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Draft conference papers and publications on the art connoisseur and author, Richard Ford (1796-1858).

Manuscript volume containing papers relating to William Wood and the minting of halfpence and farthings for Ireland comprising transcripts of a report of the Committee of the Privy Council of 24 Jul 1724 and the ensuing Order in Council of 6 Aug 1724, both relating to Wood's Irish coinage, with a copy of 'Mr Wood's Proposals'.

Papers of John Robert Hilton 1934-1941, comprising:
correspondence and papers on his appointment as Director of Antiquities, Cyprus, 1934 and his dismissal in 1935; correspondence with Sir George Hill, Director, British Museum, 1935; press cuttings and printed reports on the Cyprus Committee and the Department of Antiquities, 1935-1941; personal correspondence, 1934-1935; photographs of Cypriot antiquities, colleagues and family, 1934-1935; unpublished memoir A Camel Load of Woad

The collection comprises manuscript notebooks on architecture and antiquarianism, correspondence and printed obituaries of Carter, 1700-1818, notably including a folder of loose manuscript notes relating to merchant ships on the Baltic route, papers on Latin verbs and translation, bill of expenses and proposals for improvements to the catalogue of the Harleian Collection, now housed in the British Library, 1700-1818; manuscript notes compiled during Carter's childhood on the importance of virtue, and commonplaces derived from the writings of King Charles I and King Charles II of England, among others, [1762]; folio day book by Carter describing chapel ornamentation, the role of the antiquarian and the architectural content of scenes from plays by William Shakespeare, including Richard III, 1771; autobiographical notebooks by Carter describing his architectural tours, with sketches and drawings, 1774-1778; sketch book with observations of landmarks such as Durham Cathedral, 1791-1803; correspondence with Leathes on Carter's health problems, his estate and collection of drawings and papers, [1799-1818]; printed obituaries and memorials of Carter published in Gentleman's magazine, 1817-1818; Sotheby's sale catalogue of the Carter collection, [1817-1818].

Papers of Robert Walston Chubb, [1960-1984], mainly comprising working papers for his biography of his father, Percival Chubb, including several manuscript drafts, research papers, family correspondence, and correspondence with Professor Norman Mackenzie.
Papers of Percival Ashley Chubb, 1860-1950, comprising general personal material, 1860-1950, notably diaries for 1879-1880 and 1905-1906, notebooks containing jottings on history and religion, [1889], material relating to his marriage to Louise Walston, 1891, autobiographical notes and press cuttings; family correspondence, 1876-1927, including his parents, wives and children; correspondence with friends and colleagues, 1877-1924, notably Ernest Percival Rhys, William Dircks, George Dyke Smith, Henry Havelock Ellis, Thomas Davidson, Sidney James Webb, Professor Felix Adler, Edward Carpenter, Olive Emilie Albertina Schreiner and Robert Moore; texts, syllabuses, and programmes of lectures given by Chubb, 1881-1934, mainly on literary topics; papers relating to various societies of which Chubb was a founder or member, including the MS Club, 1881, the Pioneer Club, [1882]-1888, the Fellowship of the New Life, 1883-[1890], the Progressive Association, 1884-1889, the Ethical Society, 1887, the Ethical Culture School, New York, 1909-1910, the Ethical Society of St Louis, 1911-1943, the American Ethical Union, [1934] and 1946, the Brooklyn Society of Ethical Culture, 1924-1925; material relating to Chubb's involvement in music and drama, 1916-1940; publications written by Chubb, 1888-1942, mainly relating to socialism, ethics and religion; miscellaneous pamphlets, articles, press cuttings and papers collected by Chubb, 1879-1930s, including pamphlets written by Thomas Davidson.

Correspondence and papers, 1882-1939, relating to the pictures in the Royal Holloway College Picture Collection, notably copyright and reproduction, conservation, loans to exhibitions, provenance, and valuations. Picture Gallery Visitors Books, 1936-1977. Sale and Exhibition catalogues, 1881-1968, namely those including pictures from the Royal Holloway College collection. Articles relating to pictures in the Royal Holloway College Collection, 1864-1971.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Henry Creswicke Rawlinson, 1831-1860, including private journals in India and Persia, 1831, 1834, 1836, 1839, 1860; political diaries in Kandahar (first Afghan War) and Baghdad 1841-1843; road report on a journey from Baghdad into Persia with sketches and copies of inscriptions; miscellaneous notebooks and some sketches, Mesopotamia 1843-1850; notebooks containing extracts and notes on the antiquities of Indo-Persia, Central Asia and the Oxus and Babylonia; miscellaneous drafts and notes of official letters and official and personal letters to Rawlinson (Sir Alexander Burnes, General Nott, Sir Willoughby Cotton, Sir William Hay Macnaughten) 1837-1844, chiefly concerned with the first Afghan War; and Parliamentary papers and confidential India Office papers 1869-1893 concerning relations with Russia on the Persian and Afghan frontiers. (300 items).

Records of the City of London Polytechnic and London Guildhall University, London, comprising (but not limited to):

Governance papers; Annual/statutory reports and accounts; Strategic plans; Ceremonial Prospectuses; Course handbooks; Students' Union magazines and handbooks; Student records*; Staff magazines

• Requests involving personal data will be handled in accordance with the Data Protection Act 1998 and on a case-by-case basis.

Records of the Crystal Palace Trust, 1853-1952, including Trustees minutes, 1914-1950; Finance Committee minutes and notes, 1914-1948; General Purposes Committee minutes, 1914-1949; Special Subcommittee minutes, 1914-1949; speeches of the General Manager, Sir Henry Buckland, to the Trustees, 1935-1948; reports, 1936-1946, including report of the Special Committee after the 1936 fire; trustees attendance book, 1914-1949; inventory of statuary, 1853; inventory of refreshment department, 1898; inventory of contents of Crystal Palace, 1909; printed programme of Opening Day, 1920; financial records and accounts, 1890-1952; agreements and contracts, 1880-1922, including contracts for the aupply of gas and electricity and the sale of refreshments, contract for management of the Cricket Club, agreement for the Football Association (FA) Cup Finals to be held at the Palace and contracts for the running of escalators and lifts.

Papers cover Witkowski's writings on medical history (and other areas of history) rather than his medical activities. MSS.5036-5038 comprise press cuttings, publishers' notices, reviews, etc., relating to Witkowski's writings, plus original poems, some photographs, and some letters to him about his work; they span the bulk of his career (1865-1920). MSS.5039-5085 consist of material related closely to various published works on medical history and art history by Witkowski: typescript and holograph drafts, annotated published material, etc. Within this block of material, MSS.5057-5062 consist of a detailed critique of Folie de l'Empereur by Augustin Cabanès (1862-1928), consisting of heavily annotated copies of the published work. Also worth noting are MSS.5063-5064, copies of Witkowski's Comment j'ai appris l'Histoire Sainte, a Rabelaisian and satirical anti-clerical history. Finally, MSS.5086-5088, written under the pseudonym "Docteur Clam", comprise travel writings, recording travels in Italy, Turkey, Romania and Hungary, in 1901 (MS.5086); Egypt, in 1901-1902 (MS.5087); and Italy, in 1905 (MS.5088).

Ledger and financial accounts of F. Meacci, piece moulder and figure maker, 1887-1893, recording work done in casting, painting, bronzing, squeezing in clay, casting in gelatine, and transport of sculptural works.

This collection consists of correspondence, notes and writings, artwork, photographs, press cuttings, exhibition material, printed material, personal documentation, financial documentiation, and ephemeral items relating to Cecil and Elisabeth Collins.

Kenneth Clark was Keeper of the Ashmolean and Director of the National Gallery, a writer, lecturer and broadcaster, and a collector and patron. This collection consists mainly of the professional papers relating to his work as an art historian and writer, but includes material relating to his work as a public servant, an administrator and in other roles during the Second World War. It contains correspondence, subject files, writings, source material, photographs, press cuttings and printed ephemera.

Papers of Hilde Kurz, art historian, c 1945-1968, including working papers and draft for The Encyclopaedia of Painting. Topics covered include: Costume; Tapestries; Painting in Northern Europe.

Papers created and collected privately by Aby Moritz Warburg and members of his family, and administrative records of the Kulturwissenschaftliche Bibliothek Warburg and its successor institution, the Warburg Institute, 1866-2000. Including records of the history of the Warburg Institute from the beginnings of Aby Warburg's private library to the present day in sections under the following headings: Buildings; Administration; Organization and Activities of the Library / Institute; Annual Reports; Visitors' and Address Books; Accession Books; Account Books and 'Scrap' Book. Personal documents and working papers of Aby Warburg, including his bibliographical notes, notebooks, diaries and journals, drafts of lectures and articles; poems and dramatic sketches. Topics covered include: Contemporary Art; Hamburg University; Early Renaissance and Florentine Art and Patronage: Botticelli, Leonardo, Ghirlandaio, Sassetti; Flemish Art; Transformation of Style; Festivals; Psychology of Art; Pueblo Indians; Art and Astrology in Italy and the North: Palazzo Schifanoia, Luther and the Art of the Reformation, Dürer; Rembrandt; Cosmology; Postage Stamps; 'Mnemosyne-Atlas'. Papers collected by Aby Warburg on the following topics: Hamburg University; Hamburg City Affairs; Hamburg Institutions; Art Historical and other Congresses; Kunsthistorisches Institut (Florenz); First World War and Aftermath and Universities. Photographic Material including negatives and prints.

Papers of Evelyn Mary Jamison, art historian, [1912-1972], including notes and material on the Catalogus Baronum and photographs and transcripts of documents from archives in southern Italy. Topics covered include: Italian Medieval Art; Southern Italian, especially Sicilian, History and Art.

Personal Documents and Working Papers of Fritz Saxl, 1896-1948, including bibliographical notes, notebooks, drafts of lectures and articles. Topics covered include: Mithras; Pagan and Jewish Influences on Christian Art; Astrology; Cosmology; Illuminated Astrological and Mythological Manuscripts; Medieval Encyclopaedias; Science and Art; Venetian Art; Spanish Art; Art of the Reformation: Dürer; Holbein, Elsheimer, Rembrandt; Historiography and Aby Warburg.

Diaries and sketch books of Robert Wood, James Dawkins, John Bouverie and Giovanni Battista Borra of a tour of the Levant, 1750-1751, comprising:
Transcript (8 volumes) of the diaries of the archaeologist, James Dawkins, 5 May 1750-8 June 1751, describing the tour from Naples, Italy to Porto Leone, via Smyrna [Izmir], Sardis, Thyatira [Akhisar], Pergamum [Bergama], Sinus Eleaticus, Constantinople [Istanbul], Boursa, Cyzicus [Belkis], Troy, Tenedos, Phocaea [Foça], Teos [Sigacik], Ephesus, Magnesia ad Meander, Laodicea, Hierapolis [Pamukkale], Antioch, Mytilene [Mitilíni], Lesbos, Scio [Chíos, Nísos], Neomene, Samos, Mylassa, Halicarnassus [Bodrum], Cos [Kos], Cnidus Nova, Rhodes [Ródhos], Alexandria [Al-Iskandariyah], Cairo, The Pyramids, Acre [Akko], Mount Carmel [Har Hakarmel], Nazareth, Capernaum [Kefar Nahum], Tiberias [Teverya], Jerusalem, Bethlehem, Rama, Sidon [Sayda], Beirut, Damascus, Baalbek [Balabakk], Tripoli, Delos [Dhílos], Athens, Marathon, Thermopylae, Chalcis [Khalkís], Thebes, Delphi [Dhelfoi] and Megara.
Diary (1 volume) of John Bouverie, 25 May-8 June 1750, 25 July-3 Aug 1750, and 7 Sep 1750, covering the tour from Smyrna to Meander, as described above.
Papers of Robert Wood, comprising diaries (3 volumes), 25 May-19 Aug, 22 Sep - 8 Oct 1750, 16 May-1 June 1751; pocket books (2 volumes), containing copies of inscriptions made during the tour, including Athens, Baalbek, Palmyra, and other sites in Turkey, Greece and Egypt; extracts (made by Wood's daughter) from his tour manuscripts, including some that are not in the collection; manuscript A universal history by Wood, almost certainly pre-dating the tour; notebook, containing extracts from Wood's journals from his 1742-1743 visit to the Levant, itineraries from his 1745 visit to Italy, preparatory plans for the 1750-1751 tour and notes on Homer; notebook conntaining copy of an extended letter from Wood to James Dawkins, [c1755], Remarks on Homer's plan of Troy, in effect an early draft of his Essay on the Original Genius of Homer [see printed books below].
Sketch books of Giovanni Battista Borra, containing ink and pencil sketches made on the tour, mainly of architectural details, but also including landscapes, of Naples and Mount Vesuvius, Palmyra and Damascus.
Printed books: Robert Wood: An Essay on the Original Genius and Writings of Homer, London, H Hughs for T Payne and P Emsley, 1775, including engravings after Borra of ruins near Troy, and a map of Troas; The ruins of Palmyra and Baalbek, London, W Pickering, 1827 and Les ruines de Palmyre, autrement dite Tedmor au desert, Paris, Firmin Didot, 1819; Homer: Operum omnium quae exstant. Tomus prior sive Ilias Grece et Latine.Juxta editionem emendatissimam et accuratissimam Samuelis Clarke Amsterdam, J Wetstenium, 1743 [Wood's interleaved copy, containing notes and transcripts of inscriptions]; l'Abbe Barthelemy Reflexions sur l'alphabet et sur la langue dont on se servot autrefois a Palmyre, Paris, 1754; Giacomo Barozzi [Il Vignola] Regola delli cinque ordini d'architecttura, Rome, [1620].

Correspondence between Dr Maurice Laserson and Professor Ernst Cohn-Wiener, art historian, 25 Feb 1924-26 Dec 1938 on topics including Cohn-Wiener's travel experiences and the art treasures and traditions of various countries; Cohn-Wiener's experience in India including comments on the situation of the indigenous Jewish population there; Laserson's activities relating to his involvement with ORT (Organisation for Rehabilitation through Training) and efforts by Laserson, in Australia, to find suitable employment and an entry permit for Cohn-Wiener. Also Curriculum Vitae of Cohn-Wiener, written whilst in India, [1938] and a list of Cohn-Wiener's publications produced by Laserson.

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

Letter from Sir Charles Wood, Chancellor of the Exchequer, of Hickleton, [near Doncaster] to an unspecified recipient, 19 Oct 1849. 'Dear Sir, It is unlucky that the D.G. [i.e. Dei Gratia (by the grace of God)] was left out [from the inscription on the new florin (2 shilling) coin] - people attach more importance to such matters now a days. Yours truly C. Wood'.

Autograph, with signature.

Papers of Gertrude Caton-Thompson, 1935-1985, comprise artwork including preliminary drawings of maps, an offprint of an article 'Lake Moeris, re-investigations and some comments' by G Caton Thompson, E W Gardner and S A Huzayyin from Bulletin de l'Institut d'Egypte, T. XIX, 1936-1937 and photocopy of article 'Recent geological work in the Faiyun...' by O H Little from Bulletin de l'Institut d'Egypte, T. XVIII 1935-1936; aerial photo taken autumn 1938 by US pilot prospecting for oil, showing drainage pattern on edge of high plateau between Mukalla and Wadi Hadhramaut; Watercolour by Edith Hughes of the Fayum depression and preliminary drawing of map/sections of Wadi 'Amd at Hureidha, prepared for plate LXXII in the book Tombs and Moon Temple of Hureidha published in 1944.

Manuscript volume containing tracts on coinage by Leon Lee, [1628-1633], namely proposals on the coinage addressed to Richard Weston, 1st Earl of Portland and Treasurer of England, a paper outlining methods of preventing abuse of the coinage, and an explanation of the exchange. The volume also contains a [presumably unrelated] account of the reception of Princess Elizabeth of England, at Frankenthal, for her marriage to the Elector Palatine Frederick V, later King of Bohemia, Jun 1613.

Carbon copy typescript of 'The case against bi-metallism: Mr. Giffen's error', dated 12 Nov 1892, together with an 'Extract from The case against bi-metallism by Mr. Giffen, p.141'.

Scientific and other papers sent to the Royal Society, presented at meetings of Fellows, or commissioned by the Society. They form a complementary series to the Early Letters, both of which were superseded by the Letters and Papers. Many of these items, referred to as the 'Guard Books', are duplicated in the Register Book of the Society. The classification is a simplified form of the 'Philosophical Transactions' abridgment by John Lowthorp. This arrangement was completed in 1741 by Thomas Birch. The majority of the papers in these volumes are manuscript, but a few printed documents occur throughout the series. Some of the papers are earlier in date than the grant on 15 July 1662 of the First Charter to the Society. The Committee of Trades seems to have been associated with the earlier meetings of those philosophers who subsequently became Fellows, and produced a number of practical papers, some of which were written in 1639 and which are mostly found in Volume 3(i). There are still earlier documents, mostly in Volume 25, which may have been included in the gift, in 1667, of the Arundel Library.

Photographs of Russian silver, porcelain, glass, ikons, paintings and other objets d'art; also offprint of Russian silver by R G Hare (in Ramsay, L G G "The Connoisseur Complete Encyclopedia of antiques" (New York, 1962, pp 60-65).

South-Western Polytechnic, Chelsea Polytechnic, Chelsea College of Science and Technology, and Chelsea College Serial Publications, 1904-1983. This class of material comprises College magazine and journal periodicals, and provides a snapshot of the academic and social life of students and staff from the early phase of the Polytechnic until shortly before the merger with King's in 1985, and includes the South Western Polytechnic Journal, 1904-1906; The Magazine of the Chelsea Polytechnic, 1929-1939; Chelsea College of Science and Technology Gazette, 1962-1969; The Bell, the magazine of the Chelsea Pharmacy Association, 1953-1968; and New Leaf, the Humanities Society journal, 1973-1982.

Chelsea College of Science and Technology and Chelsea College Department of the Humanities student and other records, 1958-1983. This class of material contains some student information on BSc and visiting BA undergraduate and DCC (Diploma of Chelsea College) students, 1967-1983. BSc and DCC information typically includes name, course work including aggregate marks, percentage marks, letter grading, honour points, degree, class and comments. The remainder of the collection comprises correspondence, accounts and financial data, timetables and printed programmes and handouts. This includes general correspondence on the administration of the College, with the Registry and notably concerning resource allocation, 1958-1983; correspondence with other College departments, 1958-1978; staff correspondence, 1968-1983; selective summary of Senate minutes, 1967-1981; accounts books, 1961-1982; finance yearly estimates, 1959-1983; administrative proposals and submissions relating to the strategic development of the College, 1959-1982; Humanities' Annual Reports, 1958-1982; examination question papers and related correspondence, 1969-1983; handouts describing the course content of the Diploma in Modern Social and Cultural Studies, 1969-1982, and visiting undergraduate BA programmes, 1975-1982; syllabuses and notices of liberal and arts events, 1958-1981.

Papers of Baron Redcliffe-Maud including personal correspondence and photographs; speeches, conference and lecture papers; civil service correspondence; South African material; Committee on Management of Local Government and Committee on Staffing Local Government papers and reports; Royal Commission on Local Government papers and reports; enquiry into the arts research material and report; c1900-1980.

Papers of Alexander Joseph Finberg, 1902-1915, comprising albums of newpaper cuttings, 1902-1920, relating to Finberg's own columns, 1902-1915, and the art world in general, 1903-1912.

Research material, manuscripts, and publications of Joshua James Foster, 1880-1935, notably exhibition catalogues, 1880-1881, 1908, 1912; catalogues of miniatures owned by Sir H Stafford Northcote, [1902], and the Duke of Buccleugh (John Charles Montagu-Douglas-Scott) at the Victoria and Albert Museum, 1916-1917; proofs of articles for The Antiquary, [1884]-1889, and other publications, 1899, 1909-1918, with related letters to Foster from Viscount Cobham (Charles George Lyttelton), Earl of Gosford, (Archibald Brabazon Sparrow Acheson), Sir William Hesketh Lever, M H (Marion Harry) Spielmann, Lord Weardale (Philip James Stanhope); transcripts of published articles relating to Richard Crosse, artist, post 1910; published works annotated by Foster, 1916-1917; notes and an article on miniatures in private collections, 1912-[1916]; newspaper cuttings relating to Wessex Worthies, 1921; printed articles written by Foster, relating to miniatures and Giles Hussey, artist, 1923;
correspondence, notably relating to research projects, 1895-1917, including letter relating to the publication of British Miniature Painters, 1898, correspondence concerning the Buccleuch Miniatures, 1916, and a letter from Sir Robert Witt, 1917;
miscellaneous material collected by Foster's children, 1925-1932, notably sales catalogues featuring miniatures, 1925-1932; newspaper cuttings, 1925-1929; sales catalogue including books sold from Foster's library, 1935.

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.