Fonds GB 0070 TGA 723 - WOOD, (John) Christopher (1901-1930); Letters, papers, artworks, photographs and press cuttings

Zone d'identification

Cote

GB 0070 TGA 723

Titre

WOOD, (John) Christopher (1901-1930); Letters, papers, artworks, photographs and press cuttings

Date(s)

  • 1927-1959 (Création/Production)

Niveau de description

Fonds

Étendue matérielle et support

1 box

Zone du contexte

Nom du producteur

Notice biographique

Christopher 'Kit' Wood was born in 1901. He was educated at Marlborough College and studied architecture at Liverpool University. In 1921 he enrolled at the Academie Julian in Paris, then at the Grande Chaumire. He met a number of European artists, including Jean Cocteau (with whom he shared a studio) and Picasso, whilst in Paris and during visits to Europe and north Africa. In 1926 he met Ben and Winifred Nicholson in London and stayed with them in Cornwall, where he and Ben Nicholson discovered the work of the naive painter Alfred Wallis (in 1928). A member of the Seven and Five Society, he also exhibited with the London Group. His best work was completed in Brittany in the final two years of his life. He was killed by a train at Salisbury railway station in 1930. Frosca Munster, a Russian emigre, met Wood in Paris in 1928. They began a relationship and she stayed with him and the Nicholsons in Cornwall.

The first monograph on Wood was Eric Newton's Christopher Wood, 1901-30 (1938). The most recent biography is Richard Ingleby's Christopher Wood: An English Painter (1995).

Histoire archivistique

GB 0070 TGA 723 1927-1959 Fonds 1 box Wood , (John) Christopher [Kit] , 1901-1930 , painter

Christopher 'Kit' Wood was born in 1901. He was educated at Marlborough College and studied architecture at Liverpool University. In 1921 he enrolled at the Academie Julian in Paris, then at the Grande Chaumire. He met a number of European artists, including Jean Cocteau (with whom he shared a studio) and Picasso, whilst in Paris and during visits to Europe and north Africa. In 1926 he met Ben and Winifred Nicholson in London and stayed with them in Cornwall, where he and Ben Nicholson discovered the work of the naive painter Alfred Wallis (in 1928). A member of the Seven and Five Society, he also exhibited with the London Group. His best work was completed in Brittany in the final two years of his life. He was killed by a train at Salisbury railway station in 1930. Frosca Munster, a Russian emigre, met Wood in Paris in 1928. They began a relationship and she stayed with him and the Nicholsons in Cornwall.

The first monograph on Wood was Eric Newton's Christopher Wood, 1901-30 (1938). The most recent biography is Richard Ingleby's Christopher Wood: An English Painter (1995).

Presented to the Tate Gallery by Frosca Munster in 1961 and transferred to the Archive in 1972.

Christopher Wood met Frosca Munster in Paris in 1928. Although she was married, they began an intense relationship, meeting in Cornwall, London or Paris whenever possible. The collection contains a large number of love letters and telegrams from Wood to Frosca, and letters from Rene Crevel and Jean Cocteau. It includes telegrams of condolence to Frosca after Wood's death, memoirs of him by, among others, Winifred Nicholson, Max Jacob and Jean Cocteau, and reports about his death. The collection also contains photographs of Wood and his friends, press cuttings relating to his death and exhibitions, and locks of his and Frosca's hair.

The majority of the collection is written in French, although Wood's letters to Frosca (TGA 723/5-75) have been translated into English.

Letters, papers, artworks, photographs and press cuttings

Open. Access to all registered users

Usual copyright restrictions apply
French

Paper list available

Letters from Wood to his mother can be found in TGA 773. There is also material in the papers of Mrs Jacques Le Roy (né Winifred Reitlinger) (TGA 907), Cedric Morris (TGA 8317), and Ben Nicholson (TGA 8717; TGA 8618), and in the records of the Seven and Five Society (TGA 849). Works by Wood are included in the exhibition catalogues of the London Group (TGA 7713). A sketchbook, letters, photographs and other ephemera, 1910-1930, are held at Cambridge University Kettle's Yard Museum and Art Gallery.
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 2005 Painters Wood , (John) Christopher [Kit] , 1901-1930 , painter Artists

Source immédiate d'acquisition ou de transfert

Presented to the Tate Gallery by Frosca Munster in 1961 and transferred to the Archive in 1972.

Zone du contenu et de la structure

Portée et contenu

Christopher Wood met Frosca Munster in Paris in 1928. Although she was married, they began an intense relationship, meeting in Cornwall, London or Paris whenever possible. The collection contains a large number of love letters and telegrams from Wood to Frosca, and letters from Rene Crevel and Jean Cocteau. It includes telegrams of condolence to Frosca after Wood's death, memoirs of him by, among others, Winifred Nicholson, Max Jacob and Jean Cocteau, and reports about his death. The collection also contains photographs of Wood and his friends, press cuttings relating to his death and exhibitions, and locks of his and Frosca's hair.

The majority of the collection is written in French, although Wood's letters to Frosca (TGA 723/5-75) have been translated into English.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

Letters, papers, artworks, photographs and press cuttings

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Open. Access to all registered users

Conditions de reproduction

Usual copyright restrictions apply

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

French

Caractéristiques matérielle et contraintes techniques

Letters from Wood to his mother can be found in TGA 773. There is also material in the papers of Mrs Jacques Le Roy (né Winifred Reitlinger) (TGA 907), Cedric Morris (TGA 8317), and Ben Nicholson (TGA 8717; TGA 8618), and in the records of the Seven and Five Society (TGA 849). Works by Wood are included in the exhibition catalogues of the London Group (TGA 7713). A sketchbook, letters, photographs and other ephemera, 1910-1930, are held at Cambridge University Kettle's Yard Museum and Art Gallery.

Instruments de recherche

Paper list available

Zone des sources complémentaires

Existence et lieu de conservation des originaux

The original correspondence between and concerning the Ahmadiyya movement and the Muslim League in India is in the Archives of the Muslim League.

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Sujets

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Tate Britain

Règles et/ou conventions utilisées

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées