Manuscript copy of 'Reuben Manasseh. A tragedy', in five acts (and in verse), by 'Alastor', dated December 1843. A letter concerning the identity of the author has been inserted in the volume, which asserts that he may have been James Orton, who published books under that pseudonym.

Papers of Lady Caroline Amelia Owen, c 1790-1835, comprising a letter from Joanna Baillie, 1831, including a transcript of a sonnet by William Wordsworth; a watercolour sketch of Keeper's House, Hyde Park, c 1790; a watercolour of execution dock, by William Clift, 1816; a pen and ink sketch of the opening of the theatre at the Royal College of Surgeons, by William Clift; a sketch of Caroline Clift by her father; a pencil portrait of Eugenius Roche, by William Home Clift, 1824; a printed caricature of Richard Owen lecturing, by Richard Doyle; a volume titled Select Sentences or a Collection of Moral Precepts by John Gregor, 1792; a pencil drawing of three pigs by 'R H'; a pen and ink sketch showing Oxford Street with placards referring to Owen's researches, by Robert Lee; an unfinished watercolour titled 'Sketch of church and castle, Lancaster, from my mother's house (the procession of the judges was to have filled the foreground)', by Richard Owen, 1835; a volume of French verse titled Envoi a Caroline by Eugenius Roche, 1829; a flyer for Mr Mears' Benefit at the Theatre Royal, Drury Lane, 25 Jun 1839; and a list of 'books consulted in the progress of the catalogue of the Gallery'.

Lecture notes written by Pafford when a student at University College London, on lectures delivered by W.P. Ker, Professor of English Language and Literature. The notes are on form and style in poetry and the 17th century.

Letters to Adelaide Parker, Bruno d'Arba and Joan McLeod, 1910-1959, including letters and postcards to Adelaide Parker regarding her performances from, Joseph Bonnet, Basil Harwood, Wanda Landowska, C Hubert H Parry, Ethel Smyth, Ralph Vaughan Williams, Charles-Marie Widor; letters to Bruno d'Arba from Francis Jackson; letters to Joan d'Arba from George W Russell (`AE'); letters to Joan Mcleod in relation to submission of her poetry for publication, including 8 from Walter de la Mare; letter from W B Yeats on setting of his poetry to music, undated.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Correspondence and documents created by Denis Paul. Denis Paul was an author and philosopher with a strong interest in Wittgenstein. He corresponded with many individuals regarding this interest, notably with author Iris Murdoch amongst others. The collection contains many letters written to Denis Paul by Murdoch, Isiah Berlin and others, and some documents written by Denis Paul in the course of his life time- this includes drafts of books and screenplays on which he worked.

The papers of author Wendy Perriam. This includes the working papers for all of her novels including idea notebooks, research, drafts, correspondence and notes on publicity. The collection also contains materials relating to her poetry and short story collections, plus her teaching, public speaking and other work. In addition there is material relating to her personal life.

Photocopies of manuscripts of Jozsef Pesti's political poems from 1956, in Hungarian with English translations, together with an extract from the catalogue of the Manuscript Department of the Széchenyi Library relating to the manuscripts.

Notes taken by students of lectures including those by Caietano Petrone, Naples, some family notes and poetry, [1766-1777].

Papers of Robert G Philip, [c1930-1950], comprising an unpublished work titled A ninth century view of Christ, based on the Anglo-Saxon poem Heliand. The manuscript comprises analysis followed by a translation of the poem.

A book of manuscript poems, composed by John Phillips from 1825 to 1863, lists of honours conferred on him, 1825-1860, lists of lecture engagements 1824-1860 and a manuscript entitled the incidents in the life of John Phillips, 1800-1860.

Papers, 1907-1966, of Max Plowman and Dorothy Lloyd Plowman, comprising papers of Max Plowman, including correspondence, manuscripts and notebooks including publications, drafts of works, typescripts of plays, poems, articles and addresses, newspaper articles, and diaries; papers of Dorothy Lloyd Plowman, including correspondence, poems, prose, and writings on Max Plowman and on family relationships.

A 54 line poem entitled 'The ultimum vale or last farewell of Thomas Earle of Strafford written by him selfe a little before his death', not in fact by Strafford, but copied, probably in or soon after 1641, on the verso of the front fly-leaf of the library's copy of The Historie of Philip de Commines (1601).

Poems by Sir Francis Hubert, Sir Robert Cotton and Ben Jonson: ff 2-147. 'The Deplorable Life and Death of Edward the Second': The first poem [by Sir Francis Hubert] comprises 581 seven line stanzas. Printed in 1628 and 1629. MS. Harleian 2393 in the British Museum has two versions of the poem, the first "imperfect at the end, as wanting all after the 352 stanza ... It is written to Queen Elizabeth"; the second, like the present MS., "revised and corrected ... being now fitted-up for the perusal of King James I ... and, in the whole, consists of 581 stanzas ... the author, at the end, calls himself Infortunio."; ff 150-164: 'A short view of the Raigne of King Henry the third': The second poem is by Sir Robert Cotton and was printed in 1627. ff 276b-278: 'The bodie'. Daniell, poet; 'The minde', the third poem ['Daniell, poet'] is, in fact, by Ben Jonson. It has 8 four line stanzas. 'The minde', the last poem, has 18 four line stanzas.

Album with leaves of various colours containing poetry, chiefly of a religious nature, hymns and moral aphorisms; a few printed items have been inserted. The volume includes works by Isaac Watts, William Cowper, John Newton, Maria Abdy and James Montgomery, and shares with the last a Sheffield connection. One leaf bears the name 'Reginald Follett Codrington Hedgeland'. Compiled c1841-1846.

Papers on alchemy by Albert Poisson, including correspondence, translations, essays, notes on chemistry, John Dee, the occult, extracts from books on alchemy, 1885-1904.

Manuscript, dated 1841, comprising a rough draft copy of a letter of G Polidori, in his own hand, to Viscount de Chateaubriand, announcing the despatch of Polidori's translation of Milton's Paradise Lost, followed by Polidori's copy of Chateaubriand's reply. Bound with an offprint, Louis Brandin's 'Lettres Inédités de Gaetano Polidori et de Chateaubriand', Modern Language Review, vol xi, no 2, Apr 1916.

Handwritten research notes, offprints and publications compiled by Constance Mary Pott for her publications and many articles on the Bacon-Shakespeare authorship debate and Francis Bacon in general, including notes on emblems from natural history and other areas in Bacon and Shakespeare's works, along with correspondence with other Baconians, including Sir Edwin Durning-Lawrence and James Cary, and records of the Bacon Society (1679-1949).

2 letters from Dorothy Pound of Albergo Italia and Lido Rapallo, Italy to [J H P] Pafford, Goldsmiths' Librarian of University of London Library. (1) Explaining in a reply to a letter from Pafford to her husband, Ezra Pound, asking him to autograph one of his books for the library, Ezra 'is not here at the moment - I never trouble him for autographs ...', 16 February 1965. (2) Covering note enclosing a photograph of Ezra Pound, endorsed in Dorothy's hand '1958 (in Italy)', 4 Mar 1965.

Both letters are autograph, with signatures.

Gebetbuch (Book of Prayers), c1521, including prayers to the Virgin (one in verse) and to St Catherine. Preceded by a calendar, including tables for the Golden Number and a table of signs of the zodiac.

The catalogued Pamphlet Collection comprises over 12,000 titles dating from approximately 1830 to the present. The Pamphlet Collection consists of printed material less than 60 pages in length and includes government policies, reports, annual reports and campaigning material, primary law, including Bills and Acts. The subject material of the collection reflects and enriches the wide range of topics held elsewhere in the Women's Library.The topics covered include: English fiction, children's stories, poetry, women's organisations, feminism, role of women in society - UK and abroad, nursing, sex discrimination law, divorce law, employment, occupations, careers, equal opportunities, labour law, pension law, social security, taxation, housing, health, pregnancy, abortion, birth control, domestic violence, mothers, one-parent families, children, family life, housekeeping, religion, ordination, arts, costume, suffrage. Organisations include Equal Opportunities Commission, Elizabeth Garrett Anderson Hospital, National Union of Suffragettes, National Society for Women's Suffrage, US Women's Bureau, American National Red Cross, Union of Jewish Women, National Union of Townswomen's Guilds, National Federation of Women's Institutes, Fawcett Society, National Council for the Unmarried Mother and Her Child, British Federation of University Women, Association of University Women Teachers, Divorce Law Reform Union. Most of the material is in English, but there are also pamphlets in other languages, such as Italian, German and French.The pamphlets are arranged in two sections - one for standard sized pamphlets and one for oversized pamphlets.

The 'UDC Pamphlet Collection' [Universal Dewey Decimal Classification]: In addition to the main Pamphlet Collection is the 'UDC Pamphlet Collection.' The UDC collection was the first pamphlet collection created by the Library and consists of approximately 10,000 pamphlets dating from mid nineteenth to mid twentieth centuries, covering all subjects. As the collection was gradually acquired during the Library's first 20 years of life, it was arranged by subject, using the Universal Decimal Classification system. The pamphlets were primarily deposited by organisations and individuals, although some purchases were made. There is a finding aid kept with the collection but the collection was never catalogued and therefore remained a hidden resource within the Library for more than 80 years. Unsurprisingly other libraries did not collect most of these pamphlets. In 2007 as part of a cataloguing funding bid preliminary sampling of the collection against Copac (the merged online catalogues of 24 university research libraries in the UK, plus the British Library and the National Library of Scotland) found that over 60% of the UDC pamphlets were not listed in these major research collections. This is a very significant level of unique printed material.Cataloguing of the UDC collection started in 2007 and as the pamphlets are catatogued, they are transferred to the main pamphlet collection described above. As at 2009 the collection was partially catalogued and The Library was seeking additional funds to complete the project.

Prose and Verse comprising single items include an autographed poem by Lieutenant (later Rear-Admiral) Bartholomew James (1752-1827), written on the VICTORY, 1796; and anonoymous poem entitled 'Britannia Tiumphant', in honour of England's naval victories, dated 1798; and 'The Seaman's Rest', a poem written on the occasion of Queen Victoria's visit to Greenwich Hospital, 1840. There are three drafts and a printed version of 'The Last Cruise of HMS TIGER', a poem written by Maurice Baring (1874-1945) in 1931; and also the text of a sermon delivered by the Reverend Richard Price on the VULTURE at Gibraltar in 1860.

Prose and verse on moral and political affairs, some in dialogue form, in several hands.

Prose and verse passages including Historica de el duende de Madrid (1757); breve explicacion de la doctrina de Patino por preguntas y respuestas entre Dr. Josef Rodrogo y los muchachos de la cobachuela; el duende politico que la cuenta de los presentes negocios y anuncia los futuros de esta monarchia a 8 de Diciembre de 1735; Melchor de Fonseca - Maxyms de Bacalini recogidas en un romance yntitulado El Sueno Politico...sobre el rreynado de Don Phelippe IV.

Papers of George Ray, 1815-1816, comprising a volume of manuscript notes taken by Ray at the lectures of Sir Astley Paston Cooper, titled Lectures on Surgery, Delivered at the theatre of St Thomas's Hospital by AP Cooper, Esq in the years 1815-1816; and an undated newspaper cutting titled 'The Country Surgeon (A True Bill)' containing a poem about the life and work of a country surgeon.

Papers of the writer Sir Richard Rees, c1920-1970 and undated.

Manuscripts and typescripts for Rees' published and unpublished work include material for an unpublished book of essays; a typescript of his unpublished novel; unpublished shorter pieces, including lectures on literary and cultural subjects, among them George Orwell and Simone Weil.

Miscellaneous personal papers and writings, 1926-1960s, include notes on dreams; travel notes on the USA, 1929; a Russian diary, 1935; papers relating to the Spanish Civil War; typescript papers of the International Commission for War Refugees, 1941-1944, and other correspondence and papers on its work; papers relating to Rees' service in World War Two; correspondence concerning Rees' membership of the committee of the Pilgrim Trust; papers relating to sales of Rees' books; printed papers, comprising various articles and book reviews relating to Rees' interests.

Correspondence, c1920-1970, comprises items to Rees and carbon copies or drafts of his letters, the correspondents including prominent literary and other public figures, for example David Astor, Vanessa Bell, Joseph Conrad, Victor Gollancz, Frieda Lawrence, Iris Murdoch, Sonia Orwell, Sir Herbert Read, Hugh Trevor-Roper, A L Rowse, John Sparrow, Stephen Spender, R H Tawney, and many others, and including letters relating to George Orwell, J Middleton Murry, R H Tawney, and Simone Weil; correspondence with his literary agents A D Peters and with publishers, on his publications and broadcasts; letters to the press; personal papers, including c100 letters from Rees to his mother, c1938-c1942, other family letters, and snapshots; correspondence with J Middleton Murry and his wife, 1936-1937, relating to personal matters leading to Rees' resignation from the Adelphi, and other papers relating to the Adelphi, 1935-1936.

Other material includes a notebook including typescript reviews and letters to editors; memoranda of agreements with publishers for books, articles, etc, 1954-1969; press cuttings on various political, literary, artistic, and other subjects, including reviews of some works by Rees; typescript diary of a visit to Italy, 1959.

Rees' papers on George Orwell, 1949-1963, relating to his role as literary executor include correspondence and papers, some relating to Orwell's death, adopted son Richard, and proposed posthumous publications, and including material relating to his wife Sonia; papers on the George Orwell Archive Trust; typescript transcripts of poems Orwell contributed to the Adelphi, 1933-1936; two book reviews by Orwell, 1943-1944.

Rees' papers on Simone Weil largely comprise translations, typescripts and proofs for Rees' publications on Weil. There are also some writings by Weil; a photograph of her, 1942; letters to Rees from Weil's mother and brother, André, and other correspondence on Weil, 1958-1970; press cuttings on Rees' publications on Weil.

Rees' papers on R H Tawney, relating to his role as literary executor, include correspondence and papers of Tawney; Rees' correspondence on Tawney, largely dating from 1960-1970; correspondence and papers relating to the sale of Tawney's belongings and his will, with other personal documents relating to Tawney and his wife; correspondence relating to the disposal of Tawney's collection of books on economic history, 1952. The correspondents include a number of prominent literary and other public figures.

The later deposit comprises a typescript on Orwell and a typescript and corrected proofs on Murry.

Manuscript volume containing a verse chronicle of the history of England from the legendary Brut up to 1272, [1440], most notably focusing on the barons' rebellion led by Simon de Montfort during the reign of King Henry III. The chronicle is written in rhymed couplets in a south-west Midland dialect, and was copied in a good semi-cursive hand by two, or possibly three, scribes. The chronicle is known in two versions, of which this is the shorter; in the longer version there is a reference to the darkness which fell on the surrounding country following the Battle of Evesham (Aug 1265), and this, as well as local knowledge of the area, has led to the author being traditionally named 'Robert of Gloucester'. On the verso of the second fly-leaf there is a 'Precepts in -ly' (moral or religious counsels) entitled 'A spesiall glasse to loke in daily', which is dated at Holy Rode on 14 Sep 1516. It was possibly written by Richard Whitford (1476-1542), who was chaplain to William Blount, 4th Baron Mountjoy, and later to Richard Fox, Bishop of Winchester, afterwards becoming a monk at Syon Monastery, Isleworth, until the Dissolution. It is unclear if Whitford also undertook the copying of the Richard of Gloucester chronicle. Folio 147 contains 25 lines of miscellaneous Latin, including a section relating to the prophecies of Merlin.

Autograph album, 1802-1805, with verses and notes from fellow students at Jena University.

Papers of Professor Andrew Rutherford, including material relating to the teaching of literature at University level, such as lectures dating from his time at the University of Aberdeen, and reports to the British Council on his lecturing tours abroad; documents concerning the admission of Goldsmith's College as a School of the University of London; appointment diaries and a file of speeches made while Vice-Chancellor of the University of London; research material compiled by Rutherford relating to his book book The literature of war: five studies in heroic virtue (Macmillan, 1978) and his editorship of seven volumes of Kipling's stories and poetry , most notably Early verse by Rudyard Kipling (Oxford University Press, 1986), comprising working notes, photocopies, correspondence and drafts.

Collection of typescript poems of Grete Salus, written whilst in the camps of Terezin, Auschwitz and Oederan.

Letters to Sarmiento concerning poetry, publications and literature. Seventeen letters from the Spanish poets Manuel Altolaguirre and his wife Concha Mendez (1934-1935), 18 from Luis Cernuda, with copies (1938-1940), and about 20 from Aubrey Bell (1936-1947). Manuscript poem of Altolaguirre with transcript. Facsimile edition of manuscript poems of José Silva's 'El Libro de Versos' (1945), and photocopies of various articles about Silva. Translations of poems by St John of the Cross, and other poems by Sarmiento; together with 2 letters from Sarmiento to Jim Cummins of the Department of Spanish and Latin American Studies at UCL (1976-1986).

A manuscript of Fireflies (Georgian Parodies), 1920 by Siegfried Sassoon.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Correspondence, [1940-1989], about his texts, mainly in regard to the work of William Wordsworth and John Bunyan, including one photocopy of a letter from Professor Clive Staples Lewis about Bunyan, 1963; proofs, offprints and typescript texts, reflecting Sharrock's own literary work (including poems), and literary criticism including Spiritual autobiography in the pilgrim's progress, Keats and the young lovers, preface for Classic English short stories 1989; copy of a booklet by Sharrock The chemist and the poet: Sir Humphry Davy and the preface to lyrical ballads (Reprinted from Notes and Records of the Royal Society of London, vol 17, no 1, May 1962).

Miscellaneous papers, 1915-1973, of Mabel Shaw, including her correspondence (1930-1973) and circular letters; personal papers; prayer texts and poems; reports, including Decenial Report on the Women's and Girl's Work in Mbereshi (1930-1940); and miscellaneous photographs from Mbereshi.

The archive consists of two scrapbooks of manuscript poems, reviews and press cuttings. The volumes contain items relating to the suffrage movement and general news items about politics, art, literature and theatre. There are many press cuttings from 'The Freethinker' and manuscript poems by Simmons. The archive also includes a photocopied surrogate version of parts of the scrapbooks and an index.

A forgery of a sixteen-line song composed in March 1791 by Robert Burns. It is written and signed in imitation of Burn's hand, c1888-1892.

George Charles Moore Smith's undated transcripts, first lines and titles of 17th-century poems before 1660. The sources include British Library Additional MSS, MSS Sloane, Lansdowne, Dyce, Harleian and Egerton; Oxford University, Bodleian Library, MS Ashmole, MS Malone, MS Rawlinson Poet; Corpus Christi Library, Oxford, MS 32B; Cambridge University Library, Add MS 4138; manuscripts at St John's, Emmanuel, Jesus and Corpus Christi Colleges, Cambridge; commonplace books including those by Anthony Scattergood and W E Preston; poets including Anthony Sleep, Thomas Coriat, Peter Hausted (Halstead), Edward Forset, John Eliot, Henry Molle and Thomas Masters. Much of the material is written on the reverse of examination scripts in English (some identified as University of Sheffield).

Photographs and correspondence relating to the career and life of journalist Jean Soward, including photographs from her time as fashion journalist with the News Chronicle in Paris, studio portraits, photographs of Vernon Bartlett in Spain during the Civil War and miscelleaneous correpondence, including letters from Vernon Bartlett MP (to whom she was secretary), typescript of short story 'Extravaganza' and typescript poetry (1946-1952).

Papers of Frederick Gordon Spear, 1908-1980. These papers fall naturally into several distinct groups; items pertaining to his radiological research conducted in Cambridge at the Strangeways Laboratory, materials about the Strangeways Laboratory as an institution, presumably accumulated during his many years as deputy director, papers relating to his connections with other bodies associated with radiology, such as the Hospital Physicists Association and the British Institute of Radiology, of which he was president in 1961, publications and unpublished papers by him, and also some publications by others on subjects related to the work he was doing.

A very small amount of material, not classifiable under these headings, has been put together in a 'Personal' section.

While Spear originally studied tropical medicine, and spent some time at the Baptist Mission Hospital at Yakusu in the Belgian Congo in the early 1920s this aspect of his career is not represented in these papers.

Received along with Spear's papers were a number of notebooks formerly belonging to his first wife Ada Louisa Sowerby, which she kept during her nurse and midwifery training in London in the later 1920s.

Correspondence and papers of Dr David Stafford-Clark (1916-1999), relating to his war service as a medical officer in the RAF, and his later career as a psychiatrist, broadcaster and writer on mental health.

Papers, c1910-1983, of Abraham Nahum Stencl, relating to his life and work and to modern Yiddish literature, and comprising papers relating to his life, 1934-1978, including letters received from his family, photographs, press cuttings relating to his life and work, and personal documents; manuscript and printed writings, 1930-1980, in verse and prose, including some autobiographical and works on literature; papers, 1918-1983, largely dating from the 1940s and after, relating to Loshn un Lebn and the Friends of Yiddish circle, other friends and acquaintances, Jewish organisations, and Stencl's involvement in literary events, comprising letters received and other papers, including works by other authors, of over 200 correspondents, some of them annotated by Stencl; ephemera, c1910-1982, accumulated by Stencl, including postcards, membership cards, receipts, tickets, greeting cards, circulars, advertisements, and flyers.

Miscellaneous papers of Robert E Symons, 1944-1959, on the literary estates of Laurence and A E Housman, including a few letters to Laurence Housman; a transcript in Laurence Housman's hand of the verses 'The shades of night were falling fast'; and a typescript of A E Housman's 'A morning with the royal family (from The Bromsgrovian, 1882).

Manuscript of a poem, Catullus, c1900 (manuscript 324) by Arthur William Symons.

Typescript drafts, 1921-1958, with alterations of several poetical works written by Rabindranath Tagore.

These papers relate primarily to Robin Tanner's work in education and not to his activities as an artist and etcher. They include lectures, addresses and conference papers together with photographs of accompanying displays, 1950s-1980s; a small group of papers relating to individual schools, 1930s-1980s; some publications; a little correspondence, mainly from the 1960s-1980s; slides of works by young people taught by Tanner in the 1930s; and personalia, including poetry and prose anthologies, some neckties and a cassette recording of a talk by Heather Tanner and Dietrich Hanff on 'Life in the Tanner Household'.

Collected papers, c1810-c1899 (some undated), of the Rev William Ernest Taylor, including Swahili verses, proverbs, chronicles, stories, songs, hymns, religious texts, and vocabularies, and some of Taylor's own correspondence.

Holograph manuscripts, 1880-1884. SL V 31 is John Lord Cobham. SL V 32 is The Voyage of Maeldune. SL V 33 is Early Spring and SL V 34 is an edition of Tennyson's Works.

Theresienstadt poems collection, 1938, comprise typescript poems written by inmates of Theresienstadt, including Leo Strauss, Myra Strauss Gruhenberg, Mara, Otto Pam, Koppel and Fritz Pollak.