Identity area
Reference code
Title
Date(s)
- 1927-1959 (Creation)
Level of description
Extent and medium
1 box
Context area
Name of creator
Biographical history
Christopher 'Kit' Wood was born in 1901. He was educated at Marlborough College and studied architecture at Liverpool University. In 1921 he enrolled at the Academie Julian in Paris, then at the Grande Chaumire. He met a number of European artists, including Jean Cocteau (with whom he shared a studio) and Picasso, whilst in Paris and during visits to Europe and north Africa. In 1926 he met Ben and Winifred Nicholson in London and stayed with them in Cornwall, where he and Ben Nicholson discovered the work of the naive painter Alfred Wallis (in 1928). A member of the Seven and Five Society, he also exhibited with the London Group. His best work was completed in Brittany in the final two years of his life. He was killed by a train at Salisbury railway station in 1930. Frosca Munster, a Russian emigre, met Wood in Paris in 1928. They began a relationship and she stayed with him and the Nicholsons in Cornwall.
The first monograph on Wood was Eric Newton's Christopher Wood, 1901-30 (1938). The most recent biography is Richard Ingleby's Christopher Wood: An English Painter (1995).
Repository
Archival history
GB 0070 TGA 723 1927-1959 Fonds 1 box Wood , (John) Christopher [Kit] , 1901-1930 , painter
Christopher 'Kit' Wood was born in 1901. He was educated at Marlborough College and studied architecture at Liverpool University. In 1921 he enrolled at the Academie Julian in Paris, then at the Grande Chaumire. He met a number of European artists, including Jean Cocteau (with whom he shared a studio) and Picasso, whilst in Paris and during visits to Europe and north Africa. In 1926 he met Ben and Winifred Nicholson in London and stayed with them in Cornwall, where he and Ben Nicholson discovered the work of the naive painter Alfred Wallis (in 1928). A member of the Seven and Five Society, he also exhibited with the London Group. His best work was completed in Brittany in the final two years of his life. He was killed by a train at Salisbury railway station in 1930. Frosca Munster, a Russian emigre, met Wood in Paris in 1928. They began a relationship and she stayed with him and the Nicholsons in Cornwall.
The first monograph on Wood was Eric Newton's Christopher Wood, 1901-30 (1938). The most recent biography is Richard Ingleby's Christopher Wood: An English Painter (1995).
Presented to the Tate Gallery by Frosca Munster in 1961 and transferred to the Archive in 1972.
Christopher Wood met Frosca Munster in Paris in 1928. Although she was married, they began an intense relationship, meeting in Cornwall, London or Paris whenever possible. The collection contains a large number of love letters and telegrams from Wood to Frosca, and letters from Rene Crevel and Jean Cocteau. It includes telegrams of condolence to Frosca after Wood's death, memoirs of him by, among others, Winifred Nicholson, Max Jacob and Jean Cocteau, and reports about his death. The collection also contains photographs of Wood and his friends, press cuttings relating to his death and exhibitions, and locks of his and Frosca's hair.
The majority of the collection is written in French, although Wood's letters to Frosca (TGA 723/5-75) have been translated into English.
Letters, papers, artworks, photographs and press cuttings
Open. Access to all registered users
Usual copyright restrictions apply
French
Paper list available
Letters from Wood to his mother can be found in TGA 773. There is also material in the papers of Mrs Jacques Le Roy (né Winifred Reitlinger) (TGA 907), Cedric Morris (TGA 8317), and Ben Nicholson (TGA 8717; TGA 8618), and in the records of the Seven and Five Society (TGA 849). Works by Wood are included in the exhibition catalogues of the London Group (TGA 7713). A sketchbook, letters, photographs and other ephemera, 1910-1930, are held at Cambridge University Kettle's Yard Museum and Art Gallery.
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 2005 Painters Wood , (John) Christopher [Kit] , 1901-1930 , painter Artists
Immediate source of acquisition or transfer
Presented to the Tate Gallery by Frosca Munster in 1961 and transferred to the Archive in 1972.
Content and structure area
Scope and content
Christopher Wood met Frosca Munster in Paris in 1928. Although she was married, they began an intense relationship, meeting in Cornwall, London or Paris whenever possible. The collection contains a large number of love letters and telegrams from Wood to Frosca, and letters from Rene Crevel and Jean Cocteau. It includes telegrams of condolence to Frosca after Wood's death, memoirs of him by, among others, Winifred Nicholson, Max Jacob and Jean Cocteau, and reports about his death. The collection also contains photographs of Wood and his friends, press cuttings relating to his death and exhibitions, and locks of his and Frosca's hair.
The majority of the collection is written in French, although Wood's letters to Frosca (TGA 723/5-75) have been translated into English.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Letters, papers, artworks, photographs and press cuttings
Conditions of access and use area
Conditions governing access
Open. Access to all registered users
Conditions governing reproduction
Usual copyright restrictions apply
Language of material
- English
Script of material
- Latin
Language and script notes
French
Physical characteristics and technical requirements
Letters from Wood to his mother can be found in TGA 773. There is also material in the papers of Mrs Jacques Le Roy (né Winifred Reitlinger) (TGA 907), Cedric Morris (TGA 8317), and Ben Nicholson (TGA 8717; TGA 8618), and in the records of the Seven and Five Society (TGA 849). Works by Wood are included in the exhibition catalogues of the London Group (TGA 7713). A sketchbook, letters, photographs and other ephemera, 1910-1930, are held at Cambridge University Kettle's Yard Museum and Art Gallery.
Finding aids
Paper list available
Allied materials area
Existence and location of originals
The original correspondence between and concerning the Ahmadiyya movement and the Muslim League in India is in the Archives of the Muslim League.
Existence and location of copies
Related units of description
Notes area
Alternative identifier(s)
Access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Status
Level of detail
Dates of creation revision deletion
Language(s)
- English