GB 2217 LP - PROKOFIEV, Lina (1897-1989)

Zone d'identification

Cote

GB 2217 LP

Titre

PROKOFIEV, Lina (1897-1989)

Date(s)

  • [1920-1987] (Création/Production)

Niveau de description

Étendue matérielle et support

7 large boxes

Zone du contexte

Nom du producteur

Notice biographique

Lina Prokofiev began life as Carolina Codina, born in Madrid on 21 October 1897. Her maternal Polish grandfather had held an important government post in Russia and spoke both Russian and Polish fluently. Lina herself became an adept linguist and so was at ease in cosmopolitan circles. Both her parents were singers, and Lina was trained by her mother to pursue the same career. When Lina was still a girl, her father brought the family from Spain to Cuba, and then to New York. Lina first met Serge Prokofiev in December 1918 following his New York symphonic concert debut at Carnegie Hall. Married in Bavaria in October 1923, they soon moved to Paris which became their main residence until the spring of 1936, when Prokofiev moved his family to Moscow. Lina's existence became particularly precarious when Prokofiev left her during the war in 1941, when he was evacuated from Moscow along with numerous artists, including Mira Mendelson, a young writer who would become his second wife in 1948. The Soviet authorities regarded their separation with a suspicion which was all the more heightened by her regular contacts with Western diplomats following World War Two. Early in 1948 she was arrested and sentenced to 20 years in labour camps. She was released in 1956 following the general amnesty after Stalin's death, though she was unable to leave the Soviet Union until 1974, when she returned to Paris. During her last years she devoted her considerable energy to promoting her husband's work.

Histoire archivistique

GB 2217 LP [1920-1987] Subfonds of The Serge Prokofiev Archive 7 large boxes Prokofiev , Lina , 1897-1989 , soprano , wife of Serge Prokofiev

Lina Prokofiev began life as Carolina Codina, born in Madrid on 21 October 1897. Her maternal Polish grandfather had held an important government post in Russia and spoke both Russian and Polish fluently. Lina herself became an adept linguist and so was at ease in cosmopolitan circles. Both her parents were singers, and Lina was trained by her mother to pursue the same career. When Lina was still a girl, her father brought the family from Spain to Cuba, and then to New York. Lina first met Serge Prokofiev in December 1918 following his New York symphonic concert debut at Carnegie Hall. Married in Bavaria in October 1923, they soon moved to Paris which became their main residence until the spring of 1936, when Prokofiev moved his family to Moscow. Lina's existence became particularly precarious when Prokofiev left her during the war in 1941, when he was evacuated from Moscow along with numerous artists, including Mira Mendelson, a young writer who would become his second wife in 1948. The Soviet authorities regarded their separation with a suspicion which was all the more heightened by her regular contacts with Western diplomats following World War Two. Early in 1948 she was arrested and sentenced to 20 years in labour camps. She was released in 1956 following the general amnesty after Stalin's death, though she was unable to leave the Soviet Union until 1974, when she returned to Paris. During her last years she devoted her considerable energy to promoting her husband's work.

Deposited in the Serge Prokofiev Archive by Oleg Prokofiev in various accessions from 1994 onwards.

Papers of Lina Prokofiev, [1920-1987], including personal material such as copies of letters written by Serge Prokofiev; copies of correspondence between Lina's family and Prokofiev, [1931-1938]; copies of financial material, 1929-1935; correspondence and official papers relating to Lina's attempts to leave the Soviet Union and later to remain in Europe, [1973-1978]; personal correspondence of Lina, 1974-1989, with correspondents including her children and grandchildren, authors writing books on Prokofiev and Lina, and musical societies and orchestras requesting permission to perform Prokofiev's works; business correspondence, [1977-1985], regarding the setting up of the Serge Prokofiev Foundation and the collection of archival material, as well as legal matters relating to the Prokofiev estate and Lina's autobiography; papers relating to Lina's visit to the USA in 1976-1977, including schedules, correspondence, press cuttings and programmes; material relating to Lina's performance as the narrator in Peter and the Wolf at the Lincoln Centre for the Performing Arts, 1984-1985; family photographs. The collection also includes transcripts from taped interviews with Lina covering topics such as her family background, the early life and musical training of Serge Prokofiev, Prokofiev's composing methods, health, politics and relationship with his children, the public reception of Prokofiev's music, Lina and Prokofiev's courtship and marriage, and life in Soviet Russia; texts of articles and broadcasts by Lina, [1982-1984], on topics including Prokofiev's relationship with Stravinsky, and the writing of Romeo and Juliet and the Third Piano Concerto; articles by various authors relating to Prokofiev, [1976-1977, 1980-1982]; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1975-1987]; copies of the Moscow News, 1934-1935; and pamphlets, published works and cassettes concerning Christian Science.

Unsorted.

By appointment only. Some private correspondence is closed to the public. Please contact the Curator for details.

At the discretion of the Curator.
French, Russian, English, German

Unlisted.

The Serge Prokofiev Archive also holds the papers of Serge and Oleg Prokofiev and Christopher Palmer.

Compiled by Sarah Aitchison as part of the RSLP AIM25 Project. Biographical information provided by Noëlle Mann, Curator of the Serge Prokofiev Archive. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Feb 2002 Ballet Biographies Classical music Dance Eastern Europe Literary forms and genres Literature Music Musical performances Musical styles North America Orchestras Prokofiev , Lina , 1897-1989 , soprano , wife of Serge Prokofiev x Llubera , Lina x Codina , Carolina Prokofiev , Serge Sergeevich , 1891-1953 , composer Prose Serge Prokofiev Foundation USA USSR Performing arts Musical performers Performers Artists

Source immédiate d'acquisition ou de transfert

Deposited in the Serge Prokofiev Archive by Oleg Prokofiev in various accessions from 1994 onwards.

Zone du contenu et de la structure

Portée et contenu

Papers of Lina Prokofiev, [1920-1987], including personal material such as copies of letters written by Serge Prokofiev; copies of correspondence between Lina's family and Prokofiev, [1931-1938]; copies of financial material, 1929-1935; correspondence and official papers relating to Lina's attempts to leave the Soviet Union and later to remain in Europe, [1973-1978]; personal correspondence of Lina, 1974-1989, with correspondents including her children and grandchildren, authors writing books on Prokofiev and Lina, and musical societies and orchestras requesting permission to perform Prokofiev's works; business correspondence, [1977-1985], regarding the setting up of the Serge Prokofiev Foundation and the collection of archival material, as well as legal matters relating to the Prokofiev estate and Lina's autobiography; papers relating to Lina's visit to the USA in 1976-1977, including schedules, correspondence, press cuttings and programmes; material relating to Lina's performance as the narrator in Peter and the Wolf at the Lincoln Centre for the Performing Arts, 1984-1985; family photographs. The collection also includes transcripts from taped interviews with Lina covering topics such as her family background, the early life and musical training of Serge Prokofiev, Prokofiev's composing methods, health, politics and relationship with his children, the public reception of Prokofiev's music, Lina and Prokofiev's courtship and marriage, and life in Soviet Russia; texts of articles and broadcasts by Lina, [1982-1984], on topics including Prokofiev's relationship with Stravinsky, and the writing of Romeo and Juliet and the Third Piano Concerto; articles by various authors relating to Prokofiev, [1976-1977, 1980-1982]; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1975-1987]; copies of the Moscow News, 1934-1935; and pamphlets, published works and cassettes concerning Christian Science.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

Unsorted.

Zone des conditions d'accès et d'utilisation

Conditions d'accès

By appointment only. Some private correspondence is closed to the public. Please contact the Curator for details.

Conditions de reproduction

At the discretion of the Curator.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

French, Russian, English, German

Caractéristiques matérielle et contraintes techniques

The Serge Prokofiev Archive also holds the papers of Serge and Oleg Prokofiev and Christopher Palmer.

Instruments de recherche

Unlisted.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Note de publication

Zone des notes

Note

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Serge Prokofiev Archive

Règles et/ou conventions utilisées

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées