Área de identidad
Código de referencia
Título
Fecha(s)
- 1873-1882 (Creación)
Nivel de descripción
Volumen y soporte
3 volumes
Área de contexto
Nombre del productor
Historia biográfica
The original idea for a national music school based in London's South Kensington estate had been that of Albert, the Prince Consort. Shortly after the Prince's death, Henry Cole, the creator of the Great Exhibition of 1851, and the Commissioners of the Great Exhibition had decided to create a scheme for its establishment by the Society of Arts (of which he was Honorary Secretary) on land at South Kensington provided by the Commissioners. The National Training School for Music (NTSM) opened on 17 May 1876 after a three-year planning period, with Arthur Sullivan as its first Principal (he was succeeded in 1881 by John Stainer). It was instituted as a five-year experiment supported by public subscription after which it was hoped to transfer management and funding to the State. Initially Cole had hoped to remodel the Royal Academy of Music (RAM) into a national free musical school in the mould of European conservatoires but this attempt had failed and the NTSM was instituted separately. It had been established with the grand intention of providing 300 free scholarships but this quickly proved impossible and a compromise was reached to provide 100 free scholarships for five years. When it opened there were only 70 scholarships and by 1878 it appeared the limited funding provided by private founders and corporate bodies would not suffice to enable the continuation of the School without government assistance. The School would have to seek some sort of alliance with the RAM in taking fee-paying students.
The Prince of Wales summoned a meeting in July 1878 to promote the establishment of a Royal and National College of Music, whose students, admitted on merit by examination, would enjoy full or partial scholarships. It was proposed that the College should emerge from an amalgamation of the RAM and the NTSM. The RAM initially seemed favourable to the union, and undertook negotiations with the Sub-Committee, under Prince Christian, of the Executive Committee appointed to oversee the establishment of the College. However in the same month the RAM rescinded its approval of the amalgamation, as the Honorary Secretary of the committee established at the RAM to look into the merger stated that according to its charter the RAM could not amalgamate with any other body. The NTSM was left to continue under difficult and uncertain circumstances, and took its first fee-paying students in autumn 1881. The Prince of Wales convened a national meeting of dignitaries at St James's Palace in February 1882 to promote the creation of a public fund to establish the Royal College of Music, which would become the state supported successor to the NTSM.
Institución archivística
Historia archivística
GB 1249 NTSM 1873-1882 Collection (fonds) 3 volumes National Training School for Music
The original idea for a national music school based in London's South Kensington estate had been that of Albert, the Prince Consort. Shortly after the Prince's death, Henry Cole, the creator of the Great Exhibition of 1851, and the Commissioners of the Great Exhibition had decided to create a scheme for its establishment by the Society of Arts (of which he was Honorary Secretary) on land at South Kensington provided by the Commissioners. The National Training School for Music (NTSM) opened on 17 May 1876 after a three-year planning period, with Arthur Sullivan as its first Principal (he was succeeded in 1881 by John Stainer). It was instituted as a five-year experiment supported by public subscription after which it was hoped to transfer management and funding to the State. Initially Cole had hoped to remodel the Royal Academy of Music (RAM) into a national free musical school in the mould of European conservatoires but this attempt had failed and the NTSM was instituted separately. It had been established with the grand intention of providing 300 free scholarships but this quickly proved impossible and a compromise was reached to provide 100 free scholarships for five years. When it opened there were only 70 scholarships and by 1878 it appeared the limited funding provided by private founders and corporate bodies would not suffice to enable the continuation of the School without government assistance. The School would have to seek some sort of alliance with the RAM in taking fee-paying students.
The Prince of Wales summoned a meeting in July 1878 to promote the establishment of a Royal and National College of Music, whose students, admitted on merit by examination, would enjoy full or partial scholarships. It was proposed that the College should emerge from an amalgamation of the RAM and the NTSM. The RAM initially seemed favourable to the union, and undertook negotiations with the Sub-Committee, under Prince Christian, of the Executive Committee appointed to oversee the establishment of the College. However in the same month the RAM rescinded its approval of the amalgamation, as the Honorary Secretary of the committee established at the RAM to look into the merger stated that according to its charter the RAM could not amalgamate with any other body. The NTSM was left to continue under difficult and uncertain circumstances, and took its first fee-paying students in autumn 1881. The Prince of Wales convened a national meeting of dignitaries at St James's Palace in February 1882 to promote the creation of a public fund to establish the Royal College of Music, which would become the state supported successor to the NTSM.
Records of the National Training School for Music, 1873-1882, comprising minutes of the Committee of Management, 1873-1882, including proposed charter of the School, concert programmes, accounts, and correspondence; register of scholars, 1876-1882 (indexed).
Minutes are arranged in two volumes: 1873-1880, and 1880-1882. The first volumes contains the School charter.
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Photocopying is permitted at the discretion of the Archivist for research purposes only.
English
The RCM also holds an events book which includes entries relating to the NTSM; papers of Lord Henry Thring relating to the establishment of the RCM, 1877-1883.
Compiled by Robert Baxter as part of the RSLP AIM25 Project. Sources: 'The National Training School for Music, 1873-1882. Catalyst or cul-de-sac?', G W E Brightwell (University of Durham MA Thesis, 1998). Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Mar 2001 Cultural education Educational governing boards Educational supervision England Europe Kensington London Music Musical performances Music education National Training School for Music Royal College of Music Students UK Western Europe Performing arts Kensington and Chelsea
Origen del ingreso o transferencia
Área de contenido y estructura
Alcance y contenido
Records of the National Training School for Music, 1873-1882, comprising minutes of the Committee of Management, 1873-1882, including proposed charter of the School, concert programmes, accounts, and correspondence; register of scholars, 1876-1882 (indexed).
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Minutes are arranged in two volumes: 1873-1880, and 1880-1882. The first volumes contains the School charter.
Área de condiciones de acceso y uso
Condiciones de acceso
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Condiciones
Photocopying is permitted at the discretion of the Archivist for research purposes only.
Idioma del material
- inglés
Escritura del material
- latín
Notas sobre las lenguas y escrituras
English
Características físicas y requisitos técnicos
The RCM also holds an events book which includes entries relating to the NTSM; papers of Lord Henry Thring relating to the establishment of the RCM, 1877-1883.
Instrumentos de descripción
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
Unidades de descripción relacionadas
Nota de publicación
Área de notas
Notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
Identificador de la institución
Reglas y/o convenciones usadas
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Idioma(s)
- inglés