Papers of Ethel Gertrude Woods, 1921-1985, including a typescript of 'Scenery, its nature and origin' (confused pagination, approx 350 pp), unpublished; 87 watercolour and black and white sketches and diagrams prepared by Miss K Chandler Thomson as illustrations; note on the author; covering letter from donor, William Skeat (nephew) and other correspondence concerning the MS with Dr Joby of the Open University, 1985.

Fifteen watercolours of Turkistan (Ladakh, Kashgar and Yarkand) by George Hayward some with descriptive text on backs; two sketch plans of Kashgar and Yarkand forts and photograph of the grave of Hayward.

Papers of M A Chambers, 1912-1913, comprise 'The lure of the Caucasus': sketches in prose and paint of travels under the old regime.

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Records of the Guildhall Art Gallery, comprising memorandum on the establishment of the Guildhall Art Gallery and the appointment of a Director, 1944; article The Corporation's Picture Collection and the Guildhall Art Gallery, 1965; extracts relating to the portraits of the Fire Judges, 1670-1705, and reports on the restoration of the portraits, 1945; Chamber vouchers, orders for payment and receipts for drawing, framing, setting up, inscribing and decorating the Fire Judges portraits, 1671 and order for payment for painting the pictures of the King and the Duke of York, 1672.

The City of London's first commissions were portraits of the judges appointed to assess property claims in the wake of the Great Fire of London - the so-called 'Fire Judges'. These were followed by portraits of kings and queens and of other individuals who had rendered a service which the City of London wished to recognise.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Papers of Dr Edward H Cree, including volumes one to twenty-one, 1937-1961, and comprises Cree's personal journals whilst serving at sea. The text is supplemented by circa seventeen hundred watercolours and sketches. The journals account details of his sea voyages, experience whilst in foreign lands, his impressions of people and places, his recollections amongst family and friends and writings concerning his life at home and with his wife. In addition to the illustrated journals are his 'rough journals' 1841, 1847, 1849, 1851-2 and 1854, his medical journal kept 1841-1847, journal notes (1837), sketchbook (1839), newspaper cuttings, service records and certificates and invitations. An index to the journals provides useful information on the vessels served on, the places visited and the illustrations within.

Papers of Charles Ramsey Drinkwater Bethune comprising letters, written mainly by Bethune to his family, 1815 to 1835, and a number of watercolours.

Alfred Wolmark was a painter whose range included figurative, landscape and graphic art. The papers and sketches in this collection reflect the various areas and influences in his life and work. The collection includes sketches, transcripts of his lectures, a diary, examples of posters and programmes designed by him, lists of his works, and correspondence with friends, associates and possible sitters.

66 Ear, Nose and Throat pathology illustrations, in pencil, ink and watercolour, by Dr John Stewart Mackintosh, c 1899-1900.

Papers relating to Sanders' life and military career, 1911-1966, including five letters of appreciation, 1911-1927, mostly relating to Sanders' work as Superintendent, Army Remount Service, No 3 Depot, Melton Mowbray, Leicestershire, 1914-1920, notably typescript letter from Gen Sir Douglas Haig, Commander in Chief, British Armies in France, 3 Jun 1918; manuscript letter to Sanders from Lt Gen Adrian Carton de Wiart, from Rome, Italy, relating to his capture and imprisonment by Italian forces, 10 Aug 1941; painting of final mounted parade, 4/7 Royal Dragoon Guards, Edinburgh, 15 Aug 1938; edition of Wandsworth Borough News, with photograph and article on the 28 Bn, (Wandsworth), County of London, Home Guard, commanded by Sanders, 26 Sep 1941.

Collection of photographs previously owned by Iris Murdoch. Includes images of Iris Murdoch alone, Iris Murdoch pictured with others and portraits of individuals who Iris Murdoch knew. As well as Murdoch those depicted include John Bayley, Frank Thompson and Elias Cannetti.

Drawings and watercolour paintings of fossil fish by Joseph Dinkel, J C Weber, Cécilie Agassiz, Jacques Bourkhardt, G A H Köppel and Sixtus Heinrich Jarwart and others, commissioned by Jean Louis Rudolphe Agassiz for his publications 'Recherches sur les Poissons Fossiles' (1833-1844) and the follow up 'Monographie des Poissons Fossiles du Vieux Grès Rouge' (1844-1845). Also includes drawings commissioned by Lord William Willoughby Cole (1807-1886), later the Earl of Enniskillen, and Sir Philip de Malpas Egerton (1806-1881) of their own fossil cabinets.

A sketchbook by Stanley Spencer, c 1919-1924 with one loose sketch of Gilbert Spencer by Stanley Spencer, c 1906-1908.

The Sketchbook contains 37 pages with sketches on front and back of pages, 4 loose sheets and 2 torn pages. Most sketches are made in pencil. However, 12 sketches are finished in pencil and wash, and 1 sketch in pencil and oil.

The sketchbook spans Spencer's time spent with the Slessers in Bourne End from late 1919-1920, with Muirhead Bone and his wife at Petersfield in 1921 and his stay with Henry Lamb in Poole, Dorset in April 1923 where he produced designs for what would later become the Sandham Memorial Chapel at Burghclere. The sketchbook is significant in that it includes initial ideas for a number of post-First World War religious works, including some Tate-owned paintings, notably 'Christ Carrying the Cross', 1920, 'The Robing of Christ and the Disrobing of Christ', 1922, and 'The Resurrection, Cookham', 1924-26. It also includes a number of designs (many in pencil and wash) for Sandham Memorial Chapel at Burghclare which are amongst some of the earliest sketches that Spencer created for this commission.

The loose sketch of Spencer's brother, Gilbert Spencer, is a pre-Slade School sketch of c 1906-1908 of his magnum opus.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Photograph of the Murdoch family in Ireland c 1890s. Those pictured include William Murdoch and Louise Murdoch with their children Sara, Ella and Hugh. Hugh Murdoch was Iris Murdoch's father, and William and Louise her grandparents. Photograph taken at the Abernethy Studios in Belfast.

Papers of Henry Wilson, comprising correspondence, photographs and presscuttings [1864-1934].

Papers of Herbert Horne, architect and art historian, c 1883-1886, including correspondence with Grace Parkinson and some correspondence with Aby Warburg. Topics covered include: Italian Renaissance Art: Botticelli, Uccello and Piero di Cosimo.

Five letters of John Ruskin to the Rev Walter Lucas Brown on watercolour painting; letter to Miss Brown.

Transcript of a work entitled 'Traitté ou sont enseignées toutes les manières de piendre en mignature, avec plusiers exemples des plus excellens peintres de ce siècle', 1746, comprising an account of the different styles of various miniature painters of that era, notably Louis du Guernier, Jean Eckman, Louis van de Bruggen, Jean Petitot, as well as paintings by Sir Anthony Van Dyck, Claude Vignon and Charles Lebrun.

Letter from Sir Edward Henry Busk of Heath End, Checkendon, Oxfordshire to R A Rye. Asking for the name and address of a photographer to reproduce his portrait painted by [John Singer] Sargent, 'as many friends are asking me for a reproduction'.

Autograph, with signature.

Letter from Thomas Telford of Inverness to Rev John Warren, Dean of Bangor, [Caernarfonshire], 23 Sep 1811. Concerning a possible road to pass through Bangor, and giving instructions for the surveyor.

Autograph, with signature.

The following items are filed with the letter: (a) an engraving of Thomas Telford (1832); (b) engravings of Menai Bridge, the Vale of Llangollen and Conway, by W Radclyffe (undated); (c) a list of Telford's achievements, set out as if for a memorial plaque [produced after Telford's death in 1834].

Masterpieces of Hogarth Scrapbook, c 1800-1950, contains cuttings of a majority of Hogarth's paintings and drawings.

Letter to The Times, with covering letter, in reply to an article by the paper's dramatic critic, Arthur Bingham Walkley, concerning Expressionism, 1924.

Photographs of Russian icons intended to give "a picture of the development of ancient Russian icon painting" with an introduction signed by Anisionov and brief descriptions of each photograph. Inserted in the album are notes on an exhibition "Russia: her soul through the ages in life and art", 18 November 1929.

Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

Collection of watercolour paintings and sketches by John Bristowe and his family including two volumes of watercolours by John S Bristowe, 1886-1895, including images of St Mary's Abbey, York; Studland Bay; Corfe Castle; Matterhorn; Vienna; Craig-y-care; Harlow Mill River Stort; North Wales; (some with loose pages and incomplete); sketch book containing pencil sketches, 1889-1897, including images of Welsh landscapes, Lake Geneva, Bradfield, and Norway; and loose paintings of Bradfield College, Staverton Bridge, Amalfi 1895, Capri, [Loen Nourn] Norway, and various other images; also contains nine watercolour paintings attributed to the daughter of John Bristowe.

Papers, 1914-1974, of Henrietta (Hettie) Withers, comprising correspondence and miscellaneous papers, 1936-1974 (mainly 1930s-1950s), including letters to her family, 1937-1941, letters from the China Inland Mission (CIM) London Council, 1947, and two booklets on the Emmanuel Home for the Homeless, Shanghai, 1939, 1945; diaries, 1915-1945 (some gaps), including typescript circular letters, 1927-1932, describing her work, activities and experiences in China, including references to the Sino-Japanese War and World War Two; notes, on talks given [post-1930], meetings addressed in Chefoo (Yantai), 1938-1939, and on Sisiang in Shensi province, undated; photographs and some watercolours, 1914-1965 and undated, the subjects including Chefoo, Miss Withers, other teachers, and children; passport, 1932, with endorsements for escorting children; typescript list of publications about CIM missionaries and readers' comments, 1960s-1970s.

Correspondence and papers, 1882-1939, relating to the pictures in the Royal Holloway College Picture Collection, notably copyright and reproduction, conservation, loans to exhibitions, provenance, and valuations. Picture Gallery Visitors Books, 1936-1977. Sale and Exhibition catalogues, 1881-1968, namely those including pictures from the Royal Holloway College collection. Articles relating to pictures in the Royal Holloway College Collection, 1864-1971.

Papers relating to the Devis family of artists, [1781]-1954, comprising items from the Tupper family papers, notably a Devis, Malham and Marris family tree, [1820]-1850, biographical details of family members, [1835]-1854; information collected by Sydney Herbert Pavière relating to the Devis family from various sources, including details of Devis and Marris family members from parish and civic records, correspondence with the Royal Academy of Arts about the family, [1950], photographs of original documents signed by members of the family, [1781-1785]; correspondence to Sydney Herbert Pavière concerning lectures about the family, and possible purchase of Devis pictures, [1950-1954], notably from Sir William Forster and the Rt Hon Lord Biddulph; extract and cuttings from printed material concerning the family, 1937, 1952.

Papers of Philip Webb, 1882-1907, comprising correspondence concerning building restorations in Italy and the Society for the Protection of Ancient Buildings (SPAB), 1882; correspondence with Giacomo Boni, 1885-1907, (some of Webb's letters to Boni are photocopies), notably concerning Boni's excavations in Venice, including the Piazza di San Marco, restorations to the Ducal Palace, work on the Forum, Society for the Protection of Ancient Buildings (SPAB), sanitation and drainage in Venice, the abbey of Casamari, Orvieto, Bari, personal details, such as their health, Boni's marriage and travels, particularly around Italy and his visits to England, discussions of contemporaries, notably William Morris, Italian architecture, monuments, pictures, buildings, artists, sculptors, archaeology, Boni's lectures; letters from George Wardle, [1887]-1906, notably concerning architecture and reports on buildings for the Society for the Protection of Ancient Buildings (SPAB) including Ipswich, Orford Church, Dorchester, Oxfordshire, Sandwich, Chichester, Bosham, Sussex, proofs for publication, papers on Pisano, Parengo, work on the 'Holy Graal', personal details, such as health, lodgings and travels; reports on the restoration of Bosham Church, Sussex, 1899, Dorchester Church, Oxfordshire, 1899, Grey Friars Chapel, Chichester.

Diaries and notebooks of Col Corrie Hudson illustrated with watercolours recording his career in the Indian Medical Service, and his travels and observations, chiefly in North India and Kashmir, also in the Far East, Europe, Iran and the Gulf, 1899-1943 and photographs comprising: diary in India, China, Japan, Korea, Somaliland, Balkans, Muscat and Persia, 30 Mar 1899-29 Dec 1913; diary in Bombay, France, Kashmir and North India, 30 Dec 1913-1 May 1921; diary in India and the Persian Gulf, 2 May 1921-22 Dec 1932; diary in Egypt, Palestine, Turkey, Cyprus, Greece, Rhodes, Cornwall and Scilly Isles, 22 Dec 1932-3 Nov 1943; notebook containing watercolours of landscapes and maps and notes on the Himalayas and Kashmir; notebook of watercolours of birds in India and the UK together with some notes and anatomical drawings and photographs of Hudson, 1900-1927.

Papers of Edward Whymper, 1871-1911, including computations of heights in the Andes, 1880 and watercolour, 'View of Greenland'.

Log and private journal of John Wilson as ship's surgeon on the second voyage of the South Seas whaler GYPSY, 23 Oct 1839-19 Mar 1843 and portfolio of 23 watercolours, illustrating places named in the journal.

Records of the Whitechapel Art Gallery (WG) and its predecessor, comprising:

minutes of the Gallery Trustees 1898-1976; Gallery Trustees, Finance and Fundraising committees, 1976-1981; Gallery Trustees, Finance and Building committees, 1981-1986; Gallery Trustees and Finance committees 1987-1988; Trustees, Finance and Joint Trustees committees, 1988-1996; Finance Subcommittee 1950-1951, 1966-1971; Development Trust Planning Group, 1981-1983; and Foundation Trustees, 1984-1995; as well as Development Trust Scheme files, 1978-1982; Gallery Trustees correspondence 1949-1981; Foundation Trustees correspondence, 1981-1989;

annual reports and accounts 1901-present;

early records of the Gallery including files relating to the establishment of the Gallery 1893-1901; correspondence of Gallery Directors and Secretary's 1901-1947; financial records and treasurer's correspondence, 1902-1947; and exhibition files 1901-1947;

Gallery Directors' papers including administrative and correspondence files of Hugh Scrutton, 1947-1953; Bryan Robertson, 1952-1969; Mark Glazebrook, 1964-1973; Jennie Stein (acting Director), 1971-1974; Jasia Reichardt, 1974-1976; Nicholas Serota, 1978-1987;

exhibition files 1947-1990 files, arranged chronologically by year date of exhibition, including correspondence and papers relating to exhibition arrangements such as loan of artworks, sales, valuations, catalogues, private views, and installation;

printed publicity materials including catalogues of Whitechapel Fine Art Exhibitions, 1882-1886; catalogues of Whitechapel Art Gallery exhibitions, 1901-1965-present;

printed posters relating to individual exhibitions, 1956-2002;

press cuttings relating to reviews and listings of WG exhibitions, and some general cuttings about the gallery and the London art scene, 1897-1922, 1952-2002;

guard books containing ephemera - relating to each exhibition, 1949-2002;

records of the Whitechapel Art Gallery Society including correspondence and papers concerning subscriptions 1947-1988; and cash books 1948-1978;

photographs of exhibitions and artists works 1948-1998; photographs and illustrations of the Gallery and its exhibitions, 1901-1939; photographs of the Gallery building, staff and the local area, 1890-1915, 1951, [1972]-1998; contact sheets and negatives of exhibitions and the gallery, 1966-1995;

Gallery visitors books 1949-1965;

Financial records including cashbooks, wages books and exhibition accounts, 1899-1971;

Records of the Worshipful Company of Painter Stainers. Court minutes begin in 1623, freedom admission registers in 1658 and apprentice binding books in 1660. The records were compiled between 1623 and 1973, but they include deeds from 1423. Collection also includes financial records and records of charitable payments.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

This collection largely consists of correspondence to and from Stanley Spencer and his writings on himself, his paintings, religion and his relationships. The correspondence dates from the late 1930s, with the majority coming from the 1940s and 1950s. Important correspondents include: the British Broadcasting Corporation, Mary and Louis Behrend (patrons and founders of Sandham Memorial Chapel, Burghclere), Spencer's sister Florence Image, his first wife Hilda, his children Unity and Shirin, John and Elizabeth Rothenstein and the Tate, and Arthur Tooth and Sons (his agents). The collection also contains Spencer's writings, notebooks and diaries. Spencer was a prolific writer who appeared to use his writings as an opportunity to expand or refine his ideas for paintings, and his personal thoughts. Along with his letters, the continuous writings, notebooks and diaries often contain detailed descriptions of his paintings, compositions and schemes; his opinions on art, life, philosophy, religion and sex; and his autobiography and preparation for a proposed book. The collection is completed by a number of sketches and drawings by Spencer, the majority of which relate to larger, painted works; and some printed ephemera including press cuttings, photographs, postcards, private view cards and exhibition catalogues.

Papers relating to British produced propaganda for the Indian Army, produced to counter Japanese propaganda aimed to entice Indian Army personnel to desert and fight for the Japanese led Indian National Army, India and Burma, 1943-1945, including correspondence, memoranda, personal papers and propaganda material, 1939-1946. Also, scrapbook album of watercolours, sketches, photographs, menus, invitations and autographs, created 1901-1903 by Beryl White (1877-1954) relating to her life in Sikkim, northern India.

Papers of Hilde Kurz, art historian, c 1945-1968, including working papers and draft for The Encyclopaedia of Painting. Topics covered include: Costume; Tapestries; Painting in Northern Europe.

Papers of Mary Edith Durham, c 1899-1902, comprise six sketch books including pencil and watercolour drawings of coastal scenes and of local people and rural scenes including farms and cattle; areas depicted include Trieste, Viterbo and Nivica.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

The archive consists of biographical publications on Louie Burrell and postcard reproductions of her work:

• 13 postcard reproductions of the following paintings by Louie Burrell: Life Class (1900-1903); Girl at Writing Box (c 1895); A Model (1900-1903); Old Sales - a model (1900-1903); Making Marmalade (1890-1900); Philippa (1917); A Model (1900-1903); The Forge (1890-1900); Julia (1889); A Child Seated (1904); Mrs Stanley Baldwin (1924); Nurse and Philippa (1908); Philip Burrell (1904-1907)

• 1 postcard reproduction of a painting by Ada (Margetts) Luker (mother of Louie Burrell): Still Life (c 1857)

• 'The Saratoga Trunk and The Last Door' (Jul 1997), Philippa Burrell. Booklet memoir relating to her own and her mother's artistic life.

• 'Louie Burrell - A Woman Painter', (The University of Hull Art Collection, c 1990). A short biography compiled from the letters and writings of Philippa Burrell and Jim Murrell.

• 'Louie Burrell Woman and Artist 1873-1971' (c 1990). Leaflet by Philippa Burrell.

2 postcards from George Jacob Holyoake of Eastern Lodge, Brighton to Edwin Ashworth, Todmorden Hall, Yorkshire, West Riding. (1) On the subject of portraits, 1 Feb [1897]. (2) 'Thank you for your pleasant birthday note. I have pleasant memories of Todmorden', 16 Apr 1901.

Both letters are autograph, with signatures.

Collection of papers of and relating to Samuel Palmer, 1829-1944, comprising note to George Richmond concerning works seen in London, 1872; typescript copies of letters to various correspondents, 1870-1880, relating to the printing of his plates, advice on choosing prints; letters from John Linnell (Palmer's father-in-law), concerning retouching a picture, 1829, invitation to visit, 1858; letter relating to Samuel Palmer's financial affairs, 1845; correspondence between Alfred Herbert Palmer and Martin Hardie (some copies), [1922-1930], concerning selling A H Palmer's collection of his father's works and Linnell's papers; correspondence and notes of Geoffrey Grigson, including with Martin Hardie, 1922-1923, concerning A H Palmer's collection of his father's drawings; with the owner of a Palmer work, 1944; memoirs of Isabelle Linnell, relating to her grandfather John Linnell and Samuel Palmer compiled by Geoffrey Grigson, undated; correspondence between Isabelle Linnell and A H Palmer; copy of painting notes by Samuel Palmer, [1844]; catalogues of exhibitions of Samuel Palmer's work, 1927, 1928; article by Grigson on Samuel Palmer, 1941; sale catalogues of works by George Richmond, 1897.

Papers of R P Smith comprising artworks including a sketch book containing pencil sketches and watercolours, (some incomplete) including images of the pleasure boat of the Rajah of Jehore; humorous cartoon; Knockholt House, Knockholt, Kent; Hobson's Bay, Victoria; Sir Walter Scott's Memorial, Edinburgh; Stirling Castle; Rumbling Bridge, Dunkeld; Loch Lomond; hand-coloured maps of the Western Hemisphere signed Percy Smith, Enfield, 1865; and Denmark, signed by Robert Percy Smith, Jun 1864;
loose watercolours depicting a woman in peasant costume; cottage and pond in winter, ship on the rocks, [1869];
Royal Medico-Psychological Association Presidential Medal, 1904-1905. `

Papers of David Livingstone including autograph letters and articles; one small watercolour; copies of letters to various correspondents; a notebook of astronomical observations and many letters and copies of letters from relations; friends and the Foreign Office referring to Livingstone.

Papers relating to the period 1850-1852, including a letter from Livingstone to William Cotton Oswell dated from Kuruman Sept 20 1852 which contains an account of the activities of the Boers around Kuruman and towards Sechele and copies of letters, 1850-1851, to the London Missionary Society. (9 items)

Papers, 1853-1857, principally concerning the expedition to Loanda, Linyanti and the Victoria Falls. These include 10 letters from Livingstone in Africa, 1853-1856, reporting to the Royal Geographical Society (RGS) on the progress of the expedition, the discovery of the Victoria Falls etc (long extracts from these letters were published by the RGS); a letter dated [25 Aug 1856] to the Editor of the 'Athenaeum' discussing 'easy chair versus field geography'; 18 letters from English addresses, Jan 1857-Feb 1858 to Dr Norton Shaw (the Society's Secretary) in which Livingstone asks for information on the mouth of the Zambesi, requires a copper boat, comments on his book, maps, family matters and the London Missionary Society; copies of letters from Livingstone to E Gabriel from Cassange, 14 Feb 1855, to Mr Sturge from Tette, 11 Dec 1858 and to Mr Layard from Bombay, 28 Sep 1865. (76 items)

Papers, 1858-1865, concerning the expedition to the Shiré, Zambesi and Lake Nyasa. These include 8 letters from Livingstone in Africa 1860-1864, to Sir Roderick Murchison and Dr Norton Shaw at the RGS reporting on the progress of the expedition; a small watercolour of the Victoria Falls; a report on the navigation of the Zambesi; an article in which Livingstone summarises proceedings of the expedition and activities of Universities Mission [probable date Jan 1862]; letters from Mary Livingstone to Dr. Norton Shaw, 1858 and 1860; copies of 19 letters from Livingstone to Macgregor Laird, the Foreign Office, Sir Thomas Maclear, E. Gabriel, the Rev A Monk, 1858-1862. (54 items).

Papers, 1865-1873, concerning Livingstone's last expedition. These include 3 letters from Livingstone to Sir Roderick Murchison, 2 Feb 1867; to Sir Thomas Maclear 8 Jul 1868, to Sir Henry Rawlinson dated from South Central Africa 1873 [probably written in early April, and the last known communication addressed by Livingstone to any official of the RGS]; a notebook of astronomical observations 1872-1873; a collection of news cuttings of 1872 about Livingstone and H M Stanley; copies of 17 letters from Livingstone to the Foreign Office, Sir Bartle Frere, Dr. John Kirk, Sir Roderick Murchison and Mr Seward; letters of Dr. John Kirk, H A Churchill and others communicating news and rumours about Livingstone. (60 items).

Papers relating to the death and funeral of Livingstone. (11 items).

Papers of Bouverie F Clark, 1882, comprise a report on a visit to Easter Island and to Sala-y-Gomez Island, June 1882, in HMS SAPPHO, with a watercolour sketch, by Captain F P Doughty, of images on the slopes of Mount Topaz, Easter Island.

Sketches and watercolours of Col Sir Thomas Holdich, 1880-1902, including notebook of sketches and watercolours made while a member of the Afghan Boundary Commission, 1885 and of Afghanistan, Persia and India, 1880-1896 and sketch book containing seven sketches of Patagonia, 1902.

The Grieve collection comprises: 655 original scene designs (and 3 folders of slides), including panoramas and perspective 'cut-outs' in watercolours and wash by members of the Grieve family, covering performances of various revival productions of Shakespeare plays, along with works by Isaac Pocock, M.R.Lacy, Thomas Otway, Michael Costa, Samuel Beazley, Douglas Jerrold, G.Meyerbeer, Charles A.Somerset, Edward Fitzball, Rossini and others, staged at the Theatre Royal (Drury Lane), the Theatre Royal (Covent Garden) and Her Majesty's Theatre, 1813-1857.