Zone d'identification
Cote
Titre
Date(s)
- 1791-1974 (Création/Production)
Niveau de description
Étendue matérielle et support
1 A box (1 volume)
Zone du contexte
Nom du producteur
Notice biographique
In a period in which the women's sphere was ideologically located in the home, their entrance in to the public sphere was seen as either a scandal or an object of mockery. However, while the fields of politics and commerce were largely closed to females, paradoxically, other positions in the public eye were not. Women writers and artists could be found from the Renaissance onwards and actresses in particular could achieve great fame for their work. However, women who entered into the public sphere in this way were generally considered to be outside of the normal rules of society even while being lionised by its members. This equivocal social position left them open to abuse, but at the same time meant that they could move freely around all sections of it while remaining at liberty to look after their own business and financial affairs in a way that a woman was not normally permitted to do. By the beginning of the twentieth century, the ambiguous status of such individuals with its benefits and limitations led a number of women involved in the arts to become acutely conscious of women's overall status. This led a number of them to become engaged in the campaign for the vote and for improvement of women's status. Groups such as the Actresses' Franchise League and the Artists' Suffrage League undertook collective action which others continued on an individual level throughout this period and into the second half of the nineteenth century as the campaign to improve women's status continued.
Dépôt
Histoire archivistique
GB 106 9/18 1791-1974 fonds 1 A box (1 volume) Various
In a period in which the women's sphere was ideologically located in the home, their entrance in to the public sphere was seen as either a scandal or an object of mockery. However, while the fields of politics and commerce were largely closed to females, paradoxically, other positions in the public eye were not. Women writers and artists could be found from the Renaissance onwards and actresses in particular could achieve great fame for their work. However, women who entered into the public sphere in this way were generally considered to be outside of the normal rules of society even while being lionised by its members. This equivocal social position left them open to abuse, but at the same time meant that they could move freely around all sections of it while remaining at liberty to look after their own business and financial affairs in a way that a woman was not normally permitted to do. By the beginning of the twentieth century, the ambiguous status of such individuals with its benefits and limitations led a number of women involved in the arts to become acutely conscious of women's overall status. This led a number of them to become engaged in the campaign for the vote and for improvement of women's status. Groups such as the Actresses' Franchise League and the Artists' Suffrage League undertook collective action which others continued on an individual level throughout this period and into the second half of the nineteenth century as the campaign to improve women's status continued.
The collection contains letters from women involved in the arts concerning their work, business matters, publicity, articles and general social correspondence. Correspondents include Sarah Siddons, Emily Faithfull, Fanny Kemble, Elizabeth Thompson, Isabella Dallas Glyn, Mary Davis, Fanny Stirling, Mrs Morritt, Lady Bancroft, Genevieve Ward, Lucy Kemp-Welch, Madge Kendall, Mrs Steele, Philippa Strachey, Ethel Coffin, Rutland Boughton, Marion Terry, Eva Moore, Sybil Thorndyke, Alys Russell, Lena Ashwell, Marie Tempest, Agnes Hill, Marie Lohr, Dame Ethel Smyth, Irene Vanbrugh, Ruth Draper, Ethel Warwick, Dame Laura Knight, Cicely Courtney, Lilian Braithwaite and Ninette de Valois.
This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit. Available on microfiche only.
English
Abstracts of individual letters in the autograph letters collection were written and held alongside the letters. This work was done from the 1960s by volunteers including Nan Taylor. In 2004 Jean Holder completed a 3 year project to list the letters, copy-type the abstracts, and repackage the letters to meet preservation needs. In 2005 Vicky Wylde and Teresa Doherty proof read and imported the entries to the Special Collections Catalogue.
The original card index of all correspondents, including date of letter and volume reference, is available on the microfiche.
A copy of this archive is available on microfilm held at The Women's Library.
The Women's Library also holds records of the Actresses' Franchise League (2AFL) and the Artists' Suffrage League (2ASL). Other collections within Strand 9 which may be of interest include 9/07 Literary Ladies.
Finding aid created by export from CALM v7.2.14 Archives Hub EAD2002. Edited for AIM25 by Sarah Drewery.
In compliance with ISAD (G): General International Standard Archival Description - 2nd Edition (1999); UNESCO Thesaurus, December 2001; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
25/03/2008 Ward , Dame , Geneviève , 1837-1922 , opera singer and actress x Ward , Lucy Geneviève Teresa Siddons , Sarah , 1755-1831 , nee Kemble , actress Boughton , Rutland , 1878-1960 , composer Kemble , Frances Anne [Fanny] , 1809-1893 actress and author x Butler , Fanny Ashwell , Lena , d 1957 , actress and producer Draper , Ruth , 1884-1956 , actress Braithwaite , Dame , Florence Lilian , 1873-1948 , actress x Lawrence , Lilian Valois , Dame Ninette de , 1898-2001 , ballet dancer, founder of the Royal Ballet Thorndike , Dame , Agnes Sybil , 1882-1976 , afterwards Casson , actress x Casson , Dame , Agnes Sybil Knight , Dame , Laura , 1877-197 , nee Johnson , painter Strachey , Philippa , 1872-1968 , feminist activist and organiser Glyn , Isabella , 1823-1889 , actress x Gearns , Isabella Tempest , Dame , Marie , 1864-1942 , actress Terry , Marion Bessie , [1852]-1930 , actress Löhr , Marie Kaye Wouldes , 1890-1975 , actress Women Employment Womens employment Women artists Artists Performers Women authors Authors Actors Stirling , Mary Anne , 1813-1895 , née Hehl , actress x Stirling , Fanny Faithfull , Emily , 1835-1895 , publisher and women's activist Vanbrugh , Dame , Irene , 1872-1949 , actress x Barnes , Irene Smyth , Dame , Ethel Mary , 1858-1944 , composer and suffragist Kendal , Dame , Madge , 1848-1935 , actress Moore , Eva , 1870-1955 , actress Russell , Alys , 1867-1951 , nee Whitall , first wife of Bertrand Russell, 3rd Earl Russell x Russell , Countess Sex Sex distribution
Source immédiate d'acquisition ou de transfert
Zone du contenu et de la structure
Portée et contenu
The collection contains letters from women involved in the arts concerning their work, business matters, publicity, articles and general social correspondence. Correspondents include Sarah Siddons, Emily Faithfull, Fanny Kemble, Elizabeth Thompson, Isabella Dallas Glyn, Mary Davis, Fanny Stirling, Mrs Morritt, Lady Bancroft, Genevieve Ward, Lucy Kemp-Welch, Madge Kendall, Mrs Steele, Philippa Strachey, Ethel Coffin, Rutland Boughton, Marion Terry, Eva Moore, Sybil Thorndyke, Alys Russell, Lena Ashwell, Marie Tempest, Agnes Hill, Marie Lohr, Dame Ethel Smyth, Irene Vanbrugh, Ruth Draper, Ethel Warwick, Dame Laura Knight, Cicely Courtney, Lilian Braithwaite and Ninette de Valois.
Évaluation, élimination et calendrier de conservation
Accroissements
Mode de classement
Zone des conditions d'accès et d'utilisation
Conditions d'accès
This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit. Available on microfiche only.
Conditions de reproduction
Langue des documents
- anglais
Écriture des documents
- latin
Notes de langue et graphie
English
Caractéristiques matérielle et contraintes techniques
The Women's Library also holds records of the Actresses' Franchise League (2AFL) and the Artists' Suffrage League (2ASL). Other collections within Strand 9 which may be of interest include 9/07 Literary Ladies.
Instruments de recherche
Abstracts of individual letters in the autograph letters collection were written and held alongside the letters. This work was done from the 1960s by volunteers including Nan Taylor. In 2004 Jean Holder completed a 3 year project to list the letters, copy-type the abstracts, and repackage the letters to meet preservation needs. In 2005 Vicky Wylde and Teresa Doherty proof read and imported the entries to the Special Collections Catalogue.
The original card index of all correspondents, including date of letter and volume reference, is available on the microfiche.
Zone des sources complémentaires
Existence et lieu de conservation des originaux
Existence et lieu de conservation des copies
A copy of this archive is available on microfilm held at The Women's Library.
Unités de description associées
Note de publication
Zone des notes
Note
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Règles et/ou conventions utilisées
In compliance with ISAD (G): General International Standard Archival Description - 2nd Edition (1999); UNESCO Thesaurus, December 2001; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Statut
Niveau de détail
Dates de production, de révision, de suppression
Langue(s)
- anglais