GB 2000 CGD - Charles Graham-Dixon Collection

Área de identidad

Código de referencia

GB 2000 CGD

Título

Charles Graham-Dixon Collection

Fecha(s)

  • c1500-1820 (Creación)

Nivel de descripción

Volumen y soporte

33 paintings and catalogue

Área de contexto

Nombre del productor

Historia biográfica

In October 1985 Charles Graham-Dixon, then Vice-President of the Corporation of the Royal Albert Hall of Arts and Sciences, offered to lend his personal collection of paintings to be exhibited at the Hall. On his death in 1986, Charles Graham-Dixon bequeathed a total of 33 paintings from his collection to the Royal Albert Hall, half of which are on permanent display in the Prince of Wales Room. In 2006 five of the paintings were cleaned and restored by Maria Greenley, and hung in the then newly created Clive Room; from September 2008 to May 2009 she restored the rest of the collection, two of which now hang in the lobby of the Clive Room. The rest have been glazed and hung in the Hall's Prince of Wales Room, this project having been achieved through the generosity of former President of the Corporation Charles Fairweather. The pictures are drawn mainly from the 17th century schools of the Netherlands, Italy and one English work. The finest pictures are the Dutch pieces which were acquired with the help and guidance of one of Londons leading dealers, the late Alfred Brod.

Institución archivística

Historia archivística

GB 2000 CGD c1500-1820 Item level 33 paintings and catalogue Pieter Neefs the Elder,
Hendrick Van Steenwyck the Younger,
The Antwerp Mannerist,
The Becerril Master,
Jacques de Rousseau,
Giacomo Guardi,
Frans Francken the Younger,
Johannes Lingelbach,
Vittore Carpaccio,
Jospeh Stannard,
Gerrit Van Vucht,
Jan Van Goyen,
Frans de Momper,
Abraham Van Beyeren,
Jacob Salomon Van Ruisdael,
Gaspar Pieter Verbruggen,
Circle of Cornelis de Heem,
Adrian Brouwer,
Gerrit Heda,
Bartholomeus Assteyn,
Jacobus Marell,
Sebastian Vrancx,
Philips Wouvermans,
Pieter Franchoys,
Willem Duyster,
Nicholaes Maes,
Pieter de Hooch,
Daniel Gardener.

In October 1985 Charles Graham-Dixon, then Vice-President of the Corporation of the Royal Albert Hall of Arts and Sciences, offered to lend his personal collection of paintings to be exhibited at the Hall. On his death in 1986, Charles Graham-Dixon bequeathed a total of 33 paintings from his collection to the Royal Albert Hall, half of which are on permanent display in the Prince of Wales Room. In 2006 five of the paintings were cleaned and restored by Maria Greenley, and hung in the then newly created Clive Room; from September 2008 to May 2009 she restored the rest of the collection, two of which now hang in the lobby of the Clive Room. The rest have been glazed and hung in the Hall's Prince of Wales Room, this project having been achieved through the generosity of former President of the Corporation Charles Fairweather. The pictures are drawn mainly from the 17th century schools of the Netherlands, Italy and one English work. The finest pictures are the Dutch pieces which were acquired with the help and guidance of one of Londons leading dealers, the late Alfred Brod.

Charles Graham-Dixon

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

None expected

The collection is catalogued

Access is available by appointmnet only once a valid reference is provided

Reproduction is prohibited

English

No finding aids

February 2012 Painting Paintings Religion Venice Fine arts Illustrations Italy Visual materials Western Europe Europe

Origen del ingreso o transferencia

Charles Graham-Dixon

Área de contenido y estructura

Alcance y contenido

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Valorización, destrucción y programación

Acumulaciones

None expected

Sistema de arreglo

The collection is catalogued

Área de condiciones de acceso y uso

Condiciones de acceso

Access is available by appointmnet only once a valid reference is provided

Condiciones

Reproduction is prohibited

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

Instrumentos de descripción

No finding aids

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Royal Albert Hall Archive

Reglas y/o convenciones usadas

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso