Records, 1961-2000, relating to the original and new series of the periodical Modern Poetry in Translation and associated projects. The material pertains to languages including Afrikaans, Bulgarian, Chinese, Czech, Danish, Dutch, Finnish, French, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Japanese, Norwegian, Persian, Polish, Portuguese, Rumanian, Russian, Spanish, Swedish, Turkish and Yiddish. Publications comprise issues 1-44 of the magazine, 1965-1982, covering poetry from a wide range of sources including countries in Europe, the Middle East, Central and South America, Asia and Russia; MPT Year Book (1983); MPT programme for Poetry International 71 (1971); Poetry World (1986); and an Anthology of Twentieth Century Russian Poetry (1974), edited by Max Hayward and Daniel Weissbort. There are also files of translated poems, undated, from sources including various countries in Europe, Central and South America, and Asia. The bulk of the records comprises correspondence, covering all aspects of MPT's organisation including discussion with publishers, printers and distributors; decisions on the content of future issues and work by guest editors; correspondence with translators on specific projects and the general theory of translation; and many letters from translators offering their services, demonstrating the wave of enthusiasm of which MPT was part. The first series of correspondence, covering 1961 to 1984, relates to issues 1-6 (1965-1969, when MPT was published by Cape Golliard) and includes files on particular countries and related translators; organisations including the Arts Council and Gulbenkian Foundation; individuals including Ted Hughes and his involvement with MPT; distribution in Britain and America. The second series, 1966-1984, relates to the independent production of the magazine from 1969 and also to the Year Book (1983), and comprises some files on particular countries and their translators but also more general files covering aspects of production and admininstration over particular periods. The third series, 1964-1984, relates to translation projects in which Daniel Weissbort, editor of MPT, was engaged outside MPT. Subsequent deposits relate largely to the revival of MPT from 1992 and include papers on MPT, 1978-2000, among them translations, correspondence, reviews, biographical information and ephemera; papers relating to Poetry World after its launch in 1986; files relating to new series issues of MPT, comprising correspondence and translations; printed material including issues 1 and 2 of the new series, 1992; and working papers of Professor Norma Rinsler, 1993-1994 and undated, relating to the MPT new series and the Second International Poets Festival in Jerusalem, 1993, and including typescript poems and information on poets.

Collection of Frida Mond relating to German literature including poems and letters, 1794-1831, by and concerning Johann Wolfgang Von Goethe and a manuscript page (undated) of Wilhelm Tell by Johann Christoph Friedrich Von Schiller; portraits, busts and reliefs of Goethe and Schiller, some of which (including some photographs) are copies of original material held elsewhere; other relics and memorabilia relating to them, some postdating their deaths; and relics comprising jewellery, clothing, hair, possessions and portraits of Lotte Buff (Charlotte Buff, 1753-1828, friend of Goethe 1772).

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of theAtlantic reading their material, 1950-1998.

Queen Elizabeth College obituaries and press cuttings, 1908-1986, notably including obituaries of a number of former staff of Queen Elizabeth and its predecessors, 1955-1963; bound volumes of press cuttings containing often detailed notices, news stories and features concerning the Department/College from newspapers including The Times, Morning Post and Spectator, covering topics such as the education of women, the teaching of household science internationally, awards, new buildings and wartime disruption, 1908-1986; volumes of cuttings on cooking and recipes from newspaper columns, 1927-1932.

George Charles Moore Smith's undated transcripts, first lines and titles of 17th-century poems before 1660. The sources include British Library Additional MSS, MSS Sloane, Lansdowne, Dyce, Harleian and Egerton; Oxford University, Bodleian Library, MS Ashmole, MS Malone, MS Rawlinson Poet; Corpus Christi Library, Oxford, MS 32B; Cambridge University Library, Add MS 4138; manuscripts at St John's, Emmanuel, Jesus and Corpus Christi Colleges, Cambridge; commonplace books including those by Anthony Scattergood and W E Preston; poets including Anthony Sleep, Thomas Coriat, Peter Hausted (Halstead), Edward Forset, John Eliot, Henry Molle and Thomas Masters. Much of the material is written on the reverse of examination scripts in English (some identified as University of Sheffield).

Working papers of Alexander Souter, 1889-1930s and undated, comprising 20 notebooks, 1889-1913, on his studies in Aberdeen and Cambridge and on classical and patristic sources for his later work in Oxford, Aberdeen and Italy, and also including a diary for 1890, with entries noting work completed, news cuttings relating to his interests, and a book containing short publications such as Souter's The Predicative Dative Especially in Later Latin (1926) and A fragment of an unpublished Latin text of the Epistles to the Hebrews with a brief exposition (1924); manuscript texts for articles and lectures, mostly annotated with the dates and places of delivery, 1911-1936, including 'Classical Studies in the United States of America', 'Four Great Scholars', 'The Latin Bible', The History of Latin Lexicography', 'Statius: the Poet of the Silvae', 'Statius Silvae, with special reference to the manuscript tradition', 'Pelagius's Commentary on the Epistles of St Paul', 'Recent Advances in Palaeography', 'St Augustine', 'Recollections of a Travelling Scholar' and 'Beginnings of Christianity in Africa'; manuscript catalogue of editions of Latin authors in Souter's collection (1918).

Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Experimental notes, working papers, correspondence and lecture summaries compiled by Charles Wheatstone, 1836-1875, and photographs collected by him in that period. Notably including papers relating to the development and testing of the telegraph, [1836-1960]; descriptions of experiments and test results concerning the measurement of electromotive forces and electrical potential, [1840-1875]; experimental observations on the nature of magnetism, electricity and thermodynamics, including electromagnet design, batteries and dynamos, [1834-1855]; working papers relating to optics including experiments into refraction, colouration of compounds and polarisation, [1850-1875]; drafts of lectures on sound and musical instruments prepared by Wheatstone, [1832-1837]; material relating to the management of the Wheatstone collection of scientific instruments and library, 1890-1992; biographical material relating to the life of Wheatstone, the invention of the telegraph and Wheatstone's musical instrument manufacturing business, with unrelated newspapers, 1757-1975; stereoscopic photographs and glass negatives taken by Roger Fenton, Samuel Buckle, Jules Duboscq and others, featuring landscapes, still lifes, panoramic scenes of cities including Paris and Moscow and the interior and exterior of the Crystal Palace, Hyde Park, Sydenham, 1851, and especially the Exposition Universelle, Paris, 1855, [1850-1901]; artefacts on loan from Department of Physics, King's College London, including telegraph apparatus, a nail fiddle and other prototype musical instruments, [1834-1875]; exhibition of scientific and musical instruments, [1834-1875].

Papers of and relating to Charles Walter Stansby Williams, 1937-1946 and undated, including corrected proof of The Region of Summer Stars; typescripts including 'Terror of Light', 'The Working of Porphyry', 'Taliessin in the Rose Garden', and 'Prologue' to a production of The Way of the Cross by Henry Gheon; memorabilia relating to Williams, including three photographs, and obituaries.

Extract from autobiography of William Terence Stace, covering his work as a civil servant in Ceylon, 1910-1932, particularly as a cadet in Galle, a police magistrate, private secretary to the Governor (Sir Robert Chalmers), district judge at Negombo, and an official (ultimately, the head) of the Land Settlement Department. With letter from H E Newman to T E Smith, Institute of Commonwealth Studies, commenting on Stace's work.

Pamphlets, press releases, conference reports and declarations, 1979 onwards, issued by the Association of Tamils for a United Sri Lanka, the Movement for Inter Racial Justice and Equality (Sri Lanka), the National Peace Council of Sri Lanka and the Sri Lanka Foundation.

Articles and books, 1972-1977, written by various authors on the life and work of Herbert Feis.

The collection contains a typescript diary of his life and work, particularly of his time spent in the New Hebrides (Vanuatu) from 1907. Also includes letters and photographs.

Contains material, mostly printed, 1889-1901, relating to the compilation of articles for the Dictionary of National Biography.

Papers of the De Morgan family, [1756-1928], comprising material relating to the suffragette movement, such as photographs, newpapers, press cuttings and pamphlets; correspondence of Augustus de Morgan, with correspondents including Sir Frederick Richard Pollock, Sir George Biddle Airy, Sir John William Lubbock, John Wrottesley (2nd Baron Wrottesley), John Radford Young, Sir John Frederick William Herschel, John Finlaison, and General Sir John Briggs; correspondence of William Frend de Morgan, mainly with members of his family and Sir Edward Coley Burne Jones; material relating to the de Morgan and Frend families, notably family photographs, drawings, letters, legal documents and memorabilia; letters from Sophia and Mollie de Morgan to Joan Antrobus; manuscript and typescript copies of stories and essays by William and Mary de Morgan; papers relating to Sophia de Morgan's Memoir of her husband Augustus, including letters, reviews and working notes; bundle of letters containing correspondence concerning a petition to the women of America from the women of England about the abolition of slavery; printed material, mainly works by Augustus de Morgan; letters to Francis Baily, [1820-1940]; letters from Thomas Henderson to Thomas Galloway, 1834-1842; 5 watercolours of Scotland by Frances Shakerley, [1920-1930].

Research notes for Legge's book, 'Affectionate Cousins' about Thomas Sturge Moore and his wife Marie Appia, including copies and transcripts of Sturge Moore and Appia family correspondence. There is also correspondence with the Sturge Moores' daughter Riette and University of London Library about the Sturge Moore papers, personal correspondence with Riette Sturge Moore, essays on literary criticism, and details of the publication of the book.

Poems and related papers of Frances Khan, 1992-1995.

Papers of Frances Kahn, 1992-1995, comprising poems and related papers.

The vast majority of these papers relate to Whiteley's life between 1923 and 1938. They cover the years when she lived in England and are also a useful source for information concerning her travels in India, although there is practically nothing relating to her visit to Rome and the period of her residence in Austria.

There is an extensive series of letters written to Whiteley whilst she was living in England. These letters (MS 949/1B) indicate the friendships and contacts that she made in England and maintained overseas. They also give information about her work and activities during this period of her life. The ephemera and other material collected by Whiteley provides supporting information about her concerns and interests during this period (MS 949/5-7). There is a large amount of photographic material in this collection, the bulk of which was created during Whiteley's travels in India during 1924 and 1925 (MS 949/8-9). As well as being a source of information about Whiteley herself and the places which she visited, the images also give information about the region of Udaipur, its people, architecture and social customs. The photographic material is supported by letters to Whiteley and papers and letters written by her whilst in India (MS 949/3).

There is also a significant amount of material written by Whiteley for her own use (MS 949/4). It is rather difficult to make sense of much of this material, although some of it clearly relates to her interests and research. However, these papers clearly give an indication of Whiteley's state of mind at this period.

Musical score for the principle theme from the incidental music for John Masfield's Melloney Hotspur (William Heinemann, London, 1922), with an accompanying letter sent by John Hotchkiss to Rev L.H. Clench of Sheringham, 1952.

Personal papers, correspondence, news-cuttings and pamphlets concerned mainly with various literary societies. This collection also comprises correspondence of the Daniel family, including that of George Daniel's son, Jesse Cato Daniel (1825-1876), Jesse's wife Elizabeth (1825-1900), and his grandson, George B. Daniel (1863-1897) who emigrated to Argentina. The Daniel papers include a letter from the poet Samuel Taylor Coleridge to "my very dear Cottie" in 1797.

The material comprises correspondence between Thomas Sturge Moore (TSM) and various members of the Moore, Sturge and Appia families, friends, literary colleagues, including R.C Trevelyan, A.H Fisher, W.B Yeats, Robert Ross, Wyndham Lewis, George Bernard Shaw and Charles Ricketts, publishers and various others; diaries, notebooks and journals; drafts, proofs and published copies of his poems, articles, speeches and lectures; sketches and designs for costumes, book covers and bookplates for both his own work and that of others, most notably W.B Yeats; personal and family papers and photographs. Also included are copies of correspondence between the artist Charles Ricketts and friends, colleagues and various others; copies of his journals and diaries; material relating to his work and art collection; draft notes for a biography of Ricketts by Ursula Bridge and personal papers of the artist Charles Shannon.

Papers of Professor Andrew Rutherford, including material relating to the teaching of literature at University level, such as lectures dating from his time at the University of Aberdeen, and reports to the British Council on his lecturing tours abroad; documents concerning the admission of Goldsmith's College as a School of the University of London; appointment diaries and a file of speeches made while Vice-Chancellor of the University of London; research material compiled by Rutherford relating to his book book The literature of war: five studies in heroic virtue (Macmillan, 1978) and his editorship of seven volumes of Kipling's stories and poetry , most notably Early verse by Rudyard Kipling (Oxford University Press, 1986), comprising working notes, photocopies, correspondence and drafts.

Letter from Benjamin Heywood Bright to Philip Bliss, [1820-1840?], relating to Shakespeare and Ben Johnson.

The collection contains notebooks of sketches and drawings, 1838-1841; levelling books, 1840-1880; and Henry Rastrick's diary for 1884.

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

Papers of Katharine Longley, 1812-1993, comprising research notebooks; correspondence files; material associated with the Wickham and Ternan families; photocopies of manuscript material; photocopies from periodicals; a copy of The Charles Dickens Birthday Book; material on The Mystery of Edwin Drood; typescript of A Singular Light; typescript of A Pardoner's Tale; typescripts of Charles Dickens: Towards the Truth; typescript essays; printed books; and photographs and negatives.

Cavalier Playing Cards collection, 1886, comprises a bound volume containing a pack of cavalier playing cards, designed in the era of Charles II, forming a complete satire of the Commonwealth, published by the Clarendon Historical Society, with accompanying typescript explanation on each card by Edmund Goldschmid (1885-1886).

Letter, 1960, from James Baxter to John Pocock, thanking him for the review of his two plays, The Wide Open Cage, and Jack Winter's Dream.

Notebooks, [1922-1991]; manuscripts including "Emancipated Women", "Heart-Shaped Ladies"; Library Association papers, 1959-1972; correspondence with Philip Larkin, 1965; diary, 1966-1970.

Papers of Robert G Philip, [c1930-1950], comprising an unpublished work titled A ninth century view of Christ, based on the Anglo-Saxon poem Heliand. The manuscript comprises analysis followed by a translation of the poem.

Subject files include NALGO Action Group, 1968-1982; Victory for Socialism, c1960; International Socialists / Socialist Workers Party Internal Bulletins, 1967-1982, and papers, circulars, 1963-1982; Chile Committee for Human Rights, 1973-1983; liberation struggles in the developing world, 1966-1986; National Union of Teachers rank and file movements, c 1971-1988; Campaign for Nuclear Disarmament (CND) local groups, Youth CND groups, Committee of 100, 1958-1971; Exeter University student activism, 1948-1958; Student Labour Federation, 1950-1959; National Association of Labour Student Organisations, 1950-1956; Socialist Labour League bulletins, circulars, 1959-1960. Periodicals include Socialist Fight, 1960-1963; Workers Fight, 1969-1975; The Newsletter, 1958-1968; Young Guard, 1961-1966; Socialist Challenge, c1978-1981; Socialist Review, 1952-1959

Typescript copy of poem, "A sedative at daybreak" by Laurie Whistler. With etchings by Joan Hassall. This copy was a gift to Walter de la Mare. Inscribed "And to dearest WJdlM with love, always, from LW".

Poems by Sir Francis Hubert, Sir Robert Cotton and Ben Jonson: ff 2-147. 'The Deplorable Life and Death of Edward the Second': The first poem [by Sir Francis Hubert] comprises 581 seven line stanzas. Printed in 1628 and 1629. MS. Harleian 2393 in the British Museum has two versions of the poem, the first "imperfect at the end, as wanting all after the 352 stanza ... It is written to Queen Elizabeth"; the second, like the present MS., "revised and corrected ... being now fitted-up for the perusal of King James I ... and, in the whole, consists of 581 stanzas ... the author, at the end, calls himself Infortunio."; ff 150-164: 'A short view of the Raigne of King Henry the third': The second poem is by Sir Robert Cotton and was printed in 1627. ff 276b-278: 'The bodie'. Daniell, poet; 'The minde', the third poem ['Daniell, poet'] is, in fact, by Ben Jonson. It has 8 four line stanzas. 'The minde', the last poem, has 18 four line stanzas.

Manuscript of a poem, Catullus, c1900 (manuscript 324) by Arthur William Symons.

Prose and verse on moral and political affairs, some in dialogue form, in several hands.

Prose and verse passages including Historica de el duende de Madrid (1757); breve explicacion de la doctrina de Patino por preguntas y respuestas entre Dr. Josef Rodrogo y los muchachos de la cobachuela; el duende politico que la cuenta de los presentes negocios y anuncia los futuros de esta monarchia a 8 de Diciembre de 1735; Melchor de Fonseca - Maxyms de Bacalini recogidas en un romance yntitulado El Sueno Politico...sobre el rreynado de Don Phelippe IV.

"Vida del M.R.P. Fr. Manuel de San Joseph (vulgo el Duende de Madrid), Carmelita descalzo de la provincia de Navarra". Includes copy of "Copia de la carta que escrivio a su general el P. Fr. Manuel....en Madrid a 17 de Marzo de 1737".

Papers of the Robert Fellowes, 1798-1845, comprising manuscripts of his autobiography, 'Common Sense Truths', 1844 (MS255); A Picture of Christian Philosophy, 1798 (MS256); and notes for a projected work on religion or philosophy, written by Robert Fellows, circa 1845 (MS257).

Drafts (mostly manuscripts) of Terry Pratchett's works including Only You Can Save Mankind, and The Sea and Little Fishes.

Holograph manuscripts, 1880-1884. SL V 31 is John Lord Cobham. SL V 32 is The Voyage of Maeldune. SL V 33 is Early Spring and SL V 34 is an edition of Tennyson's Works.

SL V 37 is a typescript, with corrections made by Barrie of the play and correspondence relating to the production of Alice Sit By the Fire (1906); SL V 38 is the original manuscript of Hsiung's translation into Chinese of the play Shall We Join the Ladies (1921) and the book Barrie and His Work.

One holograph letter, 1791, written by Robert Burns to Mrs Dunlop. Letter includes the poem The Song of Death.

Holograph manuscripts of novels. SL V 51 is The Withered Root (1927). SL V 52 is Arfon (1930). SL V 53 is Rings on Her Fingers (1930) SL V 55 is Count Your Blessings (1931) and SL V 54 is a collection of the author's manuscripts of short stories and poems.

A holograph manuscript of the novel Bonnet and Shawl, 1928 written by Philip Guedalla.

Holograph manuscripts, 1816-1875. SL V 6 is Byron's Childe Harold's Pilgrimage, Canto III copied by Mary Godwin with correspondence regarding the custodial history of Godwin's manuscript. SL V 7 is Don Juan, third canto. SL V 8 is Don Juan, tenth, eleventh and twelfth cantos. SL V 9 is Don Juan, seventeenth canto.

Holograph manuscripts of Powys' novels. SL V 76 is Dialogue on Genesis, 1906. SL V 77 is Mark Only, 1922. SL V 78 is The Dewpond, 1928 and SL V 79 is The House with the Echo, 1928.

A manuscript of Fireflies (Georgian Parodies), 1920 by Siegfried Sassoon.

Copy in Ralph Waldo Emerson's hand of his poem 'Concord monument', [1847].

SLV/13 contains four holograph letters written by Ralph Waldo Emerson to his publisher John Chapman. SLV/105/13 is a first edition of Poems by Ralph Waldo Emerson including a manuscript copy of the poem Concord Monument, 1844-1867.