Identificatie
referentie code
Titel
Datum(s)
- [18th century] (Vervaardig)
Beschrijvingsniveau
Omvang en medium
1 volume
Context
Naam van de archiefvormer
Biografie
Mattia Vento was born in Naples, 1735; studied at the Conservatorio di S Maria di Loreto, Naples; first operatic successes in Italy; Le deluse accortezze (1756) and La finta semplice (1759) produced at Rome; L'egiziana in Venice and Milan, 1763; went to England, 1763; active there as a composer and harpsichord teacher until his death; for the London opera, first produced the pasticcio Leucippo e Zenocrita, repeated in a command performance for the wedding of Princess Augusta (sister of George III), 1764; in succeeding seasons produced Demofoonte, 1765; Sofonisba, 1766; La conquista del Messico, 1767; also contributions to pasticcios; his aria Caro amor was successfully inserted in London performances of Piccinni's La buona figliuola, 1766; after a lapse of some years, produced Artaserse for the Harmonical Meeting, Soho Square, 1771; listed as a director at the King's Theatre, producing comic and serious operas (Il bacio, La vestale and further pasticcios), 1775-1776; also served as conductor at public concerts including those at the Pantheon; listed among the major composers in London by a visitor from Germany, 1776; criticisms included simplicity and a lack of novelty, but individual songs from the operas and the published sets were widely performed and reprinted in anthologies; other work included 11 collections of keyboard sonatas, most with subordinate violin accompaniments, criticised for their sameness, but which were retained in publishers' catalogues for half a century; the 65 sonatas date from 1764-1776; Vento brought to London from Naples the latest operatic style but changes in the sonatas suggest that he also responded to the contemporary pre-Classical synthesis of German, Italian and English elements; died in London, 1776. His oeuvre included the following instrumental works: 6 Sonatas (London, 1764); 6 Sonatas (London, c1764); 6 Sonatas (London, 1765); A Third (-Tenth) Book (Sett) of 6 Sonatas (London, 1766-76); 6 Overtures in 8 Parts (London, c1774); A Last Sett of 5 Sonatas (London, 1777).
archiefbewaarplaats
Geschiedenis van het archief
GB 0100 KCLCA Vento [18th century] Collection (fonds) 1 volume Not known.
Mattia Vento was born in Naples, 1735; studied at the Conservatorio di S Maria di Loreto, Naples; first operatic successes in Italy; Le deluse accortezze (1756) and La finta semplice (1759) produced at Rome; L'egiziana in Venice and Milan, 1763; went to England, 1763; active there as a composer and harpsichord teacher until his death; for the London opera, first produced the pasticcio Leucippo e Zenocrita, repeated in a command performance for the wedding of Princess Augusta (sister of George III), 1764; in succeeding seasons produced Demofoonte, 1765; Sofonisba, 1766; La conquista del Messico, 1767; also contributions to pasticcios; his aria Caro amor was successfully inserted in London performances of Piccinni's La buona figliuola, 1766; after a lapse of some years, produced Artaserse for the Harmonical Meeting, Soho Square, 1771; listed as a director at the King's Theatre, producing comic and serious operas (Il bacio, La vestale and further pasticcios), 1775-1776; also served as conductor at public concerts including those at the Pantheon; listed among the major composers in London by a visitor from Germany, 1776; criticisms included simplicity and a lack of novelty, but individual songs from the operas and the published sets were widely performed and reprinted in anthologies; other work included 11 collections of keyboard sonatas, most with subordinate violin accompaniments, criticised for their sameness, but which were retained in publishers' catalogues for half a century; the 65 sonatas date from 1764-1776; Vento brought to London from Naples the latest operatic style but changes in the sonatas suggest that he also responded to the contemporary pre-Classical synthesis of German, Italian and English elements; died in London, 1776. His oeuvre included the following instrumental works: 6 Sonatas (London, 1764); 6 Sonatas (London, c1764); 6 Sonatas (London, 1765); A Third (-Tenth) Book (Sett) of 6 Sonatas (London, 1766-76); 6 Overtures in 8 Parts (London, c1774); A Last Sett of 5 Sonatas (London, 1777).
Transferred to King's College London Archives from the Marsden collection at King's College Library, to which it was formerly attributed.
Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].
Open, subject to signature of reader's undertaking form.
Copies, subject to the condition of the original, may be supplied for research use only. Requests to publish original material should be submitted to the Director of Archive Services, King's College London.
English, Latin, Italian
Collection level description available in reading room at King's College London Archives.
Compiled by Rachel Kemsley as part of the RSLP AIM25 project. Sources: brief description in King's College London Manuscripts and Private Papers: A Select Guide (1982); The New Grove Dictionary of Music & Musicians (2nd edition). Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Jan 2001 Classical music Drawings Literary forms and genres Literature Musical styles Music publishing Poetry Publishing Publishing industry Vento , Mattia , 1735-1776 , composer Visual materials Illustrations
Directe bron van verwerving of overbrenging
Transferred to King's College London Archives from the Marsden collection at King's College Library, to which it was formerly attributed.
Inhoud en structuur
Bereik en inhoud
Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].
Waardering, vernietiging en slectie
Aanvullingen
Ordeningstelsel
Voorwaarden voor toegang en gebruik
Voorwaarden voor raadpleging
Open, subject to signature of reader's undertaking form.
Voorwaarden voor reproductie
Copies, subject to the condition of the original, may be supplied for research use only. Requests to publish original material should be submitted to the Director of Archive Services, King's College London.
Taal van het materiaal
- Engels
Schrift van het materiaal
- Latijn
Taal en schrift aantekeningen
English, Latin, Italian
Fysieke eigenschappen en technische eisen
Toegangen
Collection level description available in reading room at King's College London Archives.
Verwante materialen
Bestaan en verblifplaats van originelen
Bestaan en verblijfplaats van kopieën
Related units of description
Notitie Publicaties
Aantekeningen
Aantekening
Alternative identifier(s)
Trefwoorden
Onderwerp trefwoord
- Musical styles » Classical music
- Visual materials » Drawings
- Literary forms and genres
- Literature
- Musical styles
- Publishing industry » Publishing » Music publishing
- Literary forms and genres » Poetry
- Publishing industry » Publishing
- Publishing industry
- Visual materials
- Visual materials » Illustrations
Geografische trefwoorden
Naam ontsluitingsterm
Genre access points
Beschrijvingsbeheer
Identificatie van de beschrijving
Identificatiecode van de instelling
Toegepaste regels en/of conventies
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Status
Niveau van detaillering
Verwijdering van datering archiefvorming
Taal (talen)
- Engels