GB 1249 Wessex Philharmonic - Wessex Philharmonic Orchestra

Zone d'identification

Cote

GB 1249 Wessex Philharmonic

Titre

Wessex Philharmonic Orchestra

Date(s)

  • c1939-c1945 (Création/Production)

Niveau de description

Étendue matérielle et support

5 box files

Zone du contexte

Nom du producteur

Notice biographique

On the outbreak of World War Two, Bournemouth town council virtually disbanded its municipal orchestra. In response a number of individuals, notably Maisie Aldrich, the daughter of a Christchurch solicitor, formed a small orchestra to perform for the south coast town and surrounding area.

The conductor Reginald Goodall (1901-1990), after a musical education at Lincoln Cathedral, the Hamilton Conservatory and the Royal College of Music, was Organist at St Alban's Holborn, 1929-1936. His unorthodox outlook and Mosleyite political views and sympathies hindered his attempts find employment as a professional conductor and he was unemployed at the start of the war.

Miss Aldrich sought Goodall's assistance with the Wessex Philharmonic and the orchestra performed its first concert on 8 Dec 1939. Thereafter, Goodall directed over 300 concerts over the next three years and two months, and in the process transforming a group of amateur/semi-professional musicians into a competent orchestra, who often peformed works by many modern British composers, and frequently in two concerts a day. A number of the musicians were refugees of German origin, and as foreign nationals were not allowed within five miles of the coast under wartime security measures, the collection documents the efforts to circumvent these rules.

The collection charts the foundation, development and work of the orchestra and provides important biographical material on Goodall, which include his political views as well as his professional activities. On leaving the orchestra in 1943, he spend six months as an army storeman and then joined Sadler's Wells Opera, where he conducted the premiere of Britten's 'Peter Grimes' on 7 Jun 1945. His career thereafter was spent in relative obscurity, but enjoyed a revival in the 1970s with his conducting of Wagner's Ring cycle.

Histoire archivistique

GB 1249 Wessex Philharmonic c1939-c1945 Collection (fonds) 5 box files Wessex Philharmonic Orchestra
Goodall , Sir , Reginald , 1901-1990 , Knight , conductor
Aldrich , Maisie , fl 1939 , musician
On the outbreak of World War Two, Bournemouth town council virtually disbanded its municipal orchestra. In response a number of individuals, notably Maisie Aldrich, the daughter of a Christchurch solicitor, formed a small orchestra to perform for the south coast town and surrounding area.

The conductor Reginald Goodall (1901-1990), after a musical education at Lincoln Cathedral, the Hamilton Conservatory and the Royal College of Music, was Organist at St Alban's Holborn, 1929-1936. His unorthodox outlook and Mosleyite political views and sympathies hindered his attempts find employment as a professional conductor and he was unemployed at the start of the war.

Miss Aldrich sought Goodall's assistance with the Wessex Philharmonic and the orchestra performed its first concert on 8 Dec 1939. Thereafter, Goodall directed over 300 concerts over the next three years and two months, and in the process transforming a group of amateur/semi-professional musicians into a competent orchestra, who often peformed works by many modern British composers, and frequently in two concerts a day. A number of the musicians were refugees of German origin, and as foreign nationals were not allowed within five miles of the coast under wartime security measures, the collection documents the efforts to circumvent these rules.

The collection charts the foundation, development and work of the orchestra and provides important biographical material on Goodall, which include his political views as well as his professional activities. On leaving the orchestra in 1943, he spend six months as an army storeman and then joined Sadler's Wells Opera, where he conducted the premiere of Britten's 'Peter Grimes' on 7 Jun 1945. His career thereafter was spent in relative obscurity, but enjoyed a revival in the 1970s with his conducting of Wagner's Ring cycle.

Purchased at Sotheby's sale of music (lot 92) by the Library of the Royal College of Music, 17 May 2002.

Papers of or relating to the Wessex Philharmonic Orchestra and its conductor Reginald Goodall, mainly comprising correspondence with composers, singers, musicians, orchestral managers, agents and artists, relating to the foundation of the orchestra, performances of the orchestra during World War Two, the hiring and dismissal of musicians, the arranging of concerts, discussion of programmes (including music by Britten, Elgar, Poulenc, Rubbra, Sibelius, Vaughan Williams, Walton and many others), payments and disbursements made, arrangements for accommodating visiting soloists and conductors etc, mainly addressed to Maisie Aldrich, with a large number of letters from Goodall, and others including Adrian Boult, Harriet Cohen, H C Colles, George Dyson, Anatol Fistoulari (about Anna Mahler), Beatrice Harrison, Arnold Haskell, Julius Isserlis, Gordon Jacob, Eileen Joyce, Kathleen Long, Reginald Morley, Albert Sammons, Malcolm Sargent, Kendall Taylor, Ralph Vaughan Williams.

Unsorted.

Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.

Photocopying is permitted at the discretion of the Archivist for research purposes only.
English

Uncatalogued. There is a conspectus of the collection in the Sotheby's music auction catalogue, 17 May 2002.

The collection was used by John Lucas in his biography Reggie: the life of Reginald Goodall (London, 1993).

Compiled by Robert Baxter as part of the RSLP AIM25 Project. Sources: article on Goodall by John Lucas, Grove Dictionary of Music; Sotheby's music catalogue, 17 May 2002. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. May 2002 Aldrich , Maisie , fl 1939 , musician Artists Boult , Sir , Adrian Cedric , 1889-1983 , Knight , conductor Bournemouth Classical music Cohen , Harriet , 1895-1967 , pianist Colles , Henry Cope , 1879-1943 , musician and historian Dyson , Sir , George , 1883-1964 , Knight , organist and composer England Europe Fistoulari , Anatole , 1907-1995 , conductor Goodall , Sir , Reginald , 1901-1990 , Knight , conductor Hampshire Harrison , Beatrice , 1892-1965 , cellist Haskell , Arnold , 1903-1980 , writer on ballet International conflicts Isserlis , Julius , 1888-1968 , Russian pianist and composer Jacob , Gordon Percival Septimus , 1895-1984 , composer, teacher and writer Joyce , Eileen , 1908-1991 , Australian pianist Long , Kathleen , 1896-1968 , pianist Music Musical performances Musical styles Musicians Orchestras Pegge , Reginal Frederick , Morley- , 1890-1972 , horn player and musicologist x Morley-Pegge , Reginald Performers Sammons , Albert , 1886-1957 , violinist Sargent , Sir , Harold Malcolm Watts , 1895-1967 , conductor x Sargent , Malcolm Taylor , Kendall , 1905-1999 , pianist UK War Wessex Philharmonic Orchestra Western Europe Williams , Ralph , Vaughan , 1872-1958 , composer x Vaughan Williams , Ralph World wars (events) World War Two (1939-1945) Wars (events) Performing arts Dorset London Musical performers

Source immédiate d'acquisition ou de transfert

Purchased at Sotheby's sale of music (lot 92) by the Library of the Royal College of Music, 17 May 2002.

Zone du contenu et de la structure

Portée et contenu

Papers of or relating to the Wessex Philharmonic Orchestra and its conductor Reginald Goodall, mainly comprising correspondence with composers, singers, musicians, orchestral managers, agents and artists, relating to the foundation of the orchestra, performances of the orchestra during World War Two, the hiring and dismissal of musicians, the arranging of concerts, discussion of programmes (including music by Britten, Elgar, Poulenc, Rubbra, Sibelius, Vaughan Williams, Walton and many others), payments and disbursements made, arrangements for accommodating visiting soloists and conductors etc, mainly addressed to Maisie Aldrich, with a large number of letters from Goodall, and others including Adrian Boult, Harriet Cohen, H C Colles, George Dyson, Anatol Fistoulari (about Anna Mahler), Beatrice Harrison, Arnold Haskell, Julius Isserlis, Gordon Jacob, Eileen Joyce, Kathleen Long, Reginald Morley, Albert Sammons, Malcolm Sargent, Kendall Taylor, Ralph Vaughan Williams.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

Unsorted.

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.

Conditions de reproduction

Photocopying is permitted at the discretion of the Archivist for research purposes only.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Uncatalogued. There is a conspectus of the collection in the Sotheby's music auction catalogue, 17 May 2002.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Note de publication

Zone des notes

Note

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Royal College of Music

Règles et/ou conventions utilisées

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées