Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Architectural sketch and notebooks of Richard Kelsey, architect, containing annotated designs for, and sketches of, houses, theatres, prisons, bridges and sewers; plans and elevations of existing buildings by other architects, ancient and modern; drawings of medieval funeral effigies; extracts from writers on architecture and history; accounts for work done for customers; estimates; accounts for materials and workmen employed; and miscellaneous unrelated memoranda.

Architects drawings and notes relating to work in Battersea: sketches and specifications for work in St Saviour's Church Hall, Battersea Park Road, 1962 and St Mary's church, Battersea, 1937-1951.

Note-books of Arthur Layard containing sketches and drawings in pen, pencil and water-colour from a 'Course on Artistic Anatomy', and similar figure drawings, sketches for title-pages, book-illustrations, etc.

Microfilm of the letters and papers by or relating to Thomas Hodgkin MD (1798-1865) and his extended family, including his brother John Hodgkin junior (1800-1875) and the latter's father-in-law Luke Howard (1772-1864).

The collection consists mainly of minutes, financial records, manuscripts of unpublished texts and correspondence. It provides interesting detail on what one section of society thought would provide education for another. There is much useful information on the reading preferences of the public, and on the growth and development of Mechanics' Institutes. Most of those concerned with the founding of the Society as a project in self-education were also involved in the founding of the new University of London (now University College London) and some, like Augustus De Morgan and George Long, actually taught there. There is also considerable information on the work of publishers, illustrators, engravers and booksellers and on writers, whether already established authorities in their field or young hopefuls, like G H Lewes, who sought to establish themselves through the Society's patronage.

Material collected by Arthur Ebenezer Cooke, 1886-1936, mainly concerning trade unions of lithographic artists, designers, engravers and process workers, notably reports and official bulletins of the International Federation of Lithographers, Printers and Similar Trades, and the International Secretariat of Lithographic and Allied Trades, 1906-1927; papers relating to the Joint Industrial Council of the Printing and Allied Trades of Great Britain and Ireland, 1921-1935, including notes by Cooke, constitution and rules, and reports on education and health problems relating to the trade; records of the National Joint Industrial Council for the Process Engraving Industry, 1920-1935, notably minutes of meetings; reports and documents of meetings of the Non-Manual Workers Advisory Council of the Trades Union Congress General Council, 1932-1936; papers of the National Federation of Professional Workers, 1930-1935, notably material relating to social insurance; records of the Printing and Kindred Trades Federation, 1906-1935, including bulletins, annual reports, conference papers, and papers of the Executive Committee; rules of the Amalgamated Society of Lithographic Artists, Designers, Writers, Draughtsmen, and Copperplate and Wood Engravers, 1889-1932; material relating to the Amalgamated Society of Lithographic Artists, Designers, Engravers and Process Workers (later the Society of Lithographic Artists, Designers, Engravers and Process Workers), 1886-1935, including rules, annual reports, the quarterly society newspaper, documents relating to the development of the Society, 1886-1914, minutes of the Executive Council and the Executive Committee meetings, 1919-1935, minutes of Executive Joint Committee meetings, 1926-1936, material relating to the wages of lithographic workers, 1919-1936, papers concerning unemployment and unemployment levies, 1913-1935, and correspondence, 1911-1935, mainly to and from Cooke, on subjects including the organisation of the Society, affiliation with the Labour Party, the Trades Union Congress, and the wage levels and working conditions of its members; papers of the London Branch of the Society of Lithographic Artists, Designers, Engravers and Process Workers, 1912-1934, mainly comprising correspondence, minutes and reports; memoranda of agreements between printing societies, 1916-1936, mainly relating to amalgamations of various societies and national wage levels for the printing profession; copies of The Process Journal, 1930-1935; material collated by Cooke, 1907-1909, relating to the Labour Party, the Independent Labour Party, and trade unionism in Bristol; a typescript copy of Cooke's memoirs covering the years 1862 to 1935.

Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.

Comic Book Collection: The first sub-fonds/sub-collection [CB/1] contains mainly British and American comics, graphic annuals and graphic novels. Including many mainstream titles such as, Doctor Who annuals, Batman and Star Trek comics.
The second sub-fonds/sub-collection [CB/2] contains UK, American and European comics, graphic annual, books and newspaper cuttings. The graphic annuals cover the work of over seventy individual artists including Raymond Briggs, Guido Crepax, Will Eisner, P. Craig Russell and Moebius. In addition there are 35 files containing cuttings about comics and comic strips.

Papers of James Alfred Yates. A large part of the material consists of documents and notes gathered by Ruby Yates, in preparation for the article published in the Mariner's Mirror. The article, "From wooden walls to dreadnaughts in a lifetime" was based on Yates' "Memories" and other manuscripts, which his daughter, Ruby, found amongst his papers. The papers include autobiographical material, notebooks, transcripts of talks, correspondence, certificates, ephemera and printed books.

The Special Collections fonds comprises four important collections of graphic material: prints and maps from the Guildhall Library; Ordnance Survey maps; the photograph library and a collection of prints.

The Guildhall Library Prints and Maps collection is a diverse collection of graphic material relating to the City of London and surrounding areas, 1553-2008; including prints, sketches, drawings, engravings, etchings, panoramas, photographs and lantern slides of various subjects including streets and buildings, Second World War bomb damage, churches, people, City of London Corporation personnel and events including the Lord Mayor, statues and memorials, the Thames, and markets. Also maps, plans and surveys of London and surrounding counties, London streets, parish boundaries, railways, tramways, and sewers. With a collection of ephemeral items including posters, bills, cuttings, printed menus, invitations, exhibition ephemera, playing cards, trade cards, booksellers' labels, satires, and theatre playbills and programmes.

Ordnance Survey maps of Kent, 1894-1939; London, 1848-1940; and Middlesex, 1863-1914.

The prints collection is arranged by area of London, including views of streets and buildings in Bermondsey, Bethnal Green, Battersea, Chelsea, Camberwell, City of London, Deptford, Finsbury, Fulham, Greenwich, Holborn, Hackney, Hammersmith, Hampstead, Islington, Kensington, Lambeth, Lewisham, Paddington, Poplar, Shoreditch, Saint Marylebone, Stoke Newington, Saint Pancras, Stepney, Southwark, Wandsworth, Tower of London, Westminster, and Woolwich; 1508-1988.

The photograph library, 1890-1986, includes photographs of streets organised by borough, including Barking and Dagenham, Barnet, Bexley, Brent, Bromley, Camden, Hammersmith and Fulham, City of London, Croydon, Ealing, Enfield, Greenwich, Hackney, Haringey, Harrow, Havering, Hillingdon, Hounslow, Islington, Kensington and Chelsea, Lambeth, Lewisham, Merton, Newham, Redbridge, Richmond, Southwark, Sutton, Tower Hamlets, Waltham Forest, Wandsworth and Westminster. Also photographs of subjects including London County Council and Greater London Council personnel, buildings and services; parks; statues; events and visits; important buildings; schools and educational services; rivers; fountains; industrial sites; healthcare services; museums; almshouses; lodging houses; youth clubs; social problems; docks; transport; churches and chapels; emergency services; libraries; restaurants and public houses.

This collection consists of architectural drawings (on paper) of Kneller Hall, Twickenham, by George Mair, 1844-1848. The drawings of both First and Second Series bear the signatures: 'J.P. Kay Shuttleworth' and 'John Kelk'. In addition to the signatures all the drawings bear, in Kay-Shuttleworth's hand and following his signature, a date: 'Feb. 8. 1848' in the case of the First Series, and 'June 17 1848' in the case of Second Series. All the drawings bear, near Mair's inscription, the number 51/1844, which is perhaps his commission number or 'job number'. Moreover, all the drawings bear a circular stencilled stamp reading '1861 R.E. Office London' enclosing a number (either 6, 7, or 12).

Drawings in the First Series are all scaled 1 inch to 10 ft. They are all signed; 'Geo. Mair, architect, 18 Charlotte Street, Bedford Sq, London'. Most have original legends which contain clear indication that they relate to proposed alterations to an existing building. Drawings include: basement plan; ground plan; first floor plan; second floor plan; plan of roofs; entrance elevation; back elevation and side elevation.

Drawings of the Second Series show a very substantially altered building as compared with that depicted in the First Series. They are all signed: 'Geo. Mair, archt., May 1848'. Drawings include: plan of footing and drains; basement plan; ground plan; first floor plan; second floor plan; plan of roofs; north elevation; east elevation; west elevation showing additional buildings over the offices; transverse section C-D on plans and longitudinal section A-B.

Records of architects Cubitt Nichols, Sons and Chuter, comprising plans and drawings of shops and offices, mainly on Glasshouse Street, Brewer Street and Air Street, 1902-1918.

Records of the London College of Printing, 1893-1996, comprising:

Papers relating to the Bolt Court Technical School and London County Council School of Photoengraving and Lithography, 1893-1985.

Papers relating to St Bride's Foundation School, 1894-1921.

Papers relating to North Western Polytechnic, 1930-1969.

Papers relating to the College for the Distributive Trades (CDT), 1933-1988. Papers relating to the London School of Printing and London College of Printing, 1922-1996.

PLEASE NOTE: THIS COLLECTION IS NOW HELD BY THE EAST SUSSEX RECORD OFFICE

Papers and designs of Peggy Angus, comprising: Business papers and reference material including correspondence, Angus trade cards, Carter tile catalogues, sketch books and photographs of tiles, painted murals and wallpapers in situ. Printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards); booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps); loose papers (handbills, cuttings, calendars, bookplates, posters). Design examples by Angus and others, including oil paintings, prints, collages; wallpapers and wallpaper samples; tiles and floor designs.

Papers of Mary Edith Durham, comprise water-colours, drawings and photographs from the Balkans, [1900-1912], many of the pictures are annotated, the paintings and drawings are signed M.E. Durham, 1900 and 17 water-colours, 4 black and white drawings and 2 photographs are mounted. Images depicted include Monastery churches at Deèani and Ipek, 'Moslem' peasants at Podgorica and market places at Cetinje and Cattaro.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.

Illustrations, purchased from Barachevsky Russian Book Shop, mostly re Russia and mostly in colour from various antiquarian books including the following topics - art, objets d'art, costume, the imperial family, the military, orders and medals, religion and views of the country.

Records comprising:

papers of Frances Mary Buss including scrapbook of articles, notes, anecdotes, pamphlets, [1886 1881; Queen's College Teaching Certificate 1848-1849; sketch of family tree; volume containing copies of Girton Songs, [1890]; letters to and from FMB, [1870s], and letters from friends, colleagues and former pupils, including Dorothea Beale, Emily Davies, Jane Storrar, Annie Ridley, Sara Burstall, Elizabeth Garrett Anderson, Maria Gray, Anne J Clough and David Laing;

letters out copybook of Alfred J Buss, 1882-1889, 1897-1906 (2 vols); letters to AJB, [1870s];

illustrated journals of Septimus Buss, 1860-1875 (3 vols), continued in 1935 by Francis Fleetwood Buss; watercolour;

scrap book of Jane Buss, including photographs, illustrations, printed drawings etc, 1878-1894;

papers and art work of Robert William Buss including scrapbook of prints of engravings of titled 'Illustrations of University Life', 1842; volume of sketches, drawings and etchings by RW Buss (owned by Mary Caron Buss, 1914); sketchbook (undated); 'RWB extemporary compositions and sketches' (1845) - related to a sketching club, containing works by various members of the club; 5 portraits by R W Buss, in pen and ink; pastel portrait of FMB as an infant; and two oil paintings; file of papers, 1859-1909; photos, 1850s; designs and prints;

Buss family papers including volume of press cuttings, relating to the death of Frances Mary Buss, 1894; scrapbook compiled by F F Buss, 1854-1922; Frank Fleetwood Buss chronicle of the Buss family, (undated); List of persons named Fleetwood who have served in the naval and military forces, compiled by Robert Woodward Buss, 1920 (privately printed); The family of Fleetwood of Calwich co. Stafford with a pedigree, by RWB, London, 1908; The ancestry of William Fleetwood..., 1926; papers relating to the Fleetwood family history, 1908-1926 (13 printed booklets); letters photos, family memorabilia, notes on family tree, printed papers, 1860s- 1980; photographs of FMB and family members including Mary Caroline Buss, and Mary Caron Buss; and sketches and watercolours, [1870s-1920s].

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Papers of William Cheselden, 1749-c 1990, comprising a deed of sale for the copyright of Anatomy of the Human Body by William Cheselden, to the publishers, Charles Hitch and Robert Dodsley for £200, dated 8 Apr 1749; two receipts for shares, dated 19 Oct 1771 by W Woodfall, for one 16th share in Cheselden's Anatomy to Mr Dodsley, and dated 22 Oct - 25 Nov 1778 by the trustees of Mr William Nicoll, also for one 16th share of Cheselden's Anatomy to James Dodsley; and photographs of the original drawings for Cheselden's Osteographia, 1733. The drawings for the vignettes in the Osteographia were by Jacobus Schijnvoet of Amsterdam, and the drawings for the plates were by Gerard van der Gucht. The photographs are mounted on card and numbered on the back.

The manuscript versions of papers published by the Royal Society in the 'Philosophical Transactions'. The series has many points of interest, which include authors' corrections to manuscripts, and the presence of original illustrations in various media (drawings, watercolours and photographs) bound in the volumes. Not all of the material printed in the 'Philosophical Transactions' relating to Society business survives, but manuscript examples of meteorological observations, lists of presents and annual indexing may be found in volumes 8, 9 and 12.
Papers are usually bound into vellum-covered volumes by year of publication, although a few (volumes 4, 5, 8, 9, 12, 17, 73-75) are loose, boxed items. Several gaps appear in the collection, notably for the period 1825-1839 (volumes 18-22) and any year may lack one or more papers; these omissions are noted at the beginning of each part. Despite this, the series constitutes a large, relatively complete run.

Papers of Ebenezer Cooke, mainly printed, including published articles and papers on the teaching of art and design; ephemera concerning Cooke's involvement with the International Art Congress for the Development of Drawing and Art Teaching and the Education Society; notes taken at lectures, including on physiology, 1869, and on a course of lectures given by James Sully on 'Art and Vision' in 1880; report book [possibly belonging to Ben M Jones of the Diocesan Training College, Chester] with criticisms of lessons given by various teachers, including on their use of illustrative drawings, 1900-1901; papers relating to the London County Council Report of the Conference on the Teaching of Drawing in Elementary and Secondary Schools and Training Colleges, 1907-1909. The collection also includes timed drawings done by elementary school pupils at Station Road Girls' School, Highbury, London in 1897, other examples of art work done by children, and a small amount of correspondence.

Minutes and notes of the judging panel of the Mother Goose Award, 1978-1986 (Clodagh Corcoran, Shirley Hughes, Jane Little, Colin McNaughton, Fiona Waters, Sally Grindley, Jan Ormerod, Kathleen Gribble).

Papers of John Hanning Speke including observation files, 'Explorations in Eastern Africa', 1859; copies of letters from the East African expedition to Philip Lutley Sclater and Sir William Hooker, Sep 1860, and to the Royal Geographical Society (RGS), 1 Oct 1860; observations and computations, Lake region and upper Nile, 1861-1863; 44 letters to the RGS, 1857-1864, from East Africa with some information on his second expedition with Richard Francis Burton, and from Wiltshire concerning his relations with Burton and the preparations for his proposed expedition with James Augustus Grant to the source of the Nile, and from East Africa reporting on the progress of that expedition; letter to Col Rigby from Khoko, 12 Dec 1860; letter to King Rumanika of Karagwé, Mar 1862; two letters from John Petherick, 24 Feb and 15 Apr 1863 concerning the aid he expected to receive from Petherick; coloured plates of birds noted in Africa by Wilhelm Ruppell and others with original watercolour sketches by Speke and Grant on blank verso pages, Speke's signature on the inside front cover is followed by a page of notes on the use of watercolours and a sketch of King M'tesa of Uganda; reprint from the Journal of the Asiatic Society of Bengal, Vol 24, 'Report on a zoological collection from the Somali country by Edward Blyth, with additions and corrections by the collector' [Speke], edited by P L Sclater, London, 1860; letter, unfinished, to Mr. Tinne, from Neston Park, 1864; sketch maps of Lake Tanganyika and of Speke's route in 1857, (11 sheets, sheet 8 has a letter from Speke to the RGS from Unyanyembe, 20 Nov 1857, written on the back); volume entitled 'Extracts', containing a collection of press cuttings relating to the discovery of the source of the Nile by Speke and Grant and to Speke's death, 1863-1864 and volume entitled 'Record', containing extracts prepared by the Royal College of Arms for the Speke family.

Records of Cowell, Drewitt and Wheatley, architects, comprising ground plan of Saint Peter, Ealing, and drawing of brass altar cross from the same church, 1912.

Records of Cowell, Drewett and Wheatley, architects, 1889-1912. The records are plans and drawings of alterations and additions to the following churches: Holy Trinity, Chelsea; Saint Augustine's, Kilburn; and Saint Peter, Ealing.

Records of Fowler and Sutton, architects, 1899-1935. The records are plans, elevations, drawings and photographs of several churches, vicarages and parochial halls in South London that the firm worked on, including:

• Proposed new church and hall, Saint Faith, Sunray Avenue, Herne Hill, Camberwell
• Parochial hall of Saint Giles Camberwell in Brunswick Grove
• Parochial hall of Saint Paul, Herne Hill, Camberwell
• Church of the Epiphany, Stockwell, Lambeth
• Church, parochial hall, etc. of Saint Hilda Crofton Park, Lewisham
• Vicarage and parochial hall of Saint Mark, Clarendon Rise, Lewisham
• Church of Saint John, Larcom Street, Walworth, Southwark
• Sunday school and Church club of Saint Stephen, Villa Street, Walworth, Southwark
• Proposed new church of Saint John the Divine, Garratt Lane, Earlsfield, Wandsworth
• Church of Saint Paul Furzedown, Wandsworth
• Parochial hall of Saint Paul Furzedown
• Vicarage of Saint Paul Furzedown
• Church of Saint Nicholas Plumstead, Woolwich
• Parochial hall of Saint Nicholas Plumstead
• Vicarage of Saint Nicholas Plumstead
• Parochial hall of Saint James, Moore Park, Fulham

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Drawings and watercolour paintings of fossil fish by Joseph Dinkel, J C Weber, Cécilie Agassiz, Jacques Bourkhardt, G A H Köppel and Sixtus Heinrich Jarwart and others, commissioned by Jean Louis Rudolphe Agassiz for his publications 'Recherches sur les Poissons Fossiles' (1833-1844) and the follow up 'Monographie des Poissons Fossiles du Vieux Grès Rouge' (1844-1845). Also includes drawings commissioned by Lord William Willoughby Cole (1807-1886), later the Earl of Enniskillen, and Sir Philip de Malpas Egerton (1806-1881) of their own fossil cabinets.

Letter from Irene Wellington to Miss Joan Gibbs, [Dec] 1975. Card bearing a reproduction of a piece of work done by Wellington in Jan 1942, sent with greetings for Christmas 1975 and New Year 1976.

Autograph, with signature.

A calligraphic sample book, presumably compiled to demonstrate the skills of the unknown artist. Containing samples of writing and drawing styles, including some fine natural history drawings of freshwater animals.

f.1: fanciful decorative border including vignettes of indians with feather headresses, birds, snails, rams' heads, sphinxes, architectural columns, candles and paintings.

f.2: illustrations of four types of freshwater fishes: barbel (top); pike (bottom); bream (left) and gudgeon (right). With outer and inner borders of very small and patterned calligraphy.

f.3: specimen of calligraphy: Proverbs 16: 7-9 commencing "Wenn dem Herrn..." and ending "...aber der Herr allein gibt dass es fortgehe". Highly decorated 'W', using flowers, leaves and fruits.

f.4: seven lines of text with letters staggered at the line centre. Accompanied by a freely drawn bird [a swan on water?] and an illustration of a crayfish or lobster.

f.5r: three columns of written text, various styles and forms of address, commencing "Dantiscanae urbis origo"

f.5v: three coluns of written text, various styles and forms of address, commencing "Qua' tibi depictum..."

The presentation is noted in a meeting of the Royal Society of 26 February 1700/1: "Mr Owen was permitted to be present. He presented a fine piece of writing in a book done on Vellum at Dantzick [Gdansk, Poland]. He was thanked for it". [JBO/10 p.212].

'An Account of my Doings 1924-1966' by George Salt, including accounts of his scientific work, calligraphic work and his mountaineering.

The collection comprises correspondence, diaries, notes and drafts from the personal papers of members of the Hodgkin and Howard families. The bulk of the material dates from the nineteenth century.

The single largest accumulation of material relates to Thomas Hodgkin MD (1798-1866), the pathologist and philanthropist: almost half of the collection. Around the papers of this one individual, however, are numerous smaller tranches of material generated by related persons, resulting in the dividing of the archive into numerous sections dealing with other individuals or groups of people. A brief outline of the history of the family will help to explain the structure of the collection, and to set out the links between the Hodgkins and the various other Quaker families that occur in it.

The Hodgkin family were for many generations resident in Warwickshire; since the middle of the seventeenth century they had been Quakers. A handful of documents from the early eighteenth century represent this phase (section A), leading down the generations as far as John Hodgkin of Shipston (1741-1815), the grandfather of the pathologist. The first individual concerning whom there is substantial documentation is John Hodgkin of Pentonville (1766-1845), the father of the pathologist and thus referred to in the catalogue as John Hodgkin senior, who left Warwickshire for London and set up as a tutor (section B). He married Elizabeth Rickman (1768-1833), and some papers of this Sussex Quaker family are also in the collection as section C; they include material on her sister Lucy Rickman (1772-1804) who married the architect Thomas Rickman (1776-1841) and her apothecary-preacher uncle Joseph Rickman (1745-1810). Her sister Mary (1770-1851) married John Godlee (1762-1841) and had several children who occur as correspondents in this collection.

John Hodgkin senior and Elizabeth Rickman Hodgkin had four sons, of whom the first two (John and Rickman) died in infancy; the third and fourth survived. The elder of these, Thomas Hodgkin MD (1798-1866) or "Uncle Doctor" as he was known to succeeding generations, has already been mentioned. His papers, covering the wide range of his medical, general scientific and philanthropic activities, are held as section D of the archive.

Thomas Hodgkin MD married relatively late and left no children: it is from his younger brother, John Hodgkin junior (1800-1875), that the contemporary Hodgkin family descends. The latter practised law into his early forties but then, like his brother, devoted himself to philanthropic activity. His papers constitute section E of the collection. He married three times and left children by each marriage. His first wife, Elizabeth Howard Hodgkin (1803-1836), died in childbirth in 1835, her fifth child surviving only a few days. Her four other children all lived to marry and have descendants of their own. John Eliot Hodgkin (1829-1912) became an engineer and a collector of books and manuscripts; a small collection of his papers constitutes section F. Thomas Hodgkin junior (1831-1913) founded a bank (later merged with Lloyds) and had a parallel career as a historian; it was he who cared for the family archive now listed here. Documentation relating to him constitutes section G. Mariabella Hodgkin (1833-1930) married the lawyer, Edward Fry (her children included Roger Fry the art critic) and Elizabeth Hodgkin (1834-1918) married the architect Alfred Waterhouse. John Hodgkin junior's second marriage, to Ann Backhouse (1815-1845), joined the Hodgkins with a prominent Quaker family in the North-East (the Backhouses of Darlington were bankers and were based in Darlington), but the marriage lasted only a few years before her death of Bright's disease. The one child of this marriage, Jonathan Backhouse Hodgkin (1843-1926), appears in this collection chiefly as a small boy; later, he was to marry into the Pease family, a North-Eastern Quaker family of industrialists and bankers several of which occur in the archive as correspondents. Likewise, the six children of John Hodgkin's third marriage, to the Irish Quaker Elizabeth Haughton Hodgkin (1818-1904), are on the whole thinly represented here. What papers there are in this collection relating to children other than Hodgkin's two elder sons are all grouped together as section H.

Two more sections complete the Hodgkin material: I brings together miscellaneous pre-twentieth-century material that was found amongst the Hodgkin papers but not attributable to any specific individual, whilst J deals with twentieth-century members of the family, chiefly descendants of Thomas Hodgkin junior since it was his children, grandchildren and great-grandchildren who administered the collection until its presentation to the Wellcome Library.

John Hodgkin junior's first marriage, to Elizabeth Howard, linked the Hodgkins to another important Quaker family. Elizabeth was the daughter of the meteorologist and chemist Luke Howard (1772-1864), best known for his system of describing clouds which, with a few modifications, is that which is used today, and Mariabella Eliot (1769-1852), whose forename and surname recur in the Hodgkin and Howard families. The bulk of the Howard family papers are deposited elsewhere, but the family is well represented in this collection: there are papers relating to Luke Howard (section K) and to his daughters Elizabeth (section L) and Rachel (1804-1837) (section M).

Elizabeth Howard's brother Robert (1801-1871) married Rachel Lloyd (1803-1892), member of a Birmingham Quaker banking family, who was known in the family as Rachel Robert Howard to avoid confusion. Rachel "Robert" Howard was to play a notable role in the upbringing of the children of John Hodgkin junior's first marriage after the death of their mother. Her sister, Sarah Lloyd (1804-1890), married Alfred Fox (1794-1874) of Falmouth - a link to yet another significant Quaker family. Their daughter Lucy Anna Fox (1841-1934) was to marry Thomas Hodgkin junior. Correspondence of the sisters Rachel and Sarah Lloyd, and other family members, constitutes section N.

Finally, a few papers relating to the later history of the Howard family are held as section O.

Poster Literature Collection of Camberwell College of Arts, [1920s-2000], comprising British and international posters, [1920s-2000], including many produced for exhibitions, including by Camberwell College, British museums such as the Tate; exhibition catalogues, articles and press cuttings, [1970s], relating to billboard and poster design of the 19th and 20th centuries.

Records of Hodgson Fowler, architects, 1892-1920. The records consist of plans of the following London churches: Saint Barnabas, Dulwich; All Saints, Newington; All Saints, Notting Hill and Saint Columb, Notting Hill. Where these firms were responsible for the initial building or for extensive alterations, a full ground plan and elevation of the church is given.

Papers of Paul Peter Piech, 1960s-1970s, mainly comprising copies of books produced by the Taurus Press, his private press begun at his home in Bushey Heath. These books include America and Selected poems, both by William Blake; several are very limited editions. There are also copies of books illustrated by Piech using woodcuts and linocuts.

Crown Wallpaper Archive, comprising 5,000 wallpaper samples and pattern books, early 1950s-late 1960s.

Papers and designs of the Silver Studio design practice, comprising:
Personal correspondence and papers of the Silver family, photographs and family albums, personal cards (Christmas, visiting etc).

Business correspondence, business diaries and time books, staff records, studio trade cards, letter heads, order forms, notes and studio inventories, day books and financial records.

Books, magazines and other printed ephemera collected as visual reference material by Silver Studio employees.

Photographic records (glass plate negatives, reference photographs of designs etc); sketch books; printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards), booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps), loose papers (handbills, cuttings, calendars, bookplates, posters).

Silver Studio designs on paper (c40,000 designs for wallpapers, textiles carpets and other domestic furnishings); 5,000 textile samples (both of the Silver Studio and other designers/manufacturers); 5,000 wallpaper samples (loose sheets and albums, both of the Silver Studio and other designers/manufacturers).

Studio objects (door plaque, lamp, paint boxes etc).

Printed material, pamphlets, leaflets, and booklets, relating to printing education, printing apprenticeship, and technical and vocational training, 1913-1991, including London County Council report, Training and employment in the printing trades, 1914; War Office correspondence course on letterpress machine work, 1943; Vocational training of disabled persons in the printing industry, Ministry of Labour memorandum, 1944; draft syllabus for City and Guilds Printing Course, 1983; report 'Equalising the opportunities for women in printing and publishing', the Printing and Publishing Industry Training Board, 1982; booklets relating to training in printing and graphic arts in Austria, France, West Germany, Italy and the USA, 1950s-1960s; papers of Walter Rankin for a correspondence course in lettering, office management, stonework, job composition, machine work, comprising course work and correspondence with tutors of the Typographical Correspondence School of Lancaster, Lancashire, 1913-1916.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Consists of records of the administrative, legal, curatorial and educational functions of the Royal Architectural Museum (RAM). Includes minute books of the Museum's committees and sub-committees, 1851-1904, and subscription lists, 1889-1902. Also comprises of legal documentation regarding the Museum's incorporation, 1888-1893; correspondence relating to royal patronage, 1869-1901; correspondence and documentation relating to the winding up of the RAM and the vesting of its property in the Architectural Association (AA), 1901-1903; correspondence, legal opinions and documentation regarding the sale of the RAM building to the National Lending Library for the Blind, 1915-1916, and property leases, agreements and insurance for the RAM premises and collections, 1869-1913. Curatorial records are also held, including correspondence relating to acquisitions, 1914; published textual and photographic material, including a catalogue and descriptive guides promoting the Museum's collections, 1855-1884; correspondence and listings dealing with the dispersal of the RAM collections to the Victoria and Albert Museum and Exeter Cathedral, 1915-1921. The educational function of the RAM is also recorded in the minutes of the Westminster School of Art (WSA) committee, 1875-1901, together with printed material, including prospectuses, [c.1851]-1852, advertising and promoting the associated School for Art Workmen. In addition, correspondence relating to the WSA's relationship with the Department of Science and Art is held, 1888-1889.

Collection of papers of and relating to Samuel Palmer, 1829-1944, comprising note to George Richmond concerning works seen in London, 1872; typescript copies of letters to various correspondents, 1870-1880, relating to the printing of his plates, advice on choosing prints; letters from John Linnell (Palmer's father-in-law), concerning retouching a picture, 1829, invitation to visit, 1858; letter relating to Samuel Palmer's financial affairs, 1845; correspondence between Alfred Herbert Palmer and Martin Hardie (some copies), [1922-1930], concerning selling A H Palmer's collection of his father's works and Linnell's papers; correspondence and notes of Geoffrey Grigson, including with Martin Hardie, 1922-1923, concerning A H Palmer's collection of his father's drawings; with the owner of a Palmer work, 1944; memoirs of Isabelle Linnell, relating to her grandfather John Linnell and Samuel Palmer compiled by Geoffrey Grigson, undated; correspondence between Isabelle Linnell and A H Palmer; copy of painting notes by Samuel Palmer, [1844]; catalogues of exhibitions of Samuel Palmer's work, 1927, 1928; article by Grigson on Samuel Palmer, 1941; sale catalogues of works by George Richmond, 1897.