GB 0100 KCLCA Vento - VENTO, Mattia (1735-1776)

Zona de identificação

Código de referência

GB 0100 KCLCA Vento

Título

VENTO, Mattia (1735-1776)

Data(s)

  • [18th century] (Produção)

Nível de descrição

Dimensão e suporte

1 volume

Zona do contexto

Nome do produtor

História biográfica

Mattia Vento was born in Naples, 1735; studied at the Conservatorio di S Maria di Loreto, Naples; first operatic successes in Italy; Le deluse accortezze (1756) and La finta semplice (1759) produced at Rome; L'egiziana in Venice and Milan, 1763; went to England, 1763; active there as a composer and harpsichord teacher until his death; for the London opera, first produced the pasticcio Leucippo e Zenocrita, repeated in a command performance for the wedding of Princess Augusta (sister of George III), 1764; in succeeding seasons produced Demofoonte, 1765; Sofonisba, 1766; La conquista del Messico, 1767; also contributions to pasticcios; his aria Caro amor was successfully inserted in London performances of Piccinni's La buona figliuola, 1766; after a lapse of some years, produced Artaserse for the Harmonical Meeting, Soho Square, 1771; listed as a director at the King's Theatre, producing comic and serious operas (Il bacio, La vestale and further pasticcios), 1775-1776; also served as conductor at public concerts including those at the Pantheon; listed among the major composers in London by a visitor from Germany, 1776; criticisms included simplicity and a lack of novelty, but individual songs from the operas and the published sets were widely performed and reprinted in anthologies; other work included 11 collections of keyboard sonatas, most with subordinate violin accompaniments, criticised for their sameness, but which were retained in publishers' catalogues for half a century; the 65 sonatas date from 1764-1776; Vento brought to London from Naples the latest operatic style but changes in the sonatas suggest that he also responded to the contemporary pre-Classical synthesis of German, Italian and English elements; died in London, 1776. His oeuvre included the following instrumental works: 6 Sonatas (London, 1764); 6 Sonatas (London, c1764); 6 Sonatas (London, 1765); A Third (-Tenth) Book (Sett) of 6 Sonatas (London, 1766-76); 6 Overtures in 8 Parts (London, c1774); A Last Sett of 5 Sonatas (London, 1777).

História do arquivo

GB 0100 KCLCA Vento [18th century] Collection (fonds) 1 volume Not known.
Mattia Vento was born in Naples, 1735; studied at the Conservatorio di S Maria di Loreto, Naples; first operatic successes in Italy; Le deluse accortezze (1756) and La finta semplice (1759) produced at Rome; L'egiziana in Venice and Milan, 1763; went to England, 1763; active there as a composer and harpsichord teacher until his death; for the London opera, first produced the pasticcio Leucippo e Zenocrita, repeated in a command performance for the wedding of Princess Augusta (sister of George III), 1764; in succeeding seasons produced Demofoonte, 1765; Sofonisba, 1766; La conquista del Messico, 1767; also contributions to pasticcios; his aria Caro amor was successfully inserted in London performances of Piccinni's La buona figliuola, 1766; after a lapse of some years, produced Artaserse for the Harmonical Meeting, Soho Square, 1771; listed as a director at the King's Theatre, producing comic and serious operas (Il bacio, La vestale and further pasticcios), 1775-1776; also served as conductor at public concerts including those at the Pantheon; listed among the major composers in London by a visitor from Germany, 1776; criticisms included simplicity and a lack of novelty, but individual songs from the operas and the published sets were widely performed and reprinted in anthologies; other work included 11 collections of keyboard sonatas, most with subordinate violin accompaniments, criticised for their sameness, but which were retained in publishers' catalogues for half a century; the 65 sonatas date from 1764-1776; Vento brought to London from Naples the latest operatic style but changes in the sonatas suggest that he also responded to the contemporary pre-Classical synthesis of German, Italian and English elements; died in London, 1776. His oeuvre included the following instrumental works: 6 Sonatas (London, 1764); 6 Sonatas (London, c1764); 6 Sonatas (London, 1765); A Third (-Tenth) Book (Sett) of 6 Sonatas (London, 1766-76); 6 Overtures in 8 Parts (London, c1774); A Last Sett of 5 Sonatas (London, 1777).

Transferred to King's College London Archives from the Marsden collection at King's College Library, to which it was formerly attributed.

Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Open, subject to signature of reader's undertaking form.

Copies, subject to the condition of the original, may be supplied for research use only. Requests to publish original material should be submitted to the Director of Archive Services, King's College London.
English, Latin, Italian

Collection level description available in reading room at King's College London Archives.

Compiled by Rachel Kemsley as part of the RSLP AIM25 project. Sources: brief description in King's College London Manuscripts and Private Papers: A Select Guide (1982); The New Grove Dictionary of Music & Musicians (2nd edition). Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Jan 2001 Classical music Drawings Literary forms and genres Literature Musical styles Music publishing Poetry Publishing Publishing industry Vento , Mattia , 1735-1776 , composer Visual materials Illustrations

Fonte imediata de aquisição ou transferência

Transferred to King's College London Archives from the Marsden collection at King's College Library, to which it was formerly attributed.

Zona do conteúdo e estrutura

Âmbito e conteúdo

Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Avaliação, seleção e eliminação

Incorporações

Sistema de arranjo

Zona de condições de acesso e utilização

Condições de acesso

Open, subject to signature of reader's undertaking form.

Condiçoes de reprodução

Copies, subject to the condition of the original, may be supplied for research use only. Requests to publish original material should be submitted to the Director of Archive Services, King's College London.

Idioma do material

  • inglês

Sistema de escrita do material

  • latim

Notas ao idioma e script

English, Latin, Italian

Características físicas e requisitos técnicos

Instrumentos de descrição

Collection level description available in reading room at King's College London Archives.

Zona de documentação associada

Existência e localização de originais

Existência e localização de cópias

Unidades de descrição relacionadas

Descrições relacionadas

Nota de publicação

Zona das notas

Nota

Identificador(es) alternativo(s)

Pontos de acesso

Pontos de acesso - Locais

Pontos de acesso - Nomes

Pontos de acesso de género

Zona do controlo da descrição

Identificador da descrição

Identificador da instituição

King's College London College Archives

Regras ou convenções utilizadas

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estatuto

Nível de detalhe

Datas de criação, revisão, eliminação

Línguas e escritas

  • inglês

Script(s)

    Fontes

    Área de ingresso