12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Papers of Herbert Kennedy (H K) Andrews, 1950-1965, comprising typescript and proofs of his The Technique of Byrd's Vocal Polyphony (Oxford University Press, London, 1966); papers, 1957, relating to 'Fourteenth-Century Polyphony in a Fountains Abbey MS Book', Music and Letters, 39 (1958) by Andrews and Robert Thurston Dart, with offprints of article, correspondence between Andrews, Dart and Eric Blom, editor of Music and Letters, and including photographs of Fountains Abbey Ms 23; typescript notes and correspondence, 1963-1965, regarding the music publications of William Byrd and library sources of the same, with offprints and notes relating to Andrews' article, 'Printed Sources of William Byrd's ''Psalmes, Sonets and Songs''', Music and Letters, 44 (1963), and including a photocopy of the superius part book of Cantiones sacrae by Thomas Tallis and William Byrd (1575); notes and correspondence with Dart, 1960, regarding A ballet on the death of the cardynall', manuscript in Ripon Cathedral Library, with transcriptions and photographs of the manuscript; typescript of his articleCounterpoint, harmony and tonality' for the Oxford Junior Encyclopaedia, with related correspondence on the withdrawal by Andrews on its publication, 1953; typescript of his The formation, fulfilment and decline of the classical language of music', Cramb lectures, University of Glasgow, 1954; manuscript of hisThe interpretation of 16th century polyphony', Crees lectures, 1963; manuscript and typescript of `The editing and perfomrance of English vocal polyphony of the late 16th century and early 17th century, first chapter only of an unpublished book.

Papers of Augusta Bönten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bönten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bönten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind.

Papers of Henry Cope Colles, 1938-1939, as editor of the Fourth edition of Grove's Dictionary of Music and Musicians (Macmillans, London, 1940), comprising correspondence with contributors of articles and subjects of articles, including particular accumulations of correspondence with Eric Blom: Alfredo Casella: Sir Henry Walford Davies; Richard Capell; Alfred Einstein; Edwin Evans; Arthur Henry Fox Strangways; Francis William Galpin; Anselm Hughes; Macario Santiago Kastner; Alfred Loewenberg; Gustave Reese; Percy Alfred Scholes; Marion Margaret Scott; John Brande Trend.

Records of the Director of the Royal College of Music RCM), 1884-1990, including minutes of the Board of Professors, 1894-1993; reports of annual examinations, 1884-1908; Certificate of Proficiency examinations minute book (recording exam regulations and marks awarded), 1886-1899; correspondence to Sir George Grove, Director of the RCM, from the Office of the Prince of Wales, 1884-1888, with material relating to the building of the RCM funded by Samson Fox and opened in 1894; correspondence from Sir Ernest Palmer in regard to aim of the Palmer Fund for Opera Study, 1924; RCM Emergency Concerts Society: correspondence, notices and programmes, 1939; curricula of the Graduate of the Royal Schools of Music (GRSM), 1961-1979.

Ledgers of Erard, harp manufacturers of London, c1798-1917, giving details of purchasers, prices, packing, transport, repairs and exchanges

Papers of Charles Thornton Lofthouse, 1950s-1970s, comprising correspondence and associated material relating to his role as a music examiner; research papers and related correspondence for lectures and courses, mostly relating to 17th and 18th century music and the harpsichord repertoire; research papers for his Commentaries and Notes on Bach's Two- and Three-Part Inventions (London, 1956); programmes and cuttings of recitals by Lofthouse or in which he participated; music scores annotated by Lofthouse.

Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

Correspondence between John Denison, W H F Blandford and Raymond Bryant on horn technique, particularly in relation to Haydn's Trio in E flat for violin, cello and horn, 1938-1939.

Letters (6) to Charles Santley, 1882-1894, including invitation to participate in the Duke of Edinburgh's concert in aid of funds for the Royal College of Music (with Santley's draft letter of declining), Apr 1882; invitation from George Grove for Santley to teach male vocalists at the RCM, Aug 1882; from Arthur Sullivan, requesting a score, Nov 1885; from W S Gilbert, advising that Santley's son be appraised by Sullivan rather than himself in regard to a part at the Savoy Theatre, London, Feb 1894. The collection also includes a contract for John Benje at the Theatre Royal, Covent Garden, London, Apr 1842.

Letters to Adelaide Parker, Bruno d'Arba and Joan McLeod, 1910-1959, including letters and postcards to Adelaide Parker regarding her performances from, Joseph Bonnet, Basil Harwood, Wanda Landowska, C Hubert H Parry, Ethel Smyth, Ralph Vaughan Williams, Charles-Marie Widor; letters to Bruno d'Arba from Francis Jackson; letters to Joan d'Arba from George W Russell (`AE'); letters to Joan Mcleod in relation to submission of her poetry for publication, including 8 from Walter de la Mare; letter from W B Yeats on setting of his poetry to music, undated.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Two letters addressed to 'Mrs Chambers', 3 Nov 1797, 19 Jan 1798, concerned with works on composition.

Experimental notes, working papers, correspondence and lecture summaries compiled by Charles Wheatstone, 1836-1875, and photographs collected by him in that period. Notably including papers relating to the development and testing of the telegraph, [1836-1960]; descriptions of experiments and test results concerning the measurement of electromotive forces and electrical potential, [1840-1875]; experimental observations on the nature of magnetism, electricity and thermodynamics, including electromagnet design, batteries and dynamos, [1834-1855]; working papers relating to optics including experiments into refraction, colouration of compounds and polarisation, [1850-1875]; drafts of lectures on sound and musical instruments prepared by Wheatstone, [1832-1837]; material relating to the management of the Wheatstone collection of scientific instruments and library, 1890-1992; biographical material relating to the life of Wheatstone, the invention of the telegraph and Wheatstone's musical instrument manufacturing business, with unrelated newspapers, 1757-1975; stereoscopic photographs and glass negatives taken by Roger Fenton, Samuel Buckle, Jules Duboscq and others, featuring landscapes, still lifes, panoramic scenes of cities including Paris and Moscow and the interior and exterior of the Crystal Palace, Hyde Park, Sydenham, 1851, and especially the Exposition Universelle, Paris, 1855, [1850-1901]; artefacts on loan from Department of Physics, King's College London, including telegraph apparatus, a nail fiddle and other prototype musical instruments, [1834-1875]; exhibition of scientific and musical instruments, [1834-1875].

Letters from Cecil Scott Forester of Longton Avenue, London, SE26, to G F Troup Horne, 3 Dec 1932 - 4 Jul 1933. Mainly relating to Forester's play 'U97' which Troup Horne produced at Birkbeck College in February 1933.

All letters autograph, with signatures.

Leaf from a choirbook dating from the 14th century.

A contract to publish music from the opera Macbeth, 1847.

Copy of a violin Sonata composed by Francesco Geminiani in 1739, dated 20 Mar 1829.

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

The Grieve collection comprises: 655 original scene designs (and 3 folders of slides), including panoramas and perspective 'cut-outs' in watercolours and wash by members of the Grieve family, covering performances of various revival productions of Shakespeare plays, along with works by Isaac Pocock, M.R.Lacy, Thomas Otway, Michael Costa, Samuel Beazley, Douglas Jerrold, G.Meyerbeer, Charles A.Somerset, Edward Fitzball, Rossini and others, staged at the Theatre Royal (Drury Lane), the Theatre Royal (Covent Garden) and Her Majesty's Theatre, 1813-1857.

Biographical scrapbook, compiled by Cecil Frederick Crofton, including the following: correspondence, cuttings, watercolours and exam papers from Crofton's time at Forest School, near Snaresbrook, including cuttings of poems and articles by Crofton in the school magazine, exam papers, watercolours and illustrations of areas surrounding the school and correspondence with the headmaster regarding fees and attendance, 1874-1876; playbills, cuttings, posters, programmes and illustrations from a majority of Crofton's performances both as an opera singer and actor, both amateur and professional, also including dinner and engagement cards and illustrations and small watercolours by Crofton of theatrical scenes and fellow performers, 1877-1913; Cuttings and illustrations regarding the funeral of the Duke of Devonshire, 1908; correspondence, cuttings and illustrations regarding Sir Nevil Macready, 1919.

Papers of Vincenzo Bellini, comprise a manuscript musical score, excerpt from the opera 'Beatrice di Tenda' (1833) by Vincenzo Bellini; copy, in unidentified hand, entitled 'Romanza, Ah! non pensar, nell' Opera Beatrice di Tenda'.

Collection of material relating to the dramatist Henry Arthur Jones (1851-1929), collected by M.H.Spielmann, including: Five letters from Henry Arthur Jones to the Morning Post newspaper concerning the reconstruction of the theatre (1919); correspondence with James Stanley Little (1922-1929); correspondence between Jones and M.H.Spielmann (1919-1929); correspondence between Doris Thorne (nee Arthur Jones) and M.H.Spielmann (1929-1939); publications and proofs of works by H.A.Jones (1897-1921); press cuttings concerning miscellaneous topics connected to H.A.Jones, including reviews of books and plays and cuttings concerning his disputes with George Bernard Shaw and H.G.Wells (1887-1950).

Papers relating to Peter Kien, 1943-1995, including original and copies of manuscripts and transcriptions of Kien's writings, personal documentation and sketches; publicity material relating to the performance of the Der Kaiser von Atlantis oder der Tod dankt ab, for which Peter Kien wrote a libretto; articles about his life and work and transcript of Petra Kiener's radio programme 'Peter Kien nicht vergessen'.

The collection represents the contacts through two centuries of a group of men and women of high distinction ramifying through the medical, legal and literary worlds. It forms a not unimportant fund of minor historical material, comprising more than a thousand letters from nearly five hundred writers.

The autograph letters are mounted in 10 large volumes: -

1. Letterbook of John Arbuthnot (1667-1735). The most interesting letters are those of Pope and Swift and their circle written in 1714 when the Queen's death involved the destruction of their political hopes. Letterbook of William Hunter (1719-1783). It includes letters from Tobias Smollett the novelist, from Dr. Johnson thanking Hunter for presenting his book to the King, and from Edward Gibbon 'proposing himself the pleasure of attending some of Dr. Hunter's Anatomical lectures.'

2. Hunter and Baillie family letters and reminiscences, including the letters written by John to William Hunter from active service in 1761-62; poems by Sophia Baillie, Jenner family letters.

   3. Letters to Matthew Baillie from the Royal Princesses. Letters of the Bentham family, including three from Jeremy Bentham. Autograph letter collection includes letters from Thomas Carlyle and Charles Dickens. 1735 - 1845

3. Denman family collection; autographs collections of Lady Bell and Dr. William Whewell; letters of John Baron, Edward Jenner's biographer; fragment of unpublished music by Mozart; letters from Joanna Baillie's friends including c.1782-1877

4. Letters to Joanna Baillie includes letters from Sir Walter Scott and Maria Edgeworth. Various dates

5. William Hunter's diplomas, and letters to him, Hunter family documents, and notes on family history compiled by Joanna and Matthew Baillie. Locks of hair and christening caps worn by Hunter family. Various dates

6. Matthew Baillie's letters to William Hunter includes material relating to treatment of George III and to his wife Sophia (Denman) and his diplomas. C. 1783-1823

7. Matthew Baillie's professional correspondence including notes on illness of George III and on labour of Princess Charlotte. Letter to Helen Hunter Baillie from George Peachy re Matthew Baillie's notebooks (1923). 1783-1923

8. Joanna Baillie's letters and papers relating to her plays, sale of her works, mss. of two stories and a comedy, letters from Mrs Sigourney, Henry Siddons, Anne Hunter, Mary Somerville; Agnes Baillie's reminiscences, prescriptions by Matthew Baillie

9. Princess Mary's letters to Baillie concerning the illness of Princess Amelia, Anne Hunter's autograph poems, libretto of Haydn's Creation; account of death of Princess Charlotte.

   The Hunter Baillie collection comprises also a number of manuscript books, the oldest of which is a commonplace book of the early eighteenth century, giving details of family history of the Hunters. Matthew Baillie's notebooks include: -

Journal of a tour in Europe in 1788 and A short memoir of my life, 1818. 'Some brief observations from my own experience upon a considerable number of diseases', in two volumes. n.d. With these are his casebooks, fee-books and other professional notes, including details of his attendance on King George III. Baillie records that his total annual fees mounted from £121 in 1792 to £9,995 in 1815.

Papers of Sir George Nares including notes concerning the voyage of HMS ALERT and HMS DISCOVERY, 1875-1876; copy of instructions for survey in the ALERT, 1878 and list of dangers requiring examination; autographed menu for a dinner given to welcome home members of the ALERT and DISCOVERY expedition, 6 Dec 1876; note made in preparation for an obituary of Nares; song sheet of 'Away to the North: a song for the Arctic expedition of 1875' by M Mackay.

Records of the organisation known variously as the Polytechnic Sports Club, the The Institute of the Polytechnic Sports and Social Clubs, and The Polytechnic Sports Club Committee, as well as records of the Polytechnic's Men's and Women's Council, and Joint Council.

This collection includes all records relating to the organisation of sports and social activities by members of the Polytechnic except for records of the individual clubs themselves, which are catalogued as separate collections. However it does include correspondence with the clubs by the Secretary and Committees. This collection also includes papers relating to the award of Polytechnic-wide medals and trophies, including the Elsie Hoare Trophy, Studd Trophy and Ditchman Trophy.

The collection contains administrative papers relating to Company contracts and internal and external correspondence; financial papers relating to budgets and funding, miscellaneous personal papers of the Company's director, Jonathan Holloway; production records including scripts, technical notes, rehearsal and production notes and directions, stage directions, information on casts, and tour and venue information; audiovisual recordings of productions; promotional, marketing and educational-outreach material; press-cuttings and reviews, photographs of named and un-named actors and productions; publications inspiring Red Shift productions; a study of the Company's production of 'The Love Child'; and an untitled script.

Eight autographed letters by Jerrold ([1843-1856]), play bills including for "Rent Day" and "Mrs Caudle", 1845. Research files, correspondence relating to Professor Michael Slater's book Douglas Jerrold : 1803-1857 [London : Duckworth, 2002]. Includes a card index of Jerrold's plays, research file on the play "Black-Eyed Susan". "Douglas Jerrold's Weekly Newspaper", 1847 January-August.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Brent Black Music History and NARM (Naming and Role Models) Heritage Lottery Funded projects published booklets and DVD recordings (the latter are available by prior appointment). Also African Histories Revisited's published 'Race/Racism Primer' (2014).

Records of the Uxbridge Choral Society. The collection consists of minutes, general and concert administration, finance, printed material including programmes and posters and some photographs of rehearsals.

Records of the parish of Saint Philip the Apostle, Tottenham, including registers of baptisms, marriages, confirmations, banns of marriage and church services; papers relating to parish property; papers regarding the church organ; financial accounts; minute books; reports and general correspondence.

Papers of the Morgan family, 1891-1963, comprising papers, reports, photographs, music and other personal memorabilia of Robert Orlando Morgan, R.G.S.M., Professor of the Guildhall School of Music and Drama 1887-1951, of his second son, Cyril Douglas Morgan, Principal Clerk to the Chamberlain of London 1946-1958 and of his son, M.D. Morgan, the depositor of these documents.

Records of Saint Peter's, Clerkenwell, also known as the Smithfield Martyrs Memorial Church, including registers of baptisms; registers of marriages; Churchwarden's vouchers; papers relating to the church organ; deeds and leases.

Minute book of the Concentores Society, glee club.

The Palace of Delights, by Alan Wilson, November 1985. Audio recording on tape and CD.

Where the clocktower stands in the Mile End Road c 2001. Audio recording on CD.

Programme and papers relating to the Christmas concert 2007.

Scores of pieces written by Alan Wilson including 'Ode to Music' for Robert Tong's retirement; Christmas carol arrangement for 'Wish you a Merry Christmas'; QMUL and Westfield College songs; Palace of Delights vocal and orchestral score.

The Palace of Delights correspondence, posters, notes connected to the play; programmes 1979-1999; flyers for events 2013.

Records of the Music and Drama Committee, Court of Common Council, comprising minute books of the Deputation regarding a National Training School for Music, Music Deputation and (from 1882) Music Committee, 1876-1999; committee papers, 1876-1957 and order book, 1894-1904.

Also Minute Book for the Guildhall School of Music and Drama Trust Fund Committee 1984-2002.

Scrapbook kept by George Marsh, with notes on a wide variety of subjects and many newspaper cuttings inserted, 18th century.

Minutes of Trustees' Meetings and related papers, 1919-1949; Treasurer's balance sheets, 1936-1938; Trust accounts, 1939-1940 and 1952-1962; receipts and payments, 1947-1948; cash book, 1898-1904; Treasurer's cash book, 1900-1912; Trustees Treasurer's account book, 1945-1964, including Paddington Circuit, Willesden Circuit and Kilburn and Hampstead Circuit; Trustees Treasurer's statements, cash accounts and other documents, 1923-1937; minutes of Kensal Rise organ trust, 1900-1907; scheme for debt clearing on organ and school building, 1907-1908; papers regarding organ reconstruction and other repairs to the Church, 1947-1960; trust papers, accounts, receipts and correspondence, 1923-1937; correspondence, 1945-1951; minutes of the Manse Trust, 1920-1958; correspondence, accounts, and other papers relating to the Manse trustees, 1922 and 1950-1957; minutes of Leaders' Meetings, 1900-1909; minutes of Leaders' Meetings and minutes of Annual Society Meetings, 1910-1936 and 1947-1965; minutes of Teachers' Meetings, 1894-1906; minutes of Finance Committee, 1935-1941; Class book, 1897-1899.

Papers of Sir Robert Francis Elkins, comprising Elkin's midshipman's journal, 1921 to 1923, his summaries and reports on Invergordon, 1931, and a later report written in 1967 for Captain Stephen Roskill's (1903- ) use in his History on Naval Policy between the Wars (London, 1968) as well as Elkin's wartime 'Line' books. These include accounts (as well as his official report, (1947) of his escape from St Valery, and of the proceedings for the surrender of the German squadron at Copenhagen. The remainder of this group consists of arrangements for ceremonial Royal occasions, 1948 to 1951, and a selection of sea shanties, arranged for orchestra. The second group, relates to the publication of Len Wincott's book Invergordon mutineer (London, 1974) and the publicity given to his visit to England, also in that year.

This class contains a volume of seventy-three printed songs maninly by Charles Dibdin (1745-1814) and autographed or initialled by him, but also including works by Charles Dibdin the Younger (1768-1833) and Thomas Dibdin (1771-1841); many of these songs have naval subjects such as 'Jervis for Ever', 'The Death of Nelson' and the 'Blind Sailor'. The volume was probably compiled by Thomas Legard whose name it bears with the date 1806. There is also a full score, in manuscripts, of a cantata entitled 'The Sea Engagement' celebrating the Battle of the Nile, August 1798, and composed shortly afterwards. The work, both words and music, is by Adam Kroll. who describes himself as an 'amateur', and is dedicated to Nelson. Arranged for an orchestra of forty-three performers, it consists of an overture, a descriptive instrumental piece, two airs and a duet.

Papers of Michael Glenny on Russia, 1919-1991, comprisng:
Published and unpublished émigré memoirs; sound cassettes and transcripts of interviews with Russian émigrés; catalogues and indexes of informant information; papers relating to Russian/Soviet emigration, prepared for book, The Other Russia, a collaboration between Michael Glenny and the historian Norman Stone. In preparation for this work on Russian émigrés from the Soviet Union, Glenny and researchers working under his direction recorded over 160 interviews of Russian émigrés as well as collecting a number of copies of unpublished manuscripts and memoirs that had been published in little known sources. Only around a third of the material was used in the published volume.

Literary manuscripts and translations by Glenny and related correspondence, notes and papers; periodicals, presscuttings, notes and theatre programmes relating to Russian literature and theatre; newspapers, periodicals and presscuttings containing articles re Soviet affairs; slides of Soviet art and obituaries of Glenny, 1957-1991

The archive consists of papers and publicity material relating to the Commonwealth Countries League, personal correspondence and publicity for the Women's Freedom League and the establishment of the Mermaid Theatre.

The archive consists of papers relating to Greenham Common Women's Peace Camp including articles by Jill Truman for the Bristol Campaign for Nuclear Disarmament (CND) newsletter and a typescript copy of a play by Jill Truman, 'The Web', with copy photographs and related publicity material.

Records of Bechstein of Berlin and London, piano-makers, 1880-1946, and of the Bechstein Hall and Wigmore Hall, 1901-1951, comprising sales books of Bechstein, giving names of purchaser and details of instruments purchased, 1880-1927; wages book of Bechstein staff, 1890-1912 and stock book, 1946; sales ledger, 1916-1921; instrument hire account book, 1912-1917. Bechstein Hall, day book, 1901-1916 (also includes day book of Arts Council of Great Britain, 1916-1951); hire day book, 1911-1916; cash book, 1912-1916 (and Wigmore Hall, 1934-1916). Wigmore Hall cash book, 1917-1924; daybook, 1930-1946; ledger, 1938-1946.

Personal notebook of member of the Palmer family, listing details (artists, conductors and composers) of musical works performed under the auspices of the Royal College of Music Patron's Fund, 1919-1939.

Musical scrapbook of Jenny Lind, 1847, containing manuscript transcriptions of six songs in German, with signatures and dedications of Luigi Lablache, Sigismond Thalberg, Arthur Saint-Léon and Fanny Cerito, London, Aug 1847; three account sheets relating to Lind's financial affairs, 1870-1871, including accounts, 1847-1848; statement of condolence from Royal College of Music on the death of Otto Goldschmidt, 16 Mar 1907; letter from Gill Bevan, Jenny Lind's grand-daughter, to Sir Ernest Bullock on provenance of the volume, 13 Jul 1959.

Papers of Dolmetsch, including press cuttings of reviews and programmes of concerts by Dolmetsch and the Dolmetsch family, the death of Dolmetsch in 1942, and later performances of his works with related correspondence, 1929-1980; draft of a talk on conducting; his The art of orchestral conducting (Bosworth and Co, London, 1942), with newspaper cuttings of reviews; notebooks containing catalogue of his music library, lists of works and performances of his works, compiled by Dolmetsch and his wife Millicent Dolmetsch, 1930s-1960s.