GB 1556 WL 1032 - Kormis, Fred: personal papers and photographs, 1913-1987

Zone d'identification

Cote

GB 1556 WL 1032

Titre

Kormis, Fred: personal papers and photographs, 1913-1987

Date(s)

  • 1913-1987 (Création/Production)

Niveau de description

Étendue matérielle et support

5 boxes

Zone du contexte

Nom du producteur

Notice biographique

Fred Kormis was born in 1897 in Frankfurt and apprenticed in a large workshop specialising in the production of decorative sculpture and mouldings at the age of 14. In 1914 he won a scholarship to the Frankfurt Art School which came to a premature end with the outbreak of the First World War. He was conscripted into the Austrian army (his father was Austrian), sent to the Eastern Front, wounded and captured. After a year in European Russia, Kormis found himself in Siberia, north of Vladivostock, where he spent 4 years until he escaped.

Back in Frankfurt he earned a living as a portrait sculptor until, on 1 April 1933, Hitler came to power. Kormis who had been a socialist since the age of 14 and whose sister-in-law, Tony Sender, had been a deputy in the Reichstag, could see only too clearly what was to come. On 7 April he moved to Holland and then in 1934 to London.

There, he and his wife started a new life. Kormis exhibited at the Beaux-Arts Gallery, continued the medallic work, exemplified in his lovely portrait of the sculptor Moissy Kogan and was established in a studio in Sheriff Road when war broke out once more. In 1940 the studio was bombed and he lost all his large scale work. During the war Kormis spent a period working in the Potteries, designing china for export under the lend-lease scheme. In 1941 Philip Guedalla, seeking a cover for his biography, commissioned him to do one of the earliest medallic portraits of Churchill. This, exceptionally for Kormis, was not done entirely from life. Churchill had to cancel his sitting in favour of a meeting with Roosevelt in the Mid-Atlantic and publishers' deadlines left no time for an alternative appointment.

Kormis' medals of Churchill and Herbert Morrison (1941), served as a prelude to his series of portraits of members of the War Cabinet (Eden, Cripps, Bevin and Sinclair) in 1942 and his series of distinguished foreigners in London in 1943 and 1944 (Benes, Haakon VII, Sikorski, Perlot...)

The end of the war saw Kormis settled in the studio to the north of St John's Wood. He produced a steady output of work, culminating in his great 'Prisoner of War Memorial' in Gladstone Park, Willesden, the erection of which, in 1970, represented the conclusion of a fifty year journey towards the final expression of his experiences in the period, 1915-1920. Among his other public commissions have been 'The Shied Bearer' in the Corn Exchange, Stratford upon Avon; 'Angels Wings', Pound Lane, Willesden; 'The Ever-Lamenting harp', Kiryat Gat, Israel (1978).

Medals have, however, continued to be a constant part of Kormis' work; from his post-war portraits of Mountbatten (1947), Alexander Fleming (1947), and Laurence Olivier (1949), to his more recent tributes to Golda Meir (1973), Charlie Chaplin (1975), Michael Tippett (1977), Henry Moore (1978) and JB Priestley (1978), many of which have been shown at his exhibitions at the Fieldbourne Gallery in London. Kormis died in 1986.

Histoire archivistique

GB 1556 WL 1032 1913-1987 Collection level 5 boxes Kormis , Fred , 1897-1986 , sculptor

Fred Kormis was born in 1897 in Frankfurt and apprenticed in a large workshop specialising in the production of decorative sculpture and mouldings at the age of 14. In 1914 he won a scholarship to the Frankfurt Art School which came to a premature end with the outbreak of the First World War. He was conscripted into the Austrian army (his father was Austrian), sent to the Eastern Front, wounded and captured. After a year in European Russia, Kormis found himself in Siberia, north of Vladivostock, where he spent 4 years until he escaped.

Back in Frankfurt he earned a living as a portrait sculptor until, on 1 April 1933, Hitler came to power. Kormis who had been a socialist since the age of 14 and whose sister-in-law, Tony Sender, had been a deputy in the Reichstag, could see only too clearly what was to come. On 7 April he moved to Holland and then in 1934 to London.

There, he and his wife started a new life. Kormis exhibited at the Beaux-Arts Gallery, continued the medallic work, exemplified in his lovely portrait of the sculptor Moissy Kogan and was established in a studio in Sheriff Road when war broke out once more. In 1940 the studio was bombed and he lost all his large scale work. During the war Kormis spent a period working in the Potteries, designing china for export under the lend-lease scheme. In 1941 Philip Guedalla, seeking a cover for his biography, commissioned him to do one of the earliest medallic portraits of Churchill. This, exceptionally for Kormis, was not done entirely from life. Churchill had to cancel his sitting in favour of a meeting with Roosevelt in the Mid-Atlantic and publishers' deadlines left no time for an alternative appointment.

Kormis' medals of Churchill and Herbert Morrison (1941), served as a prelude to his series of portraits of members of the War Cabinet (Eden, Cripps, Bevin and Sinclair) in 1942 and his series of distinguished foreigners in London in 1943 and 1944 (Benes, Haakon VII, Sikorski, Perlot...)

The end of the war saw Kormis settled in the studio to the north of St John's Wood. He produced a steady output of work, culminating in his great 'Prisoner of War Memorial' in Gladstone Park, Willesden, the erection of which, in 1970, represented the conclusion of a fifty year journey towards the final expression of his experiences in the period, 1915-1920. Among his other public commissions have been 'The Shied Bearer' in the Corn Exchange, Stratford upon Avon; 'Angels Wings', Pound Lane, Willesden; 'The Ever-Lamenting harp', Kiryat Gat, Israel (1978).

Medals have, however, continued to be a constant part of Kormis' work; from his post-war portraits of Mountbatten (1947), Alexander Fleming (1947), and Laurence Olivier (1949), to his more recent tributes to Golda Meir (1973), Charlie Chaplin (1975), Michael Tippett (1977), Henry Moore (1978) and JB Priestley (1978), many of which have been shown at his exhibitions at the Fieldbourne Gallery in London. Kormis died in 1986.

Kormis family

The papers in this collection consist chiefly of photographs of the work of the sculptor and medallion maker, Fred Kormis, 1913-1987. In addition there is some correspondence mostly relating to his work, including letters of thanks from Lord Mountbatten, Menachem Begin and members of the British War Cabinet during the Second World War, for whom Kormis sculpted medallions.

The original arrangement has not been altered. The personal papers and correspondence have been listed first, followed by the photographs of Fred Kormis' work, which form the bulk of the collection. Each item in the list consists of 1 folder unless otherwise stated.

Open

Copies can be made for personal use. Permission must be sought for publication.

Mostly English

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Entry compiled by Howard Falksohn.

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

January 2008 Wars (events) Europe Fine arts Genocide Holocaust Humanitarian law International conflicts Kormis , Fred , 1897-1986 , sculptor Mountbatten , Louis Francis Albert Victor Nicholas , 1900-1979 , 1st Earl Mountbatten of Burma , Admiral of the Fleet x Mountbatten of Burma , 1st Earl x Battenburg , Prince von Sculpture UK War War crimes Western Europe World wars (events) World War Two (1939-1945) London England

Source immédiate d'acquisition ou de transfert

Kormis family

Zone du contenu et de la structure

Portée et contenu

The papers in this collection consist chiefly of photographs of the work of the sculptor and medallion maker, Fred Kormis, 1913-1987. In addition there is some correspondence mostly relating to his work, including letters of thanks from Lord Mountbatten, Menachem Begin and members of the British War Cabinet during the Second World War, for whom Kormis sculpted medallions.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

The original arrangement has not been altered. The personal papers and correspondence have been listed first, followed by the photographs of Fred Kormis' work, which form the bulk of the collection. Each item in the list consists of 1 folder unless otherwise stated.

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Open

Conditions de reproduction

Copies can be made for personal use. Permission must be sought for publication.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

Mostly English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Wiener Library

Règles et/ou conventions utilisées

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées