Mostrando 210 resultados

Records of CHARD, 1913; the Tennis Club, 1889-1914; the Browning Society, 1890-1907; Hockey Club, 1890-1904; the Shakespeare Society, 1908-1945; the Lambeth Association, 1891-1939; the Science Discussion Society, 1892-1936; the Sharp Practice Society, 1896-1906; The Christian Union (later Student Christian Movement), 1900-1936; the Swimming Club, 1899-1938; the Boat Club, 1905-1944; the Fencing Club, [1935]; the Ping Pong Club, [1936]; the '47 Society, 1957; the Poetry Society, 1963-1964; and the Savoy Opera Society, 1970-1971.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Papers, articles, texts and lecture notes, c1932-1943, largely undated, of Evangeline Dora Edwards, relating to her work and interest in Chinese language, literature and history. The material reflects her particular interest in the T'ang Dynasty (AD 618-907). Lecture notes cover topics such as T'ang poetry, the history of the early T'ang, the social life of the T'ang Dynasty and secular schools of music founded by Ming Huang (AD 713-752) of the T'ang Dynasty. Also includes a typescript article entitled 'Development of Drama before the T'ang Dynasty' (1933). There are several Chinese texts in the collection, some with English translations.

Papers, c1900-1992, collected by Jean Boyd, relating to northern Nigeria from the late 18th century to the 1990s.

Papers on Nana Asma'u include copies of her manuscript poems (1820-1865) and later papers relating to her work, including translations, 1976-1984. Papers on works by Shehu dan Fodio include copies of his poems on male-female relationships (1789 and undated) and later papers relating to his work, 1975-1981. Papers on works by Asma'u's female relatives and descendants include copies of poems and writings by various authors (c1860-1934 and undated) and later papers relating to the subject, c1950-1990. Other material comprises field notes on the remnants of Asma'u's disciples, the Yan Taru, 1973-1990; papers on the milieu in which Asma'u lived in Gobir, c1900-1984, including Gobir chiefs; papers, including press cuttings, on the situation of women in northern Nigeria in the 1980s, the subjects including Muslims, prostitution, women's organizations, medical matters, and women's education.

Papers, 1903-1992, including articles, reports and press cuttings, on Sokoto relate to geological history, prehistory, palaeontology, archaeology, pre-colonial, colonial and post-colonial history, the subjects including the social and economic history of the city of Sokoto, colonial administration, British fears over Mahdism, and local government and economic issues in Sokoto state in modern Nigeria.

Three volumes contain over 500 postcards, many in colour, relating to Nigeria, including images of people, cultural events, various places, and other aspects of Nigerian life [late 20th century].

Papers, c1910-1983, of Abraham Nahum Stencl, relating to his life and work and to modern Yiddish literature, and comprising papers relating to his life, 1934-1978, including letters received from his family, photographs, press cuttings relating to his life and work, and personal documents; manuscript and printed writings, 1930-1980, in verse and prose, including some autobiographical and works on literature; papers, 1918-1983, largely dating from the 1940s and after, relating to Loshn un Lebn and the Friends of Yiddish circle, other friends and acquaintances, Jewish organisations, and Stencl's involvement in literary events, comprising letters received and other papers, including works by other authors, of over 200 correspondents, some of them annotated by Stencl; ephemera, c1910-1982, accumulated by Stencl, including postcards, membership cards, receipts, tickets, greeting cards, circulars, advertisements, and flyers.

Papers, 1870-1914, of Roland Lyon Nosworthy Michell, including his diaries, 1872, 1873, 1878, journals, 1870-1872, 1874-1876, and correspondence, 1878-1914, together with research material for his publications, including notes on the Dervish sects, of which he had a first hand knowledge.

Prose and Verse comprising single items include an autographed poem by Lieutenant (later Rear-Admiral) Bartholomew James (1752-1827), written on the VICTORY, 1796; and anonoymous poem entitled 'Britannia Tiumphant', in honour of England's naval victories, dated 1798; and 'The Seaman's Rest', a poem written on the occasion of Queen Victoria's visit to Greenwich Hospital, 1840. There are three drafts and a printed version of 'The Last Cruise of HMS TIGER', a poem written by Maurice Baring (1874-1945) in 1931; and also the text of a sermon delivered by the Reverend Richard Price on the VULTURE at Gibraltar in 1860.

Official documents and letters relating to Galileo, some in transcription, 1629-[1930].

Records and collection of manuscripts of the Hunterian Society, 1676-1989. The manuscript collection includes extensive letters and papers relating to the Hunter and Baillie families.

Scrapbook kept by George Marsh, with notes on a wide variety of subjects and many newspaper cuttings inserted, 18th century.

Correspondence and papers of Dr David Stafford-Clark (1916-1999), relating to his war service as a medical officer in the RAF, and his later career as a psychiatrist, broadcaster and writer on mental health.

London County Council circulars 'Notes on Allowances to Soldiers' Wives' and 'Notes on Allowances to Sailors' Wives', 1914.

Papers relating to Ian Hamilton Finlay, [1971-1996], comprising guides and booklets for sculpture exhibitions and poetry readings, 1969-1992; press cuttings and articles relating to Finlay's work, 1983-1993; artist's books by Finlay, [1971-1996], published by Wild Hawthorn Press; postcards produced by Finlay, [1968-1996], many published by the Wild Hawthorn Press.

Letters from the poet, Edward Thomas, to Eleanor Farjeon, Ian McAlister, Irene and Hugh MacArthur and John Freeman. There is also a draft copy of Rowland Watson's book "Memories of Edward Thomas" and a copy of "Table Talk: being the discourses of John Selden". The correspondence to Eleanor Farjeon mainly discusses his work, both poetry and criticism, and he also comments on work she has sent him, as well as talking about his decision to join the Army and his worries over money. The letters to Irene and Hugh MacArthur are family letters, which give news of his own family and talk about their difficult financial situation. Thomas's letters to Ian McAlister cover his work, his family and his worries over his finances, but also discuss in detail his mental health, and refer to his struggles with depression and "nerves" in a very honest manner. The correspondence to John Freeman primarily relates to his work, and to Freeman's work, as well as to mutual friends.

Correspondence and papers of Jethro and Alice Bithell, 1919-1962, comprising:
Correspondence and papers of Jethro Bithell:
Three note books [in Dutch];
Correspondence, 1935-1962: correspondents include August and Hannah Closs, Rudolf Majut, William Rose, L W Forster, Walter Cohen, Alexander Gillies, L A Willoughby and R Pick;
Papers on the poems of Max Hermann-Neisse (1886-1941), 1919-1942;
Papers on the works of Ernst Bertram, 1928-1952;

Correspondence and papers of Alice Emily Bithell (née Eastlake):
Personal papers including school and university certificates, 1908-1937 and correspondence with Rudolf and Käthe Majut, 1949-1962.

Photocopies of manuscripts of Jozsef Pesti's political poems from 1956, in Hungarian with English translations, together with an extract from the catalogue of the Manuscript Department of the Széchenyi Library relating to the manuscripts.

Wartime diaries, typescript correspondence, memoirs and poetry by Victor West, concerning the campaign in Greece, Crete and as a prisoner of war during World War Two, with recent poetry, 1941-1999; notably including a bound typescript memoir, 'The loss of Creforce Reserve: "The side show"', written 1981, including list of officers and other ranks of 9 Bn, King's Royal Rifle Corps, killed in Greece and Crete, 1941, and a copy article, 'The Rangers in Greece and Crete: a story of devotion and toil', printed 1941 in the house magazine of the Gas Light & Coke Ltd; 3 volume bound typescript memoir, 'Wash me in the water: a personal account of the first Greek campaign, 1941. The battle for Crete, including the story of the loss of Creforce Reserve', written 1983; bound typescript 1941 personal war diary, a transcription of West's original diary; bound typescript copy letters to West from a Spanish fellow POW, Sgt Basilio Marin, 1944-1945 and photocopy typescript and manuscript notes (untitled) on the Crete campaign, 1941; bound typescript 'We from Crete: Pep talks in Stalag 383', written 1982, relating to life in a POW camp (first and second drafts); bound typescript, 'Escape involuntary (we couldn't help it)', recounting West's escape from a POW camp, Germany, Apr 1945; Victor West, The horses of Falaise: poems on the experiences of a fighting soldier in World War II (Salamandar Imprint, London, 1975), bound photocopy; Victor West, Part 2 orders: WWII poems (Salamandar Imprint, London, 1999), bound photocopy; notes on West's career and on the history of 1 Rangers, King's Royal Rifle Corps; copy correspondence and illustrations relating to a painting by West presented to Winston Churchill, 1955.

Papers of Tom Wintringham and his second wife Katherine 'Kitty' Wintringham (née Bowler), 1891-1982. Papers of Tom Wintringham relating to the Home Guard include correspondence, articles, radio broadcasts, press cuttings, photograph, report, lecture transcripts and training exercises. Papers relating to the Common Wealth Party including correspondence, photographs, minutes, publications, papers on Common Wealth Party policy, formation, resignations, libel charges, election campaigns and conferences. Other papers relating to Tom Wintringham including papers from his time at Balliol College, Oxford, 1918-1920; Wintringham's visit to Moscow, 1920; various inventions by Wintringham, 1929-1949; the Communist Party, 1933-1944; British economic crisis, 1947, and obituaries and biographical articles. Wintringham's correspondence includes his school days, First World War, prison, Spanish Civil War, Home Guard, Common Wealth Party and general personal and professional correspondence; Kitty's correspondence includes Spanish Civil War, the Common Wealth Party and general personal and professional correspondence. Photographs notably cover the Spanish Civil War, Home Guard, Common Wealth Party, Tom and Kitty Wintringham, their children, friends and family. Writings by Wintringham include draft and published articles (chiefly for the Picture Post, the Tribune, the Daily Herald and the Daily Mirror), drafts of published and unpublished books, scripts, reviews, notes, short stories and essays. Draft articles by Kitty. Poems by Wintringham and others on topics including World War One and the Spanish Civil War, 1910-1950 and printed material, 1923-1950.

Personal and research papers of Dr Bertha Tilly, 1922-1978, comprising:
Research notes on the countryside and towns of Italy, particularly Latium, Campania, Terracina, Atina, Privernum, The Sabines, The Marsi, Tivoli, Praeneste, Anagni, Nersae, Gabii, Lucus Feroniae, Capena, Via Flaminia, Falerii, Ager Faliscus, Nemi and vicinity, Cerveteri and Pratica di Mare.
Virgil Society lecture summaries, 1946-c1955.
Literary papers including notebook containing poems by BT, 1945; typescript of Persephone, a play for children by BT, with incidental music by Jean Hunt, undated; typescript of playThe Mystery at the Seminary or Agorita's Elephant, undated; page proofs, notes and photographs for Vergil's Latium, 1940-1947; roughs and galley proofs of Varro the Farmer, 1973; English translation of Bernhard Rehm: Das geographische Bild des alten Italien in Vergils Aeneis; unpublished typescript and notes Vergilian Excursions: Topographical Studies in the Seventh Aeneid, with Reference to the so called 'gathering of the clans', 1978.
Personal papers including Latin translations and prose compositions done at Bedford College London, 1922-1923; sketch book, mainly of architectural details, for work on MA in Classical Archaeology, 1931-1932; photographs and postcards of Italy, including those sent to the Admiralty during World War Two; presscuttings; reviews of The Story of Camilla, 1956; Offprints of articles on Roman history, 1898-1980.

Letter from Tom Turner of Shawlands, Bank Crest, Baildon, Yorkshire to [Thomas] Sturge Moore, 20 Dec 1943. Covering note accompanying a copy of a book of poems by Lionel Johnson, as 'a little reminder of the 1890's'. Autograph, with signature.

16 letters with envelopes plus contract letters from Iris Murdoch to the publisher Rolando Pieracinni, regarding his publication of the book 'Something Special' featuring Murdoch's poems.

First editions of some of Iris Murdoch's novels, and other rare texts- 13 volumes in total. Consists of:

KUAS25/1 Limited edition playscript for The One Alone (Colophon Press, 1995)

KUAS25/2 Copy of A Year of Birds poems by Iris Murdoch, engravings by Reynolds Stone (Compton Press, 1978)

KUAS25/3 Unrevised proof copy of The Time of the Angels (Viking Press, 1966)

KUAS25/4 Copies of Sartre; Romantic Rationalist by Iris Murdoch (Bowes and Borwes, 1953)

KUAS25/5 Playscript of The Italian Girl: A Play,/i> by Iris Murdoch and James Saunders (Samuel French, 1968)

KUAS25/6 Unrevised proof copy of The Italin Girl the novel (Viking Press, 1964)

KUAS25/7 Reprint of Existentialists and Mystics by Iris Murdoch (Delos Press, 1993)

KUAS25/8 Programme for the play The Black Prince adapted by Iris Murdoch's from her novel The Black Prince (1973)

KUAS25/9 First edition of Iris Murdoch's first novel, Under the Net (London, Chatto and Windus 1954). With original dust jacket.

KUAS25/10 First edition of Iris Murdoch's novel, The Sandcastle (London, Chatto and Windus 1957). With original dust jacket.

KUAS25/11 First edition of Iris Murdoch's novel, The Good Apprentice (London, Chatto and Windus - The Hogarth Press 1985). With original dust jacket.

KUAS25/12 First edition of Iris Murdoch's novel, The Book and the Brotherhood, (London, Chatto and Windus 1987). With original dust jacket.

KUAS25/13 First edition of Iris Murdoch's novel, The Message to the Planet, (London, Chatto and Windus 1989). With original dust jacket.

Volume containing a compilation of poems and narratives, composed by, Pedro António Joaquim Corrêa Garção (1724-1772); José Anastácio da Cunha (1744-1787), mathematician and poet; Sebastião José Ferreira Barroco (1777-1802); Luiz Pinto de Sousa Coutinho Balsemão (1735-1804); João Xavier de Matos (d 1789); Francisco José de Sales; Damiaó José Saraiva; Domingos dos Ras Guitta.

Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of theAtlantic reading their material, 1950-1998.

George Charles Moore Smith's undated transcripts, first lines and titles of 17th-century poems before 1660. The sources include British Library Additional MSS, MSS Sloane, Lansdowne, Dyce, Harleian and Egerton; Oxford University, Bodleian Library, MS Ashmole, MS Malone, MS Rawlinson Poet; Corpus Christi Library, Oxford, MS 32B; Cambridge University Library, Add MS 4138; manuscripts at St John's, Emmanuel, Jesus and Corpus Christi Colleges, Cambridge; commonplace books including those by Anthony Scattergood and W E Preston; poets including Anthony Sleep, Thomas Coriat, Peter Hausted (Halstead), Edward Forset, John Eliot, Henry Molle and Thomas Masters. Much of the material is written on the reverse of examination scripts in English (some identified as University of Sheffield).

Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Papers of and relating to Charles Walter Stansby Williams, 1937-1946 and undated, including corrected proof of The Region of Summer Stars; typescripts including 'Terror of Light', 'The Working of Porphyry', 'Taliessin in the Rose Garden', and 'Prologue' to a production of The Way of the Cross by Henry Gheon; memorabilia relating to Williams, including three photographs, and obituaries.

Papers, 1937-c1990, of Alex Comfort.

The first deposit (6 boxes) comprises letters received, 1937-1964, on his literary and other interests, with the letters of 1937-1945 focussing particularly on literary subjects, including poetry in the 1940s, but latterly more varied, including ideas and activism in anarchism, pacifism, and nuclear disarmament, as public speaker, broadcaster and pamphleteer, including for example letters from Bertrand Russell, 1960-1962; copies of letters from Herbert Read, 1941-1964; a few personal papers, 1936-1946, including The Times announcement of the birth of Comfort's son, 1946; papers relating to peace campaigns in which Comfort was involved, 1944-1961; lecture notes and poetry, stories, and articles by Comfort on pacifism, politics, and science, 1941-1960 and undated; printed papers relating to Comfort's interests, 1945-1962.The second deposit (46 boxes, 4 files) comprises 14 boxes of correspondence relating to Comfort's work, publications, and other interests, some dating back to 1949 but largely dating from the 1960s to 1980s; manuscripts and, particularly, typescripts of both published and unpublished verse and prose, both scientific and non-scientific, including for example 'I and That', 'The facts of love', 'A practice of geriatric psychiatry', 'Reality and empathy', 'The Power House', 'More joy', 'A giants strength', 'Darwin and the naked lady', 'Come out to play', 'The Almond Tree', and 'Letters from an outpost'; printed articles by Comfort, the topics including old age and some sexual subjects; scripts for talks and broadcasts; press cuttings, dating largely from the 1950s and 1960s, relating to Comfort and his work; a file of slides of India, 1962, and two files of scientific slides; printed papers by other authors on various scientific topics.

The collection consists of published and unpublished works including lectures, essays, poems and reviews by Ker; notes for works and lectures covering the whole of Ker's career; correspondence collected by Chambers; and miscellaneous material including Chambers' notes and writings on Ker, Ker's personal and administrative papers, obituaries of Ker, and other papers.

Manuscript poem (photocopy) 'Nonae novembres' by Housman, with related correspondence from General Sir Henry Jackson to Otto Skutsch (1960); letter from Housman to Sir Henry Jackson, Vice-Master of Trinity College Cambridge, 1921, with the manuscript poem 'Loveliest of trees...' (photocopies).

Miscellaneous papers of Robert E Symons, 1944-1959, on the literary estates of Laurence and A E Housman, including a few letters to Laurence Housman; a transcript in Laurence Housman's hand of the verses 'The shades of night were falling fast'; and a typescript of A E Housman's 'A morning with the royal family (from The Bromsgrovian, 1882).

Letters to Sarmiento concerning poetry, publications and literature. Seventeen letters from the Spanish poets Manuel Altolaguirre and his wife Concha Mendez (1934-1935), 18 from Luis Cernuda, with copies (1938-1940), and about 20 from Aubrey Bell (1936-1947). Manuscript poem of Altolaguirre with transcript. Facsimile edition of manuscript poems of José Silva's 'El Libro de Versos' (1945), and photocopies of various articles about Silva. Translations of poems by St John of the Cross, and other poems by Sarmiento; together with 2 letters from Sarmiento to Jim Cummins of the Department of Spanish and Latin American Studies at UCL (1976-1986).

Lecture notes written by Pafford when a student at University College London, on lectures delivered by W.P. Ker, Professor of English Language and Literature. The notes are on form and style in poetry and the 17th century.

Notebooks containing typescripts of plays, essays and poems on various subjects and eminent individuals with some manuscript annotations, all written by Fritz Gross (except one item in notebook 1).

Minute book of the Metropolitan Red Lion Club, with letters from members and some verses, menus and sketches. Press cuttings give resumés of the Club's activities and its connection with the British Association for the Advancement of Science.

Manuscript poem entitled 'Ulster soldier', dated 13 April 1942 at Omagh.

Handwritten diaries and notebooks containing writings on Greek history, Roman mythology, notes from lectures, poetry verses and prose.

Gebetbuch (Book of Prayers), c1521, including prayers to the Virgin (one in verse) and to St Catherine. Preceded by a calendar, including tables for the Golden Number and a table of signs of the zodiac.

Papers of the writer Sir Richard Rees, c1920-1970 and undated.

Manuscripts and typescripts for Rees' published and unpublished work include material for an unpublished book of essays; a typescript of his unpublished novel; unpublished shorter pieces, including lectures on literary and cultural subjects, among them George Orwell and Simone Weil.

Miscellaneous personal papers and writings, 1926-1960s, include notes on dreams; travel notes on the USA, 1929; a Russian diary, 1935; papers relating to the Spanish Civil War; typescript papers of the International Commission for War Refugees, 1941-1944, and other correspondence and papers on its work; papers relating to Rees' service in World War Two; correspondence concerning Rees' membership of the committee of the Pilgrim Trust; papers relating to sales of Rees' books; printed papers, comprising various articles and book reviews relating to Rees' interests.

Correspondence, c1920-1970, comprises items to Rees and carbon copies or drafts of his letters, the correspondents including prominent literary and other public figures, for example David Astor, Vanessa Bell, Joseph Conrad, Victor Gollancz, Frieda Lawrence, Iris Murdoch, Sonia Orwell, Sir Herbert Read, Hugh Trevor-Roper, A L Rowse, John Sparrow, Stephen Spender, R H Tawney, and many others, and including letters relating to George Orwell, J Middleton Murry, R H Tawney, and Simone Weil; correspondence with his literary agents A D Peters and with publishers, on his publications and broadcasts; letters to the press; personal papers, including c100 letters from Rees to his mother, c1938-c1942, other family letters, and snapshots; correspondence with J Middleton Murry and his wife, 1936-1937, relating to personal matters leading to Rees' resignation from the Adelphi, and other papers relating to the Adelphi, 1935-1936.

Other material includes a notebook including typescript reviews and letters to editors; memoranda of agreements with publishers for books, articles, etc, 1954-1969; press cuttings on various political, literary, artistic, and other subjects, including reviews of some works by Rees; typescript diary of a visit to Italy, 1959.

Rees' papers on George Orwell, 1949-1963, relating to his role as literary executor include correspondence and papers, some relating to Orwell's death, adopted son Richard, and proposed posthumous publications, and including material relating to his wife Sonia; papers on the George Orwell Archive Trust; typescript transcripts of poems Orwell contributed to the Adelphi, 1933-1936; two book reviews by Orwell, 1943-1944.

Rees' papers on Simone Weil largely comprise translations, typescripts and proofs for Rees' publications on Weil. There are also some writings by Weil; a photograph of her, 1942; letters to Rees from Weil's mother and brother, André, and other correspondence on Weil, 1958-1970; press cuttings on Rees' publications on Weil.

Rees' papers on R H Tawney, relating to his role as literary executor, include correspondence and papers of Tawney; Rees' correspondence on Tawney, largely dating from 1960-1970; correspondence and papers relating to the sale of Tawney's belongings and his will, with other personal documents relating to Tawney and his wife; correspondence relating to the disposal of Tawney's collection of books on economic history, 1952. The correspondents include a number of prominent literary and other public figures.

The later deposit comprises a typescript on Orwell and a typescript and corrected proofs on Murry.

Papers of Frances Kahn, 1992-1995, comprising poems and related papers.

Musical score for the principle theme from the incidental music for John Masfield's Melloney Hotspur (William Heinemann, London, 1922), with an accompanying letter sent by John Hotchkiss to Rev L.H. Clench of Sheringham, 1952.

Poems by Sir Francis Hubert, Sir Robert Cotton and Ben Jonson: ff 2-147. 'The Deplorable Life and Death of Edward the Second': The first poem [by Sir Francis Hubert] comprises 581 seven line stanzas. Printed in 1628 and 1629. MS. Harleian 2393 in the British Museum has two versions of the poem, the first "imperfect at the end, as wanting all after the 352 stanza ... It is written to Queen Elizabeth"; the second, like the present MS., "revised and corrected ... being now fitted-up for the perusal of King James I ... and, in the whole, consists of 581 stanzas ... the author, at the end, calls himself Infortunio."; ff 150-164: 'A short view of the Raigne of King Henry the third': The second poem is by Sir Robert Cotton and was printed in 1627. ff 276b-278: 'The bodie'. Daniell, poet; 'The minde', the third poem ['Daniell, poet'] is, in fact, by Ben Jonson. It has 8 four line stanzas. 'The minde', the last poem, has 18 four line stanzas.

Papers of John Masefield comprising brief handwritten passages, which appear to stand on their own rather than being extracts from longer works and are most unlikely unpublished. One is entitled 'The Ong of Highworth Ridden' and a note by the other descibes it as 'Lines for Mosquito Day, and in the Memory of Sir Reginald Ross, a patient observer of little things'. They are accompanied by letters from Geoffrey Handley-Taylor concerning depositing Masefield material at the University of London Library (now Senate House Library).

Papers of Joseph Langland, undated, comprise copies of his poems about Buchenwald and Hiroshima entitled 'Buchenwald near Weimar'; 'The Lotus Song'; 'A Hiroshima Lullaby' and a copy of an entry from Who's Who in America.

Manuscript volume containing a metrical chronicle composed by the Chandos Herald in French verse, commemorating the life and feats of arms of Edward the Black Prince, [1385]. The poem is a valuable authority for certain events of the Hundred Years War, and gives a brief description of Edward III's French campaign of 1346, culminating in the Battle of Crecy, and followed by the Battle of Calais, with some details of the plot for the recovery of the latter at the end of 1349. Next comes a very detailed description of the Battle of Poitiers (1356), and an eyewitness account of the Spanish Campaign of the Black Prince on behalf of Don Pedro (Peter) of Castile, culminating in the Battle of Nejera (1367). A brief overview is given of the end of the Black Prince's government in Gascony, and of the war which led to the loss of almost all the possessions gained at Brétigny, followed by a comprehensive account of the last years of the Prince's life. After the poem, the author also gives a list of the chief officers of the Black Prince in Aquitaine, and copy of the epitaph on his tomb in Canterbury Cathedral.

The manuscript contains a full-page miniature illuminated in gold and colours, which is divided into two compartments. The upper compartment contains a representation of the Three Persons of the Holy Trinity; God the Father is here portrayed in a blue robe on a background of gold. He is seated on a throne and holds in His extended arms a crucifix, above which a dove is introduced to symbolise the Holy Ghost. In the lower compartment the Black Prince is depicted kneeling in adoration on a red cushion. His hands are joined in prayer, and his special devotion to the Holy Trinity is indicated by a scroll proceeding from his mouth bearing the words 'Et hec tres unum sunt' (1 John v.7). The Prince is clad in armour, covered by a tight-fitting leather jupon without sleeves, finished along the bottom edge with a border of escallops, and emblazoned with the arms of England and France. He wears a sword and dagger, golden elbow and knee cops, and golden spurs. On each side of the kneeling Prince, standing in a golden socket, is a large ostrich feather in silver, his personal badge assumed after the Battle of Crecy, with the motto 'Ich dene' on a scroll below. The text of the poem commences on the next page with a large illuminated initial O, containing the Royal Arms emblazoned, and this leaf is surrounded by a border of strap work and flowers in gold and colours. There are also a number of small initial letters in gold on a coloured background.

Broadside ballad, sold at the time of the coronation of King George VI, printed and published by The Raven Press, Middlesex (1937).

Manuscript Commonplace Book of English poetry and prose, dating from the 19th century, containing the second half of a long poem on early biblical history 'continued from the book in white forrel', and other items. Inserted is a folded leaf containing two poems, one dated 1834, by W. C. Yonge, who may have been the compiler of the volume.

A 64-line elegiac poem composed on the occasion of the death of Frederick Cornwallis, Baron Cornwallis of Eye, in January 1661/2. His virtues are recorded:
'... (though there bee
Twixt vulgar Spirits, and Nobilitie
A kind of Antipathie) yet will I
Appeale unto themselves [the Commons] what courtesie
They found in him: what affabilitie,
Humilitie, and sweetness, w[i]th rare parts,
Which (ev'n against their wills) had won their hearts.'
There is a reference to Prester John, and allusion is made to the office Cornwallis had held as Treasurer of the Household to Charles II:
'The King of Kings now meaning to confer
An higher title, made thee Treasurer
In Heaven's great Court, where thou had'st laid up store
Of never fading Treasure [long?] before.'
At the end runs a Latin inscription: 'Ita raptim flevit ex animo R.Wolverton. Eayensis sudor volgorum ex Icenis M.D.'

This collection, 1869-1966, contains manuscript material and printed volumes of Austin Dobson's work, and correspondence to him. Manuscripts of most of his published prose and poems are represented in the collection; there are also versions of poems that have never been published, leaf manuscripts of articles and essays, together with around one hundred small notebooks. There are also about 2500 items of correspondence.