Manuscript material concerning Lycian inscriptions, consisting of letters to Yates and his manuscript notes, including some notes in Greek and on the Greek alphabet.

Volume containing manuscript notes, correspondence, sketches of archaeological material, and pressed foliage, and a copy of 'On Phoenician Inscriptions' from the Journal of the Royal Asiatic Society.

Notes on articles in Sir William Smith's Dictionary of Greek and Roman Antiquities, with a few related letters.

Letter from Sir Charles Wood, Chancellor of the Exchequer, of Hickleton, [near Doncaster] to an unspecified recipient, 19 Oct 1849. 'Dear Sir, It is unlucky that the D.G. [i.e. Dei Gratia (by the grace of God)] was left out [from the inscription on the new florin (2 shilling) coin] - people attach more importance to such matters now a days. Yours truly C. Wood'.

Autograph, with signature.

Diaries and sketch books of Robert Wood, James Dawkins, John Bouverie and Giovanni Battista Borra of a tour of the Levant, 1750-1751, comprising:
Transcript (8 volumes) of the diaries of the archaeologist, James Dawkins, 5 May 1750-8 June 1751, describing the tour from Naples, Italy to Porto Leone, via Smyrna [Izmir], Sardis, Thyatira [Akhisar], Pergamum [Bergama], Sinus Eleaticus, Constantinople [Istanbul], Boursa, Cyzicus [Belkis], Troy, Tenedos, Phocaea [Foça], Teos [Sigacik], Ephesus, Magnesia ad Meander, Laodicea, Hierapolis [Pamukkale], Antioch, Mytilene [Mitilíni], Lesbos, Scio [Chíos, Nísos], Neomene, Samos, Mylassa, Halicarnassus [Bodrum], Cos [Kos], Cnidus Nova, Rhodes [Ródhos], Alexandria [Al-Iskandariyah], Cairo, The Pyramids, Acre [Akko], Mount Carmel [Har Hakarmel], Nazareth, Capernaum [Kefar Nahum], Tiberias [Teverya], Jerusalem, Bethlehem, Rama, Sidon [Sayda], Beirut, Damascus, Baalbek [Balabakk], Tripoli, Delos [Dhílos], Athens, Marathon, Thermopylae, Chalcis [Khalkís], Thebes, Delphi [Dhelfoi] and Megara.
Diary (1 volume) of John Bouverie, 25 May-8 June 1750, 25 July-3 Aug 1750, and 7 Sep 1750, covering the tour from Smyrna to Meander, as described above.
Papers of Robert Wood, comprising diaries (3 volumes), 25 May-19 Aug, 22 Sep - 8 Oct 1750, 16 May-1 June 1751; pocket books (2 volumes), containing copies of inscriptions made during the tour, including Athens, Baalbek, Palmyra, and other sites in Turkey, Greece and Egypt; extracts (made by Wood's daughter) from his tour manuscripts, including some that are not in the collection; manuscript A universal history by Wood, almost certainly pre-dating the tour; notebook, containing extracts from Wood's journals from his 1742-1743 visit to the Levant, itineraries from his 1745 visit to Italy, preparatory plans for the 1750-1751 tour and notes on Homer; notebook conntaining copy of an extended letter from Wood to James Dawkins, [c1755], Remarks on Homer's plan of Troy, in effect an early draft of his Essay on the Original Genius of Homer [see printed books below].
Sketch books of Giovanni Battista Borra, containing ink and pencil sketches made on the tour, mainly of architectural details, but also including landscapes, of Naples and Mount Vesuvius, Palmyra and Damascus.
Printed books: Robert Wood: An Essay on the Original Genius and Writings of Homer, London, H Hughs for T Payne and P Emsley, 1775, including engravings after Borra of ruins near Troy, and a map of Troas; The ruins of Palmyra and Baalbek, London, W Pickering, 1827 and Les ruines de Palmyre, autrement dite Tedmor au desert, Paris, Firmin Didot, 1819; Homer: Operum omnium quae exstant. Tomus prior sive Ilias Grece et Latine.Juxta editionem emendatissimam et accuratissimam Samuelis Clarke Amsterdam, J Wetstenium, 1743 [Wood's interleaved copy, containing notes and transcripts of inscriptions]; l'Abbe Barthelemy Reflexions sur l'alphabet et sur la langue dont on se servot autrefois a Palmyre, Paris, 1754; Giacomo Barozzi [Il Vignola] Regola delli cinque ordini d'architecttura, Rome, [1620].

Papers cover Witkowski's writings on medical history (and other areas of history) rather than his medical activities. MSS.5036-5038 comprise press cuttings, publishers' notices, reviews, etc., relating to Witkowski's writings, plus original poems, some photographs, and some letters to him about his work; they span the bulk of his career (1865-1920). MSS.5039-5085 consist of material related closely to various published works on medical history and art history by Witkowski: typescript and holograph drafts, annotated published material, etc. Within this block of material, MSS.5057-5062 consist of a detailed critique of Folie de l'Empereur by Augustin Cabanès (1862-1928), consisting of heavily annotated copies of the published work. Also worth noting are MSS.5063-5064, copies of Witkowski's Comment j'ai appris l'Histoire Sainte, a Rabelaisian and satirical anti-clerical history. Finally, MSS.5086-5088, written under the pseudonym "Docteur Clam", comprise travel writings, recording travels in Italy, Turkey, Romania and Hungary, in 1901 (MS.5086); Egypt, in 1901-1902 (MS.5087); and Italy, in 1905 (MS.5088).

Papers of J H E Winston comprising a notebook titled 'Guy's Hospital Museum of Antiquities 1919-1920', including descriptions of a bass relief from the mansion of the prior of St Pancras, discovered on the site of the College; notes on the construction of Guy's; list of illustrations and of Guy's Hospital; notes on John Keats; other items relating to the history of Guy's Hospital. Also contains some loose cards containing captions for museum objects, and loose notes on similar historical subjects.

Papers of Henry Wilson, comprising correspondence, photographs and presscuttings [1864-1934].

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.

Letters to Johannes Wilde, 1920-1968, mostly from his brother Dr Ferenc Wilde in Budapest and other family members. The correspondence mostly relates to personal matters but there are also references to the art world and to political events including the Hungarian revolution of 1956. Also contains a diary of events in Budapest during the Second World War written by Wilde's sister Margit Wilde.

Papers of George Arbuthnot concerning currency, as edited by V D[elves?] B[roughton?]; Papers of Lord Welby concerning the organisation of Government departments, gold coinage, Indian currency, bimetallism, coinage, and the Bank of England; Lord Welby's correspondence; and a compendium of information on British administration in the mid 19th century.

Papers of Roberto Weiss c 1924-1969, including notes, working papers and correspondence. Topics covered include: the Italian Renaissance; humanism; coinage and medals, and antiquarianism.

Papers created and collected privately by Aby Moritz Warburg and members of his family, and administrative records of the Kulturwissenschaftliche Bibliothek Warburg and its successor institution, the Warburg Institute, 1866-2000. Including records of the history of the Warburg Institute from the beginnings of Aby Warburg's private library to the present day in sections under the following headings: Buildings; Administration; Organization and Activities of the Library / Institute; Annual Reports; Visitors' and Address Books; Accession Books; Account Books and 'Scrap' Book. Personal documents and working papers of Aby Warburg, including his bibliographical notes, notebooks, diaries and journals, drafts of lectures and articles; poems and dramatic sketches. Topics covered include: Contemporary Art; Hamburg University; Early Renaissance and Florentine Art and Patronage: Botticelli, Leonardo, Ghirlandaio, Sassetti; Flemish Art; Transformation of Style; Festivals; Psychology of Art; Pueblo Indians; Art and Astrology in Italy and the North: Palazzo Schifanoia, Luther and the Art of the Reformation, Dürer; Rembrandt; Cosmology; Postage Stamps; 'Mnemosyne-Atlas'. Papers collected by Aby Warburg on the following topics: Hamburg University; Hamburg City Affairs; Hamburg Institutions; Art Historical and other Congresses; Kunsthistorisches Institut (Florenz); First World War and Aftermath and Universities. Photographic Material including negatives and prints.

Treatise on coinage in Saxony headed 'Lunenburgischer Krays abescheidt Ihn der vorhen nach Quasimodogeniti anno [15]69 [a]usgerustet. So viel die Munze belangedt', 1569.

Contemporary copy of a treatise, 1603, by Sir Richard Martin, Master of the Royal Mint, on matters relating to the Royal Mint and solutions to the problems of coinage at the beginning of the reign of King James I. With a dedicatory epistle to King James I. Martin's Indentures for the coining of new monies, which are largely quoted in this treatise, were renewed by James I on 21 May 1603.

Manuscript volume containing a treatise by Sir James William Morrison, First Clerk and Deputy Master of the Royal Mint, entitled 'Memoirs and observations on the melting and casting of silver for the coinage at his Majesty's Mint', 1807. The manuscript discusses previous techniques in melting, especially experiments made by his father James Morrison, Deputy Master of the Mint from 1787-1799, based on his papers, and his own experiments made with the help of Robert Mushet, Third Clerk to the Master of the Mint, and Robert Bingley, the Assay Master (1798-1836). There are some pencil notes in the margin.

Manuscript volume, 1554-1720, containing nine transcripts relating to the public coinage of France, notably a transcript of letters patent by King Henry IV setting out regulations for the coinage, 3 Mar 1554; a judgment of the Chambre des Comptes, 25 Nov 1690; miscellaneous transcripts giving details of the cost of equipment for minting, possibly for the coinage of Orleans, France; various formularies for the process of casting gold ingots and counterfeit gold coins, drawn up on behalf of Pierre François Guerin, Juge Garde de la Monoye d'Orleans, 30 Apr 1728; memorandum on the establishment of the coinage of Orleans following an edict of Oct 1716, consisting of 24 articles for regulating the work of the officers of the Mint; two treatises on the administration of coinage in France; summaries of judgements concerning coinage, 23 Dec 1719-26 Dec 1720, with a commentary on each; a description of various French coins, [1718-1728].

Manuscript volume containing tracts on coinage by Leon Lee, [1628-1633], namely proposals on the coinage addressed to Richard Weston, 1st Earl of Portland and Treasurer of England, a paper outlining methods of preventing abuse of the coinage, and an explanation of the exchange. The volume also contains a [presumably unrelated] account of the reception of Princess Elizabeth of England, at Frankenthal, for her marriage to the Elector Palatine Frederick V, later King of Bohemia, Jun 1613.

Manuscript volume, 1573, containing documents and tables relating to the Royal Mint, including papers on the prevention of counterfeiting and clipping of coins, and methods of replenishing the circulation of silver coins.

Papers of Cecil Symons, cardiologist, 1972-1988, comprising:
Correspondence on the commissioning of Peter Jones' pictorial representations of the Royal Free Group of Hospitals, 1972-1973, and the subsequent bequest to the Hospital in 1987-1988. Copies of the paintings are exhibited in the RFH Committee Room, and the originals are held in the Archives Centre, and known as the Symons bequest.
Correspondence on the commissioning of the 150th Anniversary group portrait of the RFH Consultants, 1978.

(1) Letter from Randall Carline Swingler of the Left Review, 2 Parton Street, London to Thomas Sturge Moore, c1938. Asking him to contribute an article to the Left Review. Sturge Moore's draft reply appears on the reverse.

(2) Letter from Randall CarlineSwingler of the Left Review to Thomas Sturge Moore, c1938. Enclosing the final proof [missing] of Sturge Moore's article Fashions in art and literature.The article appeared in the April 1938 issue.

(3)Letter from John Edgell Rickword of the Communist Party of Great Britain, Hampstead Branch, 47 South Hill Park to Thomas Sturge Moore, 15 Feb 1938. Asking him to chair a lecture.

Papers and correspondence, 1929-1975 and undated, of Julia Frances Strachey, including diaries, notebooks, manuscripts and typescripts, 1929-1975 and undated; letters to Julia, 1924-1956 and undated, the writers including Dora Carrington; letters to Stephen Tomlin and Julia, 1923-1930 and undated, the writers including Lytton Strachey; correspondence between Stephen Tomlin and Julia, 1930-1931; correspondence between Julia and Lawrence Gowing, 1939-1971 and undated, and other letters to Julia, 1952-1967 and undated; personalia, including a copy of a divorce certificate, 1967, a will, 1971, a business diary, 1971, an appointment diary, 1974, passports, and an undated address book; postcards and photographs, largely undated, mainly miscellaneous works of art but also including Lytton and Oliver Strachey, Dora Carrington, and Stephen Tomlin; a scrapbook, 1932-1971, mainly comprising press cuttings including reviews of Strachey's novels, with a few miscellaneous letters inserted.

Scientific and antiquarian manuscript and printed papers of Mervyn Herbert Nevil Story-Maskelyne, chiefly relating to his unpublished work on historic diamonds and other gemstones. Includes: Historical notes on the Koh-i-noor diamond and other historic gemstones; Notes on the Koh-i-noor and other historic diamonds; On the Koh-i-noor diamond: manuscript draft; Diamonds and antiquities: notes and newscuttings; 'Notes on jewels etc', with extracts from Theophrastus, Dioscorides and Pliny; 'Lectures on the mineralogy of antiquity'; includes much on historic diamonds; 'The filling of fissures', notes for a lecture on the formation of ore minerals; Newscuttings relating to the British Museum, one of them a letter of John Ruskin, 1866-1873; 'On diamonds', the text of a lecture given at the Royal Institution, reprinted from 'The Chemical News', 1860; 'The metals and minerals of the Bible' (printed), [1888]; 'Physical properties of minerals - I. optical': notes for a lecture, illustrated with diagrams; 'Visitors to Prof Maskelyne's lecture on crystallography, Nov 23, 1874', with notes on crystal structure from the works of Groth, Fedorov and others, and circular polarisation of crystals, 1874-1901; Translations of ancient texts; Viktor von Lang: crystallographic measurements and drawings from specimens in the Museum collection, 1863 and Royal Institution: Syllabus of lectures on the allied phaenomena of the chemical and electrical forces by Michael Faraday (printed), 1848. Many of the papers are accompanied by notes made by Walter Campbell Smith at the time of transfer.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

Manuscript volume containing a treatise by John Sharp, Archbishop of York, on English coins and their history, 1697, containing chapters on silver and gold coins, Scots and Irish money, and a commentary on the treatment of coinage in William Nicolson's The English historical library (London, 1696-1699). Marginal notes state that Nicolson had requested Sharp's opinion on his book before its publication, and the whole of this manuscript appears to have been known to Nicolson before he began writing The English historical library. The references to pages in Nicholson's book given in Sharp's notes refer apparently to Nicholson's manuscript copy.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Personal Documents and Working Papers of Fritz Saxl, 1896-1948, including bibliographical notes, notebooks, drafts of lectures and articles. Topics covered include: Mithras; Pagan and Jewish Influences on Christian Art; Astrology; Cosmology; Illuminated Astrological and Mythological Manuscripts; Medieval Encyclopaedias; Science and Art; Venetian Art; Spanish Art; Art of the Reformation: Dürer; Holbein, Elsheimer, Rembrandt; Historiography and Aby Warburg.

Collection of autograph letters, 1756-1849, brought together by Lord Odo Russell. The correspondents are mainly European scientists, including Nikolaus Joseph and his son Joseph Franz Freiherr von Jacquin, both Professor of Chemistry and Botany at Vienna University; the zoologist Leopold Joseph Franz Johann Fitzinger; and the botanist István Laszló Endlicher. The letters concern the natural sciences, the medical sciences, the physical sciences, the arts, theology, dealers, diplomats and statesmen, and others. There is also a note from Beethoven (post 1824) and a letter from Goethe (1807).

Manuscript volume containing notes in the hand of Rogers Ruding, Vicar of Malden, [1817-1818], consisting of extracts from legislation relating to coinage, and used in Ruding's Annals of the coinage of Great Britain (Nichols, Son, and Bentley: London, 1817-19). The extracts are marked 'used' or 'not used'. Includes a list of sources.

Manuscript volume containing transcripts of papers relating to the Royal Mint, [1732-1770], including a copy confirmation of the Charter of the Royal Mint, dated 24 Apr 1662, including the original grant of 1 May 1308 and successive confirmations and grants; a copy of the indenture dated 23 Aug 1732 appointing John Conduitt as Warden of the Mint, with corrections in red ink to form the basis of an indenture for the Hon Charles Sloane Cadogan, 23 Nov 1770; copy of a warrant dated 24 Jul 1729 for John Conduitt to coin British copper, with a note of a similar warrant dated 17 Aug 1738 for Richard Arundell, Master of the Irish Mint; copy of a warrant dated 20 Nov 1740 for Richard Arundell, Master of the Irish Mint, to coin copper for Ireland.

Manuscript volume containing transcripts of papers and tables mainly relating to the work of the Royal Mint in the second quarter of the eighteenth century, [1740-1748], notably a copy of the Mint Charter of 24 Apr 1662, with a translation into English, and of the indenture of 23 Aug 1732 appointing John Conduitt as Master of the Mint, with a schedule of salaries; copies of the papers of Sir Isaac Newton and John Conduitt relating to the Trial of the Pyx, [1717 and 1734]; copy papers, some official, relating to the Assay and Trial of the Pyx in 1734 and 1740; copy papers on various, including Portuguese money, the process of making money from imported ingotts, and copper coinage; tables of monies coined under Richard Arundell, Master of the Mint, between 1737 and 1743; tables of gold and silver minted annually from 1660-1740; orders of 1729, 1732 and 1738 allowing the Master of the Mint to import Irish copper; tables showing the weight and fineness of gold and silver coins minted from the time of King Edward I, with names of successive Masters of the Mint. A note by the compiler in the index is signed 'A.P', which probably stands for Anthony Pollet, Clerk to the Caster.

Photographic record of student work completed at the Royal College of Art, 1949-ongoing, including c5000 prints, 1949-1980s, c25,000 slides, 1961-2002, and upwards of 25,000 digital images, 2003-ongoing. The majority of images are installation shots of individual student works across all departments, including Painting, Printmaking, Photography, Sculpture, Ceramics and Glass, GoldsmithingSilversmithing Metalwork and Jewellery, Graphic Design, Illustration, Industrial Design, Interaction Design, Furniture, Design Products, Architecture, Vehicle Design and Textiles. Work exhibited in the Fashion (catwalk and static) shows and final-year exhibitions staged by Curating Contemporary Art students are also included.

Manuscript report entitled 'A State of the Coynage in Barcelona', [1714], with a note that 'This paper was attested upon oath before the Commissioners of Accounts the 14th day of May 1714 by Mr. [John] Mead'. The remainder of the volume comprises a printed copy of the answer of James Stanhope, 1st Earl Stanhope, to allegations concerning his financial administration as Commander-in-Chief of the British Army in Catalonia during 1708, and contains manuscript annotations in Stanhope's hand.

Papers of Louis Arnaud Reid, comprising drafts of published material, unpublished papers and lectures with some correspondence, notes and working papers, mainly dating from the 1970s-1980s.

Papers of Reichskommissar für die besetzten Niederländischen gebiete, 1942, comprise a copy of a letter from the Reichskommissar für die besetzten Niederländischen Gebiete to Dr Lammers concerning acquisition of paintings at a low price in Holland.

Papers of the writer Sir Richard Rees, c1920-1970 and undated.

Manuscripts and typescripts for Rees' published and unpublished work include material for an unpublished book of essays; a typescript of his unpublished novel; unpublished shorter pieces, including lectures on literary and cultural subjects, among them George Orwell and Simone Weil.

Miscellaneous personal papers and writings, 1926-1960s, include notes on dreams; travel notes on the USA, 1929; a Russian diary, 1935; papers relating to the Spanish Civil War; typescript papers of the International Commission for War Refugees, 1941-1944, and other correspondence and papers on its work; papers relating to Rees' service in World War Two; correspondence concerning Rees' membership of the committee of the Pilgrim Trust; papers relating to sales of Rees' books; printed papers, comprising various articles and book reviews relating to Rees' interests.

Correspondence, c1920-1970, comprises items to Rees and carbon copies or drafts of his letters, the correspondents including prominent literary and other public figures, for example David Astor, Vanessa Bell, Joseph Conrad, Victor Gollancz, Frieda Lawrence, Iris Murdoch, Sonia Orwell, Sir Herbert Read, Hugh Trevor-Roper, A L Rowse, John Sparrow, Stephen Spender, R H Tawney, and many others, and including letters relating to George Orwell, J Middleton Murry, R H Tawney, and Simone Weil; correspondence with his literary agents A D Peters and with publishers, on his publications and broadcasts; letters to the press; personal papers, including c100 letters from Rees to his mother, c1938-c1942, other family letters, and snapshots; correspondence with J Middleton Murry and his wife, 1936-1937, relating to personal matters leading to Rees' resignation from the Adelphi, and other papers relating to the Adelphi, 1935-1936.

Other material includes a notebook including typescript reviews and letters to editors; memoranda of agreements with publishers for books, articles, etc, 1954-1969; press cuttings on various political, literary, artistic, and other subjects, including reviews of some works by Rees; typescript diary of a visit to Italy, 1959.

Rees' papers on George Orwell, 1949-1963, relating to his role as literary executor include correspondence and papers, some relating to Orwell's death, adopted son Richard, and proposed posthumous publications, and including material relating to his wife Sonia; papers on the George Orwell Archive Trust; typescript transcripts of poems Orwell contributed to the Adelphi, 1933-1936; two book reviews by Orwell, 1943-1944.

Rees' papers on Simone Weil largely comprise translations, typescripts and proofs for Rees' publications on Weil. There are also some writings by Weil; a photograph of her, 1942; letters to Rees from Weil's mother and brother, André, and other correspondence on Weil, 1958-1970; press cuttings on Rees' publications on Weil.

Rees' papers on R H Tawney, relating to his role as literary executor, include correspondence and papers of Tawney; Rees' correspondence on Tawney, largely dating from 1960-1970; correspondence and papers relating to the sale of Tawney's belongings and his will, with other personal documents relating to Tawney and his wife; correspondence relating to the disposal of Tawney's collection of books on economic history, 1952. The correspondents include a number of prominent literary and other public figures.

The later deposit comprises a typescript on Orwell and a typescript and corrected proofs on Murry.

Papers of Henry Creswicke Rawlinson, 1831-1860, including private journals in India and Persia, 1831, 1834, 1836, 1839, 1860; political diaries in Kandahar (first Afghan War) and Baghdad 1841-1843; road report on a journey from Baghdad into Persia with sketches and copies of inscriptions; miscellaneous notebooks and some sketches, Mesopotamia 1843-1850; notebooks containing extracts and notes on the antiquities of Indo-Persia, Central Asia and the Oxus and Babylonia; miscellaneous drafts and notes of official letters and official and personal letters to Rawlinson (Sir Alexander Burnes, General Nott, Sir Willoughby Cotton, Sir William Hay Macnaughten) 1837-1844, chiefly concerned with the first Afghan War; and Parliamentary papers and confidential India Office papers 1869-1893 concerning relations with Russia on the Persian and Afghan frontiers. (300 items).

Collection of photographs of public sculptures including statues, reliefs, fountains and murals in locations including schools, housing estates and old people's homes.

Manuscript volume containing transcripts of various proposals concerning the reformation of the coinage, 1695-1696, made in response to a request by the Exchequer for views on ideas discussed in A report...for the amendment of the silver coins (1695) by William Lowndes, Permanent Secretary of the Treasury. Comprising papers on the coinage by Sir Christopher Wren, Dr John Locke, Gilbert Heathcote, Alderman [Francis] Gardner, [Rev] Samuel Pratt [Dean of Rochester], [William] Corbet, Sir John Houblon, Dr John Wallis, Dr Isaac Newton, and William James, with further treatises entitled 'A merchant's demonstration superior to imagination, that the raising of bullion cannot be anyways injurious but highly advantageous to these three kingdoms above all others', and 'Some considerations offered to the House of Commons in relation to mending the coyne'. A note written in 1963 by E S de Beer regarding several of the items described above is inserted into the manuscript.

Typescript copy of lecture, given at the Ruhleben camp in Germany, on Greek and Byzantine art.

Papers of Harry Price, c500 - 1999, comprising the following: Personal correspondence to and from Harry Price, 1926-1948; typescripts and drafts of plays by Price, c1900-c1940; typescripts and drafts of lectures regarding Sussex, coins and various matters, 1908-1912; papers relating to antiquaries and numismatics, including handwritten notes and catalogues, 1876-c1920; financial and legal records concerning the National Laboratory for Psychical Research, Borley Rectory and Arun Way, Pulborough, including tenancy agreements and correspondence, 1926-1946; papers regarding libel cases and threatened legal action against Price, 1928-1946; accounts and correspondence regarding personal financial matters, 1922-1950; notes and lectures regarding psychical research by Price and others, c1920-c1948; reports and statements regarding psychical investigation, magic and the paranormal, 1772-1948; papers and notes regarding automatic writings, 1909-1943; minutes and papers of the University of London Council for Psychical Investigation, 1934-1936; drafts and typescripts of Price's books and publications, 1922-1948; typescripts and lectures by various authors regarding psychical research, magic and the paranormal, 1886-1948; legal and financial papers concerning Price's books and publications, 1921-1946; correspondence, publicity and reviews regarding Price's books and publications, 1921-1948; scripts, correspondence and legal and financial papers regarding radio and television appearances by Price, 1930-1947; assorted manuscripts regarding psychical research, magic, astronomy and Salop, Shropshire, c500-c1800; press cuttings and cuttings scrapbooks collated by Price and others, 1450-1947; photographs regarding psychical research and other matters, c1850-1948; playbills, posters and promotional material concerning spiritualism, magic and various matters, c1850-1948; cinefilms and videos of psychic experiments by Price and others, 1932-1999; artefacts relating to Price's psychical research and personal items, 1684-c1939; playing cards and artefacts relating to magic, c1850-1939.

Photographs of London arranged in the following sets:

Railway Stations;
Greenwich and Blackheath;
Kenwood House;
London Lamp Posts;
Legal London;
Piers,
River Coast and Ships;
London Churches;
Statues of the Famous;
City of London and Southwark;
Panoramas from Monument;
Aerial Views;
River Thames and Greenwich;
London Views.

Manuscript volume containing an 18th century transcript of a petition headed 'The particulars examined and proved concerning the grievances by farthing tokens', [1644], complaining that the patentees, in order to circulate their farthings, allowed one shilling over in twenty to those who came to buy them, and small trades people, taking most of their payments in farthings, thus sustained a loss.

The photographs in this collection cover areas of Peri's work between 1920 and 1966. They include images of his early constructivist work, bronze figurines, cement sculptures and pictures of the artist at work. The drawings and sketches are mainly of people in a variety of simple poses, but are all undated. The correspondence refers to possible commissions for the London County Council, 1958 and an exhibition of his work at St. Pancras Public Library, 1963.

Tables of English coins devised by Samuel Pegge, published in 1736.

This collection consists of correspondence, notes and writings, artwork, photographs, press cuttings, exhibition material, printed material, personal documentation, financial documentiation, and ephemeral items relating to Cecil and Elisabeth Collins.

Manuscript volume containing a collection of notes and papers compiled by Craven Ord, [1810], relating to the coinage and offices of the Mint and Mint Assays, from the twelfth century onwards. Includes transcripts of material extracted from Thomas Madox The history and antiquities of the Exchequer of the Kings of England (London, 1711); medieval chancery rolls and early Exchequer records; an [eighteenth] century engraving of Mint officials at work, headed 'A part of the standard of weights and measures in the Exchequer, Anno 12 Henrici Septimi'; printed material including 'Copy of an Indenture made in 1469 between King Edward IV and William Lord Hastings, Master of the Mint...respecting the coinage in the Tower of London', Archaeologia, XV (1806).

Records of the National Campaign for the Arts, [1945-1998], comprising material relating to international arts policies in Africa, Asia, Australia, Canada, USA, Europe, Denmark, France, Italy, Germany, Republic of Ireland, Scandinavia, Spain, Portugal, Greece and Turkey, [1980s-1990s]; material concerning government dealings with the arts, including Reports of the Education, Science and Arts Committee, correspondence with MPs from the Conservative, Labour and Liberal Democrat parties, and surveys of Local Authority arts spending; Reports of the Arts Council of Great Britain, 1945-1994, including reports on the national arts and media strategy; papers relating to regional Arts Boards in England, Scotland, Wales and Northern Ireland; papers concerning quangos such as the British Council, the Crafts Council, the Museums and Galleries Commission and the Scottish Museums Council; material relating to arts organisations, including ABSA, the BBC, the British Film Institute, the English National Opera, the Independent Television Commission, the London Arts Lobby, the National Lottery and the Royal Opera House; subject files relating to types of art form, notably architecture, broadcasting, dance, education, film, literature, museums, libraries, music, opera, orchestras, radio, theatre and visual arts; publications relating to the arts in Great Britain; and correspondence files of officers of the NCA, [1985-1990].

Visitors' book and list of titles (with Russian titles translated) exhibited at National Book League exhibition entitled "Art books from the Soviet Union", 1978

Letters written from Iris Murdoch to Harry Weinberger from 1977 to 1996. The letters are in files grouped by the drawer in which Harry Weinberger kept them in his desk. The letters discuss subjects such as their shared interest in the arts and religious iconography, and both of their work. Their are over 300 letters in total.

The collection also contains a number of additional items relating to Iris Murdoch's friendship with Harry Weinberger, collected by Weinberger. This includes exhibition catalogues for Weinbergers work, and copies of drawings of Murdoch by Weinberger.