Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Photographs of Russian icons intended to give "a picture of the development of ancient Russian icon painting" with an introduction signed by Anisionov and brief descriptions of each photograph. Inserted in the album are notes on an exhibition "Russia: her soul through the ages in life and art", 18 November 1929.

Records comprise correspondence and notes relating to the College armorial bearings, 1908-1980, the College flag, 1938-1945 (MA); correspondence relating to photographs of Imperial College and members, 1910-1953 (MN); papers and correspondence relating to paintings and portraits of Rectors, Chairmen, Prince Consort, 1954-1987 (MP).

Papers of John Thomas Baines including manuscript descriptions of four lithographs of South Africa; photocopies of two letters to Thornton, one dated 1859; typed list of 288 paintings owned by the RGS; catalogue and booklet of exhibitions of 1975; topographical notes of journey west from Zambesi and diary, May 1869-April 1870, missing since 1968.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Papers of Henry Clark Barlow, comprising papers relating to his Dante studies, both published and unpublished work, including manuscripts and notes for unfinished essays and lectures, titled manuscript notebooks, titled manuscripts, notes from codices and other sources, printed matter, and papers relating to the festivals of Dante; papers relating to his other studies, including a few items on geology and theology, and many sketches relating to the history of art, to architecture and to topography; personal papers, including Barlow's diaries and journals in which he wrote his observations on the architecture, art, geology, history and people of the places he visited, travel notes, and correspondence devoted almost entirely to Dante matters; acquired papers, including photographs, pictures, books, maps, plans, printed matter and ephemera.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Letter to The Times, with covering letter, in reply to an article by the paper's dramatic critic, Arthur Bingham Walkley, concerning Expressionism, 1924.

Papers of John Bell, late 18th century- early 19th century, comprising a watercolour painting by Bell, of the Dutch Vice Admiral Rutzius, who was mortally wounded in the Battle of Camperdown in Oct 1797; a reproduction of the watercolour which was made for Gordon Gordon-Taylor in 1951, for an article in the British Journal of Surgery; and annnotated pencil drawings of the bones of the skull.

Papers of Charles Ramsey Drinkwater Bethune comprising letters, written mainly by Bethune to his family, 1815 to 1835, and a number of watercolours.

Two volumes of notes, on medical and chemical books, and on diseases and their treatment, c 1800-1823.

Papers of Thomas Sherrer Ross Boase, [1930]-1972, comprising notes and drafts for lectures and essays by Boase, 1963-1972 and undated, including maps and photographs, sketches of buildings, notes on people and places; typescript articles and lectures etc, undated; correspondence, 1938-1939, largely with David Wallace, but also including a letter from Dame Freya Stark; photographs and negatives, mostly taken by David John Wallace, of sites of archaelogical interest of the Crusader period, largely located in Greece and Turkey, but also in Cyprus, Albania, Italy and Yugoslavia, undated [1930s]; photographs and postcards of sculptures, general views, architecture and illuminations, mainly located in Great Britain, Greece and the Middle East (many used as the illustrations to Boase's various books on the Crusader kingdoms and the art and architecture of the period), undated; printed maps and leaflets of the Middle East, Italy and Serbia, 1942-1970, both historical and contemporary; miscellaneous publications and printed matter, 1954-1972.

Collection of watercolour paintings and sketches by John Bristowe and his family including two volumes of watercolours by John S Bristowe, 1886-1895, including images of St Mary's Abbey, York; Studland Bay; Corfe Castle; Matterhorn; Vienna; Craig-y-care; Harlow Mill River Stort; North Wales; (some with loose pages and incomplete); sketch book containing pencil sketches, 1889-1897, including images of Welsh landscapes, Lake Geneva, Bradfield, and Norway; and loose paintings of Bradfield College, Staverton Bridge, Amalfi 1895, Capri, [Loen Nourn] Norway, and various other images; also contains nine watercolour paintings attributed to the daughter of John Bristowe.

The archive consists of biographical publications on Louie Burrell and postcard reproductions of her work:

• 13 postcard reproductions of the following paintings by Louie Burrell: Life Class (1900-1903); Girl at Writing Box (c 1895); A Model (1900-1903); Old Sales - a model (1900-1903); Making Marmalade (1890-1900); Philippa (1917); A Model (1900-1903); The Forge (1890-1900); Julia (1889); A Child Seated (1904); Mrs Stanley Baldwin (1924); Nurse and Philippa (1908); Philip Burrell (1904-1907)

• 1 postcard reproduction of a painting by Ada (Margetts) Luker (mother of Louie Burrell): Still Life (c 1857)

• 'The Saratoga Trunk and The Last Door' (Jul 1997), Philippa Burrell. Booklet memoir relating to her own and her mother's artistic life.

• 'Louie Burrell - A Woman Painter', (The University of Hull Art Collection, c 1990). A short biography compiled from the letters and writings of Philippa Burrell and Jim Murrell.

• 'Louie Burrell Woman and Artist 1873-1971' (c 1990). Leaflet by Philippa Burrell.

Papers of Esmond Burton, c 1955, comprise seven plaster miniatures of working men and women prepared by sculptor Edmond Burton, relating to the bas-reliefs on the three frontages of Bentham House, residence of the Faculty of Laws at University College London. The buidling was originally the headquarters of the General and Municipal Workers' Union (now part of GMB), and was designed by Hubert Lidbetter. Fourteen black and white photographs of the bas-reliefs and construction of the building. Note that the right-hand figure in the 'group of five' photograph is Hubert Lidbetter.

Letter from Sir Edward Henry Busk of Heath End, Checkendon, Oxfordshire to R A Rye. Asking for the name and address of a photographer to reproduce his portrait painted by [John Singer] Sargent, 'as many friends are asking me for a reproduction'.

Autograph, with signature.

Records comprising:

papers of Frances Mary Buss including scrapbook of articles, notes, anecdotes, pamphlets, [1886 1881; Queen's College Teaching Certificate 1848-1849; sketch of family tree; volume containing copies of Girton Songs, [1890]; letters to and from FMB, [1870s], and letters from friends, colleagues and former pupils, including Dorothea Beale, Emily Davies, Jane Storrar, Annie Ridley, Sara Burstall, Elizabeth Garrett Anderson, Maria Gray, Anne J Clough and David Laing;

letters out copybook of Alfred J Buss, 1882-1889, 1897-1906 (2 vols); letters to AJB, [1870s];

illustrated journals of Septimus Buss, 1860-1875 (3 vols), continued in 1935 by Francis Fleetwood Buss; watercolour;

scrap book of Jane Buss, including photographs, illustrations, printed drawings etc, 1878-1894;

papers and art work of Robert William Buss including scrapbook of prints of engravings of titled 'Illustrations of University Life', 1842; volume of sketches, drawings and etchings by RW Buss (owned by Mary Caron Buss, 1914); sketchbook (undated); 'RWB extemporary compositions and sketches' (1845) - related to a sketching club, containing works by various members of the club; 5 portraits by R W Buss, in pen and ink; pastel portrait of FMB as an infant; and two oil paintings; file of papers, 1859-1909; photos, 1850s; designs and prints;

Buss family papers including volume of press cuttings, relating to the death of Frances Mary Buss, 1894; scrapbook compiled by F F Buss, 1854-1922; Frank Fleetwood Buss chronicle of the Buss family, (undated); List of persons named Fleetwood who have served in the naval and military forces, compiled by Robert Woodward Buss, 1920 (privately printed); The family of Fleetwood of Calwich co. Stafford with a pedigree, by RWB, London, 1908; The ancestry of William Fleetwood..., 1926; papers relating to the Fleetwood family history, 1908-1926 (13 printed booklets); letters photos, family memorabilia, notes on family tree, printed papers, 1860s- 1980; photographs of FMB and family members including Mary Caroline Buss, and Mary Caron Buss; and sketches and watercolours, [1870s-1920s].

Papers of Sir Augustus Wall Callcott, 1786-1837, comprising travel journals and papers largely from Callcott's honeymoon in Europe in 1827-1828, notably including lists, descriptions and sketches of pictures from various art collections visited in Italy, Germany, Austria and Czechoslovakia.

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Records of Central Saint Martins College of Art & Design, 1989-2002, comprising prospectuses for 1989-2004; postgraduate degree and research directory for 2002-2003; material relating to degree shows, 1989-2002.

Records of the Central School of Art and Design, [1896]-1987, comprising minutes of the Advisory Council, 1915-1952; minutes and agendas of the Board of Studies, 1919-1937, 1962-1963; minutes of staff meetings, 1930-1932; annual reports of the Principal and Advisory Committee, 1911-1926; report by the Principal on the aims and organisation of the school, 1913; reports of the Advisory Council, 1926-1933; Advisory Council attendance book, 1915-1951; report of inspection of the Central School, 1920; Board of Education inspection reports of the Central School, 1920-1921; papers concerning aims and organisation of the school, including reports and correspondence, 1913-1956; papers concerning school inspections, including reports, 1929-1953; papers and correspondence relating to diplomas and fellowships, 1921-1953; papers concerning industrial art bursaries, 1947-1955; papers and correspondence relating to the Governing Body, including appointment of governors, 1955-1961;

correspondence concerning the book William Richard Lethaby, 1857-1931 by A R N Roberts (published 1957), [1956]; notes concerning a television programme on the School, 1954; notes on W R Lethaby, with some correspondence of Lethaby, [1909-1930]; visitors book, 1914-1984; timetables, 1973-1977;

photographs of Southampton Row building, [1908]-1970s; photographs of bomb damage to the school, [1942]; photographs of students, [1920s-1990s]; photograph album of students' work, [1950s]; photographs of Khartoum Technical College Department of Fine Arts depicting student life and work, 1963; photographs of life models, [1930s]; floor plans of the Central School building, [1950s];

copies of prospectuses, 1896-1987; prospectuses for departments, 1970s; exhibition catalogues for Central School Book Production and lithography, 1912-1913; degree show catalogues, 1950s-1990s; invitation and publicity concerning students' exhibition of work, 1952;

Students Union members' signature book, 1930-1932; rough lists of members of the Students' Society, 1959-1964; Central School of Arts and Crafts student magazines, 1919, 1920, 1923 (hand drawn and written); Book Production Class magazine (journals for the boys of the Day Technical School of Book Production and Silversmithing), 1912-1913; Printing Class Boys Magazine, 1916, 1926; student newspapers, 1970-1980; student handbook, 1974;

sketch books of R B Neal, of interiors of Hatfield House, sketches and photographs of furniture and notes and sketches on historical furniture styles, [1912-1914]; student essays on interior design and etching, 1954; printed examples of typographical work at a summer school for teachers, 1933;

articles and press cuttings relating to the history of Central School, including magazines and articles on the work of students, 1950s-1990s; press cuttings concerning the opening of the Jeanetta Cochrane theatre, [1962]; articles, obituaries, press cuttings, biographical information and papers relating to W R Lethaby, including his house designs, 1932-1980s; articles, press cuttings, exhibition catalogues, relating to Central School artists and designers, photographs and private view cards, compiled from the 1980s; press cuttings, publicity material concerning Central School exhibitions and fashion shows, 1987-1997;

printed London County Council Education Department records, including reports on technical education, 1912, training and employment in the printing trades, 1914, trade and technical education in France and Germany, 1914; handbook on education visits, 1910; annual report of the Council on higher education, 1911; reports on teachers' conferences, 1909-1914; reports on the Education Act, 1918; Staff Gazette, 1900-1903; Technical Education Board minutes, 1908.

Papers of Sir Joseph Austen Chamberlain, 1931-1938, relate to his time as Chairman of the Court of Governors and member of the Board of Management of the School of Tropical Medicine, and the aftermath of his death. Correspondence regards Chamberlain's role on the Court of Governors and Board of Management; information on donations and subscriptions; correspondence with his family after his death and on the commissioning of a portrait of him after his death; a note on his relationship with the School and letters to the Chairman of the Chadwick Trust.

Papers of M A Chambers, 1912-1913, comprise 'The lure of the Caucasus': sketches in prose and paint of travels under the old regime.

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Papers of William Cheselden, 1749-c 1990, comprising a deed of sale for the copyright of Anatomy of the Human Body by William Cheselden, to the publishers, Charles Hitch and Robert Dodsley for £200, dated 8 Apr 1749; two receipts for shares, dated 19 Oct 1771 by W Woodfall, for one 16th share in Cheselden's Anatomy to Mr Dodsley, and dated 22 Oct - 25 Nov 1778 by the trustees of Mr William Nicoll, also for one 16th share of Cheselden's Anatomy to James Dodsley; and photographs of the original drawings for Cheselden's Osteographia, 1733. The drawings for the vignettes in the Osteographia were by Jacobus Schijnvoet of Amsterdam, and the drawings for the plates were by Gerard van der Gucht. The photographs are mounted on card and numbered on the back.

Papers of Bouverie F Clark, 1882, comprise a report on a visit to Easter Island and to Sala-y-Gomez Island, June 1882, in HMS SAPPHO, with a watercolour sketch, by Captain F P Doughty, of images on the slopes of Mount Topaz, Easter Island.

Papers of James Fernandez Clarke, 1829, comprising a volume titled Notes of a Reader Volume I containing information relating to topics including drunkeness; stammering; the nervous system; travels in Turkey and Palestine; classification of the animal kingdom; painters and painting; idiosyncracies; the pursuit of knowledge; poetry; juvenile delinquency; and natural history.

Scientific and other papers sent to the Royal Society, presented at meetings of Fellows, or commissioned by the Society. They form a complementary series to the Early Letters, both of which were superseded by the Letters and Papers. Many of these items, referred to as the 'Guard Books', are duplicated in the Register Book of the Society. The classification is a simplified form of the 'Philosophical Transactions' abridgment by John Lowthorp. This arrangement was completed in 1741 by Thomas Birch. The majority of the papers in these volumes are manuscript, but a few printed documents occur throughout the series. Some of the papers are earlier in date than the grant on 15 July 1662 of the First Charter to the Society. The Committee of Trades seems to have been associated with the earlier meetings of those philosophers who subsequently became Fellows, and produced a number of practical papers, some of which were written in 1639 and which are mostly found in Volume 3(i). There are still earlier documents, mostly in Volume 25, which may have been included in the gift, in 1667, of the Arundel Library.

Typescript edited and unedited versions of memoirs of Lt Col John Alfred Codrington, [1947] entitled 'Gathering moss', 1898-1944, including account of service with British Mission Allied Armies of the Orient, Smyrna, Turkey, 1920, and as British Liaison Officer to French forces in Syria, 1926-1929. Photographs and papers, including notebook with manuscript notes on Regimental history of the Coldstream Guards, military training and preparations for deployment to France, 1917, eight watercolour paintings of churches in French towns, 1918, and photograph of Gen Sir George Wentworth Alexander Higginson at the unveiling of the Guards Memorial, St James's Park, London, 1926.

Papers of Dr Edward H Cree, including volumes one to twenty-one, 1937-1961, and comprises Cree's personal journals whilst serving at sea. The text is supplemented by circa seventeen hundred watercolours and sketches. The journals account details of his sea voyages, experience whilst in foreign lands, his impressions of people and places, his recollections amongst family and friends and writings concerning his life at home and with his wife. In addition to the illustrated journals are his 'rough journals' 1841, 1847, 1849, 1851-2 and 1854, his medical journal kept 1841-1847, journal notes (1837), sketchbook (1839), newspaper cuttings, service records and certificates and invitations. An index to the journals provides useful information on the vessels served on, the places visited and the illustrations within.

Small mounted oil painting by Thomas Creswick, of a steam train passing Leighton Buzzard on the London and Birmingham Railway line. A note on the reverse suggests that the work was painted in 1837.

Correspondence and papers, 1882-1939, relating to the pictures in the Royal Holloway College Picture Collection, notably copyright and reproduction, conservation, loans to exhibitions, provenance, and valuations. Picture Gallery Visitors Books, 1936-1977. Sale and Exhibition catalogues, 1881-1968, namely those including pictures from the Royal Holloway College collection. Articles relating to pictures in the Royal Holloway College Collection, 1864-1971.

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

Papers relating to the Devis family of artists, [1781]-1954, comprising items from the Tupper family papers, notably a Devis, Malham and Marris family tree, [1820]-1850, biographical details of family members, [1835]-1854; information collected by Sydney Herbert Pavière relating to the Devis family from various sources, including details of Devis and Marris family members from parish and civic records, correspondence with the Royal Academy of Arts about the family, [1950], photographs of original documents signed by members of the family, [1781-1785]; correspondence to Sydney Herbert Pavière concerning lectures about the family, and possible purchase of Devis pictures, [1950-1954], notably from Sir William Forster and the Rt Hon Lord Biddulph; extract and cuttings from printed material concerning the family, 1937, 1952.

Student's notes of lectures given at University College London, session 1863-1864, on fine art and construction by Thomas L Donaldson (1795-1885), first Professor of Architecture.

Papers of Mary Edith Durham, c 1899-1902, comprise six sketch books including pencil and watercolour drawings of coastal scenes and of local people and rural scenes including farms and cattle; areas depicted include Trieste, Viterbo and Nivica.

Papers of Mary Edith Durham, comprise water-colours, drawings and photographs from the Balkans, [1900-1912], many of the pictures are annotated, the paintings and drawings are signed M.E. Durham, 1900 and 17 water-colours, 4 black and white drawings and 2 photographs are mounted. Images depicted include Monastery churches at Deèani and Ipek, 'Moslem' peasants at Podgorica and market places at Cetinje and Cattaro.

48 paintings of Ear, Nose and Throat subjects, 20th century, comprising paintings on board, stamped on the back with 'Kreutle Ferencz...Budapest...'. (Ferencz Kreutle was a Hungarian publisher.) The drawings were located in a package labelled 'For the attention of Professor Michael, Institute of Laryngology.'

Transcript of a work entitled 'Traitté ou sont enseignées toutes les manières de piendre en mignature, avec plusiers exemples des plus excellens peintres de ce siècle', 1746, comprising an account of the different styles of various miniature painters of that era, notably Louis du Guernier, Jean Eckman, Louis van de Bruggen, Jean Petitot, as well as paintings by Sir Anthony Van Dyck, Claude Vignon and Charles Lebrun.

Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.

Papers of Helen Faulkner, 1938-1979, 20 water colour sketchbooks, 3 folders of notes relating to the sketchbooks, 3 boxes of index cards and 1 folder of preparatory notes for index and lists of determinations.

Papers of George Field, comprising photographs and colour slides of five notebooks, [1804-1825], covering all aspects of colour making.

Records of the Fine Art and General Insurance Company Limited comprising Board minute books, Committee minute books and general meeting minute books.

They are held off-site and require 24 hours notice for access.

Papers relating to Ian Hamilton Finlay, [1971-1996], comprising guides and booklets for sculpture exhibitions and poetry readings, 1969-1992; press cuttings and articles relating to Finlay's work, 1983-1993; artist's books by Finlay, [1971-1996], published by Wild Hawthorn Press; postcards produced by Finlay, [1968-1996], many published by the Wild Hawthorn Press.

Manuscript items of John Flaxman, comprising his journal, kept by him in Naples in 1788, consisting of manuscript text and drawings; and a commonplace book containing manuscript notes on sculpture and art and some pencil and ink sketches.

Research material, manuscripts, and publications of Joshua James Foster, 1880-1935, notably exhibition catalogues, 1880-1881, 1908, 1912; catalogues of miniatures owned by Sir H Stafford Northcote, [1902], and the Duke of Buccleugh (John Charles Montagu-Douglas-Scott) at the Victoria and Albert Museum, 1916-1917; proofs of articles for The Antiquary, [1884]-1889, and other publications, 1899, 1909-1918, with related letters to Foster from Viscount Cobham (Charles George Lyttelton), Earl of Gosford, (Archibald Brabazon Sparrow Acheson), Sir William Hesketh Lever, M H (Marion Harry) Spielmann, Lord Weardale (Philip James Stanhope); transcripts of published articles relating to Richard Crosse, artist, post 1910; published works annotated by Foster, 1916-1917; notes and an article on miniatures in private collections, 1912-[1916]; newspaper cuttings relating to Wessex Worthies, 1921; printed articles written by Foster, relating to miniatures and Giles Hussey, artist, 1923;
correspondence, notably relating to research projects, 1895-1917, including letter relating to the publication of British Miniature Painters, 1898, correspondence concerning the Buccleuch Miniatures, 1916, and a letter from Sir Robert Witt, 1917;
miscellaneous material collected by Foster's children, 1925-1932, notably sales catalogues featuring miniatures, 1925-1932; newspaper cuttings, 1925-1929; sales catalogue including books sold from Foster's library, 1935.

Pencil sketches of views in Rome.

Letter from William Ewart Gladstone of Hawarden, North Wales to Sir Joshua Walmsley, 29 Oct 1868. Replying to his request for a portrait of Gladstone. 'I am haunted by the belief that I am under a prior engagement'.

Autograph, with signature.

Portrait photographs of Fellows of the Royal Society by the Godfrey Argent Studio.