Three files of material relating to the work of musical theatre composer David Heneker, presented by Stewart Nicholls. Includes:

1) Publicity material for 'The Biograph Girl' including press articles and reviews, posters and programmes

2) File of original and copies of David Heneker’s handwritten music for songs from ‘The Biograph Girl’

3) File of original and copies of David Heneker’s handwritten music for songs from ‘Peg’, with some published music and typed lyrics.

Items related to musical theatre collected by scholar and musician Alan Poulton. Includes programmes, books, research and other items relating to the work of Stephen Sondheim, and other items relating more widely to the world of musical theatre including journals, books and recordings.

Papers of Richard Hoggart, 1976-1988, mainly comprising correspondence files relating to his work with organisations including the British Association of Former UN Civil Servants, 1978-1982; the Broadcasting Research Unit, 1981-1983; the proposed Broadcast Resource Centre, 1979; the Campaign for Press Freedom, 1979-1984; the Channel 4 Group, 1978-1984; a proposed Research and Study Centre on Communications and Society, 1976-1983; the Education, Science and Arts Select Committee, 1984; the European Economic Community (EEC), 1976-1982, regarding its cultural and educational policy; the European Museum of the Year Award, 1978-1984; the Calouste Gulbenkian Foundation's Enquiry into the Economic Situation of the Visual Artist, [1976-1985]; the National Centre for Orchestral Studies, [1978-1988]; the National Theatre Inquiry, 1978; the New Statesman, 1977-1981; UNESCO Communication Advisory Committee, [1976-1980]; the Royal Society of Arts, 1977-1980; the Advisory Council for Adult and Continuing Education, 1977-1983; and the Arts Council of Great Britain, 1977-1984, including the Drama Panel, the Opera and Dance Working Group, and the Working Party on Photography.

Papers of Christopher Palmer, [1928-1989], comprising scrapbooks collated by Palmer containing printed articles, press cuttings, draft articles and programme notes relating to the work of Serge Prokofiev, including sections on Prokofiev's operas, ballets, symphonies and orchestral works, as well as general biographical material. There is also material relating to Palmer and Oleg Prokofiev's edition of Serge Prokofiev's Soviet Diary 1927 and other writings, (Faber and Faber, 1991), including corrections and editorial notes; and various drafts of articles and programme notes on Prokofiev written by Palmer, [1988-1992].

Records of Southbank Centre comprising:

Administrative records including:
Opening Ceremony book of distinguished visitors, 3 May 1951, containing signatures of guests; Visitors books (signed by performers), 1956-1966; Press releases, 1969-1991 (1 box); Annual Reports, 1992-present

Event diaries, 1951-present; records of attendance and ticket sales, 1957-1970s

Arts Board Recreation and Arts Committee files, 1976-1982; Visual Arts Committee files, 1978-1982; London County Council Committee orders files relating to Royal Festival Hall, 1949-1975; Southbank Board administrative files, 1985-present

Artist agreements, 1974-1976; administrative files 1970s-1980s; files relating to redevelopment

Records relating to exhibitions including administrative files, papers and photographs, 1951-1994; printed catalogues of exhibitions; card catalogue of exhibitions, 1950s-1980s; photographs relating to exhibitions, 1981-1993

Records of performances and events including Meltdown summer music festival publicity material, 1993-2000; music projects subject files, 1970s-1980s; South Bank Summer Music (SBMS) administrative files, 1969-1984

Card index of performances at Southbank Centre venues arranged by artist, instrument, conductor and composer, 1951-1985

Printed publicity material including Preview, South Bank Centre publication, 1991-1995; Scrapbooks containing printed programmes, 1951-1964 (18 vols); copies of printed performance programmes 1951-present; Exhibition programmes, 1976-1980s; publicity posters, 1980-2000; leaflets 1960s-present

Collection of published magazines containing articles or special issues relating to the Festival of Britain of the RFH, 1951-1995

Cuttings collection including newspaper cuttings, 1951-1964; Press Department cuttings, 1984-present; Education Department press cuttings, 1987-1993; cuttings and papers relating to site development, 1996; articles and speeches of Nicholas Snowman, 1992-1999; orchestral residency background, 1990-1995; redevelopment submission, 1991; seasons and launches, 1994-1996; cuttings re Festival ballet, dance, 1952, 1954; cuttings of concert reviews and events; press cuttings, 1984-2002

Scrap books of press cuttings arranged by subject including Royal Festival Hall organ, Royal Philharmonic Orchestra, 1954; National Theatre and South Bank Opera House, 1958-1965; Philharmonia /New Philharmonia Orchestra, 1963-1966; Royal Festival Hall Competition, 1965; Queen Elizabeth Hall opening, and acoustics, 1967; South Bank Summer Music, 1964-1968; Orchestral Resources Report, 1970; Night of Nights-Frank Sinatra, 1970; Kirov Ballet, 1979; Calas/Di Stefano, 1973; Andre Previn and the London Symphony Orchestra, 1975; Royal Festival Hall 25th anniversary, 1976; Horowitz concert, 1982; Metropolitan Mikado, 1985; and The Soul of the Terracotta Army, 1987

Photographic collection comprising:
Files of photographs arranged by subject including aerial views, auditoria, backstage, brewer and South Bank Lion, Embankment, Festival Pier and Jubilee Gardens, Festival of Britain, foundation stone and topping out, furniture and fittings, Hayward Gallery interior and exterior, models and artists' impression, organs, Queen Elizabeth Hall under construction, exterior and interior, Royal Festival Hall construction, exterior and interior, Royal Festival Hall completion, site and views from the site, staff and miscellaneous images, 1920s-1970s
Scrap books of photographs relating to Royal Festival Hall construction, exhibitions, foyer exhibitions and other events, receptions, interior, exterior and models, Stage productions and films
Collection of photographs and negatives of artists, conductors, events and staff

Collection of visual materials including:
Portraits of - Bela Bartok, Artur Schnabel and Sir Thomas Beecham, Sir Arthur Bliss, Walter Crane, Piero De Gamba, George Gissing, Gerald Moore, Paul Tortellier, by artists including Janos Halafy, Adrian Allinson, Wyndham Lewis, Sonia Miller, Bette Flashtig
Collection of drawings by Dr Willy Dreifuss including portraits of Sir Thomas Beecham, Clifford Curzon, Jascha Horenstien, Otto Klemperer, Rafael Kubelik, Artur Ribinstein, Adrex Segovia
Prints of Ludwig van Beethoven, Clara Haskil, Double Basses of the New Philharmonia Orchestra, Arturo Toscanini, by artists including Michael Garady, Doroth Bradford, A Rienzi
Lithograph of Sir Henry Wood, view of Somerset House from Waterloo Bridge, view of Waterloo Bridge from the west; 27 prints of musicians and singers published in Vanity Fair, 1872-1908

Collection of films and videos of programmes and promotional material, relating to the Festival of Britain, Royal Festival Hall anniversaries, architecture and building development, the South Bank development, [1951], [1976] 1983 -2001

Sound recordings including:
Commercial CD (100) and audio cassettes (50) recordings of concert performances held at Royal Festival Hall
Oral history recordings (on audio cassette, DAT, and CD) of interviews with managers, London County Council members, architects, musicians, staff and patrons, including Felix Aprahamian, Hugh Bean, Lord Birkett, Tony Blackwell, Harry Blech, Jack Brymer, Shirly Cooper and Ted Higgins, Nicholas Danby, John Denison, Maura Dooley, Rober Glazebrook, Noel Goodwin, Ian Grant, Reg Fulker, Illtyd Harrington, Victor Hochhauser, R G F Howden, Michael Kaye, Frank Kellond Jones, London Festival/English National Ballet, Ruth Mackenzie, George Mann, Sir Leslie Martin, Lord Menuhin, Peter Moro, Yvonne Pegler, Anthony Phillips, Richard Pulford, David Seigle-Morris, Dennis Spall, Anthony Steele, and Christine Wilde, 1990s
Recordings of miscellaneous interviews and broadcast radio programmes relating to Royal Festival Hall and the Festival of Britain, 1957, 1990-2000

Material relating to the Festival of Britain including:
newspapers, magazines, guides, extract articles, programmes and exhibition catalogues [1951-1993]; Festival plans and posters; Festival ephemera and objects including ash tray, curtain, head scarf, press pass, presentation soap [1951]; chairs and other furniture
Cassette and CD recordings containing extracts from BBC commentaries, relating to the opening of Royal Festival Hall, various events, and interviews with Robert Matthew and William Allen; Festival Times, publication of the Festival of Britain Society, 1989-present.

Two notebooks containing notes and newspaper cuttings concerning Purdon's production of As You like It, 1949 and Macbeth in 1951.

Records of the Union of Graduates in Music, 1893-1972, including: minute books; copies of the annual report; correspondence relating to Edward Elgar's presidency of the Union, the honorary membership of Princess Elizabeth and various institutions; miscellaneous papers, including a printed copy of the Constitution of the Union and a printed history of the Union written in 1972.

Leaf from a choirbook dating from the 14th century.

A contract to publish music from the opera Macbeth, 1847.

Biographical scrapbook, compiled by Cecil Frederick Crofton, including the following: correspondence, cuttings, watercolours and exam papers from Crofton's time at Forest School, near Snaresbrook, including cuttings of poems and articles by Crofton in the school magazine, exam papers, watercolours and illustrations of areas surrounding the school and correspondence with the headmaster regarding fees and attendance, 1874-1876; playbills, cuttings, posters, programmes and illustrations from a majority of Crofton's performances both as an opera singer and actor, both amateur and professional, also including dinner and engagement cards and illustrations and small watercolours by Crofton of theatrical scenes and fellow performers, 1877-1913; Cuttings and illustrations regarding the funeral of the Duke of Devonshire, 1908; correspondence, cuttings and illustrations regarding Sir Nevil Macready, 1919.

Theatrical columns of "The Referee", 1903-1909, and "The Curtain", 1922-1933; notebooks with lists of plays Morley acted in, c1904-1964; notebooks on plays seen, 1955-1966; articles by Morley, c1925-1965; London play diaries, 1932-1964; "Historical and Descriptive Accounts of Theatres of London" by Edward Wedlake Brayley, 1833; correspondence regarding publication of a manuscript by Morley, 1984-1986; scrapbook of productions in Canada, 1947-1950; minutes of Everyman Theatre Guild Limited, 1929-1931; autobiographical drafts and correspondence, 1913-1972; typescript plays by Alexander Ostrovsky, Nella Nagra, Etienne Rey, Alfred Savoir, August Strindberg, Franz Werfel, Herman Voaden, Astrid Arygll, Alice Gerstenberg, Sacha Guitry, Bjornson, Karen Bramson, Henri Gheon (undated).

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

A manuscript fair copy of the opera Gabriella Di Vergy, c 1825-1845, with passages written in the hand of the composer, Gaetano Donizetti.

Papers of Max Lock, 1936-1988, produced and collected by Max Lock and the Max Lock Group, relate to Lock's career as a planner and architect and to wider issues in planning, particularly after World War Two, and comprise working papers (including survey papers) and finished material.

They include correspondence; notes and card indexes; photographs (some aerial), slides, drawings, maps and plans; Bills, Acts, white papers and other official publications; books, articles, reports and other publications (some annotated); typescripts; press cuttings; and conference papers. The bulk of the material dates from the 1940s to the early 1970s. Material relating to Lock's career and projects within the UK includes papers on his time as a Watford councillor and his architectural practice in the 1930s, including a timber house he designed at Stanmore, Middlesex; Hull, 1939-1957, including conflicts between Lock and his superiors; Scalby, 1940-1941; Middlesborough, 1943-1970; Hartlepool, 1946-1970; Portsmouth, 1948-1973; Salisbury, 1949-1969; Sutton Coldfield, 1950-1967; Bedford, 1950-1971; Sevenoaks, 1954-1965; Aberdare, 1957-1959; Stratford (West Ham), 1957-1962; Hackney and Shoreditch, 1960-1971; Woodley, 1962-1969; Oldham, 1962-1971; Covent Garden, 1963-1971; Battle, 1964; Brentford and Chiswick, 1964-1970; Torbay, 1968-1969; Dunstable, 1968-1972; Greater London Development Plan Inquiry, 1969-1971, and other material on GLC planning and transport; Beverley, 1969-1972. Material on projects and visits overseas includes papers on Scandinavia, 1937-1939, 1946-1949; India, Pakistan and Ceylon, 1946-1955; the Netherlands, including the Town Planning Institute Tour (1946), 1946-1957; the Americas, including Brazil, the West Indies and the USA, 1952-1969; Italy, 1952-1970; the Middle East, including Iraq and Jordan, 1954-1958; Australia, 1959-1960; Aden, 1960-1961; Kuwait, 1961; Nigeria, including Kaduna and Maiduguri, 1962-1975.

The collection includes a large volume of accumulated material, 1944-1987, largely printed material by other authors, including other planners, planning bodies and architects, some from architectural and planning journals and from the national and regional press, on planning and related issues both in the UK and overseas, such as planning law and procedures; central and local government and administration; public inquiries; housing; historic buildings; urban development; industry and retail; transport infrastructure, including roads and ports; traffic, noise, and the environment; social and economic issues including employment, labour, and social class; population levels and density; public amenities and utilities; land use and open space; and statistical data. Some papers relate to the affairs, including legal and financial matters, of the Max Lock Group; the architectural work of Max Lock and Partners; premises in Victoria Square, London; and the Max Lock Group Nigeria. Papers of or concerning Lock himself include his notebooks and other papers reflecting the development of his ideas; papers relating to publications and broadcasts; papers relating to professional bodies, including the TPI, RIBA, TCPA and UDAG; personal correspondence; photographs of him and his friends; papers on music and architecture, including lecture notes; articles about Lock, and his obituary in the Independent, 3 May 1988.

Papers relating to the Athletics Union, comprising correspondence concerning the purchase and equipping of College sports grounds, 1919-1934, and an accounts book, 1937-1944; correspondence of the Sports Club, 1912 and 1942; minutes of the Architectural Society, 1894-1919; programmes and posters relating to the Bedford Light Opera Group, [1960-1970]; copies of Bots Up, the magazine of the Botany Department, 1972-1974; copy of Bio-Log, the magazine of the Biological Society (and successor to Bots Up), 1977; copies of Ho, the magazine of the Psychology Department, 1972-1974; minutes and member lists of the Geological Society, 1910-1944.

Papers, 1887-1977, relating to Blackwell's time as Head of Botany at Royal Holloway College, University of London, notably correspondence with her parents, 1922-1945, discussing life at Royal Holloway College; letters of congratulation on her appointment as Head of Botany at Royal Holloway College, 1922; correspondence and notes, 1928-1949, relating to gifts to Royal Holloway College; personal correspondence, 1941-1970, notably with Ellen Charlotte Higgins, former Principal of Royal Holloway College, (Elsie) Marjorie Williamson, Principal of Royal Holloway College, and John Cameron; papers, 1887-1969, relating to the Royal Holloway College Botany Department, including Botany Lunches, 1949-1977, Botany School Record Books, 1887-1969, and correspondence relating to field trips, 1930-1944; Blackwell's copies of the Royal Holloway College Boat Club Rules, 1914-1918, and the Royal Holloway Rules and Regulations, 1925; notes, memoranda, correspondence, minutes and reports of the University of London Botanical Supply Unit, 1944-1952; invitations and Christmas cards, 1922-1963; autograph books, 1922-1950, including one presented to Blackwell by her old students and staff at a luncheon at the Forum Club, [London], 1950. Records, 1897-1971, relating to the history of Royal Holloway College and the Botany Department, including press cuttings, photographs, memoirs, correspondence and draft articles, notably and article by Blackwell entitled '75 years of Royal Holloway College Botany Department', copies of College songs, and obituaries of old colleagues and students. Publications, 1902-1949, mainly comprising histories of the Botanical Departments of Liverpool and Manchester Universities. Photographs, 1880-1970, including the Botany Department staff and students, 1898-1962; Botany Department field trips, 1898-1948; Royal Holloway College staff, buildings and grounds, 1908-1952; Botany laboratories and gardens, 1912-1949; social and botanical activities at Royal Holloway College, 1927-1955.

Correspondence, 1892-1943, between Benson and various academic colleagues, mainly on subjects relating to botany, and the reading and publication of papers by women to scientific societies, notably with Professor Francis Wall Oliver, Professor of Botany at University College London, Professor Sir Albert Charles Seward, Professor of Botany at Cambridge University, and Dukinfield Henry Scott, President of the Linnean Society. Papers, 1871, 1906 and [1936] relating to Benson's death, including her childhood exercise book, 1897, given to Professor Elizabeth Marianne Blackwell, Head of Botany at Royal Holloway College, various copies of the obituary notice written by Blackwell, [1936], and material relating to a bequest by Benson to the Botanical Laboratory at Royal Holloway College, [1936]. Photographs, [1893-1922] of staff and student life at Royal Holloway College, including boating scenes, costume tableaux in the College quad, formal portraits of Benson in academic dress, and laboratories in the College.

The Roy Waters Theatre Collection is a privately created collection of theatrical material amassed as a result of forty years of collecting by Roy Waters. The collection primarily comprises of theatrical ephemera, though it also includes the personal papers of Roy Waters, documenting both his career as teacher and later as a school inspector, and his collecting habits and cultural interests.

The nature of the material is diverse, with the printed ephemera including a sizeable collection of programmes from the 19th to the 21st century, collectable items such as cigarette cards, press cuttings collected for their relevance to named individuals and events and photographs reflecting a range of formats including postcards, cartes de visite and cabinet photographs. Toy theatre and juvenile drama are well represented with loose character and scene sheets, tinsel prints and twentieth century stage and script packs forming part of the collection. In addition, the prints series, although primarily consisting of portrait and scene prints of theatrical individuals, also includes a range of topographic and general entertainment prints. Artefacts and commemorative ornaments comprise a series, as do sound recordings relating to the specialisms of the collection in particular productions and well known individuals.

The theatrical ephemera, although initially collected with a broad interest in the theatre in mind, does reflect the specific areas of interest which developed as the collection grew; discreet collections of material relate to specific individuals or events, for instance Noel Coward and Oscar Wilde.

The collection also contains hundreds of individual autograph letters dating from the 18th to the 20th century representing the variety of professions involved in the performing arts, including letters from George Arliss, Sir James Barrie, Phineas Taylor Barnum, Charles Dickens and a sick note for J.S.Grimaldi [Joseph Samuel Grimaldi]. In addition, there are a small number of original art works relating to the theatre.

This collection encompasses all the main phases of Crosland's career; his education and early career, World War II, his time as a Member of Parliament. It includes personal and professional correspondence, diaries, notes and notebooks, publications, speeches, broadcasts, photographs, and ephemera (including opera, theatre and concert programmes) and comprises the following:
Part I. Education and Early Career, 1930-1950
Section 1) Highgate School (exercise books and certificates); Section 2) Trinity College, Oxford (essays and notes, material relating to student societies, and ephemera); Section 3) War (including diaries, correspondence and notebooks).

Part II. Member of Parliament, 1950-1977
Section 4) Papers; Section 5) Ministerial; Section 6) Labour Party; Section 7) Constituency; Section 8) Official foreign visits.

Part III. Correspondence (personal and professional), 1927-1976:
Section 9) 1927-1949; Section 10) 1950-1966; Section 11) 1967-1970; Section 12) 1971-1976.

Part IV. Various, 1920 - 1980
Section 13) Books, pamphlets, articles, speeches and broadcasts (concerning socialism, economics, and political campaigning); Section 14) Co-operative Independent Commission; Section 15) Profiles and biography; Section 16) Notes, note books, press cuttings and miscellaneous (personal accounts, notes and reflections); Section 17) Susan Crosland's papers (concerning biographies of Anthony Crosland); Section 18) Crosland Additional (photographs and ephemera).

The following sections, describing printed items, have been added to the catalogue as appendices: 1. Printed articles and speeches by Crosland; 2. Pamphlets (collected by Crosland); 3. Opera, Theatre and Concert Programmes.
There are two later accessions of scrapbooks, press cuttings, photographs, war medals and correspondence, c1920-c1980, and a file on the International Monetary Fund, 1976-1987.

Ephemeral material, 1953-2000, collected by the Hall-Carpenter Archive and relevant for the study of gay, lesbian and bisexual history. The ephemera series contains the following material: poster, tickets and leaflets for events; records from organisations for which there is very little surviving material; and records for which the Hall-Carpenter Archive has no information about terms of deposit, or where material has been deposited by several sources. Organisations represented in the ephemera series include regional gay groups, non-UK gay organisations, arts events and commercial organisations. Readers are advised to search the Archives on-line catalogue to locate all relevant material, as material is continually added to the collection.

The records of Musica Reservata comprise original notes, company minutes, correspondence, lyrics and programmes, 1960-1992, notably including manuscript and typescript notes and proofs compiled by Michael Morrow describing the development of Renaissance music for talks, lectures and his published works, [1960-1985]; minutes of the company Council, 1972-1978; company reports, 1972-1974; rehearsal notes, itineraries and tour plans, 1972-1974; correspondence with Michael Morrow and others, mainly concerning the organisation of concerts including fees, 1960-1981; assorted manuscript and typescript lyrics of early modern music, [1960-1980]; programmes and leaflets advertising Musica Reservata performances, 1960-1989; press cuttings on early music, including reviews, 1971-1989.

The collection represents the contacts through two centuries of a group of men and women of high distinction ramifying through the medical, legal and literary worlds. It forms a not unimportant fund of minor historical material, comprising more than a thousand letters from nearly five hundred writers.

The autograph letters are mounted in 10 large volumes: -

1. Letterbook of John Arbuthnot (1667-1735). The most interesting letters are those of Pope and Swift and their circle written in 1714 when the Queen's death involved the destruction of their political hopes. Letterbook of William Hunter (1719-1783). It includes letters from Tobias Smollett the novelist, from Dr. Johnson thanking Hunter for presenting his book to the King, and from Edward Gibbon 'proposing himself the pleasure of attending some of Dr. Hunter's Anatomical lectures.'

2. Hunter and Baillie family letters and reminiscences, including the letters written by John to William Hunter from active service in 1761-62; poems by Sophia Baillie, Jenner family letters.

   3. Letters to Matthew Baillie from the Royal Princesses. Letters of the Bentham family, including three from Jeremy Bentham. Autograph letter collection includes letters from Thomas Carlyle and Charles Dickens. 1735 - 1845

3. Denman family collection; autographs collections of Lady Bell and Dr. William Whewell; letters of John Baron, Edward Jenner's biographer; fragment of unpublished music by Mozart; letters from Joanna Baillie's friends including c.1782-1877

4. Letters to Joanna Baillie includes letters from Sir Walter Scott and Maria Edgeworth. Various dates

5. William Hunter's diplomas, and letters to him, Hunter family documents, and notes on family history compiled by Joanna and Matthew Baillie. Locks of hair and christening caps worn by Hunter family. Various dates

6. Matthew Baillie's letters to William Hunter includes material relating to treatment of George III and to his wife Sophia (Denman) and his diplomas. C. 1783-1823

7. Matthew Baillie's professional correspondence including notes on illness of George III and on labour of Princess Charlotte. Letter to Helen Hunter Baillie from George Peachy re Matthew Baillie's notebooks (1923). 1783-1923

8. Joanna Baillie's letters and papers relating to her plays, sale of her works, mss. of two stories and a comedy, letters from Mrs Sigourney, Henry Siddons, Anne Hunter, Mary Somerville; Agnes Baillie's reminiscences, prescriptions by Matthew Baillie

9. Princess Mary's letters to Baillie concerning the illness of Princess Amelia, Anne Hunter's autograph poems, libretto of Haydn's Creation; account of death of Princess Charlotte.

   The Hunter Baillie collection comprises also a number of manuscript books, the oldest of which is a commonplace book of the early eighteenth century, giving details of family history of the Hunters. Matthew Baillie's notebooks include: -

Journal of a tour in Europe in 1788 and A short memoir of my life, 1818. 'Some brief observations from my own experience upon a considerable number of diseases', in two volumes. n.d. With these are his casebooks, fee-books and other professional notes, including details of his attendance on King George III. Baillie records that his total annual fees mounted from £121 in 1792 to £9,995 in 1815.

Papers relating to the Clift and Owen families, late 18th century-late 19th century, comprising a file of correspondence and papers between the Clift and Owen families. Including material relating to the parish placements of Sir Richard Owen's grandson, Richard Startin Owen, at St Giles Church, and the Parish of Mortlake; a manuscript copy of the inscription from Sir Richard Owen's great grandmother, Elizabeth Froysell's tomb; William Owen's certificate of admittance to the Royal Arch Masons, 1869; a manuscript settlement made between Sir Richard Owen's great grandparents, Richard Eskrigge and Elizabeth Froysell on their marriage, 1725; a letter from John Hunter to Brigadier Lambart, Commander in Chief of his Majesty's Forces at Belle Isle, and Brigadier Lambart's reply, 1762; correspondence between Sir Richard Owen and his family; 2 pencil drawings by Mrs Clift; correspondence between William Clift and his family; correspondence of Sir Richard Owen from the Jessie Dobson estate; other letters to Sir Richard Owen; a diary belonging to William Clift recording activities in the museum, [1806-1816]; a letter from Antonio Scarpa, 1823 [including a transcription and translation]; sheet music for a song with lyrics by Eugenius Roche Esq and music by Gme Tronsson du Coudray, dedicated to Miss Caroline Amelia Clift; letter from Joshua Brookes to Nathan Pointer [1831]; 4 attendance cards for John W MacNee for lectures given by James Armour on Midwifery (1828), John Burns on Surgery (1827), the structure and diseases of the eye by William MacKenzie (1828), and lectures on anatomy by Robert Hunter (1826-1827); invitation card from E M van Butchell to view the embalmed remains of his wife, and a transcribed letter by William Clift from E M van Butchell regarding the display of his wife's remains, 1815; and various other Clift and Owen manuscripts.

Records of The Guildhall School of Music and Drama, 1880-1986, including financial accounts; prospectuses; concert programmes, including concerts given by the Guildhall Orchestral Society; scrapbooks including newspaper cuttings and photographs concerning the school's activities, recitals, prize-givings, new staff, successes of pupils past and present and so on; and publications relating to the history of the school.

Correspondence, 1905-1984, of Maurice Cole, pianist and former student of the Guildhall School of Music and Drama, relating to musical matters, particularly concert performances.

London County Council register of tramway track lengths, recording description and lengths of route, street length, track length and remarks, such as "conversion to trolleybus", "abandoned" and so on, [1912-1952], with enclosures: photocopy of map of tramways in the London County Council area, revised to 1931; and diagrams of track lengths in Leyton and Hammersmith.

Records of the Waldorf Theatre Syndicate Limited, comprising trust deeds and other legal documents, 1905-1910.

Records of the Royal Choral Society. The archive is divided into seven sections: administrative records, including a series of individual concert files; financial records; membership records, which include attendance registers and audition files; concert records and programmes; publicity records including posters and newspaper cuttings; files of printed musical scores, arranged by piece, and including programmes for concerts featuring the work; miscellaneous records, which comprise information and programmes relating to other choirs, magazines of the society, or which include articles on the society or choral singing in general, and photographs of choir members, soloists and conductors.

Highlights of the collection include a comprehensive, although not complete, series of concert programmes from 1873-1985, including the programme for the last concert to be held in the Queen's Hall before its destruction during World War II. There are also manuscript copies of "Eryri" by Alun Hoddinott. This piece was composed for the investiture of the Prince of Wales in 1969 and the collection has a copy both of the original score, for 16 soloists, chorus and orchestra, and the revised version for baritone solo, chorus and orchestra.

Records of the Barbican Centre Committee, Court of Common Council, comprising minutes, 1978-2006.

The Committee's minute books from 1978 contain policy and executive decisions necessary for the administration of the Barbican Centre, whilst the files of the same dates contain the reports and correspondence material to those decisions. Because of the special nature of the Barbican Centre as an arts venue, outwith the more usual experience of Local Authories, it was always seen as different to other Corporation Committees, comprising Members with particular commercial experience and of high calibre, and with higher expenditure and a slightly different ethos. The Committee supervised the residency at the Barbican Centre of the Royal Shakespeare Company (1982-2002) and the London Symphony Orchestra, although both bodies had been involved in the planning stages of the construction of the Barbican Centre since the 1960s with the Barbican Development Committee (COL/CC/BRD) and the Barbican Arts Centre Joint Working Party (COL/CC/BRA).

From 1978 to 1984, the Committee's Executive Sub Committee tended increasingly to take all the executive decisions respecting the Centre, and the Grand Committee met only to ratify its decisions, which led to reform of the Committee of 1985.

In common with all Corporation of London Committees, the minute books contain records only of decisions taken, and not details of arguments or debates which led to those decisions.

Papers relating to railways, 1839-1983, including reports, evidence and petitions relating to the construction of new lines and stations; papers relating to fires, 1522-1974, including papers on the provision of fire fighting equipment, the introduction of fire insurance policies and the establishment of the Metropolitan Fire Brigade; papers relating to the Great Fire of London, 1667-1966, including acts, orders and financial accounts relating to the rebuilding of the City of London including receipts from Christopher Wren, papers relating to the investigation into the cause of the Fire, financial accounts of funds to relieve those affected, descriptions and accounts of the Fire; papers relating to Royal and Municipal Commissions, 1816-1969; papers relating to war 1692-1995, including papers relating to the Corporation's activities during World War One; air raid precautions and casualties, Roll of Honour of Civilian War Dead in the City of London and papers relating to the bombing of Guildhall, World War Two and City of London salute to the task force, Falklands Campaign, 1982.

Papers relating to transport, 1663-1985, including hackney coaches and hackney carriages, carts and carmen, stage coaches, river traffic, tramways, omnibuses and buses, subways, Heathrow and Fairlop Airports, the London Underground and the Channel Tunnel terminal in London; papers relating to shipping, 1610-1989; papers relating to trades and crafts, 1510-1991, including bills, wages, regulations, acts and petitions regarding bricklayers, carpenters, carters, founders, glaziers, masons, painters, paviors, plasterers, plumbers, smiths, wireworkers, button makers, butchers, chimney sweeps, hairdressers, ironmongers, spoon makers, paper makers, tanners, tailors, rakers, midwives, engravers, clock makers and printers; papers relating to the Honourable Artillery Company, 1503-1967.

Papers relating to the history of London, 1565-1994, including "An exposicion of the Kinges prerogative collected out of the great abridgement of Justice Fitz-Herbert and other olde writers of the lawes of England" by Sir Anthony Fitzherbert, 1565, "Londinopolis: An Historicall Discourse or Perlustration of the City of London, The Imperial Chamber, and chief Emporium of Great Britain: Whereunto is added another of the City of Westminster, with the Courts of Justice, Antiquities, and new Buildings thereunto belonging" by James Havel, 1657, and various other antiquarian and modern books, articles and pamphlets on the history of London; papers relating to health and medicine, 1657-1994, including bills of mortality, papers relating to the outbreak of plague in London, 1665-1666, letters, reports and conference papers relating to the control of cholera; papers regarding provisions, 1607-1990, including warrant authorising the Mayor to receive venison out of the Royal Parks, 1607 and papers of committees investigating the high price of provisions, 1767-1822; papers relating to the government of the City of London and Greater London, 1849-1993; papers relating to the provision and price of gas, 1828-1918; papers relating to the supply of water to the City, 1538-1992; papers relating to the placing, erection and upkeep of statues and monuments in London, 1680-1995; papers relating to weights and measures, 1678-1997, including records of action taken against those using false weights and measures and registers of weighed goods; papers relating to seals and medals, 1285-1995, including examples of medieval seals and register of documents sealed; papers relating to insignia and plate, 1650-1993, including information on the Collar of SS, Diamond Badge or Jewel, Mace, Crystal Mace, Swords, City Purse, Mayoralty Seal, Robes and Sceptre and inventories of City plate; papers relating to the population of the City of London, 1719-1982, including "A compu tation of the increase of London and parts adjacent; with some causes thereof, and remarks thereon", 1719, population returns, 1821-1897 and population studies and articles; papers regarding tolls, 1605-1833, including Acts, bonds, exemptions and leases; papers relating to the postal service, 1741-1938, including examples of early stamps and papers relating to the Penny Post; papers relating to the carrying out of writs, 1460-1965, including writs of habeas corpus, certiorari, subpoenas and jury summons; papers relating to the textile trade, 1674-1995, including orders, rates, inventories, petitions relating to the production of textiles including cloth, lace and wool, bonds of searches and sealers of tanned leather, 1699-1804, and articles on the history of textiles.

Papers relating to probate, 1693-1786, including estate inventories, letters of administration and notes on legal customs; papers relating to the regulation of fireworks and bonfires within the City, 1673-1857; papers relating to archaeological investigations in the City of London, 1972-1989; extracts relating to archery in Finsbury Fields, 1521; reports and articles relating to the armorial bearings of the City, 1216-1973; bullion certificates, 1696-1819; licences issued for the right to use calcium carbide, 1897-1919; papers relating to convex lights, 1692-1694; papers relating to conveyancing, 1770-1948 and various other papers relating to aspects of the administration of the City of London including common soil, conservation, criminal prosecutions, city customs and liberties, the Customs House, erection of hoardings, gifts and presentations, regulation of gunpowder, income tax, the London Building Acts, licensing, lotteries, regulation and licensing of petroleum, precedent books, precepts issued by the Mayor or Common Council, bills for printing and stationery, the Olympic Games, pageantry, proclamations, brewers and public houses, the Shops Act, smoke abatement and clean air, street cleaning, theatres, the unemployed, Viewer's reports, wharves, woods and forests, newspapers and cuttings, fishing, the Festival of the City of London, coffee houses, coinage, the Bank of England and other financial institutions.

Programme of Ealing Theatre for performances by Mr. Herbert Sleath's Company of "What happened to Jones" by George H. Broadhurst, preceded by the Comedietta "A Morning Call", with note of forthcoming performances and many advertisements, 1900.

Records of the Alexandra Palace Concert Society of German Internees, including concert programmes, retrospect of the Concert Society including names of musicians, lists and analysis of works performed, and watercolour portrait by a prisoner.

Records of the London County Association of Church Bell Ringers, including general committee minutes, Northern District Committee minutes and Southern District Committee minutes; Southern District financial accounts; peal books; steepleage books; annual reports; dinner menus and programmes; photograph and article about the history of the Association.

Records of the Society of Royal Cumberland Youths, bell-ringing society, comprising: name books, 1747-1999 (Ms 21658, 33995); peal books, 1748-1989 (Ms 21659, 34393); minutes, 1887-1989 (Ms 33996), rules, 1931 (Ms 33997); and notebook of ringing methods, [1924-35?] (Ms 33998). They were catalogued by members of Guildhall Library staff between 1986 and 2006.

Some of the records were microfilmed in 1985 and Mss 21658-9 are positive copy microfilms deposited in the Library on indefinite loan by the Society which has retained the master negatives. The originals of Ms 21658 and Ms 21569/1 were deposited on 21 July 2003 (USE OF MICROFILM COMPULSORY), but the Society retains the original manuscript of Ms 21659/2. Permission to take reproductions from the films or to publish extracts from the records should be sought from the Society (enquire at the information desk for contact details).

Assignment of a rent of two shillings each night of performance at the Theatre Royal, Drury Lane and free privilege for 21 years, between Richard Brinsley Sheridan, Thomas Linley and James Ford; and Anna Maria Ford.

Records of the Uxbridge Choral Society. The collection consists of minutes, general and concert administration, finance, printed material including programmes and posters and some photographs of rehearsals.

Records of the parish of Christ Church, Watney Street, Shadwell, including registers of baptisms and marriages; papers relating to parish boundaries and the benefice; and papers regarding the refurbishment of the organ.

Signals Collection comprising two East India Company signal books. The first is a printed signal book of 1783 entitle 'A Collection of Signals for the use of the ships in the Service of the United East India Company'; a sheet of coloured flags has been loosely inserted, but the book was not issued. There is also a manuscript volume of signals issued by Captain Alexander Montgomerie to the fleet under his command, St Helena to England, 1794.

153 volumes of sailing and fighting instructions include the majority of those listed in Sir Julian Corbett, Signals and instructions (Navy Records Society, 1908). In addition, there are many examples of those issued to smaller squadrons rather than fleets. The earliest is a printed copy of 1673 issued to James Duke of York (1633-1701). There is a copy of 1691 by Admiral Russel (1653-1727), issued in 1702. Subsequent sets show the development which took place up to the Seven Years War. From 1756 onwards additional and supplementary instructions became more numerous. The collection also contains several versions of instructions for ships in convoy, 1708 to 1815. In addition to these single items, there are sets in the personal collections. The most extensive, of thirty-four volumes, is that of Admiral Duncan (q.v.), 1760 to 1799, including signals and instructions issued during the American War, convoy instructions for 1782 and a number of sets from the 1790s. Other sets of significance include those of Vice-Admiral Duff, 1748 to 1762, including convoy instructions, 1756 and 1758, and printed instructions for disembarking and re-embarking troops, which were issued by Admiral Rodney (1719-1792) for the landings at marinique, 1762; of Rear-Admiral Clements, 1758 to 1770; and of Captain Lord Longford, 1779 to 1780.

120 printed and manuscript signal books and signal logs. 1711 to 1816. The earliest signal book is a manuscript volume compiled between 1710 and 1711. This contains additional signals made by Sir John Norris (c 1670-1749) in the RANELAGH. The format of this volume is very similar to the printed signal book of 1714 by Jonathan Greenwood. There are some manuscript examples produced privately by individual officers usually with a thumb index for quick reference, dating from the mid-eighteenth century. There are also printed signal books for 1790, 1793, 1795, 1798 and The General Signal Book of 1799, 1808 and 1816. During the 1790s the printing of signal books became general practice. There are various examples (which include day and fog signals), night signals, instructions and additional instructions, which were usually issued in sets. For example, the collection has a set issued in 1793 by Admiral Lord Hood to the Mediterranean fleet. There is a similar set issued by Sir John Jervis in 1794 while in the West Indies. Most of the printed books which were issued have additional signals inserted in manuscript. The manuscript signal books are copies kept by officers who were not issued with a printed signal book, and preferred their own copy for easy reference; they are therefore usually pocket size. This practice was forbidden because of the danger of the code falling into enemy hands. However, there are a number of these in the collection and they often contain additional information, such as orders of battle and sailing, keys to both the British and French systems of coastal signals, pendant lists, etc. Many are finely executed and some are illustrated. There is a manuscript signal book used at the battle of the Nile, based on the 1795 edition entitled 'Day and Night Signal Book, Horarry, Fog etc.' by Midshipman (later Commander) Charles Claridge (fl 1798-1823) in the DEFENCE. This has a short diary at the back of the volume describing the battle and an order of battle and an order of battle and sailing. A manuscript copy of Lord Howe's (q.v.) code of 1793 is also included; this contains a list of signals for identifying coasts and headlands, caricatures, a sea song and drawings of naval vessels. The collection contains a group of signal books issued for use in a particular area; they include volumes for Barbados, 1820, Plymouth, 1797 and St Helena, 1817. There are also three signal logs, one of which was kept in the VICTORY, 1804.

Over half the signal books in this category are French; the other nations represented are Spain, the Kingdom of the Two Sicilies, Sweden and Turkey. There are eighteen volumes, 1754 to 1885, the majority of which are printed with manuscript annotations. Of the French volumes, the earliest is a signal book kept in 1754 by the pilot of LA ROSE, in the squadron of Le Comte de Gallissoniere (1693-1756). The volume has a thumb index of coloured flags and is illustrated with watercolours of fleet manoeuvres. There is also an English translation of the signal book issued by the Comte D'Ache (1700-1775) to his fleet while in the East Indies in the ZODIAQUE, 1757 to 1759; a signal book issued by the Comte D'Orvilliers (1708-1792) in 1779; and a printed signal book of 1787 issued by the Marquis de Nieul, in which the names of the vessels in the squadron have been scratched out, but the twenty flags and ten pendants have been coloured. The Revolutionary War period is represented by three signal books issued for the navy of the Republic in 1799 and 1801. Only one has actually been issued and gives a key to the flags. In addition, there is a handbook for a coastal semaphore between Bayonne and Flushing; published in 1807, the system was invented by an artillery officer named Depillon and built ca.1803. The category also includes two signal books for the Kingdom of the Two Sicilies; one was issued in c 1784 by John (later Sir John) Acton (1736-1811), the other in 1816; a Spanish book of signals and instructions printed in Cadiz in 1765 and issued by the Marques de la Victoria; another Spanish volume for 1781 for the fleet of Don Luis de Cordova; and two Swedish volumes, 1795 and 1796. The Turkish signal book is naval, 1885, and the format is similar to a French or an English volume. There is also a Dutch volume of flags rather than signals which was compiled c 1687; it is described on the title page as 'The Flagbook of Captain Paulus van der Dussen' (1658-1707).

Seven volumes concerned with naval signalling, telegraphic and merchant shipping codes, 1787 to 1822. The earliest volume is by Captain (later Admiral) Phillip Patton (1739-1815); in 1787 he published 'A system of signals combining the method commonly used in theBritish Navy...with a numerary method'. As far as is known this was never used, since preference was given to the code invented by Lord Howe. Patton employed two methods: one was the old idea of the meaning of the flag being governed by the position of the hoist and the other gave each flag a fixed numerical value. A new arrangement of Howe's day and night signals and instructions was made in 1792 by John McArthur (1755-1840), while secretary to Lord Hood, and printed in 1793. McArthur also published a comprehensive plan in c 1804, entitled 'Thoughts on several plans combining a system of Universal Signals by day and night', of which there is also a copy. There is a lithographed copy, made in 1822, of 'Practical Rules for making Telegraphic Signals with a description of the two-armed telegraph invented in 1804' by Lieutenant-Colonel Pasley (1780-1861); he put forward a system of sending messages by land using a pole with two moveable arms. A similar manuscript of ca.1820 is by Lieutenant (later Commander) Poynter Crane (1782-1879).

Records of Keith Waithe, musician, comprising published recordings from Essequibo Music and The Macusi Players with business card and promotional card.

Records of the parish of Saint Philip the Apostle, Tottenham, including registers of baptisms, marriages, confirmations, banns of marriage and church services; papers relating to parish property; papers regarding the church organ; financial accounts; minute books; reports and general correspondence.

Manuscript copies of one-act plays written by William Poel, newspaper clippings relating to a production of Samson Agonistes and a copy of "Monthly Letters" on performing Shakespeare, collected and published.

Programmes and ephemera for the Wandsworth Symphony Orchestra which belonged to cellist Mollie Simmonds. Also includes some miscellaneous material for the West Hill Orchestra and the Putney Orchestra.

Papers of the City Music Society (1939-2005), including: typescript minutes of the City Music Society, 1944-1994; administrative correspondence between the City Music Society and various organisations and individuals concerning various matters including membership, concert arrangements, musicians, concert pieces and other general matters, 1945-1999; programmes for City Music Society concerts, predominantly at the Bishopsgate Institute and Goldsmith's Hall, 1943-2002; annual reports of the City Music Society, 1943-2002; promotional leaflets and lists of City Music Society concerts, c1949-2005; two scrapbooks of press cuttings and typescript transcriptions of reviews of City Music Society concerts and advertisements, 1949-1981; cash account book of the City Music Society, 1943-1948; duplicate loose copies of `Westerham Press' City Music Society programmes, c1950-1969; invitations for City Music Society concerts, 1948-1999; early Society invoices and accounts, 1947-1962; rules and accompanying correspondence between and regarding founder members, 1949-1988; papers and correspondence regarding the 21st and 50th anniversaries of the City Music Society, 1964-1993; photographs of the City Music Society 50th anniversary concert at Goldsmith's Hall, 1993; papers, press cuttings and other material regarding Ivan Sutton's death and memorial service, 1996; non-City Music Society concert programmes, 1939-1963; members circulars, newsletters and publicity material, 1944-2005; handwritten alphabetical list of musicians who appeared at City Music Society concerts, n.d; annual general meeting, membership and subscription papers, 1949-2000; correspondence regarding works commissioned by the City Music Society with various composers, including correspondence files with Peter-Paul Nash, John McCabe and Geoffrey Burgon, 1970-1988; musical scores commissioned by and performed at City Music Society concerts, c1950-c1999; miscellaneous papers, including artist photographs, invitations and programmes, 1948-2001.

The Palace of Delights, by Alan Wilson, November 1985. Audio recording on tape and CD.

Where the clocktower stands in the Mile End Road c 2001. Audio recording on CD.

Programme and papers relating to the Christmas concert 2007.

Scores of pieces written by Alan Wilson including 'Ode to Music' for Robert Tong's retirement; Christmas carol arrangement for 'Wish you a Merry Christmas'; QMUL and Westfield College songs; Palace of Delights vocal and orchestral score.

The Palace of Delights correspondence, posters, notes connected to the play; programmes 1979-1999; flyers for events 2013.

Papers concerning the career of performance artist Ian Hinchliffe (1942-2010), primarily comprising of promotional material and photographs capturing performances by Hinchliffe and his collaborators. Includes promotional material relating to Hinchliffe's performance group, the Matchbox Purveyors, founded in 1971.

T
he material covers both Hinchliffe's early to mid career in the 1970s and 1980s, with the focus predominantly on work undertaken under the Matchbox Purveyors, to his later work, concentrating on durational performances with regular collaborators such as Tony Green, Hugh Metcalfe and David Crawforth.

Also contains a smaller volume of material relating to the planning and execution of Hinchliffe's work, including pages from a notebook of illustrated performance plans, annotated scripts, correspondence, and contracts. There is also a small amount of personal material, such as photographs of Hinchliffe as a baby, and illustrated diaries of his fishing trips.

Photographs from an exhibition The 100th anniversary of the Bulgarian Theater, with list of captions

The archive consists of papers and publicity material relating to the Commonwealth Countries League, personal correspondence and publicity for the Women's Freedom League and the establishment of the Mermaid Theatre.

Papers of Herbert Kennedy (H K) Andrews, 1950-1965, comprising typescript and proofs of his The Technique of Byrd's Vocal Polyphony (Oxford University Press, London, 1966); papers, 1957, relating to 'Fourteenth-Century Polyphony in a Fountains Abbey MS Book', Music and Letters, 39 (1958) by Andrews and Robert Thurston Dart, with offprints of article, correspondence between Andrews, Dart and Eric Blom, editor of Music and Letters, and including photographs of Fountains Abbey Ms 23; typescript notes and correspondence, 1963-1965, regarding the music publications of William Byrd and library sources of the same, with offprints and notes relating to Andrews' article, 'Printed Sources of William Byrd's ''Psalmes, Sonets and Songs''', Music and Letters, 44 (1963), and including a photocopy of the superius part book of Cantiones sacrae by Thomas Tallis and William Byrd (1575); notes and correspondence with Dart, 1960, regarding A ballet on the death of the cardynall', manuscript in Ripon Cathedral Library, with transcriptions and photographs of the manuscript; typescript of his articleCounterpoint, harmony and tonality' for the Oxford Junior Encyclopaedia, with related correspondence on the withdrawal by Andrews on its publication, 1953; typescript of his The formation, fulfilment and decline of the classical language of music', Cramb lectures, University of Glasgow, 1954; manuscript of hisThe interpretation of 16th century polyphony', Crees lectures, 1963; manuscript and typescript of `The editing and perfomrance of English vocal polyphony of the late 16th century and early 17th century, first chapter only of an unpublished book.

Records of Bechstein of Berlin and London, piano-makers, 1880-1946, and of the Bechstein Hall and Wigmore Hall, 1901-1951, comprising sales books of Bechstein, giving names of purchaser and details of instruments purchased, 1880-1927; wages book of Bechstein staff, 1890-1912 and stock book, 1946; sales ledger, 1916-1921; instrument hire account book, 1912-1917. Bechstein Hall, day book, 1901-1916 (also includes day book of Arts Council of Great Britain, 1916-1951); hire day book, 1911-1916; cash book, 1912-1916 (and Wigmore Hall, 1934-1916). Wigmore Hall cash book, 1917-1924; daybook, 1930-1946; ledger, 1938-1946.