and slides generated by the various Wellcome bodies. Including:

Photographs relating to Balfour's South American Expedition, 1914 and to the Mobile Bacteriological Laboratory 1918.

Photographs depicting the interior arrangement of the Wellcome Historical Medical Museum, and specific exhibition cases or objects.

Glass lantern slides used for lectures on the history and current work of the various departments of the Wellcome Research Institution.

Photographs mainly depicting the Museum displays and their use by visitors.

Photographs of the Floating Laboratory and its model, and an extensive series of photographs taken for the annual reports.

Two large format albums of prints of interior and exterior views; plus loose photographs including of the cornerstone laying ceremony.

Diaries recording William Halle's daily life, working as an artist and at the Telephone Exchange. He writes about trying to sell paintings to galleries, organising exhibitions and records his worries over money, his health and his sister, who lived in South Africa. The diaries also record his thoughts on various friendships and sexual relationships.

Photographs of Russian silver, porcelain, glass, ikons, paintings and other objets d'art; also offprint of Russian silver by R G Hare (in Ramsay, L G G "The Connoisseur Complete Encyclopedia of antiques" (New York, 1962, pp 60-65).

Papers of Reichskommissar für die besetzten Niederländischen gebiete, 1942, comprise a copy of a letter from the Reichskommissar für die besetzten Niederländischen Gebiete to Dr Lammers concerning acquisition of paintings at a low price in Holland.

Material, 1938-1996, regarding the fate of Jews in Vienna during the Nazi era including: extract from Viennese street directory; register of assets of Martha Sara Waldmann, 1938; property declaration form, 1938; situation report regarding the deportation of Jews to Poland, 1942 and papers relating to an exhibition on the Viennese Jewish community during the Third Reich, 1996, including script of a German documentary Später Besuch (Belated Visit) and handouts at the exhibition.

Leaflets, fliers and ephemera documenting an exhibition of the works of Charlotte Salomon, 1998-1999.

Papers of Adolf Frankl, 1975-1990, relate to an art exhibition of Adolf Frankl's works and consist of correspondence, opening addresses, newspaper reviews and catalogues.

The archive consists of copies of information pieces that appeared in art magazines during their media campaign to draw attention to discrimination and inequality in the art world. It also includes an article about Fanny Adams, a bibliography of 'Fanny's moments in the press' and video footage of events, including 'Fanny's Big Ball', 28 Oct 1992.

Diary of Henry Cole,1858-1859, during which time he became sole secretary of the Department of Practical Art, established by the Board of Trade to capitalise on the success of the Great Exhibition by promoting the teaching of design for industry.

Photographic record of student work completed at the Royal College of Art, 1949-ongoing, including c5000 prints, 1949-1980s, c25,000 slides, 1961-2002, and upwards of 25,000 digital images, 2003-ongoing. The majority of images are installation shots of individual student works across all departments, including Painting, Printmaking, Photography, Sculpture, Ceramics and Glass, GoldsmithingSilversmithing Metalwork and Jewellery, Graphic Design, Illustration, Industrial Design, Interaction Design, Furniture, Design Products, Architecture, Vehicle Design and Textiles. Work exhibited in the Fashion (catwalk and static) shows and final-year exhibitions staged by Curating Contemporary Art students are also included.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Records of the Royal Society of Painter-Printmakers comprising:

Council minutes 1880-1954, 1855-1986; rules and regulations 1888-1927; reports from Council to the Annual General Meeting 1883-1925; reports of Annual General Meeting proceedings 1888-1978; financial records 1881-1954; newspaper cuttings book 1889-1910, 1933-1946; exhibitions registers 1889-1962, 1968-1983; sales books 1890-1942, 1955-1968; sales file 1969-1983; register of names and address 1900-1920; roll of candidates 1920-1933; council signatures 1890-1910, 1920-1960; correspondence between Seymour Haden and the Print Sellers Association 1877-1884; papers for society elections 1963-1978; general correspondence 1880-1989; lists of Diploma Etchings 1882-1891; scrapbooks, 1898, 1894; lists of contributors to exhibitions 1881-1887; prospectus 1881 (also in French and German); photographs of Haden [1902]; photos of exhibition galleries 1909; printed monographs of Haden 1880-1902; papers and correspondence relating to the dispute over the RE charter 1905-1906; files relating to Haden's will 1908;

Catalogues of exhibitions 1881-1990, including annual exhibitions, open exhibitions and various visiting exhibitions;

Joseph Webb Memorial Fund minute book 1922-1981; correspondence 1964-1972; competition papers 1972-1979; and ledger 1965-1976;

Print Collector's Club records including minutes 1921-1991; sale book for Print Collectors Club publications 1939-1955; financial records 1928-1942, 1972-1983; correspondence 1921-1938, 1962-1974; Annual General Meeting reports and drafts 1922-1939; pamphlets for demonstrations of etching, mezzotint, wood-cutting and wood-engraving, acquatint, lithography, line engraving and dry point, 1922-1957; publicity materials 1933-1988; and rule book 1921;

Personal papers collections of Sir Frank Short, c1905-1924 (see separate description); Nathaniel Sparks 1916-1923 (see separate description); Thomas Lupton 1827-1854; and John Landseer [1804].

miscellaneous drawing of Frederick Goulding by James Tissot;

and collection of tools used by Seymour Haden presented to the society by his family.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Catalogues of two exhibitions, 1851-1862: the Great Exhibition of 1851 and the London International Exhibition on Industry and Art, May-November 1862.

Records created or held by Dennis Berry while he was the Head of the Architecture department at Kingston School of Art/ Kingston College of Art/ Kingston Polytechnic (now Kingston University). Includes photographs, scrap books, notes on town plan exhibitions and projects, notes on curriculum and examinations, meeting minutes, diaries, leaflets and publications from the Architecture department, and posters for an Architecture talk 1959.

Letters and cards written by Iris Murdoch to artist Rachel Fenner from 1964 onwards. Murdoch taught Fenner at the Royal College of Art and they remained friends afterwards. Topics covered in their correspondence includes Fenner's studies and later work, Murdoch's work, their travels, arranging meetings, and general family news. There are over 300 letters in total.

Documents relating to Exhibitions and Displays at Kingston Polytechnic from 1975-1986. Includes display programmes, leaflets, photographs and press cuttings. Also with a photograph of the staff of the Business School in 1982, and a Kingston Polytechnic Diary newsletter dated 05 May 1986.

Documents relating to Kingston School of Art (later Kingston College of Art, which merged with Kingston Technical College to form Kingston Polytechnic in 1970). The Collection includes minute books; scrap books containing press cuttings, exhibition invitations and leaflets; prospectuses; and items relating to exhibitions and fashion shows.

Records collected from within Kingston School of Art at Kingston University and from external donors relating to the history of Kingston School of Art / Kingston College of Art (later part of Kingston Polytechnic and Kingston University). Records collected include photographs, events and exhibition programmes and invitations, prospectuses, leaflets, and correspondence. Originally collected as part of the Archive KSA Project.

Handwritten document by Iris Murdoch giving her thoughts on the definition of Love, written on request for artist George Pappas. With an accompanying letter written by Iris Murdoch dated 15 Jul 1969 agreeing to write a piece for him, plus a postcard, brief biography of and review of an exhibition by George Pappas.

Ephemera, correspondence and other material relating to Kingston School of Art (later Kingston College of Art). Subjects covered include exhibition invitations, the Reginald Brill Exhibition (1998-9); and minutes of Kingston School of Art Governor's Meetings [1950]-1966.